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* The B-section of "Sidecrawler's Dance" from ''VideoGame/WonderBoyIIITheDragonsTrap''.
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* The B-section of "Sidecrawler's Dance" "[[https://youtu.be/i2YbwIuhv0E?t=18s Sidecrawler's Dance]]" from ''VideoGame/WonderBoyIIITheDragonsTrap''.
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* The B-section of "Sidecrawler's Dance" from ''VideoGame/WonderBoyIIITheDragonsTrap''.
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Changed line(s) 39 (click to see context) from:
** The main theme ([=B♭, A♭6, G♭, D♭, C♭, B♭m, C, F7=]) of the series
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** The main theme ([=B♭, A♭6, A♭add6, G♭, D♭, C♭, B♭m, C, F7=]) of the series
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Changed line(s) 126 (click to see context) from:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->A♭4->Dø7->D♭maj7->[=Fm4=], then re-ascends via D♭maj7->E♭->C6.
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* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->A♭4->Dø7->D♭maj7->[=Fm4=], Fm->E+->A♭4->Dø7->D♭maj7->[=Fm4=], then re-ascends via D♭maj7->E♭->C6.
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Changed line(s) 126 (click to see context) from:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->A♭4->B♭6->D♭maj7->[=Fm4=], then re-ascends via D♭maj7->E♭->C6.
to:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->A♭4->B♭6->D♭maj7->[=Fm4=], Fm->C6->A♭4->Dø7->D♭maj7->[=Fm4=], then re-ascends via D♭maj7->E♭->C6.
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Changed line(s) 126 (click to see context) from:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->C°6->B♭6->D♭maj7->[=Fm4=], then re-ascends.
to:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->C°6->B♭6->D♭maj7->[=Fm4=], Fm->C6->A♭4->B♭6->D♭maj7->[=Fm4=], then re-ascends.re-ascends via D♭maj7->E♭->C6.
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Changed line(s) 126 (click to see context) from:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->C°6->B♭6->D♭maj7->Fm4, then re-ascends.
to:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->C°6->B♭6->D♭maj7->Fm4, Fm->C6->C°6->B♭6->D♭maj7->[=Fm4=], then re-ascends.
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Changed line(s) 126 (click to see context) from:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->C°6->B♭6->D♭maj7->C, then re-ascends.
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* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends via Fm->C6->C°6->B♭6->D♭maj7->C, Fm->C6->C°6->B♭6->D♭maj7->Fm4, then re-ascends.
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Changed line(s) 126 (click to see context) from:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends from Fm to C, then re-ascends.
to:
* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends from Fm to C, via Fm->C6->C°6->B♭6->D♭maj7->C, then re-ascends.
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* In ''VideoGame/Action52'', the middle 8 section of the [[https://youtu.be/WZlYGN5W2Yg?t=1m29s Cheetahmen]] theme chromatically descends from Fm to C, then re-ascends.
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Changed line(s) 115 (click to see context) from:
* [[https://youtu.be/6PPui3GfGCY?t=2m25s Over Drive]] from ''[[VideoGame/YsIIAncientYsVanishedTheFinalChapter Ys II]] Eternal/Chronicles'' has a bridge section with this progression. Ditto The Five Disciples (intro) and Battle 58 (B-section) from ''[[VideoGame/YsIVMaskOfTheSun Mask of the Sun]]'', ''[[VideoGame/YsIVTheDawnOfYs The Dawn of Ys]]'', and ''[[VideoGame/YsMemoriesOfCelceta Memories of Celceta]]''; and [[https://youtu.be/rJ7hNc_BcHY?t=37s Armored Bane]] from ''VideoGame/YsVITheArkOfNapishtim''.
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* [[https://youtu.be/6PPui3GfGCY?t=2m25s Over Drive]] from ''[[VideoGame/YsIIAncientYsVanishedTheFinalChapter Ys II]] Eternal/Chronicles'' has a bridge section with this progression. Ditto [[https://youtu.be/X98h0h9vg14 The Five Disciples Disciples]] (intro) and [[https://youtu.be/4HNEPXbNEK4?t=14s Battle 58 58]] (B-section) from ''[[VideoGame/YsIVMaskOfTheSun Mask of the Sun]]'', ''[[VideoGame/YsIVTheDawnOfYs The Dawn of Ys]]'', and ''[[VideoGame/YsMemoriesOfCelceta Memories of Celceta]]''; and [[https://youtu.be/rJ7hNc_BcHY?t=37s Armored Bane]] from ''VideoGame/YsVITheArkOfNapishtim''.
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Changed line(s) 115 (click to see context) from:
* [[https://youtu.be/6PPui3GfGCY?t=2m25s Over Drive]] from ''[[VideoGame/YsIIAncientYsVanishedTheFinalChapter Ys II]] Eternal/Chronicles'' has a bridge section with this progression. Ditto [[https://youtu.be/rJ7hNc_BcHY?t=37s Armored Bane]] from ''VideoGame/YsVITheArkOfNapishtim''.
to:
* [[https://youtu.be/6PPui3GfGCY?t=2m25s Over Drive]] from ''[[VideoGame/YsIIAncientYsVanishedTheFinalChapter Ys II]] Eternal/Chronicles'' has a bridge section with this progression. Ditto The Five Disciples (intro) and Battle 58 (B-section) from ''[[VideoGame/YsIVMaskOfTheSun Mask of the Sun]]'', ''[[VideoGame/YsIVTheDawnOfYs The Dawn of Ys]]'', and ''[[VideoGame/YsMemoriesOfCelceta Memories of Celceta]]''; and [[https://youtu.be/rJ7hNc_BcHY?t=37s Armored Bane]] from ''VideoGame/YsVITheArkOfNapishtim''.
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Changed line(s) 115 (click to see context) from:
* [[https://youtu.be/6PPui3GfGCY?t=2m25s Over Drive]] from ''VideoGame/{{Ys}} II Eternal/Chronicles'' has a bridge section with this progression. Ditto [[https://youtu.be/rJ7hNc_BcHY?t=37s Armored Bane]] from ''VideoGame/YsVITheArkOfNapishtim''.
to:
* [[https://youtu.be/6PPui3GfGCY?t=2m25s Over Drive]] from ''VideoGame/{{Ys}} II ''[[VideoGame/YsIIAncientYsVanishedTheFinalChapter Ys II]] Eternal/Chronicles'' has a bridge section with this progression. Ditto [[https://youtu.be/rJ7hNc_BcHY?t=37s Armored Bane]] from ''VideoGame/YsVITheArkOfNapishtim''.
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Changed line(s) 115 (click to see context) from:
* [[https://youtu.be/6PPui3GfGCY?t=2m25s Over Drive]] from ''VideoGame/{{Ys}} II Eternal/Chronicles'' has a bridge section with this progression.
to:
* [[https://youtu.be/6PPui3GfGCY?t=2m25s Over Drive]] from ''VideoGame/{{Ys}} II Eternal/Chronicles'' has a bridge section with this progression. Ditto [[https://youtu.be/rJ7hNc_BcHY?t=37s Armored Bane]] from ''VideoGame/YsVITheArkOfNapishtim''.
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Changed line(s) 77 (click to see context) from:
* The A-section of "Dubious Castle Safety Gigue" from ''VideoGame/MystikBelle'' has a cadence similar to the Andalusian, but in Dorian mode: Cm, [=E♭6/4=], [=F6/3=], Gm.
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* The A-section of "Dubious "[[https://youtu.be/Yi8mskCjnI4 Dubious Castle Safety Gigue" Gigue]]" from ''VideoGame/MystikBelle'' has a cadence similar to the Andalusian, but in Dorian mode: Cm, [=E♭6/4=], [=F6/3=], Gm.
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* The A-section of "Dubious Castle Safety Gigue" from ''VideoGame/MystikBelle'' has a cadence similar to the Andalusian, but in Dorian mode: Cm, [=E♭6/4=], [=F6/3=], Gm.
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Changed line(s) 124 (click to see context) from:
The beginning of "[[https://youtu.be/AabSr20HuJs What A Horrible Night to Be a Witch]]" from ''VideoGame/MystikBelle''.
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* The beginning of "[[https://youtu.be/AabSr20HuJs What A Horrible Night to Be a Witch]]" from ''VideoGame/MystikBelle''.
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* ''VideoGame/MegaMan9'''s [[https://youtu.be/EazDwW8rhXY title theme]].
The beginning of "[[https://youtu.be/AabSr20HuJs What A Horrible Night to Be a Witch]]" from ''VideoGame/MystikBelle''.
The beginning of "[[https://youtu.be/AabSr20HuJs What A Horrible Night to Be a Witch]]" from ''VideoGame/MystikBelle''.
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Changed line(s) 76 (click to see context) from:
* The B-section of Janis Ian's "[[https://youtu.be/TNW5vL_WKok?t=48s At Seventeen]]": E♭, G7/4/3, Cm, A♭6/3(B♭ is skipped), A☉maj7, G7, Cm6/4, F, G.
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* The B-section of Janis Ian's "[[https://youtu.be/TNW5vL_WKok?t=48s At Seventeen]]": E♭, G7/4/3, Cm, A♭6/3(B♭ is skipped), A☉maj7, A♭maj7, G7, Cm6/4, F, G.
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Changed line(s) 76 (click to see context) from:
* The B-section of Janis Ian's "[[https://youtu.be/TNW5vL_WKok?t=48s At Seventeen]]": E♭, G7/4/3, Cm, A♭6/3(B♭ is skipped), A☉maj7, G7, Cm6/4, Dm6/3, G.
to:
* The B-section of Janis Ian's "[[https://youtu.be/TNW5vL_WKok?t=48s At Seventeen]]": E♭, G7/4/3, Cm, A♭6/3(B♭ is skipped), A☉maj7, G7, Cm6/4, Dm6/3, F, G.
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* The B-section of Janis Ian's "[[https://youtu.be/TNW5vL_WKok?t=48s At Seventeen]]": E♭, G7/4/3, Cm, A♭6/3(B♭ is skipped), A☉maj7, G7, Cm6/4, Dm6/3, G.
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Changed line(s) 120,121 (click to see context) from:
** "[[https://www.youtube.com/watch?v=HqxOJkxDsU0 I Can't Imagine]]" has four variants of this: I4, II6, iv, I6 during the verses and bridge; I, ♭VII, vi°, ♭VI for the first two phrases of the chorus; vi, I4, II6, IV for the third phrase; and ♭VII, vi, ♭VI, V7 for the last.
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]" descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D. The bridge likewise has vi6, V6, I4/2, IV6, iv6, i4, II6, IVsus2.
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]" descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D. The bridge likewise has vi6, V6, I4/2, IV6, iv6, i4, II6, IVsus2.
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** "[[https://www.youtube.com/watch?v=HqxOJkxDsU0 I Can't Imagine]]" has four variants of this: I4, II6, [=II6=], iv, I6 during the verses and bridge; I, ♭VII, vi°, ♭VI for the first two phrases of the chorus; vi, I4, II6, [=II6=], IV for the third phrase; and ♭VII, vi, ♭VI, V7 for the last.
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]" descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D. The bridge likewise has vi6, V6,I4/2, IV6, I7/4/2, [=IV6=], iv6, i4, II6, IVsus2.[=II6=], [=IVsus2=].
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]" descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D. The bridge likewise has vi6, V6,
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Changed line(s) 121 (click to see context) from:
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]" descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D.
to:
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]" descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D. The bridge likewise has vi6, V6, I4/2, IV6, iv6, i4, II6, IVsus2.
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Changed line(s) 121 (click to see context) from:
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]" from descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D.
to:
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]" from descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D.
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Changed line(s) 119 (click to see context) from:
* The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]" from ''Vanities: The Musical'' descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D.
to:
* ''Vanities: The Musical'':
** "[[https://www.youtube.com/watch?v=HqxOJkxDsU0 I Can't Imagine]]" has four variants of this: I4, II6, iv, I6 during the verses and bridge; I, ♭VII, vi°, ♭VI for the first two phrases of the chorus; vi, I4, II6, IV for the third phrase; and ♭VII, vi, ♭VI, V7 for the last.
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]"from ''Vanities: The Musical'' from descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D.
** "[[https://www.youtube.com/watch?v=HqxOJkxDsU0 I Can't Imagine]]" has four variants of this: I4, II6, iv, I6 during the verses and bridge; I, ♭VII, vi°, ♭VI for the first two phrases of the chorus; vi, I4, II6, IV for the third phrase; and ♭VII, vi, ♭VI, V7 for the last.
** The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be]]"
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Changed line(s) 119 (click to see context) from:
* The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be" from ''Vanities: The Musical'' descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D.
to:
* The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be" Be]]" from ''Vanities: The Musical'' descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D.
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* The verse section of "[[https://youtu.be/DbHP9NtSnB0 Friendship Isn't What It Used to Be" from ''Vanities: The Musical'' descends chromatically for the first five chords, then climbs back to B♭ via F before following the E♭ diatonic scale down to D.
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* "Hit The Road, Jack" by Music/RayCharles & The Raelettes is perhaps the best known usage of the Andalusian cadence in popular music.
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* The second movement of Music/JohannSebastianBach's "Suite No. 3 in D major" (better known as "Air on the G String") begins with one.
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* The "[[https://www.youtube.com/watch?v=lkjQnoYj95w Crucifixus]]" from the Mass in B minor by Music/JohannSebastianBach uses this as a four-bar ostinato bass-line pattern, in E minor. This was lifted from the cantata "Weinen, Klagen, Sorgen, Zagen," which had it in F minor (as do Liszt's variations for piano and organ based on it).
to:
* The "[[https://www.youtube.com/watch?v=lkjQnoYj95w Crucifixus]]" from the Mass "Mass in B minor minor" by Music/JohannSebastianBach uses this as a four-bar ostinato bass-line pattern, in E minor. This was lifted from the cantata "Weinen, Klagen, Sorgen, Zagen," which had it in F minor (as do Liszt's variations for piano and organ based on it).
