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* ''Anime/{{Pon no Michi}}''. Two manga adaptations were released for the anime.
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* ''Anime/{{Pon no Michi}}''. Two It received two manga adaptations were - the first was a straight adaptation released for four months that served to promoted; and the anime. second was a more gag-oriented spin-off titled ''Pon no Michi: Ryūkyoku Shānyū-hen'', which released two days after the anime premiered.
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* The ''Franchise/LoveLive'' series is an interesting case. The [[Anime/LoveLive first]], [[Anime/LoveLiveSunshine second]], and [[Anime/LoveLiveSuperstar fourth]] series started off as a series of music videos performed by the characters voice actresses and ''Dengeki'' published magazine profiles detailing who the characters are. But in terms of story, the animes are not based on any of the pre-released material, so they have a lot of creative freedom when telling their stories. The only exception is the [[Anime/LoveLiveNijigasakiHighSchoolIdolClub third series]], which is an adaptation of the ''ALL STARS Festival'' game but takes a lot of liberties when retelling the plot.
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* The ''Franchise/LoveLive'' series is an interesting case. The [[Anime/LoveLive first]], [[Anime/LoveLiveSunshine second]], and [[Anime/LoveLiveSuperstar fourth]] Each series started usually starts off as a series of music videos performed by the characters voice actresses and ''Dengeki'' published magazine profiles detailing who the characters are. But in terms of story, the animes are not based on any of published by ''Dengeki Magazine''. The catch is that the pre-released material, materials are merely templates for the animes, so they the creators have a lot of creative freedom when telling their stories. The only exception is the [[Anime/LoveLiveNijigasakiHighSchoolIdolClub third series]], which is an adaptation of the ''ALL STARS Festival'' ''[[VideoGame/LoveLiveSchoolIdolFestivalAllStars Festival ALL STARS]]'' game but takes a lot of creative liberties when retelling the plot.plot.
** ''[[Anime/LoveLive Love Live! School Idol Project]]'' (Received a manga adaptation a year prior, but is explicitly set in an AlternateContinuity)
** ''Anime/LoveLiveSunshine'' (Same as above, though the manga was released two months prior)
** ''Anime/LoveLiveSuperstar'' (Unlike the previous examples, the pre-released material was explicitly made for the anime)
** ''[[Anime/LoveLive Love Live! School Idol Project]]'' (Received a manga adaptation a year prior, but is explicitly set in an AlternateContinuity)
** ''Anime/LoveLiveSunshine'' (Same as above, though the manga was released two months prior)
** ''Anime/LoveLiveSuperstar'' (Unlike the previous examples, the pre-released material was explicitly made for the anime)
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Added example(s), Cleaning up Word Cruft
* ''Anime/GirlsBandCry''
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* ''Anime/TheGirlWhoLeaptThroughSpace''. Mecha show? Check. It's even co-sponsored by model and garage kit maker Good Smile Company.
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* ''Anime/TheGirlWhoLeaptThroughSpace''. ''Anime/TheGirlWhoLeaptThroughSpace'', another Mecha show? Check.show. It's even co-sponsored by model and garage kit maker Good Smile Company.
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* The ''Franchise/LoveLive'' series is an interesting case. The [[Anime/LoveLive first]], [[Anime/LoveLiveSunshine second]], and [[Anime/LoveLiveSuperstar fourth]] series started off as a series of music videos performed by the characters voice actresses and ''Dengeki'' published magazine profiles detailing who the characters are. But in terms of story, the animes are not based on any of the pre-released material, so they have a lot of creative freedom when telling their stories. The only exception is the [[Anime/LoveLiveNijigasakiHighSchoolIdolClub third series]], which is an adaptation of the ''ALL STARS Festival'' game but takes a lot of liberties when retelling the plot.
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* ''Anime/HighspeedEtoile''. A spin-off manga was released on October 23, 2023.
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* ''Anime/HighspeedEtoile''. ''Anime/HighspeedEtoile'' A spin-off manga was released on October 23, 2023.
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* Every ''Franchise/{{Gundam}}'' TV series ever, and ALMOST every OVA series with the exception of ''Anime/MobileSuitGundamUnicorn'' (and it's movie sequel ''Anime/MobileSuitGundamNarrative''), ''Anime/MobileSuitGundamThunderbolt' , and to some extent, ''[[Anime/MobileSuitGundamCharsCounterattack Char's Counterattack]]''. (Unicorn and Char's Counterattack were previously released as novels (the novel was later renamed to ''Hi-Streamer'') whilst Thunderbolt is a manga series)
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* Every ''Franchise/{{Gundam}}'' TV series ever, and ALMOST every OVA series with the exception of ''Anime/MobileSuitGundamUnicorn'' (and it's movie sequel ''Anime/MobileSuitGundamNarrative''), ''Anime/MobileSuitGundamThunderbolt' ''Manga/MobileSuitGundamThunderbolt'' , and to some extent, ''[[Anime/MobileSuitGundamCharsCounterattack Char's Counterattack]]''. (Unicorn and Char's Counterattack were previously released as novels (the novel was later renamed to ''Hi-Streamer'') whilst Thunderbolt is a manga series)
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* Every ''Franchise/{{Gundam}}'' TV series ever, and ALMOST every OVA series with the exception of ''Anime/MobileSuitGundamUnicorn'', and to some extent, ''[[Anime/MobileSuitGundamCharsCounterattack Char's Counterattack]]''. (Both were previously released as novels; the latter was from the film's creator called ''Hi-Streamer'')
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* Every ''Franchise/{{Gundam}}'' TV series ever, and ALMOST every OVA series with the exception of ''Anime/MobileSuitGundamUnicorn'', ''Anime/MobileSuitGundamUnicorn'' (and it's movie sequel ''Anime/MobileSuitGundamNarrative''), ''Anime/MobileSuitGundamThunderbolt' , and to some extent, ''[[Anime/MobileSuitGundamCharsCounterattack Char's Counterattack]]''. (Both (Unicorn and Char's Counterattack were previously released as novels; the latter novels (the novel was from the film's creator called ''Hi-Streamer'')later renamed to ''Hi-Streamer'') whilst Thunderbolt is a manga series)
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** ''Anime/AmaimWarriorAtTheBorderlineUltraSteelOgreGear''
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* Both ''Anime/DragonBallGT'' and ''Anime/DragonBallSuper'' are cases of Anime First for the ''Franchise/DragonBall'' franchise, in contrast to the first two series, though ''Super'' aired alongside [[Manga/DragonBallSuper its own manga]].
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* Both ''Anime/DragonBallGT'' and ''Anime/DragonBallGT'', ''Anime/DragonBallSuper'' and ''Anime/DragonBallDaima'' are cases of Anime First for the ''Franchise/DragonBall'' franchise, in contrast to the first two series, though ''Super'' aired alongside [[Manga/DragonBallSuper its own manga]].
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* ''Anime/HanaNoKoLunlun'' - like ''Hello! Sandybell'', it was an original work produced by Shiro Jimbo.
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* ''Anime/HelloSandybell'' - original anime series produced by Shiro Jimbo.
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*''Anime/HanaNoKoLunlun'' - like ''Hello! Sandybell'', it was an original work produced by Shiro Jimbo.
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*''Anime/HelloSandybell'' - original anime series produced by Shiro Jimbo.
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* ''Anime/CarriedByTheWindTsukikageRan''
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* ''Anime/MetellicaRouge''
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* ''Anime/MetellicaRouge''''Anime/MetallicRouge''
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Anime is risky for a lot a reasons, but mainly because it's very costly. Literature and manga will usually only have a small handful of people that are directly involved in its creation; yeah, you'll need a small team in order for it to actually get it onto shelves, but the work ''itself'' technically only needs a writer, some artists, and an editor. For anime, you need a team of dozens for the animation alone (to say nothing of composers, voice actors, and other vital roles) just to create a single episode or film. Animation also has the additional problem of demographics; while publishing has to deal with this as well, the lower costs means that it's much less of a financial risk to release a work that appeals to a niche audience. With animation, if you're spending millions on even the cheapest TwelveEpisodeAnime, it better appeal to the widest demographic possible in other to recoup costs.[[note]]Hence why most Anime First shows for youngsters are explicitly MerchandiseDriven.[[/note]]
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Anime is risky for a lot a of reasons, but mainly because it's very costly. Literature and manga will usually only have a small handful of people that are directly involved in its creation; yeah, you'll need a small team in order for it to actually get it onto shelves, but the work ''itself'' technically only needs a writer, some artists, and an editor. For anime, you need a team of dozens for the animation alone (to say nothing of composers, voice actors, and other vital roles) just to create a single episode or film. Animation also has the additional problem of demographics; while publishing has to deal with this as well, the lower costs means that it's much less of a financial risk to release a work that appeals to a niche audience. With animation, if you're spending millions on even the cheapest TwelveEpisodeAnime, it better appeal to the widest demographic possible in other to recoup costs.[[note]]Hence why most Anime First shows for youngsters are explicitly MerchandiseDriven.[[/note]]
