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The plot is a [[VeryLooselyBasedOnATrueStory wildly fictionalized version]] of the Battle of Roncevalles or Roncevaux Pass that was fought as UsefulNotes/{{Charlemagne}}'s army left Muslim-controlled UsefulNotes/{{Spain}} in [[DarkAgeEurope 778]]. In the opening scene, the Spanish king Marsile hatches a plot to end his seven-year war with Charlemagne by pretending to convert to UsefulNotes/{{Christianity}} and become his vassal. Receiving the Spanish messengers, Charlemagne and his barons debate who to send to Marsile. Our hero Roland volunteers his stepfather Ganelon, to his outrage. Ganelon goes, but conspires with Marsile to ambush the French in the narrow passes of the Pyrénées. The Spaniards fall upon the rearguard led by Roland, the other eleven paladins, and Turpin, the [[WarriorMonk sword-wielding archbishop]]. The rearguard is slaughtered to a man, and when Charlemagne finds out, he gets [[IncrediblyLamePun mediæval]] on the Spaniards. All looks lost for the Muslims, until the Emir arrives with an enormous fleet of troop transports. Thus, we have a family conflict, nested within a conflict between France and Spain, nested within a world war between Cross and Crescent.

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The plot is a [[VeryLooselyBasedOnATrueStory wildly fictionalized version]] of the Battle of Roncevalles or Roncevaux Pass that was fought as UsefulNotes/{{Charlemagne}}'s army left Muslim-controlled [[UsefulNotes/{{Islam}} Muslim]]-controlled UsefulNotes/{{Spain}} in [[DarkAgeEurope 778]]. In the opening scene, the Spanish king Marsile hatches a plot to end his seven-year war with Charlemagne by pretending to convert to UsefulNotes/{{Christianity}} and become his vassal. Receiving the Spanish messengers, Charlemagne and his barons debate who to send to Marsile. Our hero Roland volunteers his stepfather Ganelon, to his outrage. Ganelon goes, but conspires with Marsile to ambush the French in the narrow passes of the Pyrénées. The Spaniards fall upon the rearguard led by Roland, the other eleven paladins, and Turpin, the [[WarriorMonk sword-wielding archbishop]]. The rearguard is slaughtered to a man, and when Charlemagne finds out, he gets [[IncrediblyLamePun mediæval]] on the Spaniards. All looks lost for the Muslims, until the Emir arrives with an enormous fleet of troop transports. Thus, we have a family conflict, nested within a conflict between France and Spain, nested within a world war between Cross and Crescent.
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The plot is a [[VeryLooselyBasedOnATrueStory wildly fictionalized version]] of the Battle of Roncevalles or Roncevaux Pass that was fought as UsefulNotes/{{Charlemagne}}'s army left Muslim-controlled Spain in 778. In the opening scene, the Spanish king Marsile hatches a plot to end his seven-year war with Charlemagne by pretending to convert to UsefulNotes/{{Christianity}} and become his vassal. Receiving the Spanish messengers, Charlemagne and his barons debate who to send to Marsile. Our hero Roland volunteers his stepfather Ganelon, to his outrage. Ganelon goes, but conspires with Marsile to ambush the French in the narrow passes of the Pyrénées. The Spaniards fall upon the rearguard led by Roland, the other eleven paladins, and Turpin, the [[WarriorMonk sword-wielding archbishop]]. The rearguard is slaughtered to a man, and when Charlemagne finds out, he gets [[IncrediblyLamePun mediæval]] on the Spaniards. All looks lost for the Muslims, until the Emir arrives with an enormous fleet of troop transports. Thus, we have a family conflict, nested within a conflict between France and Spain, nested within a world war between Cross and Crescent.

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The plot is a [[VeryLooselyBasedOnATrueStory wildly fictionalized version]] of the Battle of Roncevalles or Roncevaux Pass that was fought as UsefulNotes/{{Charlemagne}}'s army left Muslim-controlled Spain UsefulNotes/{{Spain}} in 778.[[DarkAgeEurope 778]]. In the opening scene, the Spanish king Marsile hatches a plot to end his seven-year war with Charlemagne by pretending to convert to UsefulNotes/{{Christianity}} and become his vassal. Receiving the Spanish messengers, Charlemagne and his barons debate who to send to Marsile. Our hero Roland volunteers his stepfather Ganelon, to his outrage. Ganelon goes, but conspires with Marsile to ambush the French in the narrow passes of the Pyrénées. The Spaniards fall upon the rearguard led by Roland, the other eleven paladins, and Turpin, the [[WarriorMonk sword-wielding archbishop]]. The rearguard is slaughtered to a man, and when Charlemagne finds out, he gets [[IncrediblyLamePun mediæval]] on the Spaniards. All looks lost for the Muslims, until the Emir arrives with an enormous fleet of troop transports. Thus, we have a family conflict, nested within a conflict between France and Spain, nested within a world war between Cross and Crescent.
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The plot is a [[VeryLooselyBasedOnATrueStory wildly fictionalized version]] of the Battle of Roncevalles or Roncevaux Pass that was fought as Charlemagne's army left Muslim-controlled Spain in 778. In the opening scene, the Spanish king Marsile hatches a plot to end his seven-year war with Charlemagne by pretending to convert to Christianity and become his vassal. Receiving the Spanish messengers, Charlemagne and his barons debate who to send to Marsile. Our hero Roland volunteers his stepfather Ganelon, to his outrage. Ganelon goes, but conspires with Marsile to ambush the French in the narrow passes of the Pyrénées. The Spaniards fall upon the rearguard led by Roland, the other eleven paladins, and Turpin, the [[WarriorMonk sword-wielding archbishop]]. The rearguard is slaughtered to a man, and when Charlemagne finds out, he gets [[IncrediblyLamePun mediæval]] on the Spaniards. All looks lost for the Muslims, until the Emir arrives with an enormous fleet of troop transports. Thus, we have a family conflict, nested within a conflict between France and Spain, nested within a world war between Cross and Crescent.

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The plot is a [[VeryLooselyBasedOnATrueStory wildly fictionalized version]] of the Battle of Roncevalles or Roncevaux Pass that was fought as Charlemagne's UsefulNotes/{{Charlemagne}}'s army left Muslim-controlled Spain in 778. In the opening scene, the Spanish king Marsile hatches a plot to end his seven-year war with Charlemagne by pretending to convert to Christianity UsefulNotes/{{Christianity}} and become his vassal. Receiving the Spanish messengers, Charlemagne and his barons debate who to send to Marsile. Our hero Roland volunteers his stepfather Ganelon, to his outrage. Ganelon goes, but conspires with Marsile to ambush the French in the narrow passes of the Pyrénées. The Spaniards fall upon the rearguard led by Roland, the other eleven paladins, and Turpin, the [[WarriorMonk sword-wielding archbishop]]. The rearguard is slaughtered to a man, and when Charlemagne finds out, he gets [[IncrediblyLamePun mediæval]] on the Spaniards. All looks lost for the Muslims, until the Emir arrives with an enormous fleet of troop transports. Thus, we have a family conflict, nested within a conflict between France and Spain, nested within a world war between Cross and Crescent.
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*FaintInShock: Tens of thousands of knights faint en masse when they learn that Roland has died.

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commented out a few Zero Context Examples


-->''Carles li reis, nostre emper[er]e magnes''\\

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-->''Carles ->''Carles li reis, nostre emper[er]e magnes''\\



-->Charles the king, our great emperor, has been in Spain a full seven years: he has conquered the high land up to the sea. There is no castle that remains against him; there is no wall or town left to conquer, except Saragossa, which is on a mountain. King Marsilie holds it, he who does not love God; he serves Mohammed and calls on Apollyon; he cannot ward off the ill that will reach him there. [-AOI-] [[note]]And if you want to know what AOI means, join the club -- generations of mediæval scholars have failed to determine its significance conclusively.[[/note]]

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-->Charles ->Charles the king, our great emperor, has been in Spain a full seven years: he has conquered the high land up to the sea. There is no castle that remains against him; there is no wall or town left to conquer, except Saragossa, which is on a mountain. King Marsilie holds it, he who does not love God; he serves Mohammed and calls on Apollyon; he cannot ward off the ill that will reach him there. [-AOI-] [[note]]And if you want to know what AOI means, join the club -- generations of mediæval scholars have failed to determine its significance conclusively.[[/note]]






* BattleEpic

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* %%* BattleEpic



* DiedInYourArmsTonight: Olivier.

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* %%* DiedInYourArmsTonight: Olivier.



* TheHeroDies: Roland.

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* TheHeroDies: Roland.Roland dies.



* KillEmAll: Both armies.

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* %%* KillEmAll: Both armies.



* LastStand: Roncevaux.

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* %%* LastStand: Roncevaux.



* NarrativePoem
* NobleDemon: Baligant, Malprimes, Canabeus, Margariz.

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* %%* NarrativePoem
* %%* NobleDemon: Baligant, Malprimes, Canabeus, Margariz.



* SwordSparks: The duel between Thierry and Pinabel during Ganelon's trial.
* TragicBromance: Roland and Olivier

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* %%* SwordSparks: The duel between Thierry and Pinabel during Ganelon's trial.
* %%* TragicBromance: Roland and Olivier



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* ViewersAreGoldfish: This may be the effect of the poem's habit of repeating descriptions of important actions or speeches, ''viz.'', Marsile's asking Ganelon if Charlemagne will ever tire of going to war. Such repetitions seem to have been a convention in mediæval literature - this is due to the fact that traditional epic poetry, such as ''Literature/TheIliad'', the Aeneid, and of course this poem, was meant to be memorized and recited to an audience. The repetition is a memetic tool for the reciter, who would otherwise have his hands even more full.

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* ViewersAreGoldfish: This may be the effect of the poem's habit of repeating descriptions of important actions or speeches, ''viz.'', Marsile's asking Ganelon if Charlemagne will ever tire of going to war. Such repetitions seem to have been a convention in mediæval literature - this is due to the fact that traditional epic poetry, such as ''Literature/TheIliad'', the Aeneid, and of course this poem, was meant to be memorized and recited to an audience. The repetition is a memetic tool for the reciter, who would otherwise have his hands even more full. Also, the whole poem wasn't recited whole but only parts of it. The repetitions acted as a summary of the previous episodes.
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The Emirate of Córdoba was absolutely Islamic.


* HistoricalVillainUpgrade: The historical Battle of Roncevaux Pass was ''not'' fought against the Muslims at all, but against the Basques -- who themselves were Christians!
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* JustSoStory: There's a large gap in the Pyrenees that was supposedly created when Roland tried (and failed!) to destroy Durendal by striking it against the ground.

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* JustSoStory: There's a large gap in the Pyrenees that Pyrenees-[[https://en.wikipedia.org/wiki/Roland%27s_Breach Roland's Breach]]-that was supposedly created when Roland tried (and failed!) to destroy Durendal by striking it against the ground.

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* BadassGrandpa: Charlemagne and Baligant.



* EvilCounterpart: Baligant, Emir of Babylon, and fellow BadassGrandpa is pretty clearly the EvilCounterpart to Charles, who he engages in an epic duel by the end.

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* EvilCounterpart: Baligant, Emir of Babylon, and fellow BadassGrandpa is pretty clearly the EvilCounterpart to Charles, who he engages in an epic duel by the end.
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* YourHeadASplode: Most brass players will tell you not to use ''quite'' as much pressure as Roland did. Unless you have a thing for brains coming out your ears.

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* YourHeadASplode: Most brass players will tell you not to use ''quite'' as much pressure as Roland did. Unless you have a thing for brains coming out your ears.

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* LastStand: Roncevaux

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* LastStand: RoncevauxRoncevaux.



* LowFantasy: The only fantastical elements of the poem's setting are Roland's unbreakable sword Durendal, and Charlemagne's prophetic dream about the events at Roncevaux, and Ganelon's trial.



* MeaningfulRename: Marsile's widow Bramidoine becomes Julienne upon her conversion to christianism.

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* MeaningfulRename: Marsile's widow Bramidoine becomes Julienne upon her conversion to christianism.Christianity.
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-->Roland's battle cry

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-->Roland's -->-- Roland's battle cry
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* ExpansionPackPast: If you take what happens in ''Orlando innamorato'' ("Roland In Love") and ''Literature/OrlandoFurioso'' ("Roland Goes Crazy") as canon with ''The Song of Roland'', then Roland had a pretty interesting life.

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* ExpansionPackPast: If you take what happens in ''Orlando innamorato'' ("Roland In Love") and ''Literature/OrlandoFurioso'' ("Roland Goes Crazy") Enraged") as canon with ''The Song of Roland'', then Roland had a pretty interesting life.
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* AndTheAdventureContinues: The song ends with ArchangelGabriel asking Charlemagne to help his ally King Vivien whose city is under siege.


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* MeaningfulRename: Marsile's widow Bramidoine becomes Julienne upon her conversion to christianism.


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* PunishedForSympathy: When Ganelon is convicted of treason, 30 of his relatives who defended him during the trial are hanged.


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* WeHardlyKnewYe: Roland's fiancée Aude drops dead after saying two lines.
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'Apollyon' means 'Destroyer' and is the Greek name of a Biblical demon called Abaddon in Hebrew. No relation to 'Allah'. No need to bring up religious debates in 8th century Byzantium—instead the example should say what is relevant for the trope, and relevant content should not be hidden in a note.


* ArtisticLicenseReligion: The Muslims in ''Song of Roland'' worship the demon Apollyon and keep idols.[[note]]While "Apollyon" is almost-excusably close to the Arabic word for "God," i.e. "Allah," the idols are so wrong that you don't know if ignorance or malice is the worse excuse--at about the same time as Roland's exploits, the Byzantines were arguing about whether Islam's stricter adherence to the Second Commandment through antipathy towards images and idols were the reason they had won so many battles against the Christians.[[/note]]

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* ArtisticLicenseReligion: The Muslims in ''Song of Roland'' worship the demon Apollyon and keep idols.[[note]]While "Apollyon" Islam is almost-excusably close to the Arabic word for "God," i.e. "Allah," the idols are so wrong that you don't know if ignorance or malice is the worse excuse--at about the same time as Roland's exploits, the Byzantines were arguing about whether Islam's stricter adherence to the Second Commandment through antipathy towards images and idols were the reason they had won so many battles against the Christians.[[/note]] a monotheistic religion with a rather strict ban on religious images.
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* ArtisticLicenseReligion: The Muslims in ''Song of Roland'' worship the demon Apollyon and keep idols.

to:

* ArtisticLicenseReligion: The Muslims in ''Song of Roland'' worship the demon Apollyon and keep idols. [[note]]While "Apollyon" is almost-excusably close to the Arabic word for "God," i.e. "Allah," the idols are so wrong that you don't know if ignorance or malice is the worse excuse--at about the same time as Roland's exploits, the Byzantines were arguing about whether Islam's stricter adherence to the Second Commandment through antipathy towards images and idols were the reason they had won so many battles against the Christians.[[/note]]
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How To Create A Works Page explicitly says "No bolding is used for work titles."


'''''The Song of Roland''''' (Old French, ''La Chanson de Roland'') is the oldest surviving work of French literature, dating from [[TheHighMiddleAges the late 11th century]]. Taillefer, William the Conqueror's minstrel, charged into battle at Hastings singing a version of it, and if you read the version we have, you can definitely see how it would get the soldiers' blood pumping. A relatively short epic poem, having 4,000 ten-syllable verses, ''Roland'' is the closest thing to a Christian ''[[Literature/TheIliad Iliad]]''. Like the Greek epic, it was only one, though almost certainly the greatest one, of a large body of now mostly forgotten works[[note]]''e.g., The Song of William'' or ''The Four Sons of Aymon''[[/note]], called in this case the ''Chansons de Geste'' or "Songs of Deeds." Its influence was enormous, and adaptations soon appeared in several European languages such as Latin, Occitan, and Middle High German.

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'''''The ''The Song of Roland''''' Roland'' (Old French, ''La Chanson de Roland'') is the oldest surviving work of French literature, dating from [[TheHighMiddleAges the late 11th century]]. Taillefer, William the Conqueror's minstrel, charged into battle at Hastings singing a version of it, and if you read the version we have, you can definitely see how it would get the soldiers' blood pumping. A relatively short epic poem, having 4,000 ten-syllable verses, ''Roland'' is the closest thing to a Christian ''[[Literature/TheIliad Iliad]]''. Like the Greek epic, it was only one, though almost certainly the greatest one, of a large body of now mostly forgotten works[[note]]''e.g., The Song of William'' or ''The Four Sons of Aymon''[[/note]], called in this case the ''Chansons de Geste'' or "Songs of Deeds." Its influence was enormous, and adaptations soon appeared in several European languages such as Latin, Occitan, and Middle High German.
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Removed per TRS.


* CoDragons: Baligant's son (Malprimes) and brother (Canabeus) play this role to him. They're the only members of his army to get any characterisation after him, are the BadAss fighters, killing several key Christian knights, and are his most trusted advisors. Both of them have to die before Baligant faces Charles to boot.

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* CoDragons: Baligant's son (Malprimes) and brother (Canabeus) play this role to him. They're the only members of his army to get any characterisation after him, are the BadAss badass fighters, killing several key Christian knights, and are his most trusted advisors. Both of them have to die before Baligant faces Charles to boot.

Changed: 454

Removed: 251

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* {{Badass}}: Lots of it. [[InvincibleHero Roland]] is of course, the standout.
** BadassFamily: Charlemagne and Roland are related. Baligant, his brother, Canabeus, and his son, Malprimes, are the "[[DesignatedVillain evil]]" version of this.
** BadassGrandpa: Charlemagne and Baligant.
** BadassPreacher: Archbishop Turpin racks up more kills than any of the paladins.

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* {{Badass}}: Lots of it. [[InvincibleHero Roland]] is of course, the standout.
**
BadassFamily: Charlemagne and Roland are related. Baligant, his brother, Canabeus, and his son, Malprimes, are the "[[DesignatedVillain evil]]" version of this.
** * BadassGrandpa: Charlemagne and Baligant.
** * BadassPreacher: Archbishop Turpin racks up more kills than any of the paladins.



* [[SelfDestructiveCharge Self-Destructive Charge]]: The entire Battle of Roncevaux is pretty much one big Self-Destructive Charge, but one of the most poignant individual examples is when Olivier is stabbed from behind through the chest with a spear and nevertheless charges into the enemy ranks with a fervour so intense that, blinded by his blood loss, he accidentally strikes his best friend Roland on the helm.
* [[ShutUpKirk Shut Up, Kirk]]: Baligant's reply to Charlemagne saying "Accept Christ, and your first friend I'll be!" is "Your sermon's ill-preached." and a blow with his scimitar.
* [[SwordSparks Sword Sparks]]: The duel between Thierry and Pinabel during Ganelon's trial.
* [[BetrayalTropes Traitor]]: Ganelon, who becomes, with [[KingArthur Mordred]] and [[{{Jesus}} Judas]], one of the great exemplars of treachery for the mediæval period.

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* [[SelfDestructiveCharge Self-Destructive Charge]]: SelfDestructiveCharge: The entire Battle of Roncevaux is pretty much one big Self-Destructive Charge, but one of the most poignant individual examples is when Olivier is stabbed from behind through the chest with a spear and nevertheless charges into the enemy ranks with a fervour so intense that, blinded by his blood loss, he accidentally strikes his best friend Roland on the helm.
* [[ShutUpKirk Shut Up, Kirk]]: ShutUpKirk: Baligant's reply to Charlemagne saying "Accept Christ, and your first friend I'll be!" is "Your sermon's ill-preached." and a blow with his scimitar.
* [[SwordSparks Sword Sparks]]: SwordSparks: The duel between Thierry and Pinabel during Ganelon's trial.
* [[BetrayalTropes Traitor]]: Ganelon, who becomes, with [[KingArthur Mordred]] and [[{{Jesus}} Judas]], one of the great exemplars of treachery for the mediæval period.
trial.



* [[WellDoneSonGuy Well Done Nephew Guy]]: Roland's mantra is "We'll fight well and then my uncle will love me!", even though his uncle already seems to.

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* [[WellDoneSonGuy Well Done Nephew Guy]]: WellDoneSonGuy: Roland's mantra is "We'll fight well and then my uncle will love me!", even though his uncle already seems to.
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* HonorBeforeReason: Roland refuses Olivier's advice of calling Charlemagne and his army with his Olifant because he prefere to die than looking like a coward

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* HonorBeforeReason: Roland refuses Olivier's advice of calling Charlemagne and his army with his Olifant because he prefere to die than looking like a cowardcoward.
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Corrected a few rough bits and added link to English translation.


''Nes poet guarder que mals ne l'i ateignet. [-AOI-].''\\

to:

''Nes poet guarder que mals ne l'i ateignet. [-AOI-].''\\
''



It can be found online [[http://www.hs-augsburg.de/~harsch/gallica/Chronologie/11siecle/Roland/rol_ch01.html here]].

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It can be found online [[http://www.hs-augsburg.de/~harsch/gallica/Chronologie/11siecle/Roland/rol_ch01.html here]], and in an English translation [[http://www.gutenberg.org/ebooks/391 here]].



* TheLancer: As the famous line in stanza 87 goes, "Roland is brave and Olivier is wise; they are both marvellously courageous." Olivier is a pretty straight-up Lancer to Roland; his clear-headedness balances Roland's recklessness, and, as the second-best knight of France, the closest to a rival that the mighty Roland can have. In fact the phrase "Trade a Roland for an Oliver" comes from the fact when they first met, they tried to beat each other in a duel but came out a stalemate. There's even a little HoYay to round it out.

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* TheLancer: As the famous line in stanza 87 goes, "Roland is brave and Olivier is wise; they are both marvellously courageous." Olivier is a pretty straight-up Lancer to Roland; his clear-headedness balances Roland's recklessness, and, as the second-best knight of France, the closest to a rival that the mighty Roland can have. In fact fact, the phrase "Trade a Roland for an Oliver" comes from the fact when they first met, they tried to beat each other in a duel but came out a stalemate. There's even a little HoYay to round it out.



* PlotArmor: When Oliver has lost so much blood that he can't tell friend from foe, he strikes and Roland, cutting his helmet from top to nosepiece. Roland is not injured in any way.

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* PlotArmor: When Oliver has lost so much blood that he can't tell friend from foe, he strikes and Roland, cutting his helmet from top to nosepiece. Roland is not injured in any way.



* SatelliteLoveInterest: Aude. She's Olivier's sister and Roland's betrothed.. and that's it. She isn't even mentioned until Roland lies dying and then she promptly dies of grief after finding out that he died in battle. (Their relationship was later fleshed-out in a prequel, ''Girart de Vienne.'')

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* SatelliteLoveInterest: Aude. She's Olivier's sister and Roland's betrothed.. and that's it. She isn't even mentioned until Roland lies dying finally decides to blow his horn, and then she promptly dies of grief after finding out that he died in battle. (Their relationship was later fleshed-out in a prequel, ''Girart de Vienne.''))''



* [[SelfDestructiveCharge Self-Destructive Charge]]: The entire Battle of Roncevaux is pretty much one big Self-Destructive Charge, but one of the most poignant individual examples is when Olivier is stabbed through the chest with a spear and nevertheless charges into the enemy ranks with a fervour so intense that, blinded by his blood loss, he accidentally strikes his best friend Roland on the helm.

to:

* [[SelfDestructiveCharge Self-Destructive Charge]]: The entire Battle of Roncevaux is pretty much one big Self-Destructive Charge, but one of the most poignant individual examples is when Olivier is stabbed from behind through the chest with a spear and nevertheless charges into the enemy ranks with a fervour so intense that, blinded by his blood loss, he accidentally strikes his best friend Roland on the helm.

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added tropes


** Some ValuesDissonance is at play here; while Roland is Charlemagne's nephew, he is also his subordinate, and thus has sworn to fight to his last breath for his emperor, and thus might very well lose his uncle's love (or at least the public expression thereof) if it looks like he's not giving his all.
* WhatTheHellHero: Early in the battle, Olivier begs Roland to blow the Olifant and summon Charlemagne's forces to their aid, but Roland refuses because it would make him look weak. Naturally, after the battle turns against them, Roland finally decides to blow the damn horn to call for aid, and Olivier angrily asks him what the hell he's thinking blowing it ''now'', as calling for aid in the middle of the battle will probably get them all demoted for incompetence. Turpin eventually steps in and argues that they're probably all doomed anyway, but at least blowing the horn will alert their allies to their fate.



* YourDaysAreNumbered: Fate is a constant motif in the Song of Roland. The narrator frequently informs readers that Roland's days are numbered, and the weird thing is, most of the characters seem to know it, too, although "fate" prevents them from doing anything about it.

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* WorthyOpponent: The narrator comments that Balligant would have been the perfect man if he'd only been Christian.
* YourDaysAreNumbered: Fate is a constant motif in the Song of Roland. The narrator frequently informs readers that Roland's days are numbered, and the weird thing is, most of the characters seem to know it, too, although "fate" prevents them from doing anything about it. it.
** In the Robert Harrison translation, Harrison argues that Roland's death is necessary in order to restore Charlemagne's willingness to finish off the Saracens; after all, at the start of the epic, he and his forces are so war-weary after seven years in Spain that he's prepared to let Marsile keep half of Spain in exchange for a promise that Marsile will convert to Christianity, rather than launch what looks like a costly campaign to take Saragossa.
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* TheLancer: As the famous line in stanza 87 goes, "Roland is brave and Olivier is wise; they are both marvellously courageous." Olivier is a pretty straight-up Lancer to Roland; his clear-headedness balances Roland's recklessness, and, as the second-best knight of France, the closest to a rival that the mighty Roland can have. There's even a little HoYay to round it out.

to:

* TheLancer: As the famous line in stanza 87 goes, "Roland is brave and Olivier is wise; they are both marvellously courageous." Olivier is a pretty straight-up Lancer to Roland; his clear-headedness balances Roland's recklessness, and, as the second-best knight of France, the closest to a rival that the mighty Roland can have. In fact the phrase "Trade a Roland for an Oliver" comes from the fact when they first met, they tried to beat each other in a duel but came out a stalemate. There's even a little HoYay to round it out.
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* TheHeroDies: Yup.

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* TheHeroDies: Yup.Roland.



* [[KillEmAll Kill 'Em All]]: Again, yup.

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* [[KillEmAll Kill 'Em All]]: Again, yup.KillEmAll: Both armies.
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* ArtisticLicenseReligion: The muslims in ''Song of Roland'' worship the demon Apollyon.

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* ArtisticLicenseReligion: The muslims Muslims in ''Song of Roland'' worship the demon Apollyon.Apollyon and keep idols.
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* VeryLooselyBasedOnATrueStory: Proof that this trope is OlderThanPrint: Roland and Charlemagne were real people and there really was a Battle of Roncevaux Pass, but other than that...

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* VeryLooselyBasedOnATrueStory: Proof that this trope is OlderThanPrint: Roland and Charlemagne were real people and there really was a Battle of Roncevaux Pass, but other than that...OlderThanPrint.
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* TragicBromance: Roland and Olivier
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* SatelliteLoveInterest: Aude. She's Olivier's sister and Roland's betrothed.. and that's it. She isn't even mentioned until Roland lies dying and then she promptly dies of grief after finding out that he died in battle. (Their relationship was later fleshed-out in a prequel, ''Girart de Vienne.'')
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* VeryLooselyBasedOnATrueStory: Proof that this trope is OlderThanPrint: Roland and Charlemagne were real people and there really was a Battle of Roncevaux Pass, but other than that...
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Only make reference to the license taken in the work at hand. No need to write general essays.


* ArtisticLicenseReligion: The Christians were apparently under the impression the Muslims worshiped the demon Apollyon, among others (Muslims at the time were similarly misinformed about Christian belief, believing they worshiped God, Jesus and ''Mary'').

to:

* ArtisticLicenseReligion: The Christians were apparently under the impression the Muslims worshiped muslims in ''Song of Roland'' worship the demon Apollyon, among others (Muslims at the time were similarly misinformed about Christian belief, believing they worshiped God, Jesus and ''Mary''). Apollyon.

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