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* TheArtifact: The scene in the film where Elmer badgers Lefferts the reporter into admitting that he doesn't accept the divinity of Christ is taken from a scene in the novel where Elmer does the same with a rival minister. This explains to some degree the rather odd tone in the scene in the movie, where Lefferts' denial of Christ is inexplicably treated as a shocking moment. In the book, it ''is'' a shocking moment, as the person denying Christ is a minister.



* PragmaticAdaptation:
** The movie adapts less than 100 pages of the novel and makes several changes to the story. Lefferts, Elmer's cynical college roommate in the novel, is changed to a cynical reporter. In the book, Elmer is actually an ordained Baptist minister, while in the movie he's a traveling salesman on the edge of vagrancy who seizes on the opportunity to join Sister Sharon's entourage.
** The scene in the film where Elmer badgers Lefferts the reporter into admitting that he doesn't accept the divinity of Christ is taken from a scene in the novel where Elmer does the same with a rival minister. This explains to some degree the rather odd tone in the scene in the movie, where Lefferts' denial of Christ is inexplicably treated as a shocking moment. In the book, it ''is'' a shocking moment, as the person denying Christ is a minister.

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* PragmaticAdaptation:
**
PragmaticAdaptation: The movie adapts less than 100 pages of the novel and makes several changes to the story. Lefferts, Elmer's cynical college roommate in the novel, is changed to a cynical reporter. In the book, Elmer is actually an ordained Baptist minister, while in the movie he's a traveling salesman on the edge of vagrancy who seizes on the opportunity to join Sister Sharon's entourage.
** The scene in the film where Elmer badgers Lefferts the reporter into admitting that he doesn't accept the divinity of Christ is taken from a scene in the novel where Elmer does the same with a rival minister. This explains to some degree the rather odd tone in the scene in the movie, where Lefferts' denial of Christ is inexplicably treated as a shocking moment. In the book, it ''is'' a shocking moment, as the person denying Christ is a minister.
entourage.
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* HollywoodAtheist: Averted in Lefferts. He's cynical and brusque, and seems to exist only to mock Gantry and his fellow believers...but once Gantry is disgraced, he's the one man to be fair and decent to him.

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* HollywoodAtheist: Averted {{Averted}} in Lefferts. He's cynical and brusque, and seems to exist only to mock Gantry and his fellow believers...but once Gantry is disgraced, he's the one man to be fair and decent to him.



* JesusWasWayCool: Discussed. One of the supporting characters is Frank Shallard, a preacher who loses his faith entirely over the course of the novel. He has arguments with a fellow preacher Phil [=McGarry=], who doesn't believe in church doctrine either, but thinks that the point of the church is to interpret "the unique personality and teachings of Jesus Christ". Frank counters that he thinks Jesus wasn't so great: he's vain and praises himself, he throws tantrums when people don't recognize him as a great leader, his teachings are self-contradictory and one could never build a functioning society on them.

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* JesusWasWayCool: Discussed.{{Discussed}}. One of the supporting characters is Frank Shallard, a preacher who loses his faith entirely over the course of the novel. He has arguments with a fellow preacher Phil [=McGarry=], who doesn't believe in church doctrine either, but thinks that the point of the church is to interpret "the unique personality and teachings of Jesus Christ". Frank counters that he thinks Jesus wasn't really so great: he's vain and praises himself, he throws tantrums when people don't recognize him as a great leader, his teachings are self-contradictory self-contradictory, and one could never build a functioning society on them.



* RunningGag: When Elmer first has to give a sermon, he can't think of anything to say. He ends up building it around some platitudes about love which he actually stole from the famous agnostic and anti-religous writer Robert G. Ingersoll. The speech is such a success that Elmer keeps repeating the platitudes over the course of the novel.

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* RunningGag: When Elmer first has to give a sermon, he can't think of anything to say. He ends up building it around some platitudes about love which he actually ironically stole from the famous agnostic and anti-religous anti-religious writer Robert G. Ingersoll. The speech is such a success that Elmer keeps repeating the platitudes over the course of the novel.
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* HollywoodAtheist: Averted in Lefferts. He's cynical and brusque, and seems to exist only to mock Gantry and his fellow believers...but once Gantry is disgraced, he's the one man to be fair and decent to him.
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* JesusWayWayCool: Discussed. One of the supporting characters is Frank Shallard, a preacher who loses his faith entirely over the course of the novel. He has arguments with a fellow preacher Phil [=McGarry=], who doesn't believe in church doctrine either, but thinks that the point of the church is to interpret "the unique personality and teachings of Jesus Christ". Frank counters that he thinks Jesus wasn't so great: he's vain and praises himself, he throws tantrums when people don't recognize him as a great leader, his teachings are self-contradictory and one could never build a functioning society on them.

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* JesusWayWayCool: JesusWasWayCool: Discussed. One of the supporting characters is Frank Shallard, a preacher who loses his faith entirely over the course of the novel. He has arguments with a fellow preacher Phil [=McGarry=], who doesn't believe in church doctrine either, but thinks that the point of the church is to interpret "the unique personality and teachings of Jesus Christ". Frank counters that he thinks Jesus wasn't so great: he's vain and praises himself, he throws tantrums when people don't recognize him as a great leader, his teachings are self-contradictory and one could never build a functioning society on them.
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Added DiffLines:

* JesusWayWayCool: Discussed. One of the supporting characters is Frank Shallard, a preacher who loses his faith entirely over the course of the novel. He has arguments with a fellow preacher Phil [=McGarry=], who doesn't believe in church doctrine either, but thinks that the point of the church is to interpret "the unique personality and teachings of Jesus Christ". Frank counters that he thinks Jesus wasn't so great: he's vain and praises himself, he throws tantrums when people don't recognize him as a great leader, his teachings are self-contradictory and one could never build a functioning society on them.
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* RunningGag: When Elmer first has to give a sermon, he can't think of anything to say. He ends up building it around some platitudes about love which he actually stole from the famous agnostic and anti-religous writer Robert G. Ingersoll. The speech such a success that Elmer keeps repeating the platitudes over the course of the novel.

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* RunningGag: When Elmer first has to give a sermon, he can't think of anything to say. He ends up building it around some platitudes about love which he actually stole from the famous agnostic and anti-religous writer Robert G. Ingersoll. The speech is such a success that Elmer keeps repeating the platitudes over the course of the novel.
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* TheSociopath: In the novel, Elmer is [[LackOfEmpathy devoid of empathy]] and cares only about his immediate self-interest and appetites. His destructive actions create heartache for many of the people he comes into contact with.

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* TheSociopath: In the novel, Elmer is [[LackOfEmpathy devoid of empathy]] and cares only about his immediate self-interest and appetites. His destructive actions create heartache for many of the people he comes into contact with. He sometimes does have twinges of guilt, but gets over them pretty quickly.
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* CharacterTitle
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** The scene in the film where Elmer badgers Lefferts the reporter into admitting that he doesn't accept the divinity of Christ is taken from a scene in the novel where Elmer does the same with a rival minister. This explains to some degree the rather odd tone in the scene in the movie, where Lefferts' denial of Christ is inexplicably treated as a shocking moment. In the book, it is a shocking moment, as the person denying Christ is a minister.

to:

** The scene in the film where Elmer badgers Lefferts the reporter into admitting that he doesn't accept the divinity of Christ is taken from a scene in the novel where Elmer does the same with a rival minister. This explains to some degree the rather odd tone in the scene in the movie, where Lefferts' denial of Christ is inexplicably treated as a shocking moment. In the book, it is ''is'' a shocking moment, as the person denying Christ is a minister.



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* EvenBadMenLoveTheirMamas: In the novel, Elmer speaks very warmly of his mother. Part of the reason he became a minister is that he wanted to make her proud. He admits to Sharon that she and his mother are the only women he's ever respected.

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* EvenBadMenLoveTheirMamas: EvenBadMenLoveTheirMamas:
**
In the novel, Elmer speaks very warmly of his mother. Part of the reason he became a minister is that he wanted to make her proud. He admits to Sharon that she and his mother are the only women he's ever respected.respected.
** The second scene of the film has a hungover Elmer crawling out of bed to phone his mother on Christmas.
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* RunningGag: When Elmer first has to give a sermon, he can't think of anything to say. He ends up building it around some platitudes about lovem which he actually stole from the famous agnostic and anti-religous writer Robert G. Ingersoll. The speech such a success that Elmer keeps repeating them over the course of the novel.

to:

* RunningGag: When Elmer first has to give a sermon, he can't think of anything to say. He ends up building it around some platitudes about lovem love which he actually stole from the famous agnostic and anti-religous writer Robert G. Ingersoll. The speech such a success that Elmer keeps repeating them the platitudes over the course of the novel.
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None

Added DiffLines:

* RunningGag: When Elmer first has to give a sermon, he can't think of anything to say. He ends up building it around some platitudes about lovem which he actually stole from the famous agnostic and anti-religous writer Robert G. Ingersoll. The speech such a success that Elmer keeps repeating them over the course of the novel.
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* {{Hypocrite}}: Elmer is a supreme example. He works as a minister and says that his aim is to "save souls", even though he doesn't really believe in Christianity. He's a DryCrusader, who actually loved drinking (though in the novel, he eventually manages the quit). He rails against sexual freedom, while he cheats on his wife with a married woman.

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* {{Hypocrite}}: Elmer is a supreme example. He works as a minister and says that his aim is to "save souls", even though he doesn't really believe in Christianity. He's a DryCrusader, who actually loved loves drinking (though in the novel, he eventually manages the quit). He rails against sexual freedom, sins, while he cheats on his wife with a married woman.
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* TheCasanova: In book and film, Elmer really has an eye for the ladies. He's able to give up drinking and smoking, but not women.

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* TheCasanova: In book and film, Elmer really has an eye for the ladies. He's able to give up drinking and smoking, but not women. After a while, he always gets bored with his partner and seeks a new one, even though it always gets him into trouble.
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* SnakeOilSalesman

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* SnakeOilSalesmanSnakeOilSalesman: Elmer is a religious version. In the novel, at one point he has to resort to teaching people methods to get rich. Ironically, while he tells his audience surefire ways to make a million dollars, he can barely make a living.

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* {{Hypocrite}}: Elmer is a supreme example. He works as a minister and says that his aim is to "save souls", even though he doesn't really believe in Christianity. He rails against sexual freedom, while he cheats on his wife with a married woman.

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* {{Hypocrite}}: Elmer is a supreme example. He works as a minister and says that his aim is to "save souls", even though he doesn't really believe in Christianity. He's a DryCrusader, who actually loved drinking (though in the novel, he eventually manages the quit). He rails against sexual freedom, while he cheats on his wife with a married woman.


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* MoralGuardians: Elmer aims to be the supreme moral guardian of the whole United States.
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* EvenBadMenLoveTheirMamas: In the novel, Elmer speaks very warmly of his mother. He admits to Sharon that she and his mother are the only women he's ever respected.

to:

* EvenBadMenLoveTheirMamas: In the novel, Elmer speaks very warmly of his mother. Part of the reason he became a minister is that he wanted to make her proud. He admits to Sharon that she and his mother are the only women he's ever respected.
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* TheCasanova: In book and film, Elmer really has an eye for the ladies.

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* TheCasanova: In book and film, Elmer really has an eye for the ladies. He's able to give up drinking and smoking, but not women.



* {{Hypocrite}}

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* {{Hypocrite}}{{Hypocrite}}: Elmer is a supreme example. He works as a minister and says that his aim is to "save souls", even though he doesn't really believe in Christianity. He rails against sexual freedom, while he cheats on his wife with a married woman.
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* CelebrityParadox: In the novel, a character mentions Sinclair Lewis, and criticizes his earlier novel, ''Main Street''.
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A 1926 novel by Sinclair Lewis (written in 1926, first published in 1927), ''Elmer Gantry'' was brought to the screen by Director and Writer Richard Brooks in 1960. The title role was played by Creator/BurtLancaster, who won an Oscar along with co-star Shirley Jones and Brooks' screenplay.

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A 1926 novel written by Sinclair Lewis (written in 1926, first Creator/SinclairLewis and published in 1927), 1927, ''Elmer Gantry'' was brought to the screen by Director and Writer Richard Brooks in 1960. The title role was played by Creator/BurtLancaster, who won an Oscar along with co-star Shirley Jones and Brooks' screenplay.
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* GoodCopBadCop: In the film, an observer compares Sister Sharon and Elmer to this, with Sharon's talk of the love of Jesus and Elmer's warning of hellfire and damnation.
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* ArmorPiercingQuestion: In the film, Sharon is rattled when Lefferts asks her "What gives you the right to speak for God?".
* {{Blackmail}}:
** In the film, Elmer gets George Babbitt to back Sister Sharon's campaign by threatening to expose all his illegal businesses. Then Lulu the hooker gets into a scheme to blackmail Elmer, but changes her mind.
** In the book, a woman deliberately seduces Elmer and then blackmails him with the threat to expose their affair.


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* TheCameo: George Babbitt, the protagonist of Sinclair Lewis's novel ''Babbitt'', is mentioned in passing in the novel. In the movie he is a somewhat larger character, being the main businessman in Zenith who supports Sister Sharon's ministry.
* TheCasanova: In book and film, Elmer really has an eye for the ladies.


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* HighHeelFaceTurn: In the film, Lulu the hooker participates in a plot to lure Elmer to her room and get compromising photos, but it turns out she still has feelings for him. She goes to the press and admits to the blackmail scheme.


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* MythologyGag:
** In the movie, Elmer cites Creator/SinclairLewis as one of the atheistic influences on reporter Jim Lefferts.
** In the book, two characters agree that the Sinclair Lewis novel ''Main Street'' is very boring.


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* PragmaticAdaptation:
** The movie adapts less than 100 pages of the novel and makes several changes to the story. Lefferts, Elmer's cynical college roommate in the novel, is changed to a cynical reporter. In the book, Elmer is actually an ordained Baptist minister, while in the movie he's a traveling salesman on the edge of vagrancy who seizes on the opportunity to join Sister Sharon's entourage.
** The scene in the film where Elmer badgers Lefferts the reporter into admitting that he doesn't accept the divinity of Christ is taken from a scene in the novel where Elmer does the same with a rival minister. This explains to some degree the rather odd tone in the scene in the movie, where Lefferts' denial of Christ is inexplicably treated as a shocking moment. In the book, it is a shocking moment, as the person denying Christ is a minister.


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* TorchesAndPitchforks: In the film, Elmer leads a torch-wielding mob to wreck the speakeasies and brothels of Zenith.

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* ContentWarnings: ReadTheFinePrint at the bottom of the movie poster page pic, and you'll see that it says "'''FOR ADULTS ONLY.''' No Children Under 16 Admitted Unless Accompanied By An Adult".

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* ContentWarnings: ContentWarnings:
**
ReadTheFinePrint at the bottom of the movie poster page pic, and you'll see that it says "'''FOR ADULTS ONLY.''' No Children Under 16 Admitted Unless Accompanied By An Adult".
** The actual film opens with a nervous disclaimer saying that it is not making a statement about religion as a whole.



* NoCelebritiesWereHarmed: Sharon Falconer is loosely based on Aimee Semple [=McPherson=], while Elmer was patterned on Billie Sunday.

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* NoCelebritiesWereHarmed: Sharon Falconer is loosely based on Aimee Semple [=McPherson=], while Elmer was patterned on Billie Billy Sunday.
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Just expanding the page.

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** Her film counterpart isn't much better.
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* ContentWarnings: ReadTheFinePrint at the bottom of the movie poster page pic, and you'll see that it says "For Adults Only".

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* ContentWarnings: ReadTheFinePrint at the bottom of the movie poster page pic, and you'll see that it says "For Adults Only"."'''FOR ADULTS ONLY.''' No Children Under 16 Admitted Unless Accompanied By An Adult".
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* CuteAndPsycho: Sharon, in the novel. While her public persona is that of a charming preacher, she's deeply disturbed beneath the surface. In one scene from the novel, Elmer struggles to get Sharon ready to preach while she's in the throes os psychosis, talking like a small child and throwing a tantrum.

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* CuteAndPsycho: Sharon, in the novel. While her public persona is that of a charming preacher, she's deeply disturbed beneath the surface. In one scene from the novel, Elmer struggles to get Sharon ready to preach while she's in the throes os of psychosis, talking like a small child and throwing a tantrum.
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* ContentWarnings: Look at the FinePrint at the bottom of the movie poster page pic, and you'll see that it says "For Adults Only".

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* ContentWarnings: Look at the FinePrint ReadTheFinePrint at the bottom of the movie poster page pic, and you'll see that it says "For Adults Only".
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Added DiffLines:

* ContentWarnings: Look at the FinePrint at the bottom of the movie poster page pic, and you'll see that it says "For Adults Only".
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-->--'''Elmer Gantry'''.

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-->--'''Elmer Gantry'''.
Gantry'''



* TheSociopath: In the novel, Elmer is devoid of empathy and cares only about his immediate self-interest and appetites. His destructive actions create heartache for many of the people he comes into contact with.

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* TheSociopath: In the novel, Elmer is [[LackOfEmpathy devoid of empathy empathy]] and cares only about his immediate self-interest and appetites. His destructive actions create heartache for many of the people he comes into contact with.
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[[quoteright:333:http://static.tvtropes.org/pmwiki/pub/images/Elmer_Gantry_9598.JPG]]

->''"I have here in my pocket - and thank heaven you can't see them - lewd, dirty, obscene, and I'm ashamed to say this: French postcards. They were sold to me in front of your own innocent high school by a man with a black beard... a foreigner."''
-->--'''Elmer Gantry'''.

A 1926 novel by Sinclair Lewis (written in 1926, first published in 1927), ''Elmer Gantry'' was brought to the screen by Director and Writer Richard Brooks in 1960. The title role was played by Creator/BurtLancaster, who won an Oscar along with co-star Shirley Jones and Brooks' screenplay.

Elmer Gantry was once a college athlete who decided to go into the legal profession. He ditches the legal profession and becomes a traveling salesman. During his travels, he "decides" his true calling is in the ministry and becomes a preacher. However, his actions do much more harm than good.

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!!The novel and and its adaptations feature examples of:

* BrokenAce: Sharon Falconer, in the novel. Elmer discovers that much of her personal story is a meticulously constructed fiction.
* CorruptChurch
* CuteAndPsycho: Sharon, in the novel. While her public persona is that of a charming preacher, she's deeply disturbed beneath the surface. In one scene from the novel, Elmer struggles to get Sharon ready to preach while she's in the throes os psychosis, talking like a small child and throwing a tantrum.
* DryCrusader: Gantry pretends to be this publicly.
* EvenBadMenLoveTheirMamas: In the novel, Elmer speaks very warmly of his mother. He admits to Sharon that she and his mother are the only women he's ever respected.
* {{Hypocrite}}
* KarmaHoudini: Elmer, in the novel.
* NoCelebritiesWereHarmed: Sharon Falconer is loosely based on Aimee Semple [=McPherson=], while Elmer was patterned on Billie Sunday.
* SinisterMinister: Although one who is slick and self-deluded.
* SnakeOilSalesman
* TheSociopath: In the novel, Elmer is devoid of empathy and cares only about his immediate self-interest and appetites. His destructive actions create heartache for many of the people he comes into contact with.
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