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[[caption-width-right:200: He stops to do this in the middle of a fight, by the way.]]
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[[caption-width-right:200: He stops to do this in the middle [[TelescopingRobot That end table comes out of a fight, his elbow]], by the way.]]
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Changed line(s) 47 (click to see context) from:
* When the Furious Five first confront Tai Lung in ''WesternAnimation/KungFuPanda'', Tigress faces up to him on a half-destroyed rope bridge over a bottomless chasm. While she balances carefully on the rope handholds, he plants his feet on one rope and casually leans against the other, arms crossed.
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* When the Furious Five first confront Tai Lung in ''WesternAnimation/KungFuPanda'', ''WesternAnimation/KungFuPanda1'', Tigress faces up to him on a half-destroyed rope bridge over a bottomless chasm. While she balances carefully on the rope handholds, he plants his feet on one rope and casually leans against the other, arms crossed.
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* In ''WesternAnimation/PhineasAndFerb'', while trying to look cool, Albert leans against a lamp post to hit on Isabella. However, the lamppost was apparently moved, and he falls to the floor.
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* In ''WesternAnimation/PhineasAndFerb'', while trying to look cool, Albert Irving leans against a lamp post to hit on Isabella. However, the lamppost was apparently moved, and he falls to the floor.
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[[folder:Art]]
* Quite a few of Creator/AlphonseMucha‘s well-known posters of attractive women show them leaning an elbow on some piece of furniture or scenery — a {{Modeling Pose|s}} that in this case conveys an air of pensiveness.
* Quite a few of Creator/AlphonseMucha‘s well-known posters of attractive women show them leaning an elbow on some piece of furniture or scenery — a {{Modeling Pose|s}} that in this case conveys an air of pensiveness.
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* Quite a few of Creator/AlphonseMucha‘s well-known posters of attractive women show them leaning an elbow on some piece of furniture or scenery — a {{Modeling Pose|s}} that in this case conveys an air of pensiveness.
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* Creator/AlphonseMucha: Quite a few of his most well-known posters of attractive women show them leaning an elbow on some piece of furniture or scenery — a {{Modeling Pose|s}} that in this case conveys an air of pensiveness.
* ''Art/SevenVirtues'': "Fortitude's" left arm leans on a side of the throne as a way to convey TheStoic part of her characterization. The fortitude to stand calmly against everything life throws at her.
* ''Art/SevenVirtues'': "Fortitude's" left arm leans on a side of the throne as a way to convey TheStoic part of her characterization. The fortitude to stand calmly against everything life throws at her.
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No linking to an article within the article
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* [[Film/ANewHope Han Solo]] is LeaningOnTheFurniture in the Mos Eisely saloon when introduced. All that's missing are the [[SpaceWestern spurs on his boots]].
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* [[Film/ANewHope Han Solo]] is LeaningOnTheFurniture leaning on the furniture in the Mos Eisely saloon when introduced. All that's missing are the [[SpaceWestern spurs on his boots]].
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[[caption-width-right:200: He stops to do this in the middle of a fight, by the way.]]
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* ''Art/DrinkingBacchus'': In his zeal to drink more and more wine, Bacchus has become so drunk that he has to lean on a wooden barrel behind him for support.
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After asking on Trope Finder, it was suggested that leaning on a person, but otherwise displaying the correct personality cues, would be a parody or played for laughs version of the trope.
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[[folder:Web Animation]]
* ''WebAnimation/{{RWBY}}'': Parodied in Volume 7 when General Ironwood interrupts the heroes' training to instruct them. While the rest of the group are serious and attentive, Yang interjects an air of casual attentiveness by using young Oscar's shoulder as a leaning prop, much to his silent surprise. He doesn't object, so they remain in this position for the entire conversation. Yang lost some of her adventurous, thrill-seeker personality after losing her arm, but this moment is one of several scenes in Volume 7 that show she has recovered enough for some of this personality to return.
[[/folder]]
* ''WebAnimation/{{RWBY}}'': Parodied in Volume 7 when General Ironwood interrupts the heroes' training to instruct them. While the rest of the group are serious and attentive, Yang interjects an air of casual attentiveness by using young Oscar's shoulder as a leaning prop, much to his silent surprise. He doesn't object, so they remain in this position for the entire conversation. Yang lost some of her adventurous, thrill-seeker personality after losing her arm, but this moment is one of several scenes in Volume 7 that show she has recovered enough for some of this personality to return.
[[/folder]]
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this would fall under Captain Morgan Pose as described below
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Our character is trying to show that he (usually a man, occasionally a woman) is cool, casual, and intent upon whatever is being said by their superiors. The character does this by artfully leaning in a doorframe, putting one foot up on a chair or other set-piece, or [[EdgyBackwardsChairSitting flipping an armless chair around and sitting facing the chair-back]]. While not always taking part in the dialogue, they are engaged in the scene as an on-camera observer, and ready to interject an idea or quip.
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Our character is trying to show that he (usually a man, occasionally a woman) is cool, casual, and intent upon whatever is being said by their superiors. The character does this by artfully leaning in a doorframe, putting one foot up on a chair or other set-piece, or [[EdgyBackwardsChairSitting flipping an armless chair around and sitting facing the chair-back]]. While not always taking part in the dialogue, they are engaged in the scene as an on-camera observer, and ready to interject an idea or quip.
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Disambiguating Fullmetal Alchemist
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** In [[Anime/FullmetalAlchemist the 2003 anime version]], when Al discovers the new hideout of the refugee Ishvalans, Scar is seen leaning against a wall to deliver a few sparse comments on who Al is, that he's not a threat, and why their new hideout is (literally) underground.
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** In [[Anime/FullmetalAlchemist the 2003 anime version]], ''Anime/FullmetalAlchemist2003'', when Al discovers the new hideout of the refugee Ishvalans, Scar is seen leaning against a wall to deliver a few sparse comments on who Al is, that he's not a threat, and why their new hideout is (literally) underground.
