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* ''WesternAnimation/{{Frozen|2013}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, and "Kai and Gerda" are [[MythologyGag the names of two adult servants]] instead of the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.

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* ''WesternAnimation/{{Frozen|2013}}'' is based off ''Literature/TheSnowQueen''... ''Literature/TheSnowQueen'' and has the same core themes and ''basic'' plot outline of a kind-hearted girl making a hazardous journey to save her estranged childhood friend from The Snow Queen / depression, with only her brave heart and determination to aid her... except the eponymous queen is and the DudeInDistress have been combined into a protagonist, isn't AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, CompositeCharacter, and "Kai and Gerda" are [[MythologyGag the names of two adult servants]] instead of the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.characters, and despite the story getting quite dark, has more comedy.
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* All Creator/TimBurton films have a distinct style of [[PerkyGoth dark quirkiness]], making movies like ''Film/CharlieAndTheChocolateFactory'' or ''Film/AliceInWonderland2010'' far less colorful than other adaptations, while things like ''Film/{{Batman| 1989}}'' (''[[Film/BatmanReturns Returns]]''), ''Film/SleepyHollow'', and ''Franchise/PlanetOfTheApes'' become weirder.

to:

* All Creator/TimBurton films have a distinct style of [[PerkyGoth dark quirkiness]], making movies like ''Film/CharlieAndTheChocolateFactory'' or ''Film/AliceInWonderland2010'' far less colorful than other adaptations, while things like ''Film/{{Batman| 1989}}'' (''[[Film/BatmanReturns Returns]]''), ''Film/SleepyHollow'', ''Film/SleepyHollow1999'', and ''Franchise/PlanetOfTheApes'' become weirder.
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* ''Disney/{{Frozen}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, and "Kai and Gerda" are [[MythologyGag the names of two adult servants]] instead of the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.

to:

* ''Disney/{{Frozen}}'' ''WesternAnimation/{{Frozen|2013}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, and "Kai and Gerda" are [[MythologyGag the names of two adult servants]] instead of the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.
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SuperTrope to DarkerAndEdgier and LighterAndSofter. SisterTrope to ToneShift.

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SuperTrope to DarkerAndEdgier and LighterAndSofter. SisterTrope to ToneShift.
ToneShift. Not to be confused with characters who are made more inspirational in a work’s adaption.
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[[folder:Pinball]]
* While most pinball games [[LicensedPinballTables based on existing works]] tend to be relatively loose adaptations (since the medium rarely allows for stories above {{Excuse Plot}}s), ''Pinball/CreatureFromTheBlackLagoon'' is particularly notable because the bulk of the game is themed around '50s [[DriveInTheater drive-in theaters]], with [[Film/CreatureFromTheBlackLagoon the original movie]] only getting "adapted" in its multiball mode.
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* While ''Fanfic/TokimekiPokeLiveAndTwinbee'' is darker like ''Anime/PokemonOrigins'' and ''Anime/PokemonGenerations'', it is also like your typical moe Seinen/J-Idol anime alongside elements from ''Franchise/LoveLive'', ''VisualNovel/TokimekiMemorial'' and ''{{VideoGame/Twinbee}}''.
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* Charles Edward Pogue's original script for ''Film/TheFly1986'' took the central premise of the [[Literature/TheFly short story]] and its rather faithful [[Film/TheFly1958 1958 film adaptation]] -- a scientist's TeleporterAccident renders him a mix of man and insect -- and added the twist that the transformation wasn't a instantaneous swapping of body parts leaving a man with a fly's head and vice-versa, but rather a SlowTransformation on a molecular-genetic level into one HalfHumanHybrid. Creator/DavidCronenberg's total revision of that script started by changing the protagonists from a long-married couple to a lonely recluse and the reporter who becomes his lover as she chronicles, and even inspires, the refinement of his invention. The pivotal accident is not merely a quirk of fate, but a TragicMistake resulting from his jealousy regarding her ex. The SlowTransformation becomes a metaphor for the inevitability of disease and death, and the toll they take on both the bodies and psyches of the afflicted and those who love them -- depicted via some of the grisliest BodyHorror ever put to film.
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* All Creator/TimBurton films have a distinct style of [[PerkyGoth dark quirkiness]], making movies like ''Film/CharlieAndTheChocolateFactory'' or ''Film/AliceInWonderland2010'' far less colorful than other adaptations, while things like ''Film/{{Batman}}'' (''[[Film/BatmanReturns Returns]]''), ''Film/SleepyHollow'', and ''Franchise/PlanetOfTheApes'' become weirder.

to:

* All Creator/TimBurton films have a distinct style of [[PerkyGoth dark quirkiness]], making movies like ''Film/CharlieAndTheChocolateFactory'' or ''Film/AliceInWonderland2010'' far less colorful than other adaptations, while things like ''Film/{{Batman}}'' ''Film/{{Batman| 1989}}'' (''[[Film/BatmanReturns Returns]]''), ''Film/SleepyHollow'', and ''Franchise/PlanetOfTheApes'' become weirder.
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None

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[[folder:Video Games]]
* In ''VideoGame/TheFeebleFiles'', while the game is obviously, though loosely, based on Orwell's ''Literature/NineteenEightyFour'', ''Feeble Files'' does seem to divert from the anticommunist (albeit not antitotalitarian) message of the novel quite a bit. The Freedom Fighters address one another as "comrade", the EvilEmpire is referred to as "the Company" (the founding of which is elaborated on in a Bible-like book), the Metro Prime spaceport is a flashing center of commerce and paid entertainment, citizens are required to confess their crimes against the [=OmniBrain=] via confessional-like boxes, etc. One of the key differences between the novel and the game is that the Freedom Fighters' only problem with the [=OmniBrain=] is the political tyranny and brainwashing of citizens whereas no mention is ever made of any sort of poverty within society that actually does not seem to be the least bit prevalent anyway.
[[/folder]]
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* ''Series/GetShort'' is based on the [[Literature/GetShort book of the same name]], but unlike the film adaptation, it takes only loose inspiration from the source material and tells an original story with entirely new characters.

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* ''Series/GetShort'' ''Series/GetShorty'' is based on the [[Literature/GetShort [[Literature/GetShorty book of the same name]], but unlike the film adaptation, it takes only loose inspiration from the source material and tells an original story with entirely new characters.

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* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[Franchise/{{Batman}} a Batman, a Catwoman, a Joker]], and special guest appearance by ComicBook/LexLuthor.

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* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[Franchise/{{Batman}} a Batman, a Catwoman, a Joker]], elements of SpyFiction thrown in. The show follows some of the basic characters and special guest appearance by ComicBook/LexLuthor.plots but largely rewrites them into original stories.


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* ''Series/GetShort'' is based on the [[Literature/GetShort book of the same name]], but unlike the film adaptation, it takes only loose inspiration from the source material and tells an original story with entirely new characters.
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Speed Racer is anime.


* ''Film/SpeedRacer'' felt more like a live action anime movie.
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* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[ComicBook/{{Batman}} a Batman, a Catwoman, a Joker]], and special guest appearance by ComicBook/LexLuthor.

to:

* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[ComicBook/{{Batman}} [[Franchise/{{Batman}} a Batman, a Catwoman, a Joker]], and special guest appearance by ComicBook/LexLuthor.
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None


* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[ComicBook/Batman a Batman, a Catwoman, a Joker]], and special guest appearance by ComicBook/LexLuthor.

to:

* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[ComicBook/Batman [[ComicBook/{{Batman}} a Batman, a Catwoman, a Joker]], and special guest appearance by ComicBook/LexLuthor.
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* ''Film/{{Clueless}}'' is a loose adaptation of ''Literature/{{Emma}},'' except that the novel is about class status in 19th century England while the film is about popularity at a Los Angeles high school.
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* ''Disney/{{Frozen}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, and Kai and Gerda appear as adults and aren't the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.

to:

* ''Disney/{{Frozen}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, and Kai "Kai and Gerda appear as adults and aren't Gerda" are [[MythologyGag the names of two adult servants]] instead of the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.
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None


** ''Film/{{Godzilla 1998}}'' was, in theory, an American adaptation of the famous Japanese film series, but in reality it bears only a very slight resemblance to its namesake. Both versions feature a reptile that grows to enormous size because of atomic testing, but the similarities end there. Where the Japanese Godzilla is an ancient dinosaur that mutates into a slow, NighInvulnerable behemoth that is hostile towards humanity ([[HeelFaceTurn at first]]), capable of releasing a deadly atomic beam from his mouth, and decidedly male, the American Godzilla is an iguana mutated into a hermaprhoditic FragileSpeedster that wants no conflict with humanity, only came ashore to lay eggs, and has no flashy abilities. Additionally, the original Godzilla was a metaphor for the bombing of Hiroshima and Nagasaki, as he was specifically mutated by American nuclear testing, while the American version pushes the blame to the French and lacks any kind of symbolic depth. The [[WesternAnimation/GodzillaTheSeries animated series]] which followed was ''much'' closer to the original Japanese monster.

to:

** ''Film/{{Godzilla 1998}}'' was, in theory, an American adaptation of the famous Japanese film series, but in reality it bears only a very slight resemblance to its namesake. Both versions feature a reptile that grows to enormous size because of atomic testing, but the similarities end there. Where the Japanese Godzilla is an ancient dinosaur that mutates into a slow, NighInvulnerable behemoth that is hostile towards humanity ([[HeelFaceTurn at first]]), capable of releasing a deadly atomic beam from his mouth, and decidedly male, the American Godzilla is an iguana mutated into a hermaprhoditic FragileSpeedster that wants no conflict with humanity, only came ashore to lay eggs, and has no flashy abilities. standard fire breath (DinosaursAreDragons, or at least big lizards that look like dinosaurs are dragons.) Additionally, the original Godzilla was a metaphor for the bombing of Hiroshima and Nagasaki, as he was specifically mutated by American nuclear testing, while the American version pushes the blame to the French and lacks any kind of symbolic depth. The [[WesternAnimation/GodzillaTheSeries animated series]] which followed was ''much'' closer to the original Japanese monster.



* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[Creator/DetectiveComics a Batman, a Catwoman, a Joker]], and special guest appearance by ComicBook/LexLuthor.

to:

* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[Creator/DetectiveComics [[ComicBook/Batman a Batman, a Catwoman, a Joker]], and special guest appearance by ComicBook/LexLuthor.
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** Kurosawa also did ''Film/ThroneOfBlood'', which is ''Theatre/Macbeth'' [[InSpace in Japan]].

to:

** Kurosawa also did ''Film/ThroneOfBlood'', which is ''Theatre/Macbeth'' ''Theatre/{{Macbeth}}'' [[InSpace in Japan]].
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* The LowlandsOfScotlandSeries is based on the [[Literature/TheBible biblical story]] of Jacob, but it is very much a modern novel series, with all the setting details and character development and intricacies of plot that that implies.

to:

* The LowlandsOfScotlandSeries ''Literature/LowlandsOfScotlandSeries'' is based on the [[Literature/TheBible biblical story]] of Jacob, but it is very much a modern novel series, with all the setting details and character development and intricacies of plot that that implies.



** Kurosawa also did ThroneOfBlood, which is MacBeth [[InSpace in Japan]].
** Film/WilliamShakespearesRomeoAndJuliet is ''Theatre/RomeoAndJuliet'' [[InSpace in California.]]

to:

** Kurosawa also did ThroneOfBlood, ''Film/ThroneOfBlood'', which is MacBeth ''Theatre/Macbeth'' [[InSpace in Japan]].
** Film/WilliamShakespearesRomeoAndJuliet is ''Theatre/RomeoAndJuliet'' [[InSpace in California.]]California]].

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Adding folders.





[[AC: AnimeAndManga]]
* It is well-known that Creator/HayaoMiyazaki does ''not'' do adaptations, he simply uses the source material as a convenient jumping off point to tell his own story.

[[AC: ComicBooks]]

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[[AC: AnimeAndManga]]
* It is well-known that Creator/HayaoMiyazaki does ''not'' do adaptations, he simply uses the source material as a convenient jumping off point to tell his own story.

[[AC: ComicBooks]]
[[foldercontrol]]

[[folder:Comic Books]]




[[AC: FanFic]]

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\n[[AC: FanFic]][[/folder]]

[[folder:Fan Works]]




[[AC: {{Film}}]]

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\n[[AC: {{Film}}]][[/folder]]

[[folder:Films -- Animation]]
* It is well-known that Creator/HayaoMiyazaki does ''not'' do adaptations, he simply uses the source material as a convenient jumping off point to tell his own story.
* ''Disney/{{Frozen}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, and Kai and Gerda appear as adults and aren't the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.
[[/folder]]

[[folder:Films -- Live-Action]]



* The ''Film/HarryPotter'' movies had different inspirations in visual tone and what the directors emphasized. ''[[Film/HarryPotterAndTheGobletOfFire Goblet of Fire]]'' had several boarding school comedy pieces, some of which weren't in the book at all. Creator/AlfonsoCuaron gave a candy shop Day of the Dead touches and food, such as candy skulls.
** The first two movies (directed by Creator/ChrisColumbus) feel very much like Creator/StevenSpielberg films, while the third one (directed by Creator/AlfonsoCuaron) feels more like a Creator/TimBurton film.

to:

* The ''Film/HarryPotter'' movies had different inspirations in visual tone and what the directors emphasized. ''[[Film/HarryPotterAndTheGobletOfFire Goblet of Fire]]'' had several boarding school comedy pieces, some of which weren't in the book at all. Creator/AlfonsoCuaron gave a candy shop Day of the Dead touches and food, such as candy skulls.
**
skulls. The first two movies (directed by Creator/ChrisColumbus) feel very much like Creator/StevenSpielberg films, while the third one (directed by Creator/AlfonsoCuaron) feels more like a Creator/TimBurton film.



* ''Disney/{{Frozen}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, and Kai and Gerda appear as adults and aren't the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.
* ''Film/{{Godzilla 1998}}'' was, in theory, an American adaptation of the famous Japanese film series, but in reality it bears only a very slight resemblance to its namesake. Both versions feature a reptile that grows to enormous size because of atomic testing, but the similarities end there. Where the Japanese Godzilla is an ancient dinosaur that mutates into a slow, NighInvulnerable behemoth that is hostile towards humanity ([[HeelFaceTurn at first]]), capable of releasing a deadly atomic beam from his mouth, and decidedly male, the American Godzilla is an iguana mutated into a hermaprhoditic FragileSpeedster that wants no conflict with humanity, only came ashore to lay eggs, and has no flashy abilities. Additionally, the original Godzilla was a metaphor for the bombing of Hiroshima and Nagasaki, as he was specifically mutated by American nuclear testing, while the American version pushes the blame to the French and lacks any kind of symbolic depth. The [[WesternAnimation/GodzillaTheSeries animated series]] which followed was ''much'' closer to the original Japanese monster.
** The [[{{Film/Godzilla2014}} modern American remake]] tells a markedly different story; by having the titular beast be an ancient creature, older than the earliest dinosaurs, the theme shifts from a direct allegory of nuclear destruction to primal, unstoppable forces of nature keeping the world in check, with the MUTO being the threat to humanity and Godzilla himself the inevitable response. The bombing of Hiroshima is mentioned, and gives context to Dr. Serizawa's concern over a nuclear strike (his father was killed in the blast), but the continuous American atomic testing in the Pacific, then current in 1954, is also quantified in-story -- it was a cover for the Navy's repeated efforts to kill it. The plot and ending, in turn, reflect the modern conception of Godzilla and his CharacterDevelopment into a heroic figure; rather than being killed and crumbling into dust before he can destroy again, he defeats his ancient enemies and walks triumphantly back into the ocean, with press outlets heralding him as the savior of the city.

[[AC: {{Literature}}]]

to:

* ''Disney/{{Frozen}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, and Kai and Gerda appear as adults and aren't the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.
*
''Franchise/{{Godzilla}}'':
**
''Film/{{Godzilla 1998}}'' was, in theory, an American adaptation of the famous Japanese film series, but in reality it bears only a very slight resemblance to its namesake. Both versions feature a reptile that grows to enormous size because of atomic testing, but the similarities end there. Where the Japanese Godzilla is an ancient dinosaur that mutates into a slow, NighInvulnerable behemoth that is hostile towards humanity ([[HeelFaceTurn at first]]), capable of releasing a deadly atomic beam from his mouth, and decidedly male, the American Godzilla is an iguana mutated into a hermaprhoditic FragileSpeedster that wants no conflict with humanity, only came ashore to lay eggs, and has no flashy abilities. Additionally, the original Godzilla was a metaphor for the bombing of Hiroshima and Nagasaki, as he was specifically mutated by American nuclear testing, while the American version pushes the blame to the French and lacks any kind of symbolic depth. The [[WesternAnimation/GodzillaTheSeries animated series]] which followed was ''much'' closer to the original Japanese monster.
** The [[{{Film/Godzilla2014}} [[Film/Godzilla2014 modern American remake]] tells a markedly different story; by having the titular beast be an ancient creature, older than the earliest dinosaurs, the theme shifts from a direct allegory of nuclear destruction to primal, unstoppable forces of nature keeping the world in check, with the MUTO being the threat to humanity and Godzilla himself the inevitable response. The bombing of Hiroshima is mentioned, and gives context to Dr. Serizawa's concern over a nuclear strike (his father was killed in the blast), but the continuous American atomic testing in the Pacific, then current in 1954, is also quantified in-story -- it was a cover for the Navy's repeated efforts to kill it. The plot and ending, in turn, reflect the modern conception of Godzilla and his CharacterDevelopment into a heroic figure; rather than being killed and crumbling into dust before he can destroy again, he defeats his ancient enemies and walks triumphantly back into the ocean, with press outlets heralding him as the savior of the city. \n\n[[AC: {{Literature}}]]
[[/folder]]

[[folder:Literature]]




[[AC: LiveActionTV]]

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\n[[AC: LiveActionTV]][[/folder]]

[[folder:Live-Action TV]]



* ''Series/{{The 100}}'' TV series keeps the basic premise and a few of the characters from the book, but takes them in its own direction, focusing less on the ''Literature/LordOfTheFlies''-esque situation and more on conflict between different civilizations on the Ground.

[[AC: TableTopGames]]

to:

* ''Series/{{The 100}}'' ''Series/The100'' TV series keeps the basic premise and a few of the characters from the book, but takes them in its own direction, focusing less on the ''Literature/LordOfTheFlies''-esque situation and more on conflict between different civilizations on the Ground.

[[AC: TableTopGames]]
Ground.
[[/folder]]

[[folder:Tabletop Games]]




[[AC: {{Theater}}]]

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\n[[AC: {{Theater}}]][[/folder]]

[[folder:Theater]]



** AkiraKurosawa made ''Film/{{Ran}}'', a ''Theatre/KingLear'' [[InSpace In Japan]].
** Kurosawa also did ThroneOfBlood, which is MacBeth [[InSpace In Japan]].
** Film/WilliamShakespearesRomeoAndJuliet is ''Theatre/RomeoAndJuliet'' [[InSpace In California.]]

to:

** AkiraKurosawa Creator/AkiraKurosawa made ''Film/{{Ran}}'', a ''Theatre/KingLear'' [[InSpace In in Japan]].
** Kurosawa also did ThroneOfBlood, which is MacBeth [[InSpace In in Japan]].
** Film/WilliamShakespearesRomeoAndJuliet is ''Theatre/RomeoAndJuliet'' [[InSpace In in California.]]




[[AC: WesternAnimation]]

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\n[[AC: WesternAnimation]][[/folder]]

[[folder:Western Animation]]




to:

[[/folder]]
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* Anything Creator/TimBurton touches turns quirky. This doesn't really apply to movies like ''Film/CharlieAndTheChocolateFactory'' or ''Film/AliceInWonderland2010'', on account of the source material's pre-existing quirkiness, but definitely applies to ''Film/{{Batman}}'' (''[[Film/BatmanReturns Returns]]''), ''Film/SleepyHollow'', and ''Franchise/PlanetOfTheApes''.

to:

* Anything All Creator/TimBurton touches turns quirky. This doesn't really apply to films have a distinct style of [[PerkyGoth dark quirkiness]], making movies like ''Film/CharlieAndTheChocolateFactory'' or ''Film/AliceInWonderland2010'', on account of the source material's pre-existing quirkiness, but definitely applies to ''Film/AliceInWonderland2010'' far less colorful than other adaptations, while things like ''Film/{{Batman}}'' (''[[Film/BatmanReturns Returns]]''), ''Film/SleepyHollow'', and ''Franchise/PlanetOfTheApes''.''Franchise/PlanetOfTheApes'' become weirder.



* ''Disney/{{Frozen}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't evil, doesn't kidnap children, and Kai and Gerda appear as adults and aren't the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.

to:

* ''Disney/{{Frozen}}'' is based off ''Literature/TheSnowQueen''... except the eponymous queen is a protagonist, isn't evil, AmbiguouslyEvil or AmbiguouslyHuman, doesn't kidnap children, and Kai and Gerda appear as adults and aren't the main characters. So really, [[{{Dissimile}} not that much]] like ''The Snow Queen''.

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[[AC: TableTopGames]]
* Solid advice for any new GM for almost any system: obey this trope!



** ''Film/{{Ran}}'' is ''Theatre/KingLear'' [[InSpace In Japan]].

to:

** ''Film/{{Ran}}'' is AkiraKurosawa made ''Film/{{Ran}}'', a ''Theatre/KingLear'' [[InSpace In Japan]].
** Kurosawa also did ThroneOfBlood, which is MacBeth [[InSpace In
Japan]].
Is there an issue? Send a MessageReason:
None


* Anything Creator/TimBurton touches turns quirky. This doesn't really apply to movies like ''Film/CharlieAndTheChocolateFactory'' or ''Film/AliceInWonderland'', on account of the source material's pre-existing quirkiness, but definitely applies to ''Film/{{Batman}}'' (''[[Film/BatmanReturns Returns]]''), ''Film/SleepyHollow'', and ''Franchise/PlanetOfTheApes''.

to:

* Anything Creator/TimBurton touches turns quirky. This doesn't really apply to movies like ''Film/CharlieAndTheChocolateFactory'' or ''Film/AliceInWonderland'', ''Film/AliceInWonderland2010'', on account of the source material's pre-existing quirkiness, but definitely applies to ''Film/{{Batman}}'' (''[[Film/BatmanReturns Returns]]''), ''Film/SleepyHollow'', and ''Franchise/PlanetOfTheApes''.
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None


* ''Film/SpeedRacer'' had BulletTime aesthetics.

to:

* ''Film/SpeedRacer'' had BulletTime aesthetics.felt more like a live action anime movie.
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None


* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[DetectiveComics a Batman, a Catwoman, a Joker]], and special guest appearance by ComicBook/LexLuthor.

to:

* ''Series/{{Sherlock}}'' is Literature/SherlockHolmes, in the present day, with [[SpyFiction Stale Beer Spy Fiction]] elements. Or, taken another way, as a [[{{Demythification}} mundane]] {{Superhero}} series, with [[DetectiveComics [[Creator/DetectiveComics a Batman, a Catwoman, a Joker]], and special guest appearance by ComicBook/LexLuthor.
Is there an issue? Send a MessageReason:
None


* [[WesternAnimation/{{Dinotrux}}]] takes the general idea of Dinosaurs and Construction Vehicles merged together from the Chris Gall book series, but goes in an entirely different direction with it, featuring more mechanical robotic character designs versus the organic ones seen in the illustrations of the books.

to:

* [[WesternAnimation/{{Dinotrux}}]] ''WesternAnimation/{{Dinotrux}}'' takes the general idea of Dinosaurs and Construction Vehicles merged together from the Chris Gall book series, but goes in an entirely different direction with it, featuring more mechanical robotic character designs versus the organic ones seen in the illustrations of the books.
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None

Added DiffLines:

[[AC: WesternAnimation]]
* [[WesternAnimation/{{Dinotrux}}]] takes the general idea of Dinosaurs and Construction Vehicles merged together from the Chris Gall book series, but goes in an entirely different direction with it, featuring more mechanical robotic character designs versus the organic ones seen in the illustrations of the books.
Is there an issue? Send a MessageReason:
None


** ''ForbiddenPlanet'' is ''Theatre/TheTempest'' InSpace.

to:

** ''ForbiddenPlanet'' ''Film/ForbiddenPlanet'' is ''Theatre/TheTempest'' InSpace.
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* ''Series/{{The 100}}'' TV series takes the basic premise and a few of the characters from the book, but takes them in its own direction, focusing less on the ''Literature/LordOfTheFlies''-esque situation and more on conflict between different civilizations on the Ground.

to:

* ''Series/{{The 100}}'' TV series takes keeps the basic premise and a few of the characters from the book, but takes them in its own direction, focusing less on the ''Literature/LordOfTheFlies''-esque situation and more on conflict between different civilizations on the Ground.
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to:

* ''Series/{{The 100}}'' TV series takes the basic premise and a few of the characters from the book, but takes them in its own direction, focusing less on the ''Literature/LordOfTheFlies''-esque situation and more on conflict between different civilizations on the Ground.

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