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phantom and ivanhoe



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* In the 1982 film of ''{{Ivanhoe}}'', Sir Brian did not die "a victim to his own conflicting emotions", but rather [[spoiler: died heroically. Though he could easily have defeated Ivanhoe, who was fighting as Rebecca's champion, he let himself be struck down [[IWantMyBelovedToBeHappy for Rebecca's sake]].]]




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* The 1990 miniseries of ''{{Phantom of the Opera}}'' featured Charles Dance as a gentler, kinder and more sympathetic Phantom than his counterpart in the original novel.
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And Then There Were None

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[[AC:Theatre]]
* Agatha Christie's theatrical adaption of her novel ''{{And Then There Were None}}'' has two of the ten characters [[spoiler:innocent of the crimes of which they were accused, survive, and fall in love. Ironically these were the two whom the murderer considered the most guilty in the original novel, and therefore saved them till last. Most film adaptations use this revised ending, although for adaptations where Lombard is replaced by Charles Morley, this trope only applies to Vera, as Lombard was still guilty and committed suicide before the start of the story.]]
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* In {{Alfred Hitchcock}}'s film version of ''{{Strangers on a Train}}'', Guy changed from a tragic demoralized anti-hero to an unambiguous hero, [[spoiler: who did not succumb to Bruno's pressure to murder his father.]]
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* In ''Franchise/JurassicPark'' Hammond was a typical Jerkass with plenty of NeverMyFault moments and he suffers a KarmicDeath. His movie incarnation is a relatively decent man and gets to survive too.
* ''ResidentEvilApocalypse'' turns game villain Nicholai Ginovaef into a good guy.
* The ''Tekken'' film changes Heihachi Mishima from a CorruptCorporateExecutive to a much more sympathetic character who is revealed [[spoiler: to have saved Jun Kazama from Kazuya]].

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* In ''Franchise/JurassicPark'' ''Literature/JurassicPark'' novel, Hammond was a typical Jerkass with plenty of NeverMyFault moments and he suffers a KarmicDeath. His movie [[Film/JurassicPark movie]] incarnation is a relatively decent man and gets to survive too.
* ''ResidentEvilApocalypse'' ''Film/ResidentEvilApocalypse'' turns game villain Nicholai Ginovaef into a good guy.
* The ''Tekken'' ''Film/{{Tekken}}'' film changes Heihachi Mishima from a CorruptCorporateExecutive to a much more sympathetic character who is revealed [[spoiler: to have saved Jun Kazama from Kazuya]].



* The film version of ''{{Kick-Ass}}'' makes both Big Daddy and Red Mist much more sympathetic than in the original comic. Film Big Daddy is profoudly messed up but very much a TragicHero (as against the liar who is a vigilante [[JustforPun for kicks]] he is in the source material). The film version of Red Mist strips him of his DirtyCoward personality from the comic and plays up [[LonelyRichKid his lonelieness]].

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* The film version of ''{{Kick-Ass}}'' ''Film/{{Kick-Ass}}'' makes both Big Daddy and Red Mist much more sympathetic than in the original comic. Film Big Daddy is profoudly messed up but very much a TragicHero (as against the liar who is a vigilante [[JustforPun for kicks]] he is in the source material). The film version of Red Mist strips him of his DirtyCoward personality from the comic and plays up [[LonelyRichKid his lonelieness]].
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lost in austen



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* ''Lost in Austen'' has George Wickham as a good guy, or at least a JerkWithAHeartOfGold or LoveableRogue.
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clean up


* The original story of ''{{The Scarlet Pimpernel}}'' has Marguarite send the Marquis to his death in revenge for his attack on her brother; the 1982 film adaption has her innocent of this crime, framed by Chauvelin instead (for whom this trope is {{AdaptationalVillainy inverted}}).

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* The original story of ''{{The Scarlet Pimpernel}}'' has Marguarite send the Marquis to his death in revenge for his attack on her brother; the 1982 film adaption has her innocent of this crime, framed by Chauvelin instead (for whom this trope is {{AdaptationalVillainy inverted}}).[[AdaptationalVillainy inverted]]).

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scarlet pimpernel, hunchback of notre dame



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* The original story of ''{{The Scarlet Pimpernel}}'' has Marguarite send the Marquis to his death in revenge for his attack on her brother; the 1982 film adaption has her innocent of this crime, framed by Chauvelin instead (for whom this trope is {{AdaptationalVillainy inverted}}).
* Several film adaptions of ''{{The Hunchback of Notre Dame}}'', most blatantly the Disney version, apply this trope to the principal characters (Quasimodo, Esmerelda, and sometimes Phoebus) and [[AdaptationalVillainy invert]] it with Claude Frollo (omitting his capacity for compassion and creating selfish motives for his initial actions). In the 1923 version, however, this trope is played straight with Claude, whose evil side is given instead to his brother Jehan.
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* One of the specialties of ''BatmanTheAnimatedSeries'' was lending depth to villain whose comics incarnations were essentially doing things ForTheEvulz. The Mad Hatter has no backstory in the comics, but was introduced in the series as a victim of LoveMakesYouEvil; minor gimmick crook Mister Freeze's sympathetic reimagining was so successful it was later [[CanonImmigrant imported into the comics]], albeit with DarkerAndEdgier elements.

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* One of the specialties of ''BatmanTheAnimatedSeries'' ''WesternAnimation/BatmanTheAnimatedSeries'' was lending depth to villain whose comics incarnations were essentially doing things ForTheEvulz. The Mad Hatter has no backstory in the comics, but was introduced in the series as a victim of LoveMakesYouEvil; minor gimmick crook Mister Freeze's sympathetic reimagining was so successful it was later [[CanonImmigrant imported into the comics]], albeit with DarkerAndEdgier elements.
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* In ''GameOfThrones'' Jaime's sister Cersai was outright evil in the books but is an AntiVillain in the series.

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* In ''GameOfThrones'' Jaime's sister Cersai was outright evil in the books but is an AntiVillain in the series.
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** The most notable is [[TheArcher Artemis Crock]], who, in the comics, is the child of [[UnholyMatrimony Paula and Lawrence Crock]], all three being unrepentant supervillains. In the show Artemis is ashamed of her criminal lineage and Paula does a HeelFaceTurn after [[WheelchairWoobie being crippled]] and spending six years in prison. [[DarkActionGirl Cheshire]], who is Artemis' sister on the show (but not the comics), is introduced as a villain but [[CharacterDevelopment evolves]] into an AntiVillain or AntiHero by season two. In the comics she once nuked an entire country and is often ([[DependingOnTheWriter but not always]]) portrayed as a CompleteMonster.

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** The most notable is [[TheArcher Artemis Crock]], who, in the comics, is the child of [[UnholyMatrimony Paula and Lawrence Crock]], all three being unrepentant supervillains. In the show Artemis is ashamed of her criminal lineage and Paula does a HeelFaceTurn after [[WheelchairWoobie being crippled]] and spending six years in prison. [[DarkActionGirl Cheshire]], who is Artemis' sister on the show (but not the comics), is introduced as a villain but [[CharacterDevelopment evolves]] into an AntiVillain or AntiHero by season two. In the comics she once nuked an entire country and is often ([[DependingOnTheWriter but not always]]) portrayed as a CompleteMonster.country.
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** The most notable is [[TheArcher Artemis Crock]], who, in the comics, is the child of [[UnholyMatrimony Paula and Lawrence Crock]], all three being unrepentant supervillains. In the show Artemis is ashamed of her criminal lineage and Paula does a HeelFaceTurn after [[WheelchairWoobie being crippled]] and spending six years in prison. [[DarkActionGirl Cheshire]], who is Artemis' sister on the show (but not the comics), is introduced as a villain but [[CharacterDevelopment evolves]] into an AntiVillain or AntiHero by season two.

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** The most notable is [[TheArcher Artemis Crock]], who, in the comics, is the child of [[UnholyMatrimony Paula and Lawrence Crock]], all three being unrepentant supervillains. In the show Artemis is ashamed of her criminal lineage and Paula does a HeelFaceTurn after [[WheelchairWoobie being crippled]] and spending six years in prison. [[DarkActionGirl Cheshire]], who is Artemis' sister on the show (but not the comics), is introduced as a villain but [[CharacterDevelopment evolves]] into an AntiVillain or AntiHero by season two. In the comics she once nuked an entire country and is often ([[DependingOnTheWriter but not always]]) portrayed as a CompleteMonster.
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** The tie-in comic does this both to [[ManiacMonkeys Gorilla Grodd]] and [[AuthorityEqualsAssKicking King Sha'ark]]. Both are borderline TokenEvilTeammates for their respective groups but are set up as adversaries of greater villains.

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** The tie-in comic does this both to [[ManiacMonkeys Gorilla Grodd]] and [[AuthorityEqualsAssKicking King Sha'ark]]. Both are borderline TokenEvilTeammates {{Token Evil Teammate}}s for their respective groups but are set up as adversaries of greater villains.

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* WesternAnimation/YoungJustice: Has this trope and AdaptationalVillainy. Cheshire, who in the comics killed a country, has several Antiheroic tendencies, Neutron, a PsychoForHire, is really just a guy who was brainwashed and became [[TheAtoner in the bad future he created]]. In the Tie-In comics, Gorilla Grodd of all people falls under this trope, being a primate who was forcibly mutated, and wants to save his family.

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* WesternAnimation/YoungJustice: Has this trope and AdaptationalVillainy. Cheshire, who in the comics killed a country, ''WesternAnimation/YoungJustice'' has several Antiheroic tendencies, Neutron, a PsychoForHire, examples:
** The most notable
is really just a guy who was brainwashed and became [[TheAtoner [[TheArcher Artemis Crock]], who, in the bad future he created]]. In the Tie-In comics, is the child of [[UnholyMatrimony Paula and Lawrence Crock]], all three being unrepentant supervillains. In the show Artemis is ashamed of her criminal lineage and Paula does a HeelFaceTurn after [[WheelchairWoobie being crippled]] and spending six years in prison. [[DarkActionGirl Cheshire]], who is Artemis' sister on the show (but not the comics), is introduced as a villain but [[CharacterDevelopment evolves]] into an AntiVillain or AntiHero by season two.
** [[PersonOfMassDestruction Neutron]] is a PsychoForHire in the comics, but turned out to be BrainwashedAndCrazy here.
** The tie-in comic does this both to [[ManiacMonkeys
Gorilla Grodd of all people falls under this trope, being a primate who was forcibly mutated, Grodd]] and wants to save his family.[[AuthorityEqualsAssKicking King Sha'ark]]. Both are borderline TokenEvilTeammates for their respective groups but are set up as adversaries of greater villains.
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* YoungJustice: Has this trope and AdaptationalVillainy. Cheshire, who in the comics killed a country, has several Antiheroic tendencies, Neutron, a PsychoForHire, is really just a guy who was brainwashed and became [[TheAtoner in the bad future he created]]. In the Tie-In comics, Gorilla Grodd of all people falls under this trope, being a primate who was forcibly mutated, and wants to save his family.

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* YoungJustice: WesternAnimation/YoungJustice: Has this trope and AdaptationalVillainy. Cheshire, who in the comics killed a country, has several Antiheroic tendencies, Neutron, a PsychoForHire, is really just a guy who was brainwashed and became [[TheAtoner in the bad future he created]]. In the Tie-In comics, Gorilla Grodd of all people falls under this trope, being a primate who was forcibly mutated, and wants to save his family.
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* The Disney villain {{Pete}} had his evilness dramatically toned down in ''GoofTroop'', going from sadistic bully and (usually) criminal to a grumpy JerkWithAHeartOfGold neighbour.

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* The Disney villain {{Pete}} had his evilness dramatically toned down in ''GoofTroop'', going from sadistic bully and (usually) criminal to a grumpy JerkWithAHeartOfGold neighbour.neighbour.
* YoungJustice: Has this trope and AdaptationalVillainy. Cheshire, who in the comics killed a country, has several Antiheroic tendencies, Neutron, a PsychoForHire, is really just a guy who was brainwashed and became [[TheAtoner in the bad future he created]]. In the Tie-In comics, Gorilla Grodd of all people falls under this trope, being a primate who was forcibly mutated, and wants to save his family.

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[[AC: Comic Books]]
* The DC Comics villianess Silver Banshee was turned into a troubled but clearly heroic young woman in the {{New 52}} ''{{Supergirl}}'' stories whose first appearance has her jumping in front of Kara to stop soldiers shooting her. More recent issues have hinted that she's having trouble keeping her superpowers (inherited from him evil father) under control but even here the implication is she is heading towards being a TragicVillain rather than the totally unsympathetic character she used to be.




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* The movie ''Switch'' is an unofficial remake of ''Goodbye Charlie''. In both an unapologeticly sexist male {{Casanova}} is shot dead and reincarnated as a beautiful woman but in the older film he/she is firmly in UnsympatheticComedyProtagonist territory. In the newer film the reincarnated hero/ine is a much more likable character, actually learns a lesson or two and ends the film on a someone happy note.
* The film version of ''{{Kick-Ass}}'' makes both Big Daddy and Red Mist much more sympathetic than in the original comic. Film Big Daddy is profoudly messed up but very much a TragicHero (as against the liar who is a vigilante [[JustforPun for kicks]] he is in the source material). The film version of Red Mist strips him of his DirtyCoward personality from the comic and plays up [[LonelyRichKid his lonelieness]].



* {{Garfield}}, while remaining largely the same character in all medias, is hit with this to some extent. The comic strips usually revolve around quick gags involving Garfield's snarkiness or cruel sense of humor. The {{Animated Adaptation}}s however, likely due to their longer more depthful stories, keep most of Garfield's nastier qualities but also more frequently show his redeeming side, leaning him more into a JerkWithAHeartOfGold. This is especially prominant in ''TheGarfieldShow'' where he is occasionally toned down to the point of being outright altrustic.

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* {{Garfield}}, while remaining largely the same character in all medias, is hit with this to some extent. The comic strips usually revolve around quick gags involving Garfield's snarkiness or cruel sense of humor. The {{Animated Adaptation}}s however, likely due to their longer more depthful stories, keep most of Garfield's nastier qualities but also more frequently show his redeeming side, leaning him more into a JerkWithAHeartOfGold. This is especially prominant in ''TheGarfieldShow'' where he is occasionally toned down to the point of being outright altrustic.altrustic.
* The Disney villain {{Pete}} had his evilness dramatically toned down in ''GoofTroop'', going from sadistic bully and (usually) criminal to a grumpy JerkWithAHeartOfGold neighbour.
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* In the anime version of ''[[YuGiOh Yu-Gi-Oh]]'', Yugi's SuperpoweredAlterEgo is generally played as a noble hero; in the original manga, especially early on, he's somewhere between a Heroic Sociopath and a barely-controllable SuperpoweredEvilSide.

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* In the anime version of ''[[YuGiOh Yu-Gi-Oh]]'', Yugi's SuperpoweredAlterEgo is generally played as a noble hero; in the original manga, especially early on, he's somewhere between a Heroic Sociopath SociopathicHero and a barely-controllable SuperpoweredEvilSide.
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* The TeenageMutantNinjaTurtles are a lot more noble in the cartoons than the original comic
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* In the second of the SamRaimi ''Spider-Man'' films, Doctor Octopus is rewritten a good man turned into a monster by an accident, and he earns redemption in the films' climax. The Green Goblin is less sympathetic, but gets a [[spoiler: dying]] moment of decency that would be utterly foreign to the comic-book version of NormanOsborn.

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* In the second of the SamRaimi ''Spider-Man'' ''[[Film/{{Spider-ManTrilogy}} Spider-Man]]'' films, Doctor Octopus is rewritten a good man turned into a monster by an accident, and he earns redemption in the films' climax. The Green Goblin is less sympathetic, but gets a [[spoiler: dying]] moment of decency that would be utterly foreign to the comic-book version of NormanOsborn.



* The 1990s ''Spider-Man'' animated series actually rewrote Kraven the Hunter and Calypso entirely, with both becoming ''heroes'' once Spider-Man resolved the issues with their PsychoSerum-derived powers. Similarly, minor villain the Spot was recast as a PunchClockVillain whose episode shows him going through a HeelFaceTurn after committing a few ill-advised bank robberies. The comics version, by contrast, is an unrepentant petty criminal with a sideline in contract killing.

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* The 1990s ''Spider-Man'' ''[[WesternAnimation/SpiderManTheAnimatedSeries Spider-Man]]'' animated series actually rewrote Kraven the Hunter and Calypso entirely, with both becoming ''heroes'' once Spider-Man resolved the issues with their PsychoSerum-derived powers. Similarly, minor villain the Spot was recast as a PunchClockVillain whose episode shows him going through a HeelFaceTurn after committing a few ill-advised bank robberies. The comics version, by contrast, is an unrepentant petty criminal with a sideline in contract killing.
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Here's the flip side to AdaptationalVillainy. While some adaptations make a character TookALevelInJerkass, this is the opposite. A character is villainous or just not very nice in their original medium, but when the time comes for the adaptation, things change. Perhaps many insignificant scenes that establish their Jerkass nature are cut? Perhaps they are a CompositeCharacter with someone who was nice in the original? Perhaps the original suffers from ValuesDissonance and a cookie cutter villain back then comes across as an AntiVillain or a JerkassWoobie? Another common route is to expand the character's backstory, giving them HiddenDepths and CharacterDevelopment. Contrast AdaptationalVillainy and compare Villain Decay.

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Here's the flip side to AdaptationalVillainy. While some adaptations make a character TookALevelInJerkass, this is the opposite. A character is villainous or just not very nice in their original medium, but when the time comes for the adaptation, things change. Perhaps many insignificant scenes that establish their Jerkass nature are cut? Perhaps they are a CompositeCharacter with someone who was nice in the original? Perhaps the original suffers from ValuesDissonance and a cookie cutter villain back then comes across as an AntiVillain or a JerkassWoobie? Another common route is to expand the character's backstory, giving them HiddenDepths and CharacterDevelopment. Contrast AdaptationalVillainy and compare Villain Decay.VillainDecay.
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* Happens inadvertently to Narcissa Malfoy in the ''HarryPotter'' film adaptations. The films keep her worrying for her son's life and [[spoiler: betraying Voldemort]] at the end but leave out scenes showing her haughty racism and general RichBitch attitude before her HeelFaceTurn.

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* Happens inadvertently to Narcissa Malfoy in the ''HarryPotter'' ''Film/HarryPotter'' film adaptations. The films keep her worrying for her son's life and [[spoiler: betraying Voldemort]] at the end but leave out scenes showing her haughty racism and general RichBitch attitude before her HeelFaceTurn.
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* The 1991 remake of ''TheNightOfTheHunter'' has the kids' father murdered in his cell by the BigBad rather than hanged for a bank robbery gone wrong, making it possible said robbery that it didn't go as wrong as in the original book and movie.

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* The 1991 remake of ''TheNightOfTheHunter'' has the kids' father murdered in his cell by the BigBad rather than hanged for a bank robbery gone wrong, making it possible said robbery that it didn't go as wrong as in the original book and movie.
movie (i.e., that the father has no blood on his hands).
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* The 1991 remake of ''TheNightOfTheHunter'' has the kids' parent murdered in his cell rather than hanged for a bank robbery gone wrong, making it possible said robbery that it didn't go as wrong as in the original book and movie.

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* The 1991 remake of ''TheNightOfTheHunter'' has the kids' parent father murdered in his cell by the BigBad rather than hanged for a bank robbery gone wrong, making it possible said robbery that it didn't go as wrong as in the original book and movie.
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* The 1991 remake of ''TheNightOfTheHunter'' has the kids' parent murdered in his cell rather than hanged for a bank robbery gone wrong, making it possible said robbery that it didn't go as wrong as in the original book and movie.
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* Judah Ben Hur from ''Film/BenHur''. In the novel, the plot is kicked off when Judah accidentally knocks a roof tile on the head of a Roman centurion and gets arrested. In the movie, Judah's sister is the one who dislodges the roof tile, but Judah deliberately takes the blame in an attempt to spare his sister. In the novel, when Judah is on a sinking slave ship, and finds himself unchained, he gets the hell off the ship. In the movie, Judah takes the opportunity to punch out a guard, steal his keys, and free all the other slaves on the ship, before escaping himself.

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* Judah Ben Hur from ''Film/BenHur''.''BenHur''. In the novel, the plot is kicked off when Judah accidentally knocks a roof tile on the head of a Roman centurion and gets arrested. In the movie, Judah's sister is the one who dislodges the roof tile, but Judah deliberately takes the blame in an attempt to spare his sister. In the novel, when Judah is on a sinking slave ship, and finds himself unchained, he gets the hell off the ship. In the movie, Judah takes the opportunity to punch out a guard, steal his keys, and free all the other slaves on the ship, before escaping himself.

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* Judah Ben Hur from ''Film/BenHur''. In the novel, the plot is kicked off when Judah accidentally knocks a roof tile on the head of a Roman centurion and gets arrested. In the movie, Judah's sister is the one who dislodges the roof tile, but Judah deliberately takes the blame in an attempt to spare his sister. In the novel, when Judah is on a sinking slave ship, and finds himself unchained, he gets the hell off the ship. In the movie, Judah takes the opportunity to punch out a guard, steal his keys, and free all the other slaves on the ship, before escaping himself.
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* In ''JurassicPark'' Hammond was a typical Jerkass with plenty of NeverMyFault moments and he suffers a KarmicDeath. His movie incarnation is a relatively decent man and gets to survive too.

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* In ''JurassicPark'' ''Franchise/JurassicPark'' Hammond was a typical Jerkass with plenty of NeverMyFault moments and he suffers a KarmicDeath. His movie incarnation is a relatively decent man and gets to survive too.
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* In the film version of ''TheGrinchWhoStoleChristmas'', the title character gets a sympathetic backstory for his hatred of Christmas thanks to the feature-length film needing to indulge in a lot of AdaptationExpansion. Interestingly, his sympathetic backstory results in a bit of AdaptationalVillainy on the part of the Whos of Whoville.

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* In the film version of ''TheGrinchWhoStoleChristmas'', ''Film/HowTheGrinchStoleChristmas'', the title character gets a sympathetic backstory for his hatred of Christmas thanks to the feature-length film needing to indulge in a lot of AdaptationExpansion. Interestingly, his sympathetic backstory results in a bit of AdaptationalVillainy on the part of the Whos of Whoville.
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* In the anime version of ''[[YuGiOh Yu-Gi-Oh]]'', Yugi's AlterEgo is generally played as a noble hero; in the original manga, especially early on, he's somewhere between a Heroic Sociopath and a barely-controllable SuperpoweredEvilSide.

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* In the anime version of ''[[YuGiOh Yu-Gi-Oh]]'', Yugi's AlterEgo SuperpoweredAlterEgo is generally played as a noble hero; in the original manga, especially early on, he's somewhere between a Heroic Sociopath and a barely-controllable SuperpoweredEvilSide.
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Here's the flip side to AdaptationalVillainy. While some adaptations make a character TookALevelInJerkass, this is the opposite. A character is villainous or just not very nice in their original medium, but when the time comes for the adaptation, things change. Perhaps many insignificant scenes that establish their Jerkass nature are cut? Perhaps they are a CompositeCharacter with someone who was nice in the original? Perhaps the original suffers from ValuesDissonance and a cookie cutter villain back then comes across as an AntiVillain or a JerkassWoobie? Another common route is to expand the character's backstory, giving them HiddenDepths and CharacterDevelopment. Contrast AdaptationalVillainy and compare Villain Decay.

Note that despite the title, the character need not become an actual hero, just nicer than they were in the original.

!Examples:

[[AC: Anime & Manga]]
* In the anime version of ''[[YuGiOh Yu-Gi-Oh]]'', Yugi's AlterEgo is generally played as a noble hero; in the original manga, especially early on, he's somewhere between a Heroic Sociopath and a barely-controllable SuperpoweredEvilSide.
* In ''Anime/SonicX'' Dr Eggman starts off an AffablyEvil villain similar to the games, before becoming more and more harmless, his scruples and respect for Sonic coming into play often, and spends most of the Third Season in AntiVillain territory. This is even more prominant in the [[ComicBook/SonicX comic adaptation]].

[[AC: Film]]
* In the ''Film/MenInBlack'' films, Agents Jay, Kay, and Zed are heroes. In the obscure comic book the movies are based on, they and the rest of MIB are villains.
* ''JasonAndTheArgonauts'' has Jason as a DesignatedHero who travels all the way to Colchis to rob Aeetes's Golden Fleece because he wants his kingdom back. The Hallmark version of the film changes this as Jason must get the Fleece or else [[EvilUncle Pelias]] will kill his mother. Medea gets this as well in both film versions. In the original she was a ManipulativeBitch who made Jason promise to marry her in exchange for her help and she killed Pelias herself when Jason decided not to accept the kingdom. In the Hallmark film she is shown to genuinely love Jason and grieve for the deaths of her brother and father.
* In ''JurassicPark'' Hammond was a typical Jerkass with plenty of NeverMyFault moments and he suffers a KarmicDeath. His movie incarnation is a relatively decent man and gets to survive too.
* ''ResidentEvilApocalypse'' turns game villain Nicholai Ginovaef into a good guy.
* The ''Tekken'' film changes Heihachi Mishima from a CorruptCorporateExecutive to a much more sympathetic character who is revealed [[spoiler: to have saved Jun Kazama from Kazuya]].
* {{Dracula}} gets this treatment in Francis Ford Coppola's film. He becomes a vampire for renouncing God after his bride kills herself and then falls in love with Mina because she is her reincarnation. Yeah, it didn't make much sense.
* In the film version of ''TheGrinchWhoStoleChristmas'', the title character gets a sympathetic backstory for his hatred of Christmas thanks to the feature-length film needing to indulge in a lot of AdaptationExpansion. Interestingly, his sympathetic backstory results in a bit of AdaptationalVillainy on the part of the Whos of Whoville.
* In ''{{Film/Daredevil}}''. Elektra wants to avenge her father's death by killing Daredevil, whom she faslely believes to be his killer, ad the worst thing she does is to attack Daredevil under false pretenses. In the comics, she's a contract assassin driven by bitterness her father's death in a botched rescue attempt mounted by SWAT team who was once part of the evil ninja cult known as the Hand.
* In the second of the SamRaimi ''Spider-Man'' films, Doctor Octopus is rewritten a good man turned into a monster by an accident, and he earns redemption in the films' climax. The Green Goblin is less sympathetic, but gets a [[spoiler: dying]] moment of decency that would be utterly foreign to the comic-book version of NormanOsborn.
** The Sandman is similarly softened in the third film, but this may simply be an adaptation of his heroic, reformed characterization in the 1980s and 1990s.
* Happens inadvertently to Narcissa Malfoy in the ''HarryPotter'' film adaptations. The films keep her worrying for her son's life and [[spoiler: betraying Voldemort]] at the end but leave out scenes showing her haughty racism and general RichBitch attitude before her HeelFaceTurn.
* In the novel of ''{{Matilda}}'' Hortensia bullies Matilda and Lavender. In the film she is friendly and protective of them.

[[AC: Live Action TV]]
* ''TheWorstWitch'' did this with a lot of characters who mostly made one or two appearances in the books but had their roles expanded on the series.
** Miss Drill was a strict DrillSergeantNasty who becomes the teacher the girls can confide in the most.
** Miss Bat similarly was your average strict teacher as well but got changed to a quirky and lovable CloudCuckooLander that was always friendly to the girls.
** Drucilla was simply a friend to AlphaBitch Ethel but gets a few HiddenDepths moments and even makes a HeelFaceTurn towards the end.
** Ethel herself gets a few HiddenDepths and becomes a sort of friend to Mildred in the spin-off ''Weirdsister College''.
** Miss Hardbroom was a SadistTeacher that got maybe one PetTheDog moment in the books. She is still a bit of a Sadist Teacher in the series but is much more sympathetic and is shown to genuinely care for the girls and the welfare of the school.
* In ''GameOfThrones'' Jaime's sister Cersai was outright evil in the books but is an AntiVillain in the series.

[[AC: Western Animation]]
* While not an "adaptation" of ''TheJungleBook'' per se, TaleSpin does this to some of it's reinvented characters from [[Disney/TheJungleBook the Disney film]]. In the latter Shere Khan, while affable, was a genuine force of evil and took sadistic pleasure in the idea of killing a man cub. In TaleSpin he is still sinister, but a business man of neutral alliance, interested only in power and having a strong moral code (even siding with Baloo if someone risks offending it). Meanwhile King Louie is altered from a wily troublemaker to Baloo's best friend.
* A few protagonists in DisneyAnimatedCanon are adapted this way to be more approachable to audiences. While still the heroes in most of the original novels, they are often far more abrasive and self serving, often due to ValuesDissonance. ''{{Pinocchio}}'' for example was altered from a BrattyHalfPint to a more innocent and merely easily misguided CheerfulChild.
* Similarly, ThomasTheTankEngine in ''TheRailwaySeries'', while still sympathetic, was much more of a self absorbed BrattyHalfPint. While the show kept up this depiction for most episodes adapted from the books, it's turn to original stories slowly made Thomas more altrustic and innocent. Some other engines such as Henry and Sir Handel took a similar direction.
* One of the specialties of ''BatmanTheAnimatedSeries'' was lending depth to villain whose comics incarnations were essentially doing things ForTheEvulz. The Mad Hatter has no backstory in the comics, but was introduced in the series as a victim of LoveMakesYouEvil; minor gimmick crook Mister Freeze's sympathetic reimagining was so successful it was later [[CanonImmigrant imported into the comics]], albeit with DarkerAndEdgier elements.
* The 1990s ''Spider-Man'' animated series actually rewrote Kraven the Hunter and Calypso entirely, with both becoming ''heroes'' once Spider-Man resolved the issues with their PsychoSerum-derived powers. Similarly, minor villain the Spot was recast as a PunchClockVillain whose episode shows him going through a HeelFaceTurn after committing a few ill-advised bank robberies. The comics version, by contrast, is an unrepentant petty criminal with a sideline in contract killing.
* {{Garfield}}, while remaining largely the same character in all medias, is hit with this to some extent. The comic strips usually revolve around quick gags involving Garfield's snarkiness or cruel sense of humor. The {{Animated Adaptation}}s however, likely due to their longer more depthful stories, keep most of Garfield's nastier qualities but also more frequently show his redeeming side, leaning him more into a JerkWithAHeartOfGold. This is especially prominant in ''TheGarfieldShow'' where he is occasionally toned down to the point of being outright altrustic.

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