History Main / CounterpointDuet

1st Feb '16 6:08:34 PM ClockStopping
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* ''Farmer Refuted'' from ''Theatre/{{Hamilton}}'' skips the second step: first, we have Samuel Seabury singing about how the American people should not be tempted into revolution (with a couple of short interjections by the other characters), and then he sings the same verse again, but this time with Hamilton's much faster rapped response layered on top, written such that sometimes he says the same word or sound at the same time as Seabury. As an example, here are the first two lines, with the simultaneous common sounds bolded: -->'''Seabury:''' '''Heed''' not the rabble who '''scream, revolution!''' They '''have not''' your interests at '''heart.''' -->'''Hamilton:''' '''Hed''' have you all unravel at the sound of '''screams''' but the '''revolution''' is coming, the '''have-nots''' are gonna win this, its '''hard''' to listen to you with a straight face!
4th Jan '16 2:54:05 PM nombretomado
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* "Don't Do Sadness" / "Blue Wind" from ''SpringAwakening''. Moritz's half ("Don't Do Sadness") is a loud, rock-influenced BSODSong, while Ilse's half ("Blue Wind") is a nostalgic, [[LonelyPianoPiece piano-accompanied lament]].
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* "Don't Do Sadness" / "Blue Wind" from ''SpringAwakening''.''Theatre/SpringAwakening''. Moritz's half ("Don't Do Sadness") is a loud, rock-influenced BSODSong, while Ilse's half ("Blue Wind") is a nostalgic, [[LonelyPianoPiece piano-accompanied lament]].
18th Dec '15 2:26:58 PM twilicorn
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* ''Literature/EmmetOttersJugBandChristmas'' has the reprise of "Our World"/"Brothers".
23rd Nov '15 12:31:29 PM Morgenthaler
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*** But NOT unusual in GilbertAndSullivan: offhand, "Welcome gentry" from {{Ruddigore}}, for instance, or, for that matter, "I am so proud" from TheMikado. Sullivan tended, when writing a double chorus, to either contrast fast and slow (say, "Tower warders"/"'Tis the autumn" from ''TheYeomenOfTheGuard'', dotted rhythms vs. straight ("When the Foeman"/"Go ye heroes"), or triple meter vs. double meter.
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*** * But NOT unusual in GilbertAndSullivan: Creator/GilbertAndSullivan: offhand, "Welcome gentry" from {{Ruddigore}}, Theatre/{{Ruddigore}}, for instance, or, for that matter, "I am so proud" from TheMikado. Theatre/TheMikado. Sullivan tended, when writing a double chorus, to either contrast fast and slow (say, "Tower warders"/"'Tis the autumn" from ''TheYeomenOfTheGuard'', ''Theatre/TheYeomenOfTheGuard'', dotted rhythms vs. straight ("When the Foeman"/"Go ye heroes"), or triple meter vs. double meter.
18th Oct '15 1:48:43 AM Ozian123
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*** It's only a semi-example because she starts midway through the song and does not sing independently before the counterpoint.
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*** ** It's only a semi-example because she starts midway through the song and does not sing independently before the counterpoint.
12th Oct '15 6:53:27 PM NotThisThing
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* Don't Do Sadness/Blue Wind from ''SpringAwakening''. Moritz's half (Don't Do Sadness) is a loud, rock-influenced BSODSong, while Ilse's half (Blue Wind) is a nostalgic, [[LonelyPianoPiece piano-accompanied lament]]. * How the Other Half Lives from ''Thoroughly Modern Millie''.
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* Don't "Don't Do Sadness/Blue Wind Sadness" / "Blue Wind" from ''SpringAwakening''. Moritz's half (Don't ("Don't Do Sadness) Sadness") is a loud, rock-influenced BSODSong, while Ilse's half (Blue Wind) ("Blue Wind") is a nostalgic, [[LonelyPianoPiece piano-accompanied lament]]. * How ''How the Other Half Lives Lives'' from ''Thoroughly Modern Millie''.''Film/ThoroughlyModernMillie''. Miss Dorothy wants to experience the life of the poor, Millie the rich.
7th Sep '15 6:47:49 PM nombretomado
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* In MissSaigon, the song "I Still Believe" is sung by Kim and Ellen. Kim is alone in a hovel singing about how much she loves and misses Chris, praying and still fervently believing that he will come back for her. Ellen is halfway around the world in a comfortable bedroom, sitting right next to the sleeping Chris. Subverted in that the only counterpoint is the setting. Ellen's lyrics show that she is just as lonely and desperate as Kim (Chris' trauma over the loss of Kim has caused him to push Ellen away) and just as fervent in her belief that one day Chris will trust her enough to confide in her. * In NextToNormal, the song "Who's Crazy?/My Psychopharmacologist and I" is primarily sung by Diana and Dan, with the other actors as ensembles. Dan is reflecting on how and why Diana was having treatments while Diana was telling the audience her path of treatments.
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* In MissSaigon, ''Theatre/MissSaigon'', the song "I Still Believe" is sung by Kim and Ellen. Kim is alone in a hovel singing about how much she loves and misses Chris, praying and still fervently believing that he will come back for her. Ellen is halfway around the world in a comfortable bedroom, sitting right next to the sleeping Chris. Subverted in that the only counterpoint is the setting. Ellen's lyrics show that she is just as lonely and desperate as Kim (Chris' trauma over the loss of Kim has caused him to push Ellen away) and just as fervent in her belief that one day Chris will trust her enough to confide in her. * In NextToNormal, ''Theatre/NextToNormal'', the song "Who's Crazy?/My Psychopharmacologist and I" is primarily sung by Diana and Dan, with the other actors as ensembles. Dan is reflecting on how and why Diana was having treatments while Diana was telling the audience her path of treatments.
3rd Aug '15 4:38:09 AM Morgenthaler
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* "Yesterday I Loved You" from OnceUponAMattress comes close but the melody of "In A Little While" is slightly modified to fit. In the revival there is also a point where Lady Larken joins Sir Harry in a harmony. * "Christmas Bells" from {{RENT}} also fits here.
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* "Yesterday I Loved You" from OnceUponAMattress Theatre/OnceUponAMattress comes close but the melody of "In A Little While" is slightly modified to fit. In the revival there is also a point where Lady Larken joins Sir Harry in a harmony. * "Christmas Bells" from {{RENT}} Theatre/{{RENT}} also fits here.

** The aptly named "Act One Finale" from {{Urinetown}} has a similar feel to One Day More, with several melodies superimposed on each other. * "Where Do We Go From Here" from ''ZombieProm'' is an ensemble version. * Beethoven's opera ''{{Fidelio}}'' has a famous Canon Quartet: four characters expressing their different concerns over the same situation.
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** The aptly named "Act One Finale" from {{Urinetown}} Theatre/{{Urinetown}} has a similar feel to One Day More, with several melodies superimposed on each other. * "Where Do We Go From Here" from ''ZombieProm'' ''Theatre/ZombieProm'' is an ensemble version. * Beethoven's opera ''{{Fidelio}}'' ''Theatre/{{Fidelio}}'' has a famous Canon Quartet: four characters expressing their different concerns over the same situation.
21st Jul '15 8:31:53 PM damus2300
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* The "Point of No Return" and "Angel of Music" duet in ''Theatre/ThePhantomOfTheOpera'' climax.

** "One Day More" had 2 counterpoint duets; Cosette & Marius vs. Eponine and Marius vs. Enjolras.
12th Jul '15 11:06:05 PM PikaHikariKT
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* ''Anime/SenkiZesshouSymphogear'''s second season has Kirika and Shirabe's main {{Image Song}}s revealed to be one of these when combined together.
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