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quality upgrade
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[[quoteright:350:[[WesternAnimation/Frozen2013 https://static.tvtropes.org/pmwiki/pub/images/elsa_wind_and_sky_6436.jpg]]]]
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[[quoteright:350:[[WesternAnimation/Frozen2013 https://static.tvtropes.org/pmwiki/pub/images/elsa_wind_and_sky_6436.jpg]]]]org/pmwiki/pub/images/elsa_wind_and_sky.png]]]]
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%%
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* "Strange Things (Are Happening to Me)" from ''WesternAnimation/ToyStory'' counts, since Andy starts to appear to favor Buzz over Woody, and this has an effect on Woody's character.
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* "Strange Things (Are Happening to Me)" from ''WesternAnimation/ToyStory'' ''WesternAnimation/ToyStory1'' counts, since Andy starts to appear to favor Buzz over Woody, and this has an effect on Woody's character.
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Changed line(s) 82 (click to see context) from:
* ''Theatre/{{Hamilton}}'' has "The Room Where It Happens", where Hamilton goes from a rash, impulsive politician to one who knows how to play the game. It is also somewhat of an inversion: instead of Hamilton singing about the change himself (except for one small part at the beginning), it's Burr singing about it from the perspective of an outside (and thus is framed as his IWantSong).
to:
* ''Theatre/{{Hamilton}}'' has "The Room Where It Happens", where Hamilton goes from a rash, impulsive politician to one who knows how to play the game. It is also somewhat of an inversion: instead of Hamilton singing about the change himself (except for one small part at the beginning), it's Burr singing about it from the perspective of an outside outsider (and thus is framed as his IWantSong).
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** After Elphaba finds out that what she assumed was the ultimate force for good[[spoiler:--the Wizard--]]isn't, she knows she has to help the Animals [[spoiler:without him]]. "DefyingGravity" echoes her IWantSong, 'The Wizard And I', now with her asking for Glinda's partnership [[spoiler:instead of the Wizard]]'s.
to:
** After Elphaba finds out that what she assumed was the ultimate force for good[[spoiler:--the Wizard--]]isn't, she knows she has to help the Animals [[spoiler:without him]]. "DefyingGravity" "Defying Gravity" echoes her IWantSong, 'The Wizard And I', now with her asking for Glinda's partnership [[spoiler:instead of the Wizard]]'s.
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-->-- Music/NineInchNails, [[Music/TheDownwardSpiral "The Becoming"]]
to:
-->-- Music/NineInchNails, '''Music/NineInchNails''', [[Music/TheDownwardSpiral "The Becoming"]]
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no linking to the same page
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** Cosette's version of "In My Life" combines a grown-up IWantSong with IAmBecomingSong. She sings about her longing for new horizons and love, and closure with the past - and how she's growing up and delighted to do so.
to:
** Cosette's version of "In My Life" combines a grown-up IWantSong with IAmBecomingSong.I Am Becoming Song. She sings about her longing for new horizons and love, and closure with the past - and how she's growing up and delighted to do so.
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** 'Slipping' is this, to an extent. It is more what Billy is ''claiming'' he is. He's fusing an IWantSong and an IAmBecomingSong--and failing. When the time comes to finish his plan, he falters.
to:
** 'Slipping' is this, to an extent. It is more what Billy is ''claiming'' he is. He's fusing an IWantSong and an IAmBecomingSong--and I Am Becoming Song--and failing. When the time comes to finish his plan, he falters.
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%%
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** "Voices", "Down With The Sickness", "Awaken", "Darkness", "Perfect Insanity", "Asylum", "Sacrifice." Are all [[SanitySlippageSong Sanity Slippage Songs]] [[ExactlyWhatItSaysOnTheTin about becoming disturbed / going insane /]] [[FaceHeelTurn turning to evil.]]
** "Indestructible" is about, well... becoming indestructable.
** "Indestructible" is about, well... becoming indestructable.
to:
** "Voices", "Down With The Sickness", "Awaken", "Darkness", "Perfect Insanity", "Asylum", "Sacrifice." Are "Sacrifice" are all [[SanitySlippageSong Sanity {{Sanity Slippage Songs]] Song}}s [[ExactlyWhatItSaysOnTheTin about becoming disturbed / going insane /]] [[FaceHeelTurn turning to evil.]]
evil]].
** "Indestructible" is about, well... becomingindestructable.indestructible.
** "Indestructible" is about, well... becoming
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Changed line(s) 19,20 (click to see context) from:
May double as a IWantSong, a SanitySlippageSong, a BSODSong, a GainingConfidenceSong, or a VillainSong, especially if ThatManIsDead. See also ComingOfAgeStory, CharacterDevelopment.
to:
May double as a IWantSong, a SanitySlippageSong, a BSODSong, a GainingConfidenceSong, or a VillainSong, especially if ThatManIsDead. See also ComingOfAgeStory, CharacterDevelopment.
CharacterDevelopment. Compositionally, it's often a SmallStartBigFinish number, starting off rather slow and low before growing as the character asserts themselves.
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Changed line(s) 19,22 (click to see context) from:
May double as a IWantSong, a SanitySlippageSong, a BSODSong, or a VillainSong, especially if ThatManIsDead. See also ComingOfAgeStory, CharacterDevelopment.
This is meant to describe CharacterDevelopment, and ''[[JustForFun/IThoughtItMeant not]]'' a literal transformation or {{Metamorphosis}}, though the two may overlap if the metamorphosis ''causes'' the character's development. Don't let the progressive tense fool you either; it can also be an a character explaining how s/he's ''already'' changed--and might only just be realizing it now.
This is meant to describe CharacterDevelopment, and ''[[JustForFun/IThoughtItMeant not]]'' a literal transformation or {{Metamorphosis}}, though the two may overlap if the metamorphosis ''causes'' the character's development. Don't let the progressive tense fool you either; it can also be an a character explaining how s/he's ''already'' changed--and might only just be realizing it now.
to:
May double as a IWantSong, a SanitySlippageSong, a BSODSong, a GainingConfidenceSong, or a VillainSong, especially if ThatManIsDead. See also ComingOfAgeStory, CharacterDevelopment.
This is meant to describe CharacterDevelopment, and ''[[JustForFun/IThoughtItMeant not]]'' a literal transformation or {{Metamorphosis}}, though the two may overlap if the metamorphosis ''causes'' the character's development. Don't let the progressive tense fool you either; it can also be an a character explaining how s/he's ''already'' changed--and might only just be realizing itnow.
now.
This is meant to describe CharacterDevelopment, and ''[[JustForFun/IThoughtItMeant not]]'' a literal transformation or {{Metamorphosis}}, though the two may overlap if the metamorphosis ''causes'' the character's development. Don't let the progressive tense fool you either; it can also be an a character explaining how s/he's ''already'' changed--and might only just be realizing it
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Deleted line(s) 133 (click to see context) :
[[/folder]]
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* The song "Change" from ''WesternAnimation/StevenUniverseTheMovie'' is about Steven's capacity to change.
to:
* In the episode "The Answer" from ''WesternAnimation/StevenUniverse'' Ruby and Sapphire sing "Something Entirely New" about becoming Garnet.
--> ''"Where did we go?\\
What did we do?\\
I think we made\\
something entirely new.\\
And it wasn't quite me,\\
and it wasn't quite you,\\
I think it was\\
someone entirely new."''
[[/folder]]
** The song "Change" from ''WesternAnimation/StevenUniverseTheMovie'' is about Steven's capacity to change.
--> ''"Where did we go?\\
What did we do?\\
I think we made\\
something entirely new.\\
And it wasn't quite me,\\
and it wasn't quite you,\\
I think it was\\
someone entirely new."''
[[/folder]]
** The song "Change" from ''WesternAnimation/StevenUniverseTheMovie'' is about Steven's capacity to change.
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** "Independent Together" is a similar moment for Pearl.
to:
** "Independent Together" is a similar moment for Pearl.Pearl in the movie.
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Changed line(s) 81 (click to see context) from:
* TheMusical adaptation of''Comics/FunHome'' has "Changing My Major", in which Alison accepts her sexuality for the first time and stops trying to bottle her true feelings up.
to:
* TheMusical adaptation of''Comics/FunHome'' of ''ComicBook/FunHome'' has "Changing My Major", in which Alison accepts her sexuality for the first time and stops trying to bottle her true feelings up.
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Changed line(s) 81 (click to see context) from:
* ''Fun Home'' has "Changing My Major", in which Alison accepts her sexuality for the first time and stops trying to bottle her true feelings up.
to:
* ''Fun Home'' TheMusical adaptation of''Comics/FunHome'' has "Changing My Major", in which Alison accepts her sexuality for the first time and stops trying to bottle her true feelings up.
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Added DiffLines:
* ''WesternAnimation/{{Anastasia}}'' has [[LostOrphanedRoyalty Anya]] actively seek out her long lost family and reject her previous AmnesiacHero state in "Journey to the Past".
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Changed line(s) 124 (click to see context) from:
--> ''Steven:"I can make a promise.\\
to:
--> ''Steven:"I ''Steven: "I can make a promise.\\
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--> ''Pearl:"Nothing is holding me back now.\\
to:
--> ''Pearl:"Nothing ''Pearl: "Nothing is holding me back now.\\
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--> ''"Steven: I can make a promise.\\
to:
--> ''"Steven: I ''Steven:"I can make a promise.\\
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--> ''"Pearl: Nothing is holding me back now.\\
to:
--> ''"Pearl: Nothing ''Pearl:"Nothing is holding me back now.\\
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Changed line(s) 124 (click to see context) from:
--> ''"I can make a promise.\\
to:
--> ''"I ''"Steven: I can make a promise.\\
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** "Independent Together" is a similar moment for Pearl.
--> ''"Pearl: Nothing is holding me back now.\\
No one can push me around.\\
Who do I want to be?\\
I'm the master of me.\\
And isn't the thought enough\\
to lift me off of the ground!"''
--> ''"Pearl: Nothing is holding me back now.\\
No one can push me around.\\
Who do I want to be?\\
I'm the master of me.\\
And isn't the thought enough\\
to lift me off of the ground!"''
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Changed line(s) 123 (click to see context) from:
* The song "Change" from ''WesterAnimation/StevenUniverseTheMovie'' is about Steven's capacity to change.
to:
* The song "Change" from ''WesterAnimation/StevenUniverseTheMovie'' ''WesternAnimation/StevenUniverseTheMovie'' is about Steven's capacity to change.
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Changed line(s) 123 (click to see context) from:
* The song "Change" from ''WesterAnimation/StevenUniverse:TheMovie'' is about Steven's capacity to change.
to:
* The song "Change" from ''WesterAnimation/StevenUniverse:TheMovie'' ''WesterAnimation/StevenUniverseTheMovie'' is about Steven's capacity to change.
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Changed line(s) 123 (click to see context) from:
* The song "Change" from ''WesterAnimation/StevenUniverseTheMovie'' is about Steven's capacity to change.
to:
* The song "Change" from ''WesterAnimation/StevenUniverseTheMovie'' ''WesterAnimation/StevenUniverse:TheMovie'' is about Steven's capacity to change.
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Changed line(s) 123 (click to see context) from:
* The song "Change" from ''WesterAnimation/StevenUniverseTheMovie" is about Steven's capacity to change.
to:
* The song "Change" from ''WesterAnimation/StevenUniverseTheMovie" ''WesterAnimation/StevenUniverseTheMovie'' is about Steven's capacity to change.
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Changed line(s) 125,130 (click to see context) from:
--> I can make a plan.\\
--> I can make a difference.\\
--> I can take a stand.\\
--> I can make an effort\\
--> if I only understand\\
--> that I, I can make a change."''
--> I can make a difference.\\
--> I can take a stand.\\
--> I can make an effort\\
--> if I only understand\\
--> that I, I can make a change."''
to:
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Changed line(s) 124 (click to see context) from:
--> I can make a promise.\\
to:
--> I ''"I can make a promise.\\
Changed line(s) 130 (click to see context) from:
--> that I, I can make a change.
to:
--> that I, I can make a change."''
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Added DiffLines:
* The song "Change" from ''WesterAnimation/StevenUniverseTheMovie" is about Steven's capacity to change.
--> I can make a promise.\\
--> I can make a plan.\\
--> I can make a difference.\\
--> I can take a stand.\\
--> I can make an effort\\
--> if I only understand\\
--> that I, I can make a change.
--> I can make a promise.\\
--> I can make a plan.\\
--> I can make a difference.\\
--> I can take a stand.\\
--> I can make an effort\\
--> if I only understand\\
--> that I, I can make a change.
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* ''Theatre/{{Thirteen}}'' has "13/Becoming a Man" which is about the main character's Bar Mitzvah, and how he will become a man.
Deleted line(s) 95 (click to see context) :
* ''Theatre/{{Thirteen}}'' has "13/Becoming a Man" which is about the main character's Bar Mitzvah, and how he will become a man.
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Changed line(s) 74,76 (click to see context) from:
* ''Theatre/{{Wicked}}'':
** After Elphaba finds out that what she assumed was the ultimate force for good[[spoiler:--the Wizard--]]isn't, she knows she has to help the Animals [[spoiler:without him]]. "DefyingGravity" echoes her IWantSong, 'The Wizard And I', now with her asking for Glinda's partnership [[spoiler:instead of the Wizard]]'s.
** ''Wicked'' is ''full'' of these, including [[BSODSong "No Good Deed,"]] [[HeelRealization "Wicked Witch Of The East,"]] and "For Good" also count.
** After Elphaba finds out that what she assumed was the ultimate force for good[[spoiler:--the Wizard--]]isn't, she knows she has to help the Animals [[spoiler:without him]]. "DefyingGravity" echoes her IWantSong, 'The Wizard And I', now with her asking for Glinda's partnership [[spoiler:instead of the Wizard]]'s.
** ''Wicked'' is ''full'' of these, including [[BSODSong "No Good Deed,"]] [[HeelRealization "Wicked Witch Of The East,"]] and "For Good" also count.
to:
* ''Theatre/{{Wicked}}'':
** After Elphaba finds out that what she assumed wasIn the ultimate force for good[[spoiler:--the Wizard--]]isn't, she knows she musical ''Theatre/TheAddamsFamily'', Wednesday sings about how love is changing her in "Pulled".
* The stage musical ''Theatre/{{Anastasia}}'' has "Journey tohelp the Animals [[spoiler:without him]]. "DefyingGravity" echoes her IWantSong, 'The Wizard And I', now Past" and "Crossing a Bridge", where Anya is at the literal and figurative crossroads of being an AmnesiacHero orphan to someone with a family and an identity.
* In ''Theatre/{{Dreamgirls}}'', Effie sings "I Am Changing" and decides to get herasking for Glinda's partnership [[spoiler:instead life together. In the revival of the Wizard]]'s.
** ''Wicked''musical, the actress playing her has changed into a glitzy dress that is ''full'' of these, including [[BSODSong "No Good Deed,"]] [[HeelRealization "Wicked Witch Of The East,"]] revealed just before she starts the final belt.
* ''Theatre/EvilDeadTheMusical'' has "I'm Not A Killer", where Ash [[spoiler: brings himself to kill his possessed girlfriend]] and"For Good" "It's Time", where Ash finally mans up into the demon-slayer we know and love. "Look Who's Evil Now" also count.counts for [[spoiler: Shelly]].
* Carmen has "In L.A." in the musical version of ''Theatre/{{Fame}}'', which is about how she moved to L.A., [[spoiler: got hooked on drugs, and slept with producers for money/drugs]]. Doubles as a BSODSong.
* ''Fun Home'' has "Changing My Major", in which Alison accepts her sexuality for the first time and stops trying to bottle her true feelings up.
* ''Theatre/{{Hamilton}}'' has "The Room Where It Happens", where Hamilton goes from a rash, impulsive politician to one who knows how to play the game. It is also somewhat of an inversion: instead of Hamilton singing about the change himself (except for one small part at the beginning), it's Burr singing about it from the perspective of an outside (and thus is framed as his IWantSong).
** After Elphaba finds out that what she assumed was
* The stage musical ''Theatre/{{Anastasia}}'' has "Journey to
* In ''Theatre/{{Dreamgirls}}'', Effie sings "I Am Changing" and decides to get her
** ''Wicked''
* ''Theatre/EvilDeadTheMusical'' has "I'm Not A Killer", where Ash [[spoiler: brings himself to kill his possessed girlfriend]] and
* Carmen has "In L.A." in the musical version of ''Theatre/{{Fame}}'', which is about how she moved to L.A., [[spoiler: got hooked on drugs, and slept with producers for money/drugs]]. Doubles as a BSODSong.
* ''Fun Home'' has "Changing My Major", in which Alison accepts her sexuality for the first time and stops trying to bottle her true feelings up.
* ''Theatre/{{Hamilton}}'' has "The Room Where It Happens", where Hamilton goes from a rash, impulsive politician to one who knows how to play the game. It is also somewhat of an inversion: instead of Hamilton singing about the change himself (except for one small part at the beginning), it's Burr singing about it from the perspective of an outside (and thus is framed as his IWantSong).
* Elle has several in ''Theatre/LegallyBlondeTheMusical'' from "Chip On My Shoulder" to the reprise of "Legally Blonde". "So Much Better" in particular stands out as almost being this play's answer to "Defying Gravity" in terms of codifying Elle's metamorphosis.
* In ''Theatre/LittleShopOfHorrors'', Audrey's part in the duet "Suddenly Seymour", is about how she believes that Seymour is making her a better person.
* In ''Theatre/LittleShopOfHorrors'', Audrey's part in the duet "Suddenly Seymour", is about how she believes that Seymour is making her a better person.
* "La Monture" ("My Heart If You Will Swear") from ''Notre-Dame de Paris'': the devoted, virginal Fleur-de-Lys tells her cheating fiancé Phoebus that she will remain faithful to him... as long as he has Esmeralda executed. In the French lyrics, she sings that she has thrown her girlhood dreams "to the wolves" and that her heart is "hardening."
* In ''Theatre/ThePhantomOfTheOpera'', "Wishing You Were Somehow Here Again," Christine's lament for her father, ends with a declaration that she will try to put his memory behind her and live unburdened by the pain of her past.
* In ''Theatre/ThePhantomOfTheOpera'', "Wishing You Were Somehow Here Again," Christine's lament for her father, ends with a declaration that she will try to put his memory behind her and live unburdened by the pain of her past.
Deleted line(s) 82,86 (click to see context) :
* In ''Theatre/ThePhantomOfTheOpera'', "Wishing You Were Somehow Here Again," Christine's lament for her father, ends with a declaration that she will try to put his memory behind her and live unburdened by the pain of her past.
* Carmen has "In L.A." in the musical version of ''Theatre/{{Fame}}'', which is about how she moved to L.A., [[spoiler: got hooked on drugs, and slept with producers for money/drugs]]. Doubles as a BSODSong.
* "Epiphany" and the "Johanna Quartet" from ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' for the title character.
* ''Theatre/{{Thirteen}}'' has "13/Becoming a Man" which is about the main character's Bar Mitzvah, and how he will become a man.
* "La Monture" ("My Heart If You Will Swear") from ''Notre-Dame de Paris'': the devoted, virginal Fleur-de-Lys tells her cheating fiancé Phoebus that she will remain faithful to him... as long as he has Esmeralda executed. In the French lyrics, she sings that she has thrown her girlhood dreams "to the wolves" and that her heart is "hardening."
* Carmen has "In L.A." in the musical version of ''Theatre/{{Fame}}'', which is about how she moved to L.A., [[spoiler: got hooked on drugs, and slept with producers for money/drugs]]. Doubles as a BSODSong.
* "Epiphany" and the "Johanna Quartet" from ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' for the title character.
* ''Theatre/{{Thirteen}}'' has "13/Becoming a Man" which is about the main character's Bar Mitzvah, and how he will become a man.
* "La Monture" ("My Heart If You Will Swear") from ''Notre-Dame de Paris'': the devoted, virginal Fleur-de-Lys tells her cheating fiancé Phoebus that she will remain faithful to him... as long as he has Esmeralda executed. In the French lyrics, she sings that she has thrown her girlhood dreams "to the wolves" and that her heart is "hardening."
Deleted line(s) 88,95 (click to see context) :
* In ''Theatre/{{Dreamgirls}}'', Effie sings "I Am Changing" and decides to get her life together. In the revival of the musical, the actress playing her has changed into a glitzy dress that is revealed just before she starts the final belt.
* Elle has several in ''Theatre/LegallyBlondeTheMusical'' from "Chip On My Shoulder" to the reprise of "Legally Blonde". "So Much Better" in particular stands out as almost being this play's answer to "Defying Gravity" in terms of codifying Elle's metamorphosis.
* In ''Theatre/LittleShopOfHorrors'', Audrey's part in the duet "Suddenly Seymour", is about how she believes that Seymour is making her a better person.
* ''Theatre/EvilDeadTheMusical'' has "I'm Not A Killer", where Ash [[spoiler: brings himself to kill his possessed girlfriend]] and "It's Time", where Ash finally mans up into the demon-slayer we know and love. "Look Who's Evil Now" also counts for [[spoiler: Shelly]].
* ''Fun Home'' has "Changing My Major", in which Alison accepts her sexuality for the first time and stops trying to bottle her true feelings up.
* In the musical ''Theatre/TheAddamsFamily'', Wednesday sings about how love is changing her in "Pulled".
* ''Theatre/{{Hamilton}}'' has "The Room Where It Happens", where Hamilton goes from a rash, impulsive politician to one who knows how to play the game. It is also somewhat of an inversion: instead of Hamilton singing about the change himself (except for one small part at the beginning), it's Burr singing about it from the perspective of an outside (and thus is framed as his IWantSong).
* Probably the biggest one of these from ''Theatre/SweeneyTodd'' is "Epiphany", where Sweeney makes his transformation from vengeful AntiHero to SerialKiller VillainProtagonist. It also doubles as a BSODSong due to coming right on the heels of his failure to kill Judge Turpin.
* Elle has several in ''Theatre/LegallyBlondeTheMusical'' from "Chip On My Shoulder" to the reprise of "Legally Blonde". "So Much Better" in particular stands out as almost being this play's answer to "Defying Gravity" in terms of codifying Elle's metamorphosis.
* In ''Theatre/LittleShopOfHorrors'', Audrey's part in the duet "Suddenly Seymour", is about how she believes that Seymour is making her a better person.
* ''Theatre/EvilDeadTheMusical'' has "I'm Not A Killer", where Ash [[spoiler: brings himself to kill his possessed girlfriend]] and "It's Time", where Ash finally mans up into the demon-slayer we know and love. "Look Who's Evil Now" also counts for [[spoiler: Shelly]].
* ''Fun Home'' has "Changing My Major", in which Alison accepts her sexuality for the first time and stops trying to bottle her true feelings up.
* In the musical ''Theatre/TheAddamsFamily'', Wednesday sings about how love is changing her in "Pulled".
* ''Theatre/{{Hamilton}}'' has "The Room Where It Happens", where Hamilton goes from a rash, impulsive politician to one who knows how to play the game. It is also somewhat of an inversion: instead of Hamilton singing about the change himself (except for one small part at the beginning), it's Burr singing about it from the perspective of an outside (and thus is framed as his IWantSong).
* Probably the biggest one of these from ''Theatre/SweeneyTodd'' is "Epiphany", where Sweeney makes his transformation from vengeful AntiHero to SerialKiller VillainProtagonist. It also doubles as a BSODSong due to coming right on the heels of his failure to kill Judge Turpin.
Added DiffLines:
* Probably the biggest one of these from ''Theatre/SweeneyTodd'' is "Epiphany", where Sweeney makes his transformation from vengeful AntiHero to SerialKiller VillainProtagonist. It also doubles as a BSODSong due to coming right on the heels of his failure to kill Judge Turpin.
** Also the "Johanna Quartet" for the title character.
* ''Theatre/{{Thirteen}}'' has "13/Becoming a Man" which is about the main character's Bar Mitzvah, and how he will become a man.
** Also the "Johanna Quartet" for the title character.
* ''Theatre/{{Thirteen}}'' has "13/Becoming a Man" which is about the main character's Bar Mitzvah, and how he will become a man.
Added DiffLines:
* ''Theatre/{{Wicked}}'':
** After Elphaba finds out that what she assumed was the ultimate force for good[[spoiler:--the Wizard--]]isn't, she knows she has to help the Animals [[spoiler:without him]]. "DefyingGravity" echoes her IWantSong, 'The Wizard And I', now with her asking for Glinda's partnership [[spoiler:instead of the Wizard]]'s.
** ''Wicked'' is ''full'' of these, including [[BSODSong "No Good Deed,"]] [[HeelRealization "Wicked Witch Of The East,"]] and "For Good" also count.
** After Elphaba finds out that what she assumed was the ultimate force for good[[spoiler:--the Wizard--]]isn't, she knows she has to help the Animals [[spoiler:without him]]. "DefyingGravity" echoes her IWantSong, 'The Wizard And I', now with her asking for Glinda's partnership [[spoiler:instead of the Wizard]]'s.
** ''Wicked'' is ''full'' of these, including [[BSODSong "No Good Deed,"]] [[HeelRealization "Wicked Witch Of The East,"]] and "For Good" also count.
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Changed line(s) 38 (click to see context) from:
* "For a Moment" from ''WesternAnimation/TheLittleMermaid2'' is about Melody's transition from human to mermaid.
to:
* "For a Moment" from ''WesternAnimation/TheLittleMermaid2'' ''WesternAnimation/TheLittleMermaidIIReturnToTheSea'' is about Melody's transition from human to mermaid.
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* ''WesternAnimation/{{Frozen|2013}}'': Elsa sings [[https://www.youtube.com/watch?v=moSFlvxnbgk "Let It Go"]] when she goes into a self-imposed exile after her powers are exposed in public, and now she can use her powers to her full potential and build an ice palace in total solitude.
** During ''[[https://www.youtube.com/watch?v=eF9wZR3m8m8 Show Yourself]]'' in ''WesternAnimation/Frozen2'', Elsa comes to term with her powers and learns that the answers she wanted were inside her all along.
** During ''[[https://www.youtube.com/watch?v=eF9wZR3m8m8 Show Yourself]]'' in ''WesternAnimation/Frozen2'', Elsa comes to term with her powers and learns that the answers she wanted were inside her all along.
* "For a Moment" from ''WesternAnimation/TheLittleMermaid2'' is about Melody's transition from human to mermaid.
* "I Am Chirin" from ''Anime/RingingBell'', which is played when Chirin decides to team up with the evil Wolf King, and as a result he goes from an innocent baby lamb to a fearsome, demonic ram.
* "I See The Light" from ''WesternAnimation/{{Tangled}}'' doubles as both a LetsDuet and this for both Rapunzel and Flynn Rider, as they realize their feelings for each other are changing them as people.
* "I Am Chirin" from ''Anime/RingingBell'', which is played when Chirin decides to team up with the evil Wolf King, and as a result he goes from an innocent baby lamb to a fearsome, demonic ram.
* "I See The Light" from ''WesternAnimation/{{Tangled}}'' doubles as both a LetsDuet and this for both Rapunzel and Flynn Rider, as they realize their feelings for each other are changing them as people.
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* "I See The Light" from ''WesternAnimation/{{Tangled}}'' doubles as both a LetsDuet and this for both Rapunzel and Flynn Rider, as they realize their feelings for each other are changing them as people.
* "I Am Chirin" from ''Anime/RingingBell'', which is played when Chirin decides to team up with the evil Wolf King, and as a result he goes from an innocent baby lamb to a fearsome, demonic ram.
* ''WesternAnimation/{{Frozen|2013}}'': Elsa sings [[https://www.youtube.com/watch?v=moSFlvxnbgk "Let It Go"]] when she goes into a self-imposed exile after her powers are exposed in public, and now she can use her powers to her full potential and build an ice palace in total solitude.
** During ''[[https://www.youtube.com/watch?v=eF9wZR3m8m8 Show Yourself]]'' in ''WesternAnimation/Frozen2'', Elsa comes to term with her powers and learns that the answers she wanted were inside her all along.
* "I Am Chirin" from ''Anime/RingingBell'', which is played when Chirin decides to team up with the evil Wolf King, and as a result he goes from an innocent baby lamb to a fearsome, demonic ram.
* ''WesternAnimation/{{Frozen|2013}}'': Elsa sings [[https://www.youtube.com/watch?v=moSFlvxnbgk "Let It Go"]] when she goes into a self-imposed exile after her powers are exposed in public, and now she can use her powers to her full potential and build an ice palace in total solitude.
** During ''[[https://www.youtube.com/watch?v=eF9wZR3m8m8 Show Yourself]]'' in ''WesternAnimation/Frozen2'', Elsa comes to term with her powers and learns that the answers she wanted were inside her all along.
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* In ''Theatre/ThoroughlyModernMillie'', the song "Gimme, Gimme" is when Millie officially decides that she wants to be with her LoveInterest Jimmy, even if he isn't rich. [[spoiler: Luckily for Millie, he secretly is]].
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* The titular song "Six" from Theatre/{{Six}} has each of Henry VIII's ex-wives have come into their own as a person and pursued new dreams outside of being defined by the King.
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Dewickin' cut age
Changed line(s) 74 (click to see context) from:
** After Elphaba finds out that what she assumed was the ultimate force for good[[spoiler:--the Wizard--]]isn't, she knows she has to help the Animals [[spoiler:without him]]. 'Music/DefyingGravity' echoes her IWantSong, 'The Wizard And I', now with her asking for Glinda's partnership [[spoiler:instead of the Wizard]]'s.
to:
** After Elphaba finds out that what she assumed was the ultimate force for good[[spoiler:--the Wizard--]]isn't, she knows she has to help the Animals [[spoiler:without him]]. 'Music/DefyingGravity' "DefyingGravity" echoes her IWantSong, 'The Wizard And I', now with her asking for Glinda's partnership [[spoiler:instead of the Wizard]]'s.