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* {{Foil}}: Kojiro, to Musashi. Musashi is a ragged, unkempt country boy who spends most of his time as a vagrant, but is a deeply stoic and spiritual man who is devoted to improving himself in all possible ways. Kojiro is a well-dressed, silver-tongued fop who is at heart a cruel, arrogant sadist. Both men are fearless master swordsmen, but commit terrible acts--Kojiro rapes and tortures Akemi, and Musashi kills twelve year-old Yoshioka Genjiro to win the Duel at Ichi-joji--as well as heroic ones--Musashi rescues a village from bandits, while Kojiro saves Matahachi and later Osugi from the samurai of the Ono school. By the end of the novel, both men have managed to improve their conduct somewhat--Musashi through spiritual insight, and Kojiro through gaining a respectable position as the Hosokawa Clan's sword instructor that requires him to act in a dignified manner, which eventually becomes natural to him.

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* {{Foil}}: Kojiro, to Musashi. Musashi is a ragged, unkempt country boy who spends most of his time as a vagrant, but is a deeply stoic and spiritual man who is devoted to improving himself in all possible ways. Kojiro is a well-dressed, silver-tongued fop who is at heart a cruel, arrogant sadist. Both men are fearless master swordsmen, but commit terrible acts--Kojiro [[RapeAsDrama rapes and tortures Akemi, Akemi]], and Musashi [[WouldHurtAChild kills twelve year-old Yoshioka Genjiro Genjiro]] to win the Duel at Ichi-joji--as well as heroic ones--Musashi rescues a village from bandits, while Kojiro saves Matahachi and later Osugi from the samurai of the Ono school. By the end of the novel, both men have managed to improve their conduct somewhat--Musashi through spiritual insight, and Kojiro through gaining a respectable position as the Hosokawa Clan's sword instructor that requires him to act in a dignified manner, which eventually [[BecomingTheMask becomes more natural to him.]]
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* {{Foil}}: Kojiro, to Musashi. Musashi is a ragged, unkempt country boy who spends most of his time as a vagrant, but is a deeply stoic and spiritual man who is devoted to improving himself in all possible ways. Kojiro is a well-dressed, silver-tongued fop who is at heart a cruel, arrogant sadist. Both men are fearless master swordsmen, but commit terrible acts--Kojiro rapes and tortures Akemi, and Musashi kills twelve year-old Yoshioka Genjiro to win the Duel at Ichi-joji--as well as heroic ones--Musashi rescues a village from bandits, while Kojiro saves Matahachi and Osugi from the samurai of the Ono school. By the end of the novel, both men have managed to improve their conduct somewhat--Musashi through spiritual insight, and Kojiro through gaining a respectable position as the Hosokawa Clan's sword instructor that requires him to act in a dignified manner, which eventually becomes natural to him.

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* {{Foil}}: Kojiro, to Musashi. Musashi is a ragged, unkempt country boy who spends most of his time as a vagrant, but is a deeply stoic and spiritual man who is devoted to improving himself in all possible ways. Kojiro is a well-dressed, silver-tongued fop who is at heart a cruel, arrogant sadist. Both men are fearless master swordsmen, but commit terrible acts--Kojiro rapes and tortures Akemi, and Musashi kills twelve year-old Yoshioka Genjiro to win the Duel at Ichi-joji--as well as heroic ones--Musashi rescues a village from bandits, while Kojiro saves Matahachi and later Osugi from the samurai of the Ono school. By the end of the novel, both men have managed to improve their conduct somewhat--Musashi through spiritual insight, and Kojiro through gaining a respectable position as the Hosokawa Clan's sword instructor that requires him to act in a dignified manner, which eventually becomes natural to him.
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* {{Foil}}: Kojiro, to Musashi. Musashi is a ragged, unkempt country boy who spends most of his time as a vagrant, but is a deeply stoic and spiritual man who is devoted to improving himself in all possible ways. Kojiro is a well-dressed, silver-tongued fop who is at heart a cruel, arrogant sadist. Both men are fearless master swordsmen, but commit terrible acts (Kojiro rapes and tortures Akemi, and Musashi kills twelve year-old Yoshioka Genjiro to win the Duel at Ichi-joji) as well as heroic ones (Musashi rescues a village from bandits, while Kojiro saves Matahachi and Osugi from the samurai of the Ono school). By the end of the novel, both men have managed to improve their conduct somewhat--Musashi through spiritual insight, and Kojiro through gaining a respectable position as the Hosokawa Clan's sword instructor that requires him to act in a dignified manner, which eventually becomes natural to him.

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* {{Foil}}: Kojiro, to Musashi. Musashi is a ragged, unkempt country boy who spends most of his time as a vagrant, but is a deeply stoic and spiritual man who is devoted to improving himself in all possible ways. Kojiro is a well-dressed, silver-tongued fop who is at heart a cruel, arrogant sadist. Both men are fearless master swordsmen, but commit terrible acts (Kojiro acts--Kojiro rapes and tortures Akemi, and Musashi kills twelve year-old Yoshioka Genjiro to win the Duel at Ichi-joji) as Ichi-joji--as well as heroic ones (Musashi ones--Musashi rescues a village from bandits, while Kojiro saves Matahachi and Osugi from the samurai of the Ono school).school. By the end of the novel, both men have managed to improve their conduct somewhat--Musashi through spiritual insight, and Kojiro through gaining a respectable position as the Hosokawa Clan's sword instructor that requires him to act in a dignified manner, which eventually becomes natural to him.
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* {{Foil}}: Kojiro, to Musashi.

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* {{Foil}}: Kojiro, to Musashi. Musashi is a ragged, unkempt country boy who spends most of his time as a vagrant, but is a deeply stoic and spiritual man who is devoted to improving himself in all possible ways. Kojiro is a well-dressed, silver-tongued fop who is at heart a cruel, arrogant sadist. Both men are fearless master swordsmen, but commit terrible acts (Kojiro rapes and tortures Akemi, and Musashi kills twelve year-old Yoshioka Genjiro to win the Duel at Ichi-joji) as well as heroic ones (Musashi rescues a village from bandits, while Kojiro saves Matahachi and Osugi from the samurai of the Ono school). By the end of the novel, both men have managed to improve their conduct somewhat--Musashi through spiritual insight, and Kojiro through gaining a respectable position as the Hosokawa Clan's sword instructor that requires him to act in a dignified manner, which eventually becomes natural to him.
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* ArmorPiercingQuestion: When Takuan asks Takezo what he's going to do about his sister, who is locked away at Hinagura, Takezo bursts into tears, admitting that he doesn't know.
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* ForegoneConclusion: If you've read [[MiyamotoMusashi Musashi's]] page, either here or on Wikipedia, you know how the story ends.

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* ForegoneConclusion: If you've read [[MiyamotoMusashi [[UsefulNotes/MiyamotoMusashi Musashi's]] page, either here or on Wikipedia, you know how the story ends.
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Featuring awesome swordfights, epic CharacterDevelopment, melodramatic loves, thrilling escapes, and thoughtful reflections that don't sound like they came out of a Cracker Jack box, ''Musashi'' is perhaps the quintessential samurai epic. A [[{{Doorstopper}} long]] SerialNovel written by Eiji Yoshikawa and published between 1935 and 1939, this novel follows the path of legendary {{Ronin}} UsefulNotes/MiyamotoMusashi as he slowly transforms from violent thug to MartialPacifist using the Way of the Sword. It's had several adaptions over the years, the two most notable being the ''Samurai Trilogy'' of films starring ToshiroMifune, and the manga ''Manga/{{Vagabond}}'' by Takehiko Inoue.

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Featuring awesome swordfights, epic CharacterDevelopment, melodramatic loves, thrilling escapes, and thoughtful reflections that don't sound like they came out of a Cracker Jack box, ''Musashi'' is perhaps the quintessential samurai epic. A [[{{Doorstopper}} long]] SerialNovel written by Eiji Yoshikawa and published between 1935 and 1939, this novel follows the path of legendary {{Ronin}} UsefulNotes/MiyamotoMusashi as he slowly transforms from violent thug to MartialPacifist using the Way of the Sword. It's had several adaptions over the years, the two most notable being the ''Samurai Trilogy'' of films starring ToshiroMifune, Creator/ToshiroMifune,[[note]]''Film/SamuraiIMusashiMiyamoto'', ''Samurai II: Duel at Ichijoji Temple'' and ''Samurai III: Duel at Ganryu Island''[[/note]] and the manga ''Manga/{{Vagabond}}'' by Takehiko Inoue.

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A Man Is Not A Virgin is no longer a trope.


* DefiledForever: With Akemi, the novel goes to great lengths to show that no, non-virtuous girls (even if they aren't really responsible for their lot in the first place) don't deserve a good life. Also played with with notorious [[AManIsNotAVirgin whoremongering]] Matahachi, who ends up with said [[ReallyGetsAround defiled]] Akemi, while [[CelibateHero Musashi]] gets [[IncorruptiblePurePureness virtuous]] Otsu.

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* DefiledForever: With Akemi, the novel goes to great lengths to show that no, non-virtuous girls (even if they aren't really responsible for their lot in the first place) don't deserve a good life. Also played with with notorious [[AManIsNotAVirgin whoremongering]] whoremongering Matahachi, who ends up with said [[ReallyGetsAround defiled]] Akemi, while [[CelibateHero Musashi]] gets [[IncorruptiblePurePureness virtuous]] Otsu.



* AManIsNotAVirgin: PlayedWith. Matahachi's letting himself be seduced is essentially what ruins his life, putting him in a hole that he spends the rest of the book trying to get out of. On the other hand, Yoshino calls out Musashi for his almost neurotic adversion to women, saying that it's made him brittle and less able to withstand that form of temptation. [[spoiler: And she's right. See NearRapeExperience]]
* MartialPacifist: Musashi at the end. Several of the old masters are too

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* AManIsNotAVirgin: PlayedWith. Matahachi's letting himself be seduced is essentially what ruins his life, putting him in a hole that he spends the rest of the book trying to get out of. On the other hand, Yoshino calls out Musashi for his almost neurotic adversion to women, saying that it's made him brittle and less able to withstand that form of temptation. [[spoiler: And she's right. See NearRapeExperience]]
* MartialPacifist: Musashi at the end. Several of the old masters are too too.
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Removed per TRS.


* BadAss: MUSASHI. Most of the other martial artists in this book qualify.
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*KatanasAreJustBetter: Surprisingly, played with and averted. In one sequence, it's noted that the nature of a particular scenario makes it very likely that traditional katana will get chipped or broken in a prolonged fight so Musashi avoids using his for very long. Katanas need fairly regular professional maintenance to restore their edges (a plot point hinges on this in one chapter), the main CoolSword in the story is not even a katana, but a much longer, re-mounted tachi or cavalry sword, which is peculiar because of its very straight blade by Japanese standards, making it more akin to a Western backsword than a katana. Also, Musashi fights many of his duels with a hardwood bokken, or training sword.



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Featuring awesome swordfights, epic CharacterDevelopment, melodramatic loves, thrilling escapes, and thoughtful reflections that don't sound like they came out of a Cracker Jack box, ''Musashi'' is perhaps the quintessential samurai epic. A [[{{Doorstopper}} long]] SerialNovel written by Eiji Yoshikawa and published between 1935 and 1939, this novel follows the path of legendary {{Ronin}} MiyamotoMusashi as he slowly transforms from violent thug to MartialPacifist using the Way of the Sword. It's had several adaptions over the years, the two most notable being the Samurai Trilogy of films starring ToshiroMifune, and the manga {{Vagabond}} by Takehiko Inoue.

to:

Featuring awesome swordfights, epic CharacterDevelopment, melodramatic loves, thrilling escapes, and thoughtful reflections that don't sound like they came out of a Cracker Jack box, ''Musashi'' is perhaps the quintessential samurai epic. A [[{{Doorstopper}} long]] SerialNovel written by Eiji Yoshikawa and published between 1935 and 1939, this novel follows the path of legendary {{Ronin}} MiyamotoMusashi UsefulNotes/MiyamotoMusashi as he slowly transforms from violent thug to MartialPacifist using the Way of the Sword. It's had several adaptions over the years, the two most notable being the Samurai Trilogy ''Samurai Trilogy'' of films starring ToshiroMifune, and the manga {{Vagabond}} ''Manga/{{Vagabond}}'' by Takehiko Inoue.



* MookChivalry: Averted. All the honorable samurai stuff you read about the Yoshiokas on the {{Vagabond}} page? Doesn't happen here.

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* MookChivalry: Averted. All the honorable samurai stuff you read about the Yoshiokas on the {{Vagabond}} ''Manga/{{Vagabond}}'' page? Doesn't happen here.
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* CelibateHero: Musashi, who doesn't enter a relationship (mentioned in the books) until the end, when he finally gives in to [[DoggedNiceGuy dogged nice girl]] Otsu.


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* DefiledForever: With Akemi, the novel goes to great lengths to show that no, non-virtuous girls (even if they aren't really responsible for their lot in the first place) don't deserve a good life. Also played with with notorious [[AManIsNotAVirgin whoremongering]] Matahachi, who ends up with said [[ReallyGetsAround defiled]] Akemi, while [[CelibateHero Musashi]] gets [[IncorruptiblePurePureness virtuous]] Otsu.


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* FoodPorn: Inverted. Over the course of the 1000 page-novel spanning over several years, people of all classes only get to eat rice, occasionally tofu, and once or twice fish. Yummy!


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* IncorruptiblePurePureness: Otsu, big time.

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* AManIsNotAVirgin: PlayedWith. Matahachi's letting himself be seduced is essentially what ruins his life, putting him in a hole that he spends the rest of the book trying to get out of. On the other hand, Yoshino calls out Musashi for his almost neurotic adversion to women, saying that it's made him brittle and less able to withstand that form of temptation. [[spoiler: And she's right. See NearRapeExperience]]



* AManIsNotAVirgin: PlayedWith. Matahachi's letting himself be seduced is essentially what ruins his life, putting him in a hole that he spends the rest of the book trying to get out of. On the other hand, Yoshino calls out Musashi for his almost neurotic adversion to women, saying that it's made him brittle and less able to withstand that form of temptation. [[spoiler: And she's right. See NearRapeExperience]]



* ScreamingWarrior: Definitely.



* SimpleStaff: Gonnosuke wields one.
* SingleStrokeBattle: Most people only get hit once. As far as major fights go, the only one where both sides only take one swing at each other is the fight between [[spoiler:Musashi and Seijuro.]]



* ScreamingWarrior: Definitely.
* SimpleStaff: Gonnosuke wields one.
* SingleStrokeBattle: Most people only get hit once. As far as major fights go, the only one where both sides only take one swing at each other is the fight between [[spoiler:Musashi and Seijuro.]]
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YMMV


* WhyWouldAnyoneTakeHimBack?: Otsu. She sees a whole lot of Musashi's back, but follows him for ''years''.
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YMMV


* TheWoobie: Akemi. She was forced by Oko to pilfer dead bodies as a kid, [[spoiler: raped by Seijuro, a drunken ronin, and, if she was telling the truth, Kojiro]], and abandoned by [[spoiler: Matahachi]].
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YMMV


* TheScrappy: Otsu and Akemi, especially for the movies.
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YMMV


* StrangledByTheRedString: Common complaint about the love story, especially for the movies.
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YMMV


* DesignatedHero: Musashi, to some. See VillainProtagonist
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Featuring awesome swordfights, epic CharacterDevelopment, melodramatic loves, thrilling escapes, and thoughtful reflections that don't sound like they came out of a Cracker Jack box, ''Musashi'' is perhaps the quintessential samurai epic. A [[{{Doorstopper}} long]] SerialNovel written by Eiji Yoshikawa and published between 1935 and 1939, this novel follows the path of legendary {{Ronin}} MiyamotoMusashi as he slowly transforms from violent thug to MartialPacifist using the Way of the Sword. It's had several adaptions over the years, the two most notable being the Samurai Trilogy (starring ToshiroMifune), and {{Vagabond}} by Takehiko Inoue.

to:

Featuring awesome swordfights, epic CharacterDevelopment, melodramatic loves, thrilling escapes, and thoughtful reflections that don't sound like they came out of a Cracker Jack box, ''Musashi'' is perhaps the quintessential samurai epic. A [[{{Doorstopper}} long]] SerialNovel written by Eiji Yoshikawa and published between 1935 and 1939, this novel follows the path of legendary {{Ronin}} MiyamotoMusashi as he slowly transforms from violent thug to MartialPacifist using the Way of the Sword. It's had several adaptions over the years, the two most notable being the Samurai Trilogy (starring ToshiroMifune), of films starring ToshiroMifune, and the manga {{Vagabond}} by Takehiko Inoue.
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* HystericalWoman: While Seijuro and Musashi fight, [[spoiler: Kojiro]] attempts to provoke a fight with some Yoshioka swordsmen. [[spoiler: Akemi]] comes out of nowhere and starts shrieking to everyone that he raped her. The whole thing is so random that the swordsmen think Akemi is this.

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* HystericalWoman: While Seijuro and Musashi fight, [[spoiler: Kojiro]] attempts to provoke a fight with some Yoshioka swordsmen. [[spoiler: Akemi]] Akemi comes out of nowhere and starts shrieking to everyone that he raped her. The whole thing is so random that the swordsmen think Akemi is this.
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* MundaneUtility: In the final third of the novel, Musashi's development shifts from focusing on martial development through duels to focusing on ways to apply the Way of the Sword to situations and settings outside of the battlefield. This is a trait fueled by the transitional nature of the era Musashi lived in, with the Warring States period giving way to the early years of the Tokogawa Shogunate, thus the need for Samurai as foot soldiers fighting for daimyos has dwindled, leading many Samurai to look for alternative means to apply their skills and knowledge (as opposed to just becoming bandits, which many do). Musashi, in particular, at one point experiments with working as a farmer to apply the principles of swordsmanship to mastering one's environment in order to help develop a piece of land in a mountain village. Once they adopt Musashi's ideas, the village ends up prospering.
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* JidaiGeki: Specifically, the story takes place during the early years of the Edo Period of Japanese history, actually beginning with the aftermath of the Battle of Sekigahara, which marked the tilting of the balance of power in the favor of the Tokugawas. It also takes place before the siege of Osaka Castle, which was essentially the death knell for the Toytomis. In fact the conflict leading up to that final battle runs through some of the subplots in this story (with Matahachi actually getting swept up in an attempt to assassinate Tokugawa Hidetada). In fact, much of the book's focus is on the transitional nature of the role of the samurai in this particular period, with the end of the Sengoku era meaning that the demand for numerous warriors to serve as soldiers for the many daimyos vying for control has dwindled. As a result, much of the story's focus is on the characters, including Musashi, trying to find new ways to employ the Way of the Sword for different purposes. In particular, Musashi is said to pursue the Way of the Sword as the Way of Governance.
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* HopeSpot: Musashi reunites with Jotaro and Otsu, allowing the former to start his training and giving the latter a chance to talk him into being with her. Otsu convinces him that she wouldn't interfere with his training, and Musashi agrees to have a relationship. On top of that, Matahachi meets up with Musashi and is persuaded by him to become a scholar and turn his life around. Of course, it all goes straight to hell.

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* HopeSpot: Musashi reunites with Jotaro and Otsu, allowing the former to start resume his training and giving the latter a chance to talk him into being with her. Otsu convinces him that she wouldn't interfere with his training, and Musashi agrees to have a relationship. On top of that, Matahachi meets up with Musashi and is persuaded by him to become a scholar and turn his life around. Of course, it all goes straight to hell.
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* VillainProtagonist: Due to the BlueAndOrangeMorality and the fact that his single-minded quest for mastery selfishly causes pain to third-parties, Musashi is arguably this until he hits his MartialPacifist stride about two-thirds of the way into the novel.

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* VillainProtagonist: Due to the BlueAndOrangeMorality and the fact that his single-minded quest for mastery selfishly causes pain to third-parties, Musashi is arguably this until he hits his MartialPacifist stride about two-thirds of the way into the novel.
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* HopeSpot: Things start looking up for Matahachi after Musashi convinces him to become a scholar. He's about join Musashi on a trip, but he runs into Kojiro, who plants somes seeds of doubt in him and causes him to be late. Trying to catch up with Musashi, he keeps thinking of what Kojiro said to him, and then when he finally sees Musashi, [[GreenEyedMonster he's with Otsu...]]

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* HopeSpot: Things Musashi reunites with Jotaro and Otsu, allowing the former to start looking up for his training and giving the latter a chance to talk him into being with her. Otsu convinces him that she wouldn't interfere with his training, and Musashi agrees to have a relationship. On top of that, Matahachi after meets up with Musashi convinces and is persuaded by him to become a scholar. He's about join Musashi on a trip, but he runs into Kojiro, who plants somes seeds of doubt in him scholar and causes him turn his life around. Of course, it all goes straight to be late. Trying to catch up with Musashi, he keeps thinking of what Kojiro said to him, and then when he finally sees Musashi, [[GreenEyedMonster he's with Otsu...]]hell.



* TheWoobie: Akemi. She was forced by Oko to pilfer dead bodies as a kid, [[spoiler: raped by Seijuro and, if she was telling the truth, Kojiro]], and abandoned by [[spoiler: Matahachi]].

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* TheWoobie: Akemi. She was forced by Oko to pilfer dead bodies as a kid, [[spoiler: raped by Seijuro Seijuro, a drunken ronin, and, if she was telling the truth, Kojiro]], and abandoned by [[spoiler: Matahachi]].



* YamatoNadeshiko: Otsu; patient, devoted, not a push over and, of course, japan.

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* YamatoNadeshiko: Otsu; patient, Patient, devoted, not a push over and, of course, japan.Japanese.
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* ImStandingRightHere: After Musashi's last fight with the Yoshiokas, Kojiro denounces him to a crowd of people. He accuses Musashi of depravity for killing Genjiro and of cowardice for running away. Sure, Musashi was able fend off and kill dozens of Yoshioka swordsman while escaping, Kojiro says to the crowd, but a ''real'' swordsman can fight several times his own number, especially when they are as weak as the Yoshioka School was. After he finishes making his speech, noted to be a slight exaggeration of what he sincerely believes, he makes to leave and is chilled to notice Musashi smiling at him. Musashi kindly thanks him for his critique and tells him that he won't forget his words. Kojiro, catching the drift, politely tells Musashi that he wouldn't want him to.

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* ImStandingRightHere: After Musashi's last fight with the Yoshiokas, Kojiro denounces him to a crowd of people. He accuses Musashi of depravity for killing Genjiro and of cowardice for running away. Sure, Musashi was able fend off and kill dozens of Yoshioka swordsman while escaping, Kojiro says to the crowd, but a ''real'' swordsman can fight several times his own number, especially when they are as weak as the Yoshioka School was.School. After he finishes making his speech, noted to be a slight exaggeration of what he sincerely believes, he makes to leave and is chilled to notice Musashi smiling at him. Musashi kindly thanks him for his critique and tells him that he won't forget his words. Kojiro, catching the drift, politely tells Musashi that he wouldn't want him to.



* MartialPacifist: Musashi, at the end. Several of the old masters are this.

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* MartialPacifist: Musashi, Musashi at the end. Several of the old masters are this. too



* VillainProtagonist: Due to the BlueAndOrangeMorality and the fact that his single-minded quest for mastery selfishly causes pain to third-parties, Musashi is arguably this, at least until he hits his MartialPacifist stride about two-thirds of the way into the novel.

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* VillainProtagonist: Due to the BlueAndOrangeMorality and the fact that his single-minded quest for mastery selfishly causes pain to third-parties, Musashi is arguably this, at least this until he hits his MartialPacifist stride about two-thirds of the way into the novel.



* YamatoNadeshiko: Otsu.

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* YamatoNadeshiko: Otsu.Otsu; patient, devoted, not a push over and, of course, japan.
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* HopeSpot: Things start looking up for Matahachi after Musashi convinces him to become a scholar. He's about join Musashi on a trip, but he runs into Kojiro, who plants somes seeds of doubt in him and causes him to be late. Trying to catch up with Musashi, he keeps thinking of what Kojiro said to him, and when he finally sees Musashi, [[GreenEyedMonster he's with Otsu...]]

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* HopeSpot: Things start looking up for Matahachi after Musashi convinces him to become a scholar. He's about join Musashi on a trip, but he runs into Kojiro, who plants somes seeds of doubt in him and causes him to be late. Trying to catch up with Musashi, he keeps thinking of what Kojiro said to him, and then when he finally sees Musashi, [[GreenEyedMonster he's with Otsu...]]
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* HopeSpot: Things start looking up for Matahachi after Musashi convinces him to become a scholar. He's about join Musashi on a trip, but he runs into Kojiro, who plants somes seeds of doubt in him and causes him to be late. Trying to catch up with Musashi, he keeps thinking of what Kojiro said to him, and when he finally sees Musashi, [[GreenEyedMonster he's with Otsu...]]

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* NotAfraidToDie: One warrior temple actually has challengers sign a disclaimer before fighting them. Musashi thinks it is absurd, as a swordsman should always be prepared to die. He later reflects that it isn't really that hard a thing to do, given that we're all going to die eventually.



* SerialNovel:
* NotAfraidToDie: One warrior temple actually has challengers sign a disclaimer before fighting them. Musashi thinks it is absurd, as a swordsman should always be prepared to die. He later reflects that it isn't really that hard a thing to do, given that we're all going to die eventually.

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* SerialNovel:
* NotAfraidToDie: One warrior temple actually has challengers sign a disclaimer before fighting them. Musashi thinks it is absurd, as a swordsman should always be prepared to die. He later reflects that it isn't really that hard a thing to do, given that we're all going to die eventually.
SerialNovel



* SingleStrokeBattle: Most people only get hit once. As far as major fights go, the only one where both sides only take one swing at each other is the fight between [[Musashi and Seijuro.]]

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* SingleStrokeBattle: Most people only get hit once. As far as major fights go, the only one where both sides only take one swing at each other is the fight between [[Musashi [[spoiler:Musashi and Seijuro.]]
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Featuring awesome swordfights, epic CharacterDevelopment, melodramatic loves, thrilling escapes, and thoughtful reflections that don't sound like they came out of a Cracker Jack box, ''Musashi'' is perhaps the quintessential samurai epic. A [[{{Doorstopper}} long]] SerialNovel written by Eiji Yoshikawa and published between 1935 and 1939, this novel follows the path of legendary {{Ronin}} MiyamotoMusashi as he slowly transforms from violent thug to MartialPacifist using the Way of the Sword. It's had several adaptions over the years, the two most notable being the Samurai Trilogy (starring ToshiroMifune), and {{Vagabond}} by Takehiko Inoue.

The story of Musashi's quest to become the greatest swordsman of all time begins, ironically, with him lying among the wounded after the Battle of Sekigahara, which historically marks [[EndOfAnAge the beginning of the end for the era of great wars and honorable single combat among Samurai.]] Musashi, at this time named Takezo, and his childhood friend, Matahachi, with their dreams of military glory crushed, start on the business of evading search parties and trying to make it back to their home village of Miyamoto. Unfortunately, Matahachi falls in with bad company and ditches Takezo. Takezo, now pettily seeing himself as being at war against all mankind, goes on violent rampage in Miyamoto. Luckily for him, when he's eventually captured, its not by the superior numbers of the law, but through the keen insight of Zen monk Takuan Soho.

Takuan, seeing something in Takezo worth saving, finagles him out of a certain death sentence and inspires him to make something of himself. After locking him in a room with a bunch of books for a couple years, Takezo, now named Musashi, sets off into the world to seek mastery of the sword. However, the bullheaded matriarch of Matahachi's family, Osugi, simply will not accept that her son's disappearance is not Musashi's fault and pursues him with the intent of killing him and restoring her family's honor. Also chasing him is the virtuous and pure Otsu, who pines for him and whom he must reluctantly deny if he is to continue his path. On his journey, he also runs into Matahachi, now a pathetic ne'er-do-well; Jotaro and Iori, kids who become his apprentices; and Akemi who, after getting out from under the thumb of her [[AbusiveParents vile mother]], rounds out Musashi's love triangle due to the fact that he's one few people she's met in her life who hasn't abused her in some way.

And even without them, his path is strewn with obstacles. His opponents range from the amiable staff-fighter Gonnosuke to the decadent but still competent Yoshioka School to the vicious chain-and-sickle master Shishido Baiken. But his growing fame is matched by that of Sasaki Kojiro, an amazing but spiritually-stunted prodigy. A rivalry develops between them which they both know must be settled, sooner or later...

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!!This novel contains examples of:
*AManIsNotAVirgin: PlayedWith. Matahachi's letting himself be seduced is essentially what ruins his life, putting him in a hole that he spends the rest of the book trying to get out of. On the other hand, Yoshino calls out Musashi for his almost neurotic adversion to women, saying that it's made him brittle and less able to withstand that form of temptation. [[spoiler: And she's right. See NearRapeExperience]]
*AllGirlsWantBadBoys: Akemi. She knows it, and hates herself for it.
*BadAss: MUSASHI. Most of the other martial artists in this book qualify.
*BackToBackBadasses: [[spoiler: Gonnosuke]] watches Musashi's back so Musashi can focus on fighting Shishido Baiken.
*BasedOnATrueStory: Straddles the line between this and VeryLooselyBasedOnATrueStory. Takezo did fight at Sekigahara, did change his name to Musashi and did fight a lot of the people he did in this book. However, the specifics of each fight are murky and there's no evidence of him being mentored by Takuan or adopting Jotaro, although he did adopt an Iori after the events of the book.
*BloodKnight: Musashi and Kojiro have shades of this, but Musashi is mainly focused on becoming a master while Kojiro will often pick a fight for self-aggrandizement or because he gets a sadistic pleasure from winning.
*BlueAndOrangeMorality: To a 21st-century modern reader, the world that Yoshikawa immerses them in may seem to run on this. Two of the main points for this is the casual way people deal out violence and the institutionalized sexism which every character has internalized in some way. When [[spoiler: Seijuro]] rapes [[spoiler: Akemi]], it's presented as a distastful lapse on his part but not as the MoralEventHorizon that it would be today. [[spoiler: Akemi]] even reflects that he wasn't that horrible a man after Musashi defeats him.
** Musashi is this to all the other samurai. When he is barred from meeting (and challenging) a great sword master, Musashi promptly declares a battle between himself and the castle the master resides in. This strikes the guards as being melodramatic bordering on laughable, but this is the way Musashi looks at it. He's not looking for a mere contest of technique; he trying to test himself with fights where the fighters use all their spirit and all their ability to try and defeat the other. Whether or not they are two generals or two samurai is irrelevant. The prime example of this is when he "battles" the Yoshioka School. After defeating Seijuro and Denishiro, the leadership of the school transfers by hereditary succession to twelve-year-old Genjiro. Musashi is challenged to fight the child, assisted by retainers. In reality, the entire school is going to be there. Musashi stealthily slips past the outlying members until he is within range, whereupon he jumps out, declares the fight started, and, ignoring most of the retainers, slashes his way toward the terrified child and kills him. This act, which could have no effect on the outcome of the fight, shocks and outrages the Yoshiokas and [[EvenEvilHasStandards Kojiro]]. Admittedly, killing Genjiro is a strain on Musashi's way of thinking, with the act still bothering him no matter how many times reminds himself that he was "justifed".
** However, Musashi tries not to pick fights where the enemy is weaker than him. When he fought Seijuro, he knew from a glance that he couldn't lose. Realizing that even Seijuro knew, on some level, that he didn't have a chance, Musashi tried to think of a way to call the whole thing off but realized that he couldn't decently do so.
*CharacterDevelopment: The Novel. This may have some basis in RealLife. Although he probably never became the samurai ideal he was presented as in the book, at least not until the last years of his life, it is known that Musashi stopped fighting fatal duels after the events of the novel, prefering to beat enemies without hurting them. He also became something of a RenaissanceMan, becoming an expert in woodcarving, metalcrafting, and painting.
*CombatPragmatist: Musashi developed his technique based on what works, giving him an advantage while fighting the Yoshiokas.
*DeadPersonImpersonation: Matahachi tries to find that elusive "starting position from which I can become successful" by impersonating Kojiro, whom he thinks is dead. He's not.
*DesignatedHero: Musashi, to some. See VillainProtagonist
*{{Determinator}}: '''Musashi'''. Nothing, not riches nor love nor threats, will stop him from achieving mastery. As he started his quest, he would go to temples and say two prayers. One was for his sister, and the other was: "Please test the lowly Musashi with hardship. Let him become the greatest swordsman in the land, or let him die." This is later said to be the secret to his success:
-->'''''On an upcoming duel involving Musashi'''''
-->'''''Koetsu:''''' It'll be a test of strength between a man who's a genius, but really somewhat conceited, and an ordinary man who's polished his talents to the utmost, won't it?
-->[[spoiler: '''''Gonnosuke''''']]: I wouldn't call Musashi ordinary.
-->'''''Koetsu:''''' But he is. That's what's extraordinary about him. He's not content with relying on whatever natural gifts he may have. Knowing he's ordinary, he's always trying to improve himself. No one appreciates the agonizing effort he's had to make. Now that his years of training have yielded such spectacular results, everybody's talking about his 'god-given talent.' That's how men who don't try very hard comfort themselves.
*{{Foil}}: Kojiro, to Musashi.
*ForegoneConclusion: If you've read [[MiyamotoMusashi Musashi's]] page, either here or on Wikipedia, you know how the story ends.
*HistoricalVillainUpgrade: No one really knows anything about Kojiro, except that he once fought with Musashi.
*HystericalWoman: While Seijuro and Musashi fight, [[spoiler: Kojiro]] attempts to provoke a fight with some Yoshioka swordsmen. [[spoiler: Akemi]] comes out of nowhere and starts shrieking to everyone that he raped her. The whole thing is so random that the swordsmen think Akemi is this.
*IShallTauntYou: Musashi, seeing a battle as beginning before the actual fight, does this. He was famous for it in real life.
*ImprobableWeaponUser: Baiken's chain and sickle. Musashi had heard of the weapon, and seeked out Baiken to learn more about it. Although Baiken's wife showed him a stance during their first meeting, Musashi never saw the weapon in action until he fought Baiken.
*ImStandingRightHere: After Musashi's last fight with the Yoshiokas, Kojiro denounces him to a crowd of people. He accuses Musashi of depravity for killing Genjiro and of cowardice for running away. Sure, Musashi was able fend off and kill dozens of Yoshioka swordsman while escaping, Kojiro says to the crowd, but a ''real'' swordsman can fight several times his own number, especially when they are as weak as the Yoshioka School was. After he finishes making his speech, noted to be a slight exaggeration of what he sincerely believes, he makes to leave and is chilled to notice Musashi smiling at him. Musashi kindly thanks him for his critique and tells him that he won't forget his words. Kojiro, catching the drift, politely tells Musashi that he wouldn't want him to.
*LoadsAndLoadsOfCharacters: And they keep running into each other.
*MartialPacifist: Musashi, at the end. Several of the old masters are this.
*MookChivalry: Averted. All the honorable samurai stuff you read about the Yoshiokas on the {{Vagabond}} page? Doesn't happen here.
*NearRapeExperience: [[spoiler: Yoshino was right. Musashi's long buried feelings toward Otsu suddenly overwhelm him, and he grabs her. He comes back to himself when Otsu resists, and realizes how far he still has to go. Musashi, being Musashi, jumps into a waterfall hoping to regain his discipline. Otsu, being Otsu, forgives him. The scene, in the movie, marks Musashi's transformation from ArrogantKungFuGuy to MartialPacifist.]]
*[[SeanConneryIsAboutToShootYou Musashi Is Duel Wielding At You]] : One of the more popular covers.
*SerialNovel:
*NotAfraidToDie: One warrior temple actually has challengers sign a disclaimer before fighting them. Musashi thinks it is absurd, as a swordsman should always be prepared to die. He later reflects that it isn't really that hard a thing to do, given that we're all going to die eventually.
*StockCharacter: Despite his uncanny psychological insight, Yoshikawa's characters are mostly fleshed-out Japanese archtypes.
*StrangledByTheRedString: Common complaint about the love story, especially for the movies.
*TheScrappy: Otsu and Akemi, especially for the movies.
*ScreamingWarrior: Definitely.
*SimpleStaff: Gonnosuke wields one.
*SingleStrokeBattle: Most people only get hit once. As far as major fights go, the only one where both sides only take one swing at each other is the fight between [[Musashi and Seijuro.]]
*ToBeAMaster:
*VillainProtagonist: Due to the BlueAndOrangeMorality and the fact that his single-minded quest for mastery selfishly causes pain to third-parties, Musashi is arguably this, at least until he hits his MartialPacifist stride about two-thirds of the way into the novel.
*WalkingTheEarth: As Musashi did in RealLife, and which was a common practice.
*WhatTheHellHero: Several priest call out Musashi for killing Genjiro.
*TheWoobie: Akemi. She was forced by Oko to pilfer dead bodies as a kid, [[spoiler: raped by Seijuro and, if she was telling the truth, Kojiro]], and abandoned by [[spoiler: Matahachi]].
*WoodenKatanasAreEvenBetter: Musashi was the TropeCodifier in RealLife. He uses them a lot in the novel, too, but not all the time.
*WouldHurtAChild: Musashi.
*WhyWouldAnyoneTakeHimBack?: Otsu. She sees a whole lot of Musashi's back, but follows him for ''years''.
*YamatoNadeshiko: Otsu.
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