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changed a Foe Yay wick to Villainous Crush
Changed line(s) 133,134 (click to see context) from:
** "Capture You" seems normal at first but near the end, it's revealed that the song's about Ganon [[spoiler:[[FoeYay wanting to have sex with Link]].]]
to:
** "Capture You" seems normal at first but near the end, it's revealed that the song's about Ganon [[spoiler:[[FoeYay [[spoiler:[[VillainousCrush wanting to have sex with Link]].]]
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Changed line(s) 499 (click to see context) from:
** ''[[Music/{{Red2014}} Red]]'':
to:
** ''[[Music/{{Red2014}} ''[[Music/{{Red2012}} Red]]'':
Changed line(s) 504 (click to see context) from:
*** "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't mine to lose".
to:
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Changed line(s) 499 (click to see context) from:
** ''[[Music/{{Red2020}} Red]]'':
to:
** ''[[Music/{{Red2020}} ''[[Music/{{Red2014}} Red]]'':
Changed line(s) 504 (click to see context) from:
*** "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't mine to lose".
to:
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Changed line(s) 499,500 (click to see context) from:
** ''[[Music/{{folklore2020}} folklore]]'': "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't mine to lose".
** "illicit affairs" from the same album starts with the singer setting up all the way the she and her love interest conducts an affair... right before revealing that all the lies and secrecy has eaten away and exhausted her for the rest of the song and ended the song stating that she can't end the relationship because she loves the man so much.
** "illicit affairs" from the same album starts with the singer setting up all the way the she and her love interest conducts an affair... right before revealing that all the lies and secrecy has eaten away and exhausted her for the rest of the song and ended the song stating that she can't end the relationship because she loves the man so much.
to:
** ''[[Music/{{Red2020}} Red]]'':
*** "I Almost Do" open with the singer lovingly fantasize about what her lover is doing after a hard day of work... before revealed that they broke up and she was trying so hard to not call them because their relationship has left too many hurt on both side. The aforementioned opening lyrics is repeated at the end, implying that she still thinks about them.
*** "The Moment I Knew" opens with the singer fantasize about how happy she would be when her lover shows up as an event important to her. However, as the song goes on, she realizes that her lover won't show up and the title is referred to her knowing her lover won't show up and that they are not right for her.
*** "The Last Time" opens with the male singer going to the female singer house and show up as her door, with lyrics setting up as an intimate only to reveal that the reason he is going there to beg her for forgiveness.
** ''[[Music/{{folklore2020}}folklore]]'': "august" folklore]]'':
***"august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't mine to lose".
** *** "illicit affairs" from the same album starts with the singer setting up all the way the she and her love interest conducts an affair... right before revealing that all the lies and secrecy has eaten away and exhausted her for the rest of the song and ended the song stating that she can't end the relationship because she loves the man so much.
*** "I Almost Do" open with the singer lovingly fantasize about what her lover is doing after a hard day of work... before revealed that they broke up and she was trying so hard to not call them because their relationship has left too many hurt on both side. The aforementioned opening lyrics is repeated at the end, implying that she still thinks about them.
*** "The Moment I Knew" opens with the singer fantasize about how happy she would be when her lover shows up as an event important to her. However, as the song goes on, she realizes that her lover won't show up and the title is referred to her knowing her lover won't show up and that they are not right for her.
*** "The Last Time" opens with the male singer going to the female singer house and show up as her door, with lyrics setting up as an intimate only to reveal that the reason he is going there to beg her for forgiveness.
** ''[[Music/{{folklore2020}}
***"august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't mine to lose".
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Changed line(s) 498 (click to see context) from:
* Music/TaylorSwift's "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't mine to lose".
to:
* Music/TaylorSwift's Music/TaylorSwift
** ''[[Music/{{folklore2020}} folklore]]'': "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't mine tolose".lose".
** "illicit affairs" from the same album starts with the singer setting up all the way the she and her love interest conducts an affair... right before revealing that all the lies and secrecy has eaten away and exhausted her for the rest of the song and ended the song stating that she can't end the relationship because she loves the man so much.
** ''[[Music/{{evermore2020}} evermore]]'': "ivy" opens with the narrator exclaiming and praising her lover... until the rest of the song revealed that she is very conflicting about this relationship affecting her current one with her husband (which mean either this is an affair or the lover she is exclaiming is dead and she still can't get over them) and compare their love to ivy that will destroy her.
** ''[[Music/{{folklore2020}} folklore]]'': "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't mine to
** "illicit affairs" from the same album starts with the singer setting up all the way the she and her love interest conducts an affair... right before revealing that all the lies and secrecy has eaten away and exhausted her for the rest of the song and ended the song stating that she can't end the relationship because she loves the man so much.
** ''[[Music/{{evermore2020}} evermore]]'': "ivy" opens with the narrator exclaiming and praising her lover... until the rest of the song revealed that she is very conflicting about this relationship affecting her current one with her husband (which mean either this is an affair or the lover she is exclaiming is dead and she still can't get over them) and compare their love to ivy that will destroy her.
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None
Added DiffLines:
* Being a PunkRock band formed in Belfast, Northern Ireland during [[UsefulNotes/TheTroubles the troubles]], Music/StiffLittleFingers naturally had their fair share of angry {{Protest Song}}s about the topic. When someone asked them why they didn't write a love song for once instead, they responded with "Barbed Wire Love", a song about falling in love in a war zone, using references to the violence of war as tongue-in-cheek metaphors for sex and romance:
-->Blasted by your booby traps
-->I felt the blow in both knee-caps
-->Your eyes did shine, your lips were fine
-->The device in your pants was out of sight
-->Blasted by your booby traps
-->I felt the blow in both knee-caps
-->Your eyes did shine, your lips were fine
-->The device in your pants was out of sight
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Changed line(s) 134,150 (click to see context) from:
* ''Series/CrazyExGirlfriend'' ''loves'' this trope:
** The song [[https://www.youtube.com/watch?v=wmbLB4OIuao "Settle for Me"]] is all about how Greg knows that he's not what Rebecca ''really'' wants, but that she should settle for him anyway. "I know I'm only second place in this game. / But like 2% milk / Or Seitan beef / I almost taste the same!"
** "A Boy Band Made Up Of Four Joshes" is, obviously, a parody of squeaky-clean boy band love songs, but also lampshades how Rebecca expects Josh to fix all of her mental health issues by making the boy band members "also a team of nationally-recognised mental health professionals trained in cognitive-behavioural therapy with specialties in personality and sleep disorders... and ''love!''"
** "His Status Is... Preferred" is a minor example in that the feeling is sincere, but all of the supposedly impressive things Paula croons about - like drinking whiskey, or staying at hotels where they do multiple kinds of omelettes - are really ''not.''
** "Romantic Moments" is...well, just see the lyrics: "Romantic moments you had that he didn't know were romantic / Or maybe he did a little, we're not really sure? / But most likely not."
** "Clean Up on Aisle 4" is a more traditional example, being a love song that's just tortured into fitting the unusual theme of a supermarket.
** "Oh My God I Think I Like You" involves an unwanted LoveEpiphany occurring well into a FriendsWithBenefits situation where the singer is totally blase about all the kinky sex they're having but freaks out at the idea of catching feelings.
** "I'm Just A Girl In Love" parodies the LoveMakesYouCrazy trope with a chorus line of girls insisting that because Rebecca's in love, she can't be held responsible for her actions.
** "Love Kernels" is about Rebecca's status as a LoveMartyr and how she grabs onto every slight indication of affection as proof of a deeper love, even statements as unrelated as "Where's my phone?" ("It's a stretch, but I'll take that, too.")
** "Ping Pong Girl" parodies 00s era pop punk songs romanticising the independent, aloof girl - "She's so hot but she doesn't know it / She probably just found that outfit lying around (Like in the trash!)"
** "Research Me Obsessively" is a seduction song sung by the characters' ex-boyfriend's new girlfriend, huskily crooning at them to lose days tracking her down online and learn everything about her.
** "Duh!" parodies the whole 'I'm an idiot for never noticing her' trope by leaning on how Josh is just kind of a BrainlessBeauty in general - "Wait, I gotta go get her! I gotta get her, like, right this second! ''*cut to Josh running down the street*'' I'm coming for you baby! ...wait, I don't have my keys. I left my keys and phone at the club? ...''duh.'''"
** "We'll Never Have Problems Again" is a HakunaMatata type parody all about how clearly delusional [[spoiler:Josh and Rebecca]] are to think that being in love will solve all of their problems for them.
** "Let's Have Intercourse" sounds exactly like a soulful ''Music/EdSheeran'' number, but is actually Nathaniel singing about how he looks down on Rebecca and really doesn't want to be attracted to her, but since he is, they might as well have sex and get it over with.
** "Maybe She's Not Such A Heinous Bitch After All" sounds like a perky, happy ParentalLoveSong but is all about how relieved Rebecca is that her mother is actually acting kind of decent for once, and how relieved she is to be able to hate her "like normal girls hate their moms."
** "First Penis I Saw" is a genuinely happy, excitable song all about TheirFirstTime - just one that happens to focus rather more than usual on the specific milestone of seeing and touching a penis for the first time.
** "Nothing Is Ever Anyone's Fault" is a moving FinalLoveDuet in which the singers opine that they fell in love when the other made them realise that since they had a sad childhood, they don't have any responsibility for their actions and nobody is ever really a bad person.
** The song [[https://www.youtube.com/watch?v=wmbLB4OIuao "Settle for Me"]] is all about how Greg knows that he's not what Rebecca ''really'' wants, but that she should settle for him anyway. "I know I'm only second place in this game. / But like 2% milk / Or Seitan beef / I almost taste the same!"
** "A Boy Band Made Up Of Four Joshes" is, obviously, a parody of squeaky-clean boy band love songs, but also lampshades how Rebecca expects Josh to fix all of her mental health issues by making the boy band members "also a team of nationally-recognised mental health professionals trained in cognitive-behavioural therapy with specialties in personality and sleep disorders... and ''love!''"
** "His Status Is... Preferred" is a minor example in that the feeling is sincere, but all of the supposedly impressive things Paula croons about - like drinking whiskey, or staying at hotels where they do multiple kinds of omelettes - are really ''not.''
** "Romantic Moments" is...well, just see the lyrics: "Romantic moments you had that he didn't know were romantic / Or maybe he did a little, we're not really sure? / But most likely not."
** "Clean Up on Aisle 4" is a more traditional example, being a love song that's just tortured into fitting the unusual theme of a supermarket.
** "Oh My God I Think I Like You" involves an unwanted LoveEpiphany occurring well into a FriendsWithBenefits situation where the singer is totally blase about all the kinky sex they're having but freaks out at the idea of catching feelings.
** "I'm Just A Girl In Love" parodies the LoveMakesYouCrazy trope with a chorus line of girls insisting that because Rebecca's in love, she can't be held responsible for her actions.
** "Love Kernels" is about Rebecca's status as a LoveMartyr and how she grabs onto every slight indication of affection as proof of a deeper love, even statements as unrelated as "Where's my phone?" ("It's a stretch, but I'll take that, too.")
** "Ping Pong Girl" parodies 00s era pop punk songs romanticising the independent, aloof girl - "She's so hot but she doesn't know it / She probably just found that outfit lying around (Like in the trash!)"
** "Research Me Obsessively" is a seduction song sung by the characters' ex-boyfriend's new girlfriend, huskily crooning at them to lose days tracking her down online and learn everything about her.
** "Duh!" parodies the whole 'I'm an idiot for never noticing her' trope by leaning on how Josh is just kind of a BrainlessBeauty in general - "Wait, I gotta go get her! I gotta get her, like, right this second! ''*cut to Josh running down the street*'' I'm coming for you baby! ...wait, I don't have my keys. I left my keys and phone at the club? ...''duh.'''"
** "We'll Never Have Problems Again" is a HakunaMatata type parody all about how clearly delusional [[spoiler:Josh and Rebecca]] are to think that being in love will solve all of their problems for them.
** "Let's Have Intercourse" sounds exactly like a soulful ''Music/EdSheeran'' number, but is actually Nathaniel singing about how he looks down on Rebecca and really doesn't want to be attracted to her, but since he is, they might as well have sex and get it over with.
** "Maybe She's Not Such A Heinous Bitch After All" sounds like a perky, happy ParentalLoveSong but is all about how relieved Rebecca is that her mother is actually acting kind of decent for once, and how relieved she is to be able to hate her "like normal girls hate their moms."
** "First Penis I Saw" is a genuinely happy, excitable song all about TheirFirstTime - just one that happens to focus rather more than usual on the specific milestone of seeing and touching a penis for the first time.
** "Nothing Is Ever Anyone's Fault" is a moving FinalLoveDuet in which the singers opine that they fell in love when the other made them realise that since they had a sad childhood, they don't have any responsibility for their actions and nobody is ever really a bad person.
to:
** The song [[https://www.youtube.com/watch?v=wmbLB4OIuao "Settle for Me"]] is all about how Greg knows that he's not what Rebecca ''really'' wants, but that she should settle for him anyway. "I know I'm only second place in this game. / But like 2% milk / Or Seitan beef / I almost taste the same!"
** "A Boy Band Made Up Of Four Joshes" is, obviously, a parody of squeaky-clean boy band love songs, but also lampshades how Rebecca expects Josh to fix all of her mental health issues by making the boy band members "also a team of nationally-recognised mental health professionals trained in cognitive-behavioural therapy with specialties in personality and sleep disorders... and ''love!''"
** "His Status Is... Preferred" is a minor example in that the feeling is sincere, but all of the supposedly impressive things Paula croons about - like drinking whiskey, or staying at hotels where they do multiple kinds of omelettes - are really ''not.''
** "Romantic Moments" is...well, just see the lyrics: "Romantic moments you had that he didn't know were romantic / Or maybe he did a little, we're not really sure? / But most likely not."
** "Clean Up on Aisle 4" is a more traditional example, being a love song that's just tortured into fitting the unusual theme of a supermarket.
** "Oh My God I Think I Like You" involves an unwanted LoveEpiphany occurring well into a FriendsWithBenefits situation where the singer is totally blase about all the kinky sex they're having but freaks out at the idea of catching feelings.
** "I'm Just A Girl In Love" parodies the LoveMakesYouCrazy trope with a chorus line of girls insisting that because Rebecca's in love, she can't be held responsible for her actions.
** "Love Kernels" is about Rebecca's status as a LoveMartyr and how she grabs onto every slight indication of affection as proof of a deeper love, even statements as unrelated as "Where's my phone?" ("It's a stretch, but I'll take that, too.")
** "Ping Pong Girl" parodies 00s era pop punk songs romanticising the independent, aloof girl - "She's so hot but she doesn't know it / She probably just found that outfit lying around (Like in the trash!)"
** "Research Me Obsessively" is a seduction song sung by the characters' ex-boyfriend's new girlfriend, huskily crooning at them to lose days tracking her down online and learn everything about her.
** "Duh!" parodies the whole 'I'm an idiot for never noticing her' trope by leaning on how Josh is just kind of a BrainlessBeauty in general - "Wait, I gotta go get her! I gotta get her, like, right this second! ''*cut to Josh running down the street*'' I'm coming for you baby! ...wait, I don't have my keys. I left my keys and phone at the club? ...''duh.'''"
** "We'll Never Have Problems Again" is a HakunaMatata type parody all about how clearly delusional [[spoiler:Josh and Rebecca]] are to think that being in love will solve all of their problems for them.
** "Let's Have Intercourse" sounds exactly like a soulful ''Music/EdSheeran'' number, but is actually Nathaniel singing about how he looks down on Rebecca and really doesn't want to be attracted to her, but since he is, they might as well have sex and get it over with.
** "Maybe She's Not Such A Heinous Bitch After All" sounds like a perky, happy ParentalLoveSong but is all about how relieved Rebecca is that her mother is actually acting kind of decent for once, and how relieved she is to be able to hate her "like normal girls hate their moms."
** "First Penis I Saw" is a genuinely happy, excitable song all about TheirFirstTime - just one that happens to focus rather more than usual on the specific milestone of seeing and touching a penis for the first time.
** "Nothing Is Ever Anyone's Fault" is a moving FinalLoveDuet in which the singers opine that they fell in love when the other made them realise that since they had a sad childhood, they don't have any responsibility for their actions and nobody is ever really a bad person.
Added DiffLines:
* ''Series/CrazyExGirlfriend'' ''loves'' this trope:
** The song [[https://www.youtube.com/watch?v=wmbLB4OIuao "Settle for Me"]] is all about how Greg knows that he's not what Rebecca ''really'' wants, but that she should settle for him anyway. "I know I'm only second place in this game. / But like 2% milk / Or Seitan beef / I almost taste the same!"
** "A Boy Band Made Up Of Four Joshes" is, obviously, a parody of squeaky-clean boy band love songs, but also lampshades how Rebecca expects Josh to fix all of her mental health issues by making the boy band members "also a team of nationally-recognised mental health professionals trained in cognitive-behavioural therapy with specialties in personality and sleep disorders... and ''love!''"
** "His Status Is... Preferred" is a minor example in that the feeling is sincere, but all of the supposedly impressive things Paula croons about - like drinking whiskey, or staying at hotels where they do multiple kinds of omelettes - are really ''not.''
** "Romantic Moments" is...well, just see the lyrics: "Romantic moments you had that he didn't know were romantic / Or maybe he did a little, we're not really sure? / But most likely not."
** "Clean Up on Aisle 4" is a more traditional example, being a love song that's just tortured into fitting the unusual theme of a supermarket.
** "Oh My God I Think I Like You" involves an unwanted LoveEpiphany occurring well into a FriendsWithBenefits situation where the singer is totally blase about all the kinky sex they're having but freaks out at the idea of catching feelings.
** "I'm Just A Girl In Love" parodies the LoveMakesYouCrazy trope with a chorus line of girls insisting that because Rebecca's in love, she can't be held responsible for her actions.
** "Love Kernels" is about Rebecca's status as a LoveMartyr and how she grabs onto every slight indication of affection as proof of a deeper love, even statements as unrelated as "Where's my phone?" ("It's a stretch, but I'll take that, too.")
** "Ping Pong Girl" parodies 00s era pop punk songs romanticising the independent, aloof girl - "She's so hot but she doesn't know it / She probably just found that outfit lying around (Like in the trash!)"
** "Research Me Obsessively" is a seduction song sung by the characters' ex-boyfriend's new girlfriend, huskily crooning at them to lose days tracking her down online and learn everything about her.
** "Duh!" parodies the whole 'I'm an idiot for never noticing her' trope by leaning on how Josh is just kind of a BrainlessBeauty in general - "Wait, I gotta go get her! I gotta get her, like, right this second! ''*cut to Josh running down the street*'' I'm coming for you baby! ...wait, I don't have my keys. I left my keys and phone at the club? ...''duh.'''"
** "We'll Never Have Problems Again" is a HakunaMatata type parody all about how clearly delusional [[spoiler:Josh and Rebecca]] are to think that being in love will solve all of their problems for them.
** "Let's Have Intercourse" sounds exactly like a soulful ''Music/EdSheeran'' number, but is actually Nathaniel singing about how he looks down on Rebecca and really doesn't want to be attracted to her, but since he is, they might as well have sex and get it over with.
** "Maybe She's Not Such A Heinous Bitch After All" sounds like a perky, happy ParentalLoveSong but is all about how relieved Rebecca is that her mother is actually acting kind of decent for once, and how relieved she is to be able to hate her "like normal girls hate their moms."
** "First Penis I Saw" is a genuinely happy, excitable song all about TheirFirstTime - just one that happens to focus rather more than usual on the specific milestone of seeing and touching a penis for the first time.
** "Nothing Is Ever Anyone's Fault" is a moving FinalLoveDuet in which the singers opine that they fell in love when the other made them realize that since they had a sad childhood, they don't have any responsibility for their actions and nobody is ever really a bad person.
** The song [[https://www.youtube.com/watch?v=wmbLB4OIuao "Settle for Me"]] is all about how Greg knows that he's not what Rebecca ''really'' wants, but that she should settle for him anyway. "I know I'm only second place in this game. / But like 2% milk / Or Seitan beef / I almost taste the same!"
** "A Boy Band Made Up Of Four Joshes" is, obviously, a parody of squeaky-clean boy band love songs, but also lampshades how Rebecca expects Josh to fix all of her mental health issues by making the boy band members "also a team of nationally-recognised mental health professionals trained in cognitive-behavioural therapy with specialties in personality and sleep disorders... and ''love!''"
** "His Status Is... Preferred" is a minor example in that the feeling is sincere, but all of the supposedly impressive things Paula croons about - like drinking whiskey, or staying at hotels where they do multiple kinds of omelettes - are really ''not.''
** "Romantic Moments" is...well, just see the lyrics: "Romantic moments you had that he didn't know were romantic / Or maybe he did a little, we're not really sure? / But most likely not."
** "Clean Up on Aisle 4" is a more traditional example, being a love song that's just tortured into fitting the unusual theme of a supermarket.
** "Oh My God I Think I Like You" involves an unwanted LoveEpiphany occurring well into a FriendsWithBenefits situation where the singer is totally blase about all the kinky sex they're having but freaks out at the idea of catching feelings.
** "I'm Just A Girl In Love" parodies the LoveMakesYouCrazy trope with a chorus line of girls insisting that because Rebecca's in love, she can't be held responsible for her actions.
** "Love Kernels" is about Rebecca's status as a LoveMartyr and how she grabs onto every slight indication of affection as proof of a deeper love, even statements as unrelated as "Where's my phone?" ("It's a stretch, but I'll take that, too.")
** "Ping Pong Girl" parodies 00s era pop punk songs romanticising the independent, aloof girl - "She's so hot but she doesn't know it / She probably just found that outfit lying around (Like in the trash!)"
** "Research Me Obsessively" is a seduction song sung by the characters' ex-boyfriend's new girlfriend, huskily crooning at them to lose days tracking her down online and learn everything about her.
** "Duh!" parodies the whole 'I'm an idiot for never noticing her' trope by leaning on how Josh is just kind of a BrainlessBeauty in general - "Wait, I gotta go get her! I gotta get her, like, right this second! ''*cut to Josh running down the street*'' I'm coming for you baby! ...wait, I don't have my keys. I left my keys and phone at the club? ...''duh.'''"
** "We'll Never Have Problems Again" is a HakunaMatata type parody all about how clearly delusional [[spoiler:Josh and Rebecca]] are to think that being in love will solve all of their problems for them.
** "Let's Have Intercourse" sounds exactly like a soulful ''Music/EdSheeran'' number, but is actually Nathaniel singing about how he looks down on Rebecca and really doesn't want to be attracted to her, but since he is, they might as well have sex and get it over with.
** "Maybe She's Not Such A Heinous Bitch After All" sounds like a perky, happy ParentalLoveSong but is all about how relieved Rebecca is that her mother is actually acting kind of decent for once, and how relieved she is to be able to hate her "like normal girls hate their moms."
** "First Penis I Saw" is a genuinely happy, excitable song all about TheirFirstTime - just one that happens to focus rather more than usual on the specific milestone of seeing and touching a penis for the first time.
** "Nothing Is Ever Anyone's Fault" is a moving FinalLoveDuet in which the singers opine that they fell in love when the other made them realize that since they had a sad childhood, they don't have any responsibility for their actions and nobody is ever really a bad person.
Is there an issue? Send a MessageReason:
None
Changed line(s) 242 (click to see context) from:
* Music/{{TLC}}'s "No Scrubs" is about how the protagonist doesn't want to date "scrubs" (i.e. men who horrendously fail at taking their side in relationship).
to:
* Music/{{TLC}}'s "No Scrubs" is about how the protagonist doesn't want to date "scrubs" (i.e. men who horrendously fail at taking their side in relationship).relationships).
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Music/{{TLC}}'s "No Scrubs" is about how the protagonist doesn't want to date "scrubs" (i.e. men who horrendously fail at taking their side in relationship).
Is there an issue? Send a MessageReason:
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Changed line(s) 810,816 (click to see context) from:
* Music/FrankZappa's first album, ''Music/FreakOut'', is almost fifty percent Anti Love Songs, with each one parodying a different sub-genre of doo-wop. "I Ain't Got No Heart," or "Go Cry On Somebody Else's Shoulder," anyone?
* Music/PaulMcCartney actually made fun of this, possibly to the point of [[SubvertedTrope subversion,]] in "Silly Love Songs":
-->You'd think that people would have had enough of SillyLoveSongs
-->But I look around me/And I see it isn't so
-->Some people wanna fill the world with silly love songs
-->And what's wrong with that?
-->I'd like to know, 'cause here/I go/Again!
* Music/PaulMcCartney actually made fun of this, possibly to the point of [[SubvertedTrope subversion,]] in "Silly Love Songs":
-->You'd think that people would have had enough of SillyLoveSongs
-->But I look around me/And I see it isn't so
-->Some people wanna fill the world with silly love songs
-->And what's wrong with that?
-->I'd like to know, 'cause here/I go/Again!
to:
* Music/FrankZappa's first album, ''Music/FreakOut'', ''Music/FreakOutAlbum'', is almost fifty percent Anti Love Songs, with each one parodying a different sub-genre of doo-wop. "I Ain't Got No Heart," or "Go Cry On Somebody Else's Shoulder," anyone?
* Music/PaulMcCartney actually made fun of this, possibly to the point of [[SubvertedTrope subversion,]] in"Silly Love Songs":
"SillyLoveSongs":
-->You'd think that people would have had enough ofSillyLoveSongs
-->Butsilly love songs\\
But I look aroundme/And me\\
And I see it isn'tso
-->Someso\\
Some people wanna fill the world with silly lovesongs
-->Andsongs\\
And what's wrong withthat?
-->I'dthat?\\
I'd like to know, 'causehere/I go/Again!here\\
I go\\
Again!
* Music/PaulMcCartney actually made fun of this, possibly to the point of [[SubvertedTrope subversion,]] in
-->You'd think that people would have had enough of
-->But
But I look around
And I see it isn't
-->Some
Some people wanna fill the world with silly love
-->And
And what's wrong with
-->I'd
I'd like to know, 'cause
I go\\
Again!
Is there an issue? Send a MessageReason:
None
Changed line(s) 989 (click to see context) from:
** "Vidstan'" ("Let me be") , a song released in 2003 where the singer basically characterizes his girlfriend as bipolar and aggressive, and the chorus includes the lines "You moron, let me be, I'll kill you... I'll put poison in your tea". All that set to a lovely piano tune.
to:
** "Vidstan'" ("Let me be") , be"), a song released in 2003 where the singer basically characterizes his girlfriend as bipolar and aggressive, and the chorus includes the lines "You moron, let me be, I'll kill you... I'll put poison in your tea". All that set to a lovely piano tune.
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Changed line(s) 214,215 (click to see context) from:
When I was single, oh then
When I was single, my pockets did jingle
When I was single, my pockets did jingle
to:
When I was single, oh then
then\\
When I was single, my pockets didjinglejingle\\
When I was single, my pockets did
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* The traditional "When I Was Single." Despite his stated sentiment, the widowed narrator who supposedly rejoiced at his wife's death remarries several times.
-->When I was single, oh then\\
When I was single, oh then
When I was single, my pockets did jingle
And I wish I was single again.
-->When I was single, oh then\\
When I was single, oh then
When I was single, my pockets did jingle
And I wish I was single again.
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Changed line(s) 85 (click to see context) from:
'''Barry''': You [[YourCheatingHeart sneak]]\\
to:
'''Barry''': You [[YourCheatingHeart sneak]]\\sneak\\
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* Music/TaylorSwift's "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't [[YourCheatingHeart mine to lose]]".
to:
* Music/TaylorSwift's "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't [[YourCheatingHeart mine to lose]]".lose".
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** Their cover of "Always on My Mind" has the line "maybe I didn't love you" in the fade-out, which is a lot less subtle in the album version.
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ZCE for page with cut request
Deleted line(s) 309 (click to see context) :
* "Dumped Over a Text Message" from WebVideo/LookAVlog.
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* Music/TaylorSwift's "august" took this UpToEleven, with every verses and chorus started by expressing the singer's longing for the guy... Only to subverted at the end of each verse by concluding that "You aren't [[YourCheatingHeart mine to lose]]".
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Changed line(s) 20,21 (click to see context) from:
'''Normal breakup songs do not belong here.''' They have [[BreakupSong their own entry]]. Look at Kelly Clarkson's "Since U Been Gone": it's a breakup song, and it talks about how happy and free she is now, so it must go here, right? Wrong. It's not humorous, and it's not a parody of a love song. This is about music with some humor about it, even if it's black humor.
to:
'''Normal breakup break-up songs do not belong here.''' They have [[BreakupSong [[BreakUpSong their own entry]]. Look at Kelly Clarkson's "Since U Been Gone": it's a breakup break-up song, and it talks about how happy and free she is now, so it must go here, right? Wrong. It's not humorous, and it's not a parody of a love song. This is about music with some humor about it, even if it's black humor.
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Changed line(s) 159 (click to see context) from:
* Music/AmandaPalmer's "The Vegemite", which starts out as a stirring love song that becomes increasingly farcical as her partner's [[MinorFlawMajorBreakup love of Vegemite becomes a wedge that drives them apart]].
to:
* Music/AmandaPalmer's "The Vegemite", which starts out as a stirring for love song that becomes increasingly farcical as her partner's [[MinorFlawMajorBreakup love of Vegemite becomes a wedge that drives them apart]].apart]].
* Music/LesLuthiers has "Siento algo por tí" (I feel something for you), a song from the fictional composer Huesito Williams.
-->Ever since I saw you I feel something for you\\
that I'm feeling for the first time;\\
ever since I saw you I feel something for you\\
something I've never imagined,\\
and I want you to know [what it is]:\\
I hate you! I hate you! I hate you!
* Music/LesLuthiers has "Siento algo por tí" (I feel something for you), a song from the fictional composer Huesito Williams.
-->Ever since I saw you I feel something for you\\
that I'm feeling for the first time;\\
ever since I saw you I feel something for you\\
something I've never imagined,\\
and I want you to know [what it is]:\\
I hate you! I hate you! I hate you!
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Changed line(s) 158 (click to see context) from:
* ''Music/FlightOfTheConchords'': "The Most Beautiful Girl (In The Room)", in which the singer talks at great length about how he's only mildly attracted to the girl he's hitting on at a party and he could probably find someone more attractive if he looked in more than just the one room where the party is being held.
to:
* ''Music/FlightOfTheConchords'': "The Most Beautiful Girl (In The Room)", in which the singer talks at great length about how spends the song delivering [[DamnedByFaintPraise backhanded compliments]] to a woman he's only mildly attracted to the girl he's hitting on at a party and he could probably find someone more attractive if he looked in more than just the one room where the party is being held.interested in.
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* Music/KirstyMacColl's "England 2 Colombia 0" is about the singer's anger at being deceived by a guy she met in a bar:
to:
* Music/KirstyMacColl's Music/KirstyMaccoll's "England 2 Colombia 0" is about the singer's anger at being deceived by a guy she met in a bar:
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Changed line(s) 625 (click to see context) from:
* "Hate Your Guts" by {=McBusted=}.
to:
* "Hate Your Guts" by {=McBusted=}.[[Music/McFly Mc]]Music/{{Busted}}.
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* KirstyMacColl's "England 2 Colombia 0" is about the singer's anger at being deceived by a guy she met in a bar:
to:
* KirstyMacColl's Music/KirstyMacColl's "England 2 Colombia 0" is about the singer's anger at being deceived by a guy she met in a bar:
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Changed line(s) 159 (click to see context) from:
* Creator/AmandaPalmer's "The Vegemite", which starts out as a stirring love song that becomes increasingly farcical as her partner's [[MinorFlawMajorBreakup love of Vegemite becomes a wedge that drives them apart]].
to:
* Creator/AmandaPalmer's Music/AmandaPalmer's "The Vegemite", which starts out as a stirring love song that becomes increasingly farcical as her partner's [[MinorFlawMajorBreakup love of Vegemite becomes a wedge that drives them apart]].
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Added DiffLines:
* Creator/AmandaPalmer's "The Vegemite", which starts out as a stirring love song that becomes increasingly farcical as her partner's [[MinorFlawMajorBreakup love of Vegemite becomes a wedge that drives them apart]].
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* Music/JamesBlunt's "You're Beautiful", in which a delusional drug addict insists that he has a deep romantic connection with a woman he's only seen once and has never spoken to.
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* ''Music/FlightOfTheConchords'': "The Most Beautiful Girl (In The Room)", in which the singer talks at great length about how he's only mildly attracted to the girl he's hitting on at a party and he could probably find someone more attractive if he looked in more than just the one room where the party is being held.
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Well we're not anymore...
Changed line(s) 776 (click to see context) from:
** How about another Meat Loaf/Steinman contribution:
to:
** How about another Also from Meat Loaf/Steinman contribution:Loaf/Steinman, "I'll Kill You If You Don't Come Back":
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** We also seem to be missing ''Two Out of Three Ain't Bad''
to:
** We also seem to be missing ''Two Also, "Two Out of Three Ain't Bad''Bad".
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crosswicking new trope
Changed line(s) 10 (click to see context) from:
* The hate song, where you croon about your heart-breaking desire to kill somebody.
to:
* [[IHateSong The hate song, song]], where you croon about your heart-breaking desire to kill somebody.
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Changed line(s) 850,851 (click to see context) from:
To write you a love song today\\
* Also "Fairytale", about fairytale love and how it doesn't work.
* Also "Fairytale", about fairytale love and how it doesn't work.
to:
To write you a love song today\\
*today
** Also "Fairytale", about fairytale love and how it doesn't work.
*
** Also "Fairytale", about fairytale love and how it doesn't work.
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* The Music/JoanJett song ''Jezebel'', about a woman who's angry at her ex [[ThisIsUnforgivable something awful they did]] and dosn't want to see them ever again.
to:
* The Music/JoanJett song ''Jezebel'', about a woman who's angry at her ex [[ThisIsUnforgivable something awful they did]] and dosn't doesn't want to see them ever again.
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Disney has been depreciated as a namespace.
Changed line(s) 277,278 (click to see context) from:
* PlayedWith in ''Disney/AladdinTheReturnOfJafar''. [[JerkWithAHeartOfGold Iago]] sings "[[https://www.youtube.com/watch?v=WMrbT4Ycv1A Forget About Love]]," but it's actually [[ReversePsychology a ploy]] to get Jasmine to forgive Aladdin for lying to her. Naturally, it's transformed into a legitimate love song between the couple by the end.
* Inverted in Disney's ''Disney/{{Hercules}}'', where Meg's song "[[https://www.youtube.com/watch?v=I_bEWXs_FX4 I Won't Say (I'm In Love)]]" is meant to angrily indicate she's not only not interested in Hercules, but in men in general, but naturally by the end of the song she finally admits to herself she is.
* Inverted in Disney's ''Disney/{{Hercules}}'', where Meg's song "[[https://www.youtube.com/watch?v=I_bEWXs_FX4 I Won't Say (I'm In Love)]]" is meant to angrily indicate she's not only not interested in Hercules, but in men in general, but naturally by the end of the song she finally admits to herself she is.
to:
* PlayedWith in ''Disney/AladdinTheReturnOfJafar''.''WesternAnimation/AladdinTheReturnOfJafar''. [[JerkWithAHeartOfGold Iago]] sings "[[https://www.youtube.com/watch?v=WMrbT4Ycv1A Forget About Love]]," but it's actually [[ReversePsychology a ploy]] to get Jasmine to forgive Aladdin for lying to her. Naturally, it's transformed into a legitimate love song between the couple by the end.
* Inverted in Disney's''Disney/{{Hercules}}'', ''WesternAnimation/{{Hercules}}'', where Meg's song "[[https://www.youtube.com/watch?v=I_bEWXs_FX4 I Won't Say (I'm In Love)]]" is meant to angrily indicate she's not only not interested in Hercules, but in men in general, but naturally by the end of the song she finally admits to herself she is.
* Inverted in Disney's
Changed line(s) 280 (click to see context) from:
* The VillainSong "[[https://www.youtube.com/watch?v=k32VKO-YZfk Don't Fall in Love]]" from the ''Disney/BeautyAndTheBeastTheEnchantedChristmas''.
to:
* The VillainSong "[[https://www.youtube.com/watch?v=k32VKO-YZfk Don't Fall in Love]]" from the ''Disney/BeautyAndTheBeastTheEnchantedChristmas''.''WesternAnimation/BeautyAndTheBeastTheEnchantedChristmas''.
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* "Love is an Open Door" from ''Disney/{{Frozen}}'' ''sounds'' like a typical upbeat Disney love duet, but it becomes this due to later revelations: [[spoiler:Anna is genuine but so desperate for affection that she's not thinking straight, while Hans is just sucking up to her until he can claim her kingdom]].
to:
* "Love is an Open Door" from ''Disney/{{Frozen}}'' ''WesternAnimation/{{Frozen|2013}}'' ''sounds'' like a typical upbeat Disney love duet, but it becomes this due to later revelations: [[spoiler:Anna is genuine but so desperate for affection that she's not thinking straight, while Hans is just sucking up to her until he can claim her kingdom]].
