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House Music started in Chicago in TheEighties (but received little exposure outside Chicago until the late Eighties/Nineties) when [=DJs=] started looping the breaks [a part of the song where the beat is the emphasis] of disco songs over and over, because they found that the crowd reacted to those specific parts the best.

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House Music started in Chicago in TheEighties (but received little exposure outside Chicago until the late Eighties/Nineties) when [=DJs=] started looping the breaks [a (a part of the song where the beat is the emphasis] emphasis) of disco songs over and over, because they found that the crowd reacted to those specific parts the best.
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** SampledUp: Much of todays house mixes are based on older obscure disco records. Black Box, Cevin Fisher and [[MarkWhalberg Marky Mark and the Funky Bunch]] popularizing Loleatta Holloway's vocals on Love Sensation are a good example.

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** SampledUp: Much of todays house mixes are based on older obscure disco records. Black Box, Cevin Fisher and [[MarkWhalberg [[MarkWahlberg Marky Mark and the Funky Bunch]] popularizing Loleatta Holloway's vocals on Love Sensation are a good example.



* Techno: Has quite a lot of cross over with both this and progressive.

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* Techno: {{Techno}}: Has quite a lot of cross over with both this and progressive.
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* RockMeAmadeus: An early example would be Apotheosis O Fortuna


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** SampledUp: Much of todays house mixes are based on older obscure disco records. Black Box, Cevin Fisher and [[MarkWhalberg Marky Mark and the Funky Bunch]] popularizing Loleatta Holloway's vocals on Love Sensation are a good example.


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* Techno: Has quite a lot of cross over with both this and progressive.
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* Sampling

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* Sampling{{Sampling}}
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* StupidStatementDanceRemix: From the early Jack had a groove sample, to numerous rap samples, to other public domain recordings. House music has gone to town with these.

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* StupidStatementDanceRemix: StupidStatementDanceMix: From the early Jack had a groove sample, to numerous rap samples, to other public domain recordings. House music has gone to town with these.
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* Sampling
* StupidStatementDanceRemix: From the early Jack had a groove sample, to numerous rap samples, to other public domain recordings. House music has gone to town with these.
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* DanceSensation: A lot of early house music tunes referred (in the title or the lyrics) to "jacking".
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* BoleroEffect: Common with many songs, with simplistic drum parts turning into lush, deep songs by the end.
** The sub-genre of Progressive House features the BoleroEffect itself as one of its core features.
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Killing ptitles
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House Music started in Chicago in TheEighties (but received little exposure outside Chicago until TheEighties) when [=DJs=] started looping the breaks [a part of the song where the beat is the emphasis] of disco songs over and over, because they found that the crowd reacted to those specific parts the best.

to:

House Music started in Chicago in TheEighties (but received little exposure outside Chicago until TheEighties) the late Eighties/Nineties) when [=DJs=] started looping the breaks [a part of the song where the beat is the emphasis] of disco songs over and over, because they found that the crowd reacted to those specific parts the best.

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Loop four beats of a disco record. You now have the foundation of a House song.

House Music started in Chicago in TheSeventies (but received little exposure outside Chicago until TheEighties) when [=DJs=] started looping the breaks [a part of the song where the beat is the emphasis] of disco songs over and over, because they found that the crowd reacted to those specific parts the best.

to:

Loop four beats of a disco record. You now have the foundation of a House song.

House Music started in Chicago in TheSeventies TheEighties (but received little exposure outside Chicago until TheEighties) when [=DJs=] started looping the breaks [a part of the song where the beat is the emphasis] of disco songs over and over, because they found that the crowd reacted to those specific parts the best.
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Removed the part mentioning House as a Dead Horse Genre. Look, I don\'t mean to sound fanboy-ish, but seriously. House is both larger and more popular than it ever has been, and frankly I\'ve never seen and critical backlash against it at all, thus how does it count as a Dead Horse Genre?


* DeadHorseGenre: Depending on if you like the music to begin with or not.
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* DeadHorseGenre: YourMilageMayVary on this one, depending on if you like the music to begin with or not.

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* DeadHorseGenre: YourMilageMayVary on this one, depending Depending on if you like the music to begin with or not.



* [=~Everything's Funkier With Disco~=]: Groups like Daft Punk, Full Intention, The Freemasons and Joey Negro have used this trope in mind to revitalize both the house and disco genres in the mid [[TheNineties 90's]].

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* [=~Everything's Funkier With Disco~=]: EverythingsFunkierWithDisco: Groups like Daft Punk, Full Intention, The Freemasons and Joey Negro have used this trope in mind to revitalize both the house and disco genres in the mid [[TheNineties 90's]].
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After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://www.youtube.com/watch?v=8VE-XvuChFc&translated=1 preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were Italo-disco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and {{New Wave}}. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].

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After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://www.youtube.com/watch?v=8VE-XvuChFc&translated=1 preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were Italo-disco (disco that got progressively more electronic and stayed strong in Europe after its fade in the U.S.A.) and {{New Music/{{New Wave}}. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it]].
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pedantic correction, the \"Jack\" acapella is originally from the Rhythm Controll [sic] song My House in 1987, and not the remix of Can You Feel It which samples it


-->-- "Can You Feel It", Mr. Fingers

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-->-- "Can You Feel It", Mr. Fingers
"My House", Chuck Roberts
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* HaveAGayOldTime: "Jackin'" used to refer to a dance style that emerged from 80's Chicago house parties and not [[ADateWithRosiePalms it's modern interpretation]]. Although one has to wonder if artists like [[http://www.discogs.com/artist/Jackmaster+Dick Jackmaster Dick]] (who had a track entitled "Jack The Dick") were doing this intentionally and this euphemism is [[OlderThanTheyThink Older Than We Think]].
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->''"In the beginning, there was Jack. And Jack had groove."''
-->-- "Can You Feel It", Mr. Fingers
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* Ptitlezlihqcc0: Groups like Daft Punk, Full Intention, The Freemasons and Joey Negro have used this trope in mind to revitalize both the house and disco genres in the mid [[TheNineties 90's]].

to:

* Ptitlezlihqcc0: [=~Everything's Funkier With Disco~=]: Groups like Daft Punk, Full Intention, The Freemasons and Joey Negro have used this trope in mind to revitalize both the house and disco genres in the mid [[TheNineties 90's]].
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None


* EverythingIsFunkierWithDisco: Groups like Daft Punk, Full Intention, The Freemasons and Joey Negro have used this trope in mind to revitalize both the house and disco genres in the mid [[TheNineties 90's]].

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* EverythingIsFunkierWithDisco: Ptitlezlihqcc0: Groups like Daft Punk, Full Intention, The Freemasons and Joey Negro have used this trope in mind to revitalize both the house and disco genres in the mid [[TheNineties 90's]].
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* DeadHorseGenre: YourMilegeMayVary on this one, depending on if you like the music to begin with or not.

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* DeadHorseGenre: YourMilegeMayVary YourMilageMayVary on this one, depending on if you like the music to begin with or not.



* Everything'sFunkierWithDisco: Groups like Daft Punk, Full Intention, The Freemason's and Joey Negro have used this trope in mind to revitalize the genre in the mid [[TheNineties 90's]].

to:

* Everything'sFunkierWithDisco: EverythingIsFunkierWithDisco: Groups like Daft Punk, Full Intention, The Freemason's Freemasons and Joey Negro have used this trope in mind to revitalize both the genre house and disco genres in the mid [[TheNineties 90's]].
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* DaysOfTheWeekSong: Reel 2 Real's 'Conway'
* DeadHorseGenre: YourMilegeMayVary on this one, depending on if you like the music to begin with or not.


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* EpicRiff: Pretty much any piano house tune from the early rave days.
* Everything'sFunkierWithDisco: Groups like Daft Punk, Full Intention, The Freemason's and Joey Negro have used this trope in mind to revitalize the genre in the mid [[TheNineties 90's]].


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* NonAppearingTitle: Of course the opposite to TitleOnlyChorus, also happens frequently. Makes it rough on Trainspotters.
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* LyricalTic: House music will often contain certain [[CatchPhrase Catchphrases]] [[TotallyRadical depending on the time period ]] and city it was made in. 1980's Chicago house uses the term "jackin" along, and no it doesn't mean [[ADateWithRoseyPalms what you might think]]

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* LyricalTic: House music will often contain certain [[CatchPhrase Catchphrases]] [[TotallyRadical depending on the time period ]] and city it was made in. 1980's Chicago house uses the term "jackin" along, and no it that doesn't mean [[ADateWithRoseyPalms [[ADateWithRosiePalms what you might think]]

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* HeartbeatSoundtrack: [[http://www.youtube.com/watch?v=PafMXVV-QKI Armand's Cardiac mix ]] of Jimmy Somerville's Heartbeat

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* HeartbeatSoundtrack: [[http://www.youtube.com/watch?v=PafMXVV-QKI Armand's Cardiac mix ]] of Jimmy Somerville's Heartbeat
Heartbeat.
* LyricalTic: House music will often contain certain [[CatchPhrase Catchphrases]] [[TotallyRadical depending on the time period ]] and city it was made in. 1980's Chicago house uses the term "jackin" along, and no it doesn't mean [[ADateWithRoseyPalms what you might think]]
* TitleOnlyChorus: Very often house music will contain minimal lyrics, sometimes only one or two words, which will be the title of the song.

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* CommonTime: With very few exceptions, House is always in 4/4, with a kick drum that basically goes "Unce, Unce, Unce, Unce" and so on..



* EarWorm: A common trope found in house music as there often has to be some memorable hook. A Guy Called Gerald 'Voodoo Ray', Lil Louis 'French Kiss', Lil Mo Yang Yang 'Reach', The Bucketheads 'The Bomb' are all good examples.

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* CrowningMusicOfAwesome: And too many examples to list.
* EarWorm: A common trope found in house music as there often has to be some memorable hook. A Guy Called Gerald 'Voodoo Ray', Lil Louis 'French Kiss', Lil Mo Yang Yang 'Reach', The Bucketheads 'The Bomb' are all good examples. examples.
* HeartbeatSoundtrack: [[http://www.youtube.com/watch?v=PafMXVV-QKI Armand's Cardiac mix ]] of Jimmy Somerville's Heartbeat
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* EarWorm: A common trope found in house music as there often has to be some memorable hook. A Guy Called Gerald 'Voodoo Ray', Lil Louis 'French Kiss', Lil Mo Yang Yang 'Reach', The Bucketheads 'The Bomb' are all good examples.

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House Music started in {{the seventies}} (but received little exposure outside Chicago until {{the eighties}}) Chicago when DJ's started looping the breaks (a part of the song where the beat is the emphasis) of disco songs over and over, because they found that the crowd reacted to those specific parts the best.

After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://www.youtube.com/watch?v=8VE-XvuChFc&translated=1 preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were italo-disco (disco that got progressively more electronic and stayed strong in europe after it's fade in the U.S.A.), and {{New Wave}}. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it.]]

to:

House Music started in {{the seventies}} Chicago in TheSeventies (but received little exposure outside Chicago until {{the eighties}}) Chicago TheEighties) when DJ's [=DJs=] started looping the breaks (a [a part of the song where the beat is the emphasis) emphasis] of disco songs over and over, because they found that the crowd reacted to those specific parts the best.

After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://www.youtube.com/watch?v=8VE-XvuChFc&translated=1 preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were italo-disco Italo-disco (disco that got progressively more electronic and stayed strong in europe Europe after it's its fade in the U.S.A.), ) and {{New Wave}}. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it.]]
it]].






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\n\n----



{{Coolest Club Ever}} : Pretty much any [[TheEighties Post-80's]] scene in a nightclub (or rave) is going to be playing House music, as it is the most quintessential form of Electronic Dance Music.

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{{Coolest *{{Coolest Club Ever}} : Ever}}: Pretty much any [[TheEighties Post-80's]] Post-1980s]] scene in a nightclub (or rave) is going to be playing House music, as it is the most quintessential form of Electronic Dance Music.Music.
----
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From there, many sub-genres of house music have come up, and it is arguably the most famous example of electronic dance music around.

to:

From there, many sub-genres of house music have come up, and it is arguably the most famous example of electronic dance music around.around.



!!Examples:

{{Coolest Club Ever}} : Pretty much any [[TheEighties Post-80's]] scene in a nightclub (or rave) is going to be playing House music, as it is the most quintessential form of Electronic Dance Music.
Is there an issue? Send a MessageReason:
None





After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://www.youtube.com/watch?v=8VE-XvuChFc&translated=1 preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were italo-disco (disco that got progressively more electronic stayed strong in europe after it's fade in the U.S.A.), and {{New Wave}}. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it.]]

to:

After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://www.youtube.com/watch?v=8VE-XvuChFc&translated=1 preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat) to dominate later house tracks. Other influences were italo-disco (disco that got progressively more electronic and stayed strong in europe after it's fade in the U.S.A.), and {{New Wave}}. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it.]]
Is there an issue? Send a MessageReason:
None





After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://www.youtube.com/watch?v=8VE-XvuChFc&translated=1 preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat). Other influences were italo-disco (disco that got progressively more electronic stayed strong in europe after it's fade in the U.S.A.), and {{New Wave}}. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it.]]

to:

After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create new melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://www.youtube.com/watch?v=8VE-XvuChFc&translated=1 preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat).beat) to dominate later house tracks. Other influences were italo-disco (disco that got progressively more electronic stayed strong in europe after it's fade in the U.S.A.), and {{New Wave}}. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it.]]

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Click the edit button to start this new page.

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Click

Loop four beats of a disco record. You now have
the edit button foundation of a House song.

House Music started in {{the seventies}} (but received little exposure outside Chicago until {{the eighties}}) Chicago when DJ's started looping the breaks (a part of the song where the beat is the emphasis) of disco songs over and over, because they found that the crowd reacted
to start this those specific parts the best.

After a while early house musicians started recording their own songs where the break was the foundation and used electronic instruments/sequencers to create
new page. melodies based on the rhythm. When drum machines came out it allowed for even more freedom in beat making. Early Chicago house has a definite gospel influence, vocal samples could range from choirs and divas to a [[http://www.youtube.com/watch?v=8VE-XvuChFc&translated=1 preacher-esque person yelling about the tenets of house music]]. This paved the way for the freeform vocal samples (people yelling, rapping, singing, generally doing whatever as long as it's with the beat). Other influences were italo-disco (disco that got progressively more electronic stayed strong in europe after it's fade in the U.S.A.), and {{New Wave}}. As technology improved experimentation within the medium grew. Experimenting with the Roland TB-303 (a synthesizer/sequencer) resulted in acid house, which basically [[http://en.wikipedia.org/wiki/Second_Summer_of_Love started the rave movement as we know it.]]

From there, many sub-genres of house music have come up, and it is arguably the most famous example of electronic dance music around.

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