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* Music/{{Chrome}}
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* Music/{{Portishead}}
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!!Later bands who were greatly inspired by Krautrock:
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!!Later artists and bands who were greatly inspired by Krautrock:
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* Music/TheFall
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* Music/OrchestralManoeuvresInTheDark
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* Music/DavidBowie (particularly his "Berlin trilogy" of albums from the late 1970s')
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* Music/FlamingLips
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* Music/{{TalkTalk}}
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* Music/{{TalkTalk}}Music/TalkTalk
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* Music/Clinic
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* Music/ClinicMusic/{{Clinic}}
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* Music/Radiohead (from ''Music/KidA'' onwards)
* Music/Stereolab
* Music/TalkTalk
* Music/Stereolab
* Music/TalkTalk
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* Music/Radiohead Music/{{Radiohead}} (from ''Music/KidA'' onwards)
*Music/Stereolab
Music/{{Stereolab}}
*Music/TalkTalkMusic/{{TalkTalk}}
*
*
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----
!!Later bands who were greatly inspired by Krautrock:
[[/index]]
* Music/Clinic
* Music/PublicImageLtd
* Music/Radiohead (from ''Music/KidA'' onwards)
* Music/Stereolab
* Music/TalkTalk
* Music/ThisHeat
[[/index]]
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* Monks (their minimalist, rhythmic take on GarageRock is considered an UrExample)
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Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. Generally, the musicians themselves dislike the "Krautrock" label and prefer the term "Kosmische [Cosmic] music." There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground, Music/PinkFloyd), {{Funk}}, {{Jazz}}, ClassicalMusic, and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
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Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. Generally, the musicians themselves dislike the "Krautrock" label and prefer the term "Kosmische [Cosmic] music." There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground, Music/PinkFloyd), {{Funk}}, {{Jazz}}, ClassicalMusic, {{Classical|Music}}, and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
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Changed line(s) 6,7 (click to see context) from:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. Generally, the musicians themselves dislike the "Krautrock" label and prefer the term "Kosmische [Cosmic] music." There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground, Music/PinkFloyd), {{Funk}}, {{Jazz}} and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
to:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. Generally, the musicians themselves dislike the "Krautrock" label and prefer the term "Kosmische [Cosmic] music." There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground, Music/PinkFloyd), {{Funk}}, {{Jazz}} {{Jazz}}, ClassicalMusic, and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
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Changed line(s) 6,7 (click to see context) from:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. Generally, the musicians themselves dislike the "Krautrock" label and prefer the term "Kosmische [Cosmic] music." There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground), {{Funk}}, {{Jazz}} and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
to:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. Generally, the musicians themselves dislike the "Krautrock" label and prefer the term "Kosmische [Cosmic] music." There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground), Music/VelvetUnderground, Music/PinkFloyd), {{Funk}}, {{Jazz}} and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
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Changed line(s) 6,7 (click to see context) from:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. Generally, the musicians themselves dislike the "Krautrock" label and prefer the term "Koscmiche [Cosmic] music." There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground), {{Funk}}, {{Jazz}} and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
to:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. Generally, the musicians themselves dislike the "Krautrock" label and prefer the term "Koscmiche "Kosmische [Cosmic] music." There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground), {{Funk}}, {{Jazz}} and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
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Changed line(s) 6,7 (click to see context) from:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground), {{Funk}}, {{Jazz}} and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
to:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. Generally, the musicians themselves dislike the "Krautrock" label and prefer the term "Koscmiche [Cosmic] music." There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground), {{Funk}}, {{Jazz}} and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
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fixed index grabbing Psychedelic Rock accidentally
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* Xhol Caravan (Though they are more like a bridge between this and more "conventional" PsychedelicRock, and released their debut album in ''1967'')
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* Xhol Caravan Music/XholCaravan (Though they are more like a bridge between this and more "conventional" PsychedelicRock, and released their debut album in ''1967'')
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* Music/KlausSchulze (his first album - later records are ElectronicMusic and/or {{Ambient}})
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Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground), {{Funk}} and {{Jazz}} - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
to:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (Music/FrankZappa, the Music/VelvetUnderground), {{Funk}} and {{Funk}}, {{Jazz}} and world music - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
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* Music/{{Neu!}} (yes, [[ExcitedShowTitle with an exclamation mark]]) and its successor:
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* Music/{{Neu!}} Music/{{Neu}} (yes, [[ExcitedShowTitle with an exclamation mark]]) and its successor:
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* [[Music/Neu Neu!]] (yes, [[ExcitedShowTitle with an exclamation mark]]) and its successor:
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* [[Music/Neu Neu!]] Music/{{Neu!}} (yes, [[ExcitedShowTitle with an exclamation mark]]) and its successor:
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* Music/{{Neu}} (yes, [[ExcitedShowTitle with an exclamation mark]]) and its successor:
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* Music/{{Neu}} [[Music/Neu Neu!]] (yes, [[ExcitedShowTitle with an exclamation mark]]) and its successor:
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Krautrock is a British term for the experimental rock scene in WestGermany existent between TheSixties and TheSeventies.
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Krautrock is a British term for the experimental rock scene in WestGermany UsefulNotes/WestGermany existent between TheSixties and TheSeventies.
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** 1977 - ''"Music/HeroesDavidBowieAlbum"''
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** 1977 - ''"Music/HeroesDavidBowieAlbum"''''Music/HeroesDavidBowieAlbum''
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** 1977 - ''"Music/{{Heroes}}"''
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** 1977 - ''"Music/{{Heroes}}"''''"Music/HeroesDavidBowieAlbum"''
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Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (FrankZappa, the Music/VelvetUnderground), {{Funk}} and {{Jazz}} - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
to:
Since it's a catch-all term, some of the bands lumped under the genre have nothing in common with each other, and the term could be used abusively to refer to ''all'' German rock music. There was no real Krautrock "scene" (the only thing in common between some of the bands listed here was the RecordProducer of some of their records, Conny Plank, and, on the other hand, a madcap entrepreneur called Rolf-Ulrich Kaiser - more on him and the movement as a whole in Julian Cope's wonderful book ''Krautrocksampler''). The main distinguishing features of Krautrock are its experimentalism - musically speaking the bands of the genre drew from PsychedelicRock, ProgressiveRock, avant-garde rock bands (FrankZappa, (Music/FrankZappa, the Music/VelvetUnderground), {{Funk}} and {{Jazz}} - and its focus on repetition and minimalism. Krautrock bands were among the first to seriously adopt electronics and explore world music influences, and represented a significant influence on AlternativeRock (especially PostPunk and PostRock), ElectronicMusic, {{Ambient}}, and ProgressiveRock.
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-->-- '''Faust''', quoted about their song "Krautrock".
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** By extension, AmonDuul and AmonDuulUK as well.
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** By extension, AmonDuul Music/AmonDuul and AmonDuulUK ''Amon Duul UK'' as well.
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* Some of Music/DavidBowie's albums are sometimes considered examples of Krautrock despite the singer himself being English, because three of them were at least partially recorded in Berlin and four of them bear a lot of influence from the genre. The four albums that are sometimes considered to fall into this genre are:
** 1976 - ''Music/StationToStation''
** 1977 - ''Music/LowDavidBowieAlbum''
** 1977 - ''"Music/{{Heroes}}"''
** 1979 - ''Music/{{Lodger}}''
** 1976 - ''Music/StationToStation''
** 1977 - ''Music/LowDavidBowieAlbum''
** 1977 - ''"Music/{{Heroes}}"''
** 1979 - ''Music/{{Lodger}}''
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** ''Music/{{Autobahn}}''
** ''Music/TransEuropeExpress''
** ''Music/TheManMachine''
** ''Music/TransEuropeExpress''
** ''Music/TheManMachine''
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** ''Music/{{Autobahn}}''
''Music/{{Autobahn}}'' (1974)
**''Music/TransEuropeExpress''
''Music/TransEuropeExpress'' (1977)
**''Music/TheManMachine''''Music/TheManMachine'' (1978)
** ''Music/ComputerWorld'' (1981)
**
**
** ''Music/ComputerWorld'' (1981)
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* [[Music/{{Neu}} NEU!]] (yes, [[ExcitedShowTitle with an exclamation mark]]) and its successor:
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* [[Music/{{Neu}} NEU!]] Music/{{Neu}} (yes, [[ExcitedShowTitle with an exclamation mark]]) and its successor:
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** Organisation, a band containing the two key members of Kraftwerk which released one album in 1969.
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** ''Music/{{Autobahn}}''
** ''Music/TransEuropeExpress''
** ''Music/TheManMachine''
* Organisation, a band containing the two key members of Kraftwerk which released one album in 1969.
** ''Music/TransEuropeExpress''
** ''Music/TheManMachine''
* Organisation, a band containing the two key members of Kraftwerk which released one album in 1969.
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* Grobschnitt
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* Kin Ping Meh
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* Out Of Focus
