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*Megadeth's thirteenth album Thirteen has some examples. New World Order was originally released in Duke Nukem's sountrack and Black Swan was released as a bonus track in some United Abominations' editions. Both songs were reworked and re-recorded for this album.
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** ''RefittedForSequel/MortalKombat''
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* ''ComicBook/CrisisOnInfiniteEarths'': Mark Gruenwald's ambitious plans for the Post-Crisis DC Universe were much more drastic than how it eventually turned out. ''All'' continuity was going to be set aside, clearing the slate for a new, more diverse DC Universe, headlined by a new team (just as the Justice League replaced the Justice Society) called the Justice Alliance. But the comic proved so popular, this idea was nixed. The DC Universe continued with only slight changes, and continuity was preserved for the most part, with some exceptions like Wonder Woman. Some elements of this concept - a more diverse DC universe with the old continuity axed - reappeared in things like the New 52, though not quite to the level that Gruenwald envisioned. The most noticeable attempt to recycle the idea was Creator/DanDiDio's 5G initiative, but [[AvertedTrope that was itself scrapped]]. It was going to feature a new take on the Justice Alliance, but when it was retooled into the Future State event, they were just called the "Justice League" still.

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* ''ComicBook/CrisisOnInfiniteEarths'': Mark Gruenwald's Creator/MarvWolfman’s ambitious plans for the Post-Crisis Comicbook/PostCrisis DC Universe were much more drastic than how it eventually turned out. ''All'' continuity was going to be set aside, clearing the slate for a new, more diverse DC Universe, headlined by a new team (just as the Justice League replaced the Justice Society) called the Justice Alliance. But the comic proved so popular, this idea was nixed. The DC Universe continued with only slight changes, and continuity was preserved for the most part, with some exceptions like Wonder Woman. Some elements of this concept - a more diverse DC universe with the old continuity axed - reappeared in things like the New 52, though not quite to the level that Gruenwald envisioned. The most noticeable attempt to recycle the idea was Creator/DanDiDio's 5G initiative, but [[AvertedTrope that was itself scrapped]]. It was going to feature a new take on the Justice Alliance, but when it was retooled into the Future State event, they were just called the "Justice League" still.
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** ''Legends of the DC Universe: Crisis On Infinite Earths'' portrays a lost chapter of the event where the Justice League gets to meet the Justice Alliance, existing in one of the many parallel worlds of the multiverse instead of succeeding it.
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* ''ComicBook/CrisisOnInfiniteEarths'': Mark Gruenwald's ambitious plans for the Post-Crisis DC Universe were much more drastic than how it eventually turned out. ''All'' continuity was going to be set aside, clearing the slate for a new, more diverse DC Universe, headlined by a new team (just as the Justice League replaced the Justice Society) called the Justice Alliance. But the comic proved so popular, this idea was nixed. The DC Universe continued with only slight changes, and continuity was preserved for the most part, with some exceptions like Wonder Woman. Some elements of this concept - a more diverse DC universe with the old continuity axed - reappeared in things like the New 52, though not quite to the level that Gruenwald envisioned. The most noticeable attempt to recycle the idea was Creator/DanDiDio's 5G initiative, but [[AvertedTrope that was itself scrapped]]. It was going to feature a new take on the Justice Alliance, but when it was retooled into the Future State event, they were just called the "Justice League" still.
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[[folder:Web Animation]]
* Reportedly, ''WebAnimation/HelluvaBoss'' came to be because creator Creator/VivienneMedrano wanted the main characters to be extras in ''WebAnimation/HazbinHotel'', but wasn't sure where to fit them in the pilot's already large cast of characters.
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* ''ComicBook/IronMan'''s ''Armor Wars II" story ended up getting derailed from [[WhatCouldHaveBeen its original idea]] due to a change in writers. Originally, the twist would have been that a chip in Tony's spine would become sentient and hijack his armor, and then Tony would have to fight the armor, hence the title. Creator/JoeQuesada would reuse this basic premise in the infamous "Mask in the Iron Man" story (the one with the [[FanNickname Abusive Boyfriend armor]]). The writer for the initial setup of Armor Wars II, Bob Layton, then teamed up with Creator/DavidMichelinie (who wrote the first Armor Wars alongside him), to tell a TruerToTheText version of his story in the issues 258.1 through 258.4, which he was unable to do back then due to leaving to work for Creator/ValiantComics.
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Probably best to put the franchise name at the beginning of the entry in case there are more Star Trek examples added in the future.


* A prologue sequence cut from ''Film/StarTrekVITheUndiscoveredCountry'' in which Kirk goes about PuttingTheBandBackTogether was reworked into the novel ''The Fearful Summons'' (written by Denny Martin Flinn, who co-wrote the film's screenplay). This included scenes of Chekov playing competitive chess against a telepath, and Spock playing Polonius in a theatrical production of ''Theatre/{{Hamlet}}''.

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* ''Franchise/StarTrek'': A prologue sequence cut from ''Film/StarTrekVITheUndiscoveredCountry'' in which Kirk goes about PuttingTheBandBackTogether was reworked into the novel ''The Fearful Summons'' (written by Denny Martin Flinn, who co-wrote the film's screenplay). This included scenes of Chekov playing competitive chess against a telepath, and Spock playing Polonius in a theatrical production of ''Theatre/{{Hamlet}}''.

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There's no reason to use a sub-bullet if this is the only example from that work


* ''Franchise/StarTrek'':
** A prologue sequence cut from ''Film/StarTrekVITheUndiscoveredCountry'' in which Kirk goes about PuttingTheBandBackTogether was reworked into the novel ''The Fearful Summons'' (written by Denny Martin Flinn, who co-wrote the film's screenplay). This included scenes of Chekov playing competitive chess against a telepath, and Spock playing Polonius in a theatrical production of ''Theatre/{{Hamlet}}''.

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* ''Franchise/StarTrek'':
**
A prologue sequence cut from ''Film/StarTrekVITheUndiscoveredCountry'' in which Kirk goes about PuttingTheBandBackTogether was reworked into the novel ''The Fearful Summons'' (written by Denny Martin Flinn, who co-wrote the film's screenplay). This included scenes of Chekov playing competitive chess against a telepath, and Spock playing Polonius in a theatrical production of ''Theatre/{{Hamlet}}''.
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* ''Franchise/StarTrek'':
** A prologue sequence cut from ''Film/StarTrekVITheUndiscoveredCountry'' in which Kirk goes about PuttingTheBandBackTogether was reworked into the novel ''The Fearful Summons'' (written by Denny Martin Flinn, who co-wrote the film's screenplay). This included scenes of Chekov playing competitive chess against a telepath, and Spock playing Polonius in a theatrical production of ''Theatre/{{Hamlet}}''.

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* ''ComicBook/SpiderMan'': When Glenn Greenberg was tasked to resurrect ComicBook/NormanOsborn to be the mastermind behind ''ComicBook/TheCloneSaga'', the first idea he had was to show him dramatically [[BuriedAlive bursting out of his grave]]. However, his editor pointed out that, since Norman was a billionaire who'd [[ImpaledWithExtremePrejudice died an obviously unnatural death]], he'd definitely have been given an autopsy, which would preclude the idea of him being buried alive, prompting Greenberg to change it to the final version where Norman [[WakingUpAtTheMorgue wakes up at the morgue]] and [[DisposableVagrant murders a homeless man]] to be autopsied and buried in his place. 25 years later, when Creator/NickSpencer brought back [[spoiler:Ned Leeds]], who was resurrected the same way, the flashback sequence ends with him dramatically bursting out of his grave.
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[[folder:Webcomics]]
* David Willis originally intended for ''Webcomic/{{Its Walky}}'' to have a storyline where the characters meet [[{{Jerkass}} Mike's]] parents and fight the Giant Mutant Frosted Honey Bun in New York, but after 9/11, felt it would be in poor taste to draw a bunch of buildings in New York getting damaged. By 2009, people's emotions had settled down a bit, so he used the idea for a ''Webcomic/{{Shortpacked}}'' story about Mike and Amber.
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* As mentioned under Films, the original design of ''Film/BackToTheFuture'''s time machine was going to be a modified refridgerator before it was changed for various reasons. In IDW's ''[[ComicBook/BackToTheFuture Biff to the Future]]'' series, set in the 1985-A timeline where Biff is rich and powerful, Doc Brown builds the refrigerator time machine and uses it to try and SetRightWhatOnceWentWrong.

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* As mentioned under Films, the The original design of ''Film/BackToTheFuture'''s ''Film/BackToTheFuture1'''s time machine was going to be a modified refridgerator refrigerator before it was changed for various reasons. In IDW's ''[[ComicBook/BackToTheFuture Biff to the Future]]'' series, set in the 1985-A timeline where Biff is rich and powerful, Doc Brown builds the refrigerator time machine and uses it to try and SetRightWhatOnceWentWrong.
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* The ''Comicbook/InvaderZim'' issue about [[LivingClothes alien pants]] was based on a planned episode of [[WesternAnimation/InvaderZim the show]], which was canceled for being too similar to an episode of ''WesternAnimation/JimmyNeutronBoyGenius.''

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* The ''Comicbook/InvaderZim'' ''Comicbook/InvaderZimOni'' issue about [[LivingClothes alien pants]] was based on a planned episode of [[WesternAnimation/InvaderZim the show]], which was canceled for being too similar to an episode of ''WesternAnimation/JimmyNeutronBoyGenius.''''WesternAnimation/JimmyNeutronBoyGenius''.
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* The Sentinels in ''Series/TheGifted'' have the power to transform into rolling spheres that move at high speeds. This was actually a leftover idea from ''Film/X2XMenUnited'', where the Sentinels would have been capable of transforming into giant rolling disks.

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* The Sentinels in ''Series/TheGifted'' ''Series/TheGifted2017'' have the power to transform into rolling spheres that move at high speeds. This was actually a leftover idea from ''Film/X2XMenUnited'', where in which the Sentinels would have been capable of transforming into giant rolling disks.



*** The ''Series/StarTrekTheOriginalSeries'' episodes "[[{{Recap/StarTrekS2E5TheApple}} The Apple]]" and "[[{{Recap/StarTrekS3E22TheSavageCurtain}} The Savage Curtain]]" alluded to the possibility that the ''Enterprise'' could conduct a saucer separation, but it wasn't depicted due to technical restraints. ''Series/StarTrekTheNextGeneration'' would finally feature a saucer separation in its pilot episode "[[Recap/StarTrekTheNextGenerationS1E1EncounterAtFarpoint Encounter at Farpoint]]", and two more times in the series, "[[{{Recap/StarTrekTheNextGenerationS1E20TheArsenalOfFreedom}} The Arsenal of Freedom]]" (also from season 1) and "[[{{Recap/StarTrekTheNextGenerationS3E26S4E1TheBestOfBothWorlds}} The Best of Both Worlds]]: Part II" (season 4's premiere), before being depicted for the last time in ''Film/StarTrekGenerations''.
*** As a part of the failed bid to revive Star Trek as a TV series in the 70s (Phase II), a handful of episodic scripts and a two-part pilot were prepared. While the series never made it to production, the existing work on the pilot was turned into ''Film/StarTrekTheMotionPicture'' and two of the completed scripts earmarked for recycling. These eventually became the TNG episodes [[{{Recap/StarTrekTheNextGenerationS2E1TheChild}} The Child]] and [[{{Recap/StarTrekTheNextGenerationS4E13DevilsDue}} Devil's Due]].

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*** The ''Series/StarTrekTheOriginalSeries'' episodes "[[{{Recap/StarTrekS2E5TheApple}} "[[Recap/StarTrekS2E5TheApple The Apple]]" and "[[{{Recap/StarTrekS3E22TheSavageCurtain}} "[[Recap/StarTrekS3E22TheSavageCurtain The Savage Curtain]]" alluded allude to the possibility that the ''Enterprise'' could can conduct a saucer separation, but it wasn't depicted due to technical restraints. ''Series/StarTrekTheNextGeneration'' would finally feature a saucer separation in its pilot episode "[[Recap/StarTrekTheNextGenerationS1E1EncounterAtFarpoint Encounter at Farpoint]]", and two more times in the series, "[[{{Recap/StarTrekTheNextGenerationS1E20TheArsenalOfFreedom}} "[[Recap/StarTrekTheNextGenerationS1E20TheArsenalOfFreedom The Arsenal of Freedom]]" (also from season 1) and "[[{{Recap/StarTrekTheNextGenerationS3E26S4E1TheBestOfBothWorlds}} "[[Recap/StarTrekTheNextGenerationS3E26S4E1TheBestOfBothWorlds The Best of Both Worlds]]: Part II" (season 4's premiere), before being depicted for the last time in ''Film/StarTrekGenerations''.
*** As a part of the failed bid to revive Star Trek ''Star Trek'' as a TV series in the 70s 1970s (Phase II), a handful of episodic scripts and a two-part pilot were prepared. While the series never made it to production, the existing work on the pilot was turned into ''Film/StarTrekTheMotionPicture'' and two of the completed scripts earmarked for recycling. These eventually became the TNG ''TNG'' episodes [[{{Recap/StarTrekTheNextGenerationS2E1TheChild}} "[[Recap/StarTrekTheNextGenerationS2E1TheChild The Child]] Child]]" and [[{{Recap/StarTrekTheNextGenerationS4E13DevilsDue}} "[[Recap/StarTrekTheNextGenerationS4E13DevilsDue Devil's Due]].Due]]".
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* In ''Literature/GideonTheNinth'', Harrow was supposed to tell Gideon "You are the sole fruitful thing in my salted field" while they were in the pool together. However, Creator/TamsynMuir's editors asked her to remove the line due to finding it too weird and [[SexualEuphemism implicitly sexual]] for what was meant to be a tender and emotional scene. Muir eventually wound up using the phrase in [[Literature/HarrowTheNinth the sequel]], where it is said by Ianthe, who arguably fits the line better due to her unnerving and sexually provocative behavior.
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*** For ''Film/StarTrekIIITheSearchForSpock'', Creator/GeneRoddenberry suggested only destroying the ''Enterprise'''s saucer section and sparing the stardrive section, envisioning the movie ending with a new saucer being attached to the old secondary hull, making it a fusion of new and old, and giving it a sense of legacy, before he was overruled. Here, we shades of that suggestion, with [[spoiler:Geordi bringing back the ''Enterprise''-D's saucer section attached to a new secondary hull.]]

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*** For ''Film/StarTrekIIITheSearchForSpock'', Creator/GeneRoddenberry suggested only destroying the ''Enterprise'''s saucer section and sparing the stardrive section, envisioning the movie ending with a new saucer being attached to the old secondary hull, making it a fusion of new and old, and giving it a sense of legacy, before he was overruled. Here, we shades of that suggestion, suggestion in the penultimate episode "Vox", with [[spoiler:Geordi bringing back the ''Enterprise''-D's saucer section attached to a new secondary hull.]]

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* ''Series/StarTrekTheOriginalSeries'': The episodes "[[{{Recap/StarTrekS2E5TheApple}} The Apple]]" and "[[{{Recap/StarTrekS3E22TheSavageCurtain}} The Savage Curtain]]" alluded to the possibility that the ''Enterprise'' could conduct a saucer separation, but it wasn't depicted due to technical restraints. ''Series/StarTrekTheNextGeneration'' would finally feature a saucer separation in its pilot episode "[[Recap/StarTrekTheNextGenerationS1E1EncounterAtFarpoint Encounter at Farpoint]]", and two more times in the series, "[[{{Recap/StarTrekTheNextGenerationS1E20TheArsenalOfFreedom}} The Arsenal of Freedom]]" (also from season 1) and "[[{{Recap/StarTrekTheNextGenerationS3E26S4E1TheBestOfBothWorlds}} The Best of Both Worlds]]: Part II" (season 4's premiere), before being depicted for the last time in ''Film/StarTrekGenerations''.
** As a part of the failed bid to revive Star Trek as a TV series in the 70s (Phase II), a handful of episodic scripts and a two-part pilot were prepared. While the series never made it to production, the existing work on the pilot was turned into ''Film/StarTrekTheMotionPicture'' and two of the completed scripts earmarked for recycling. These eventually became the TNG episodes [[{{Recap/StarTrekTheNextGenerationS2E1TheChild}} The Child]] and [[{{Recap/StarTrekTheNextGenerationS4E13DevilsDue}} Devil's Due]].
** In ''Film/StarTrekNemesis'', the cameo from Creator/KateMulgrew as [[Series/StarTrekVoyager Janeway]] was originally scripted as one from Creator/JeriRyan as Seven of Nine; but Ryan was unavailable at the time of production. Ryan would later reprise the role in ''Series/StarTrekPicard''.

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* ''Series/StarTrekTheOriginalSeries'': ''Franchise/StarTrek'':
** ''Series/StarTrekTheNextGeneration'':
***
The ''Series/StarTrekTheOriginalSeries'' episodes "[[{{Recap/StarTrekS2E5TheApple}} The Apple]]" and "[[{{Recap/StarTrekS3E22TheSavageCurtain}} The Savage Curtain]]" alluded to the possibility that the ''Enterprise'' could conduct a saucer separation, but it wasn't depicted due to technical restraints. ''Series/StarTrekTheNextGeneration'' would finally feature a saucer separation in its pilot episode "[[Recap/StarTrekTheNextGenerationS1E1EncounterAtFarpoint Encounter at Farpoint]]", and two more times in the series, "[[{{Recap/StarTrekTheNextGenerationS1E20TheArsenalOfFreedom}} The Arsenal of Freedom]]" (also from season 1) and "[[{{Recap/StarTrekTheNextGenerationS3E26S4E1TheBestOfBothWorlds}} The Best of Both Worlds]]: Part II" (season 4's premiere), before being depicted for the last time in ''Film/StarTrekGenerations''.
** *** As a part of the failed bid to revive Star Trek as a TV series in the 70s (Phase II), a handful of episodic scripts and a two-part pilot were prepared. While the series never made it to production, the existing work on the pilot was turned into ''Film/StarTrekTheMotionPicture'' and two of the completed scripts earmarked for recycling. These eventually became the TNG episodes [[{{Recap/StarTrekTheNextGenerationS2E1TheChild}} The Child]] and [[{{Recap/StarTrekTheNextGenerationS4E13DevilsDue}} Devil's Due]].
** ''Series/StarTrekPicard'':
***
In ''Film/StarTrekNemesis'', the cameo from Creator/KateMulgrew as [[Series/StarTrekVoyager Janeway]] was originally scripted as one from Creator/JeriRyan as Seven of Nine; but Ryan was unavailable at the time of production. Ryan would later reprise the role in ''Series/StarTrekPicard''.during ''Star Trek: Picard''.
*** For ''Film/StarTrekIIITheSearchForSpock'', Creator/GeneRoddenberry suggested only destroying the ''Enterprise'''s saucer section and sparing the stardrive section, envisioning the movie ending with a new saucer being attached to the old secondary hull, making it a fusion of new and old, and giving it a sense of legacy, before he was overruled. Here, we shades of that suggestion, with [[spoiler:Geordi bringing back the ''Enterprise''-D's saucer section attached to a new secondary hull.]]
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* Gary Carlson said that when he was writing Volume 3 of ''ComicBook/TeenageMutantNinjaTurtlesMirage'', Mirage had suggested to him the idea of killing off [[spoiler: Splinter]], but he refused, feeling the character was too important to the franchise, as well as not wanting to irritate the loyal fans who had stuck with the franchise through thick and thin even in its AudienceAlienatingEra (this was a time when the third film bombed, the 80s cartoon ended, and the franchise had lost its appeal to a lot of people before [[WesternAnimation/TeenageMutantNinjaTurtles2003 the 2003 cartoon]] aired). When franchise co-creator Peter Laird decided to write Volume 4, he eventually killed off the character himself, [[spoiler: or so it seemed, though that Splinter may have been a clone]].
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Misused pothole that doesn’t describe Eminem. He even performed with Elton John to prove it!


* Music/{{Eminem}} was fascinated by the idea of his LoonyFan character Stan (from his song "Stan") getting his revenge on him, long before he ever wrote the SequelSong "Bad Guy", in which Stan's little brother Matthew avenges his brother. Em's CultClassic deep cut "No Apologies" contains a passage where Eminem predicts his assassination at the hands of a fan who is in love with him (well, he uses [[HeteronormativeCrusader another word beginning with "fa_"...]]) and "Off The Wall" suggests "my man, Stan" is creeping around Slim's house to shoot him. The skit "Stan (The Lost Verses)" has Eminem narrating an alternate ending for the song where Stan escapes the crash, gets mad that Slim isn't sending him any get-well cards in the hospital, comes to kill him, and Slim blows his head off (though due to him being a TrollingCreator, it's not clear whether or not Eminem was telling the truth).

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* Music/{{Eminem}} was fascinated by the idea of his LoonyFan character Stan (from his song "Stan") getting his revenge on him, long before he ever wrote the SequelSong "Bad Guy", in which Stan's little brother Matthew avenges his brother. Em's CultClassic deep cut "No Apologies" contains a passage where Eminem predicts his assassination at the hands of a fan who is in love with him (well, he uses [[HeteronormativeCrusader another word beginning with "fa_"...]]) ) and "Off The Wall" suggests "my man, Stan" is creeping around Slim's house to shoot him. The skit "Stan (The Lost Verses)" has Eminem narrating an alternate ending for the song where Stan escapes the crash, gets mad that Slim isn't sending him any get-well cards in the hospital, comes to kill him, and Slim blows his head off (though due to him being a TrollingCreator, it's not clear whether or not Eminem was telling the truth).
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** The "Tell the Truth" song was later reused in a 1997 ''Series/SesameStreet'' episode called "Telling the Truth".

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** The "Tell the Truth" song was later reused in a 1997 ''Series/SesameStreet'' episode direct-to-video special called "Telling the Truth".

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** There was supposed to be more information about horcruxes and Voldemort’s backstory in the second book but she didn’t have the clout to fight with the publisher about keeping it in at that point and therefore it was put in the sixth

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** There was supposed to be more information about horcruxes and Voldemort’s backstory in the second book but she didn’t have the clout to fight with the publisher about keeping it in at that point and therefore it was put in the sixth sixth.


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* It is very common for a CutSong to emerge in the next album. Sometimes getting reworked along the way - during the sessions of ''Music/WishYouWereHere'', Music/PinkFloyd wrote the songs "You Gotta Be Crazy" and "Raving and Drooling", which after some years being part of their live concerts, were adapted on follow-up ''Music/{{Animals|1977}}'' into the tracks "Dogs" and "Sheep".
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* The second season of ''WesternAnimation/MegaManFullyCharged'' was going to have Suna, Aki's adopted sister, become Zero. However, the show was cancelled before it could take place. The show's writers brought that idea to the SequelSeries comic book mini-series they were writing.

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* The second season of ''WesternAnimation/MegaManFullyCharged'' was going to have Suna, Aki's adopted sister, become Zero. However, the show was cancelled before it could take place. The show's writers brought that idea to the SequelSeries [[Comicbook/MegaManFullyCharged comic book mini-series mini-series]] they were writing.

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