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There are also two {{Gamebook}}-style games, hosted on Creator/ChoiceOfGames:

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There are also two {{Gamebook}}-style games, hosted on Creator/ChoiceOfGames:''VideoGame/ChoiceOfGames'':
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** Ironically, it's said that the founder of the Craft laid out its theory and foundations in a text titled ''[[Creator/KarlMarx Das Thaumas]]''.
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The ''Craft Sequence'' concludes in a sequel series, the ''Craft Wars''. The first book, ''Dead Country'', was released 2023.
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Hundred Percent Adoration Rating was renamed Universally Beloved Leader. If an example was removed, it probably did not fit as written


* HundredPercentAdorationRating: Kos the Everburning benefits from this. He's a benevolent, friendly god and one of the few to avoid the mayhem of the God Wars. Even the anti-religious Craftsmen like him and he's seen as a trustworthy institution for global trade. And then he's killed [[spoiler:by his chief priest Gustave, who believed Kos was a going through a bout of madness and decided that killing and then resurrecting Kos is the best idea)]]
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[[WordOfGod The author]] says the gods are metaphors for corporations (immortal, powerful inhuman entities) and the magicians for lawyers (drawing power from contracts, rare knowledge and dead languages). For example, resurrecting a dead god is bankruptcy restructuring. The books bring out the bizarre and fantastic aspects of our present-day existence. [[http://thinkprogress.org/alyssa/2013/10/29/2834951/serpents-rise/ See this author interview]]

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[[WordOfGod The author]] says the gods are metaphors for corporations (immortal, powerful inhuman entities) and the magicians for lawyers (drawing power from contracts, rare knowledge and dead languages). For example, resurrecting a dead god is bankruptcy restructuring. The books bring out the bizarre and fantastic aspects of our present-day existence. [[http://thinkprogress.org/alyssa/2013/10/29/2834951/serpents-rise/ [[https://archive.thinkprogress.org/two-serpents-rise-author-max-gladstone-on-magical-economics-and-manic-pixie-dream-girls-890751d3a700/ See this author interview]]
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* OurSoulsAreDifferent: You can sell just a bit of your soul for a cup of coffee. In fact you have to, as “soulstuff” is the currency of and basis for the whole economic system. One human soul is made of 2,000 units of soulstuff. You can actually have more or less than that (it’s like having cash in your purse), but having too much soulstuff in you makes you go kind of weird and having too little makes you increasingly less alive.

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* OurSoulsAreDifferent: You can sell just a bit of your soul for a cup of coffee. In fact you have to, as “soulstuff” is the currency of and basis for the whole economic system. One human soul is made of 2,000 units of soulstuff. You can actually have more or less than that (it’s like having cash in your purse), but having too much soulstuff in you makes you go kind of weird and having too little makes you increasingly less alive. Small amounts of soulstuff naturally "soak" into objects that get handled a lot/have sentimental value, and if it hasn't sunk in too deeply can be pried out again with some effort. Receiving soulstuff gets you brief impressions of its original owner's memories.
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* AllMythsAreTrue: Discussed in ''Full Fathom Five''. Humans evolved from apes. Humans were also made from scratch by the gods. Every pantheon has its own creation myth? Every one of them is true simultaneously. Gods arise from ClapYourHandsIfYouBelieve, and gods interact strangely with reality.
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* DungeonPunk: In terms of culture, law, and economics, the world is almost identical to 21st century Earth — just with Craftwork devices for its technology. Alt Coulumb’s {{steampunk}} machinery is powered by its god of fire. Skyscrapers are cooled by harnessed air elementals. If two people share a god, prayer can take the place of telephones. Otherwise, they need to talk through something called a “nightmare telegraph,” which is exactly as harrowing as it sounds. The central MacGuffin of ''Literature/RuinOfAngels'' is [[spoiler: the world’s first space rocket, multi-stage, manned, and carrying a temporary satellite.]] But like 21st century Earth, these technologies come with dangers. Dresediel Lex will one day face a water crisis because its ruling Deathless King can't miracle it into existence like its late god of rain could. Materials required for Craftwork must be mined at cost, and inadequate safety procedures are causing irreversible environmental damage. And there are always people and nations exploiting such resources for their own gain, such as {{Undead Laborer}} companies using {{Technically Living Zombie}}s enslaved by predatory contracts to keep them at work indefinitely.

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* DungeonPunk: In terms of culture, law, and economics, the world is almost identical to 21st century Earth — just with Craftwork devices for its technology. Alt Coulumb’s {{steampunk}} machinery is powered by its god of fire. Skyscrapers are cooled by harnessed air elementals. If two people share a god, prayer can take the place of telephones. Otherwise, they need to talk through something called a “nightmare telegraph,” which is exactly as harrowing as it sounds. The central MacGuffin of ''Literature/RuinOfAngels'' is [[spoiler: the world’s first space rocket, multi-stage, manned, and carrying a temporary satellite.]] But like 21st century Earth, these technologies come with dangers. Dresediel Lex will one day face a water crisis because its ruling Deathless King can't miracle it into existence like its late god of rain could. Materials required for Craftwork must be mined at cost, and inadequate safety procedures are causing irreversible environmental damage. And there are always people and nations exploiting such resources for their own gain, such as {{Undead Laborer}} Labor|ers}} companies using {{Technically Living Zombie}}s enslaved by predatory contracts to keep them at work indefinitely.

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* DungeonPunk: In terms of culture, law, and economics, the world is almost identical to 21st century Earth — just with Craftwork devices for its technology. Alt Coulumb’s {{steampunk}} machinery is powered by its god of fire. Skyscrapers are cooled by harnessed air elementals. If two people share a god, prayer can take the place of telephones. Otherwise, they need to talk through something called a “nightmare telegraph,” which is exactly as harrowing as it sounds. The central MacGuffin of ''Literature/RuinOfAngels'' is [[spoiler: the world’s first space rocket, multi-stage, manned, and carrying a temporary satellite.]] But like 21st century Earth, these technologies come with dangers. Dresediel Lex will one day face a water crisis because its ruling Deathless King can't miracle it into existence like its late god of rain could. Materials required for Craftwork must be mined at cost, and inadequate safety procedures are causing irreversible environmental damage. And there are always people and nations exploiting such resources for their own gain, such as {{Undead Laborer}} companies using {{Technically Living Zombie}}s enslaved by predatory contracts to keep them at work indefinitely.



* {{Magitek}}: In terms of culture, law, and economics, the world is almost identical to 21st century Earth — just with Craftwork devices for its technology. Alt Coulumb’s {{steampunk}} machinery is powered by its god of fire. Skyscrapers are cooled by harnessed air elementals. If two people share a god, prayer can take the place of telephones. Otherwise, they need to talk through something called a “nightmare telegraph,” which is exactly as harrowing as it sounds. The central MacGuffin of ''Literature/RuinOfAngels'' is [[spoiler: the world’s first space rocket, multi-stage, manned, and carrying a temporary satellite.]]
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* OccultLawFirm: Varkath Nebuchadnezzar Stone and Kelethres Albrecht & Ao so far.

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* OccultLawFirm: Varkath Nebuchadnezzar Stone and Kelethres Albrecht & Ao so far. Due to the relationship between magic and contract law, a lot of Craftspeople become lawyers.
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* DeathOfTheOldGods: The God Wars saw most of the old pantheons killed off, and the infrastructural role of gods in society replaced by the sorcerers who did the killing. A handful of the old gods survived to the present day, with varying degrees of power; fire god Kos, for example, ended up a major player in the global economy thanks to remaining steadfastly neutral in the wars, while [[spoiler:Makalwe, originally TopGod of the Kavekana pantheon, is not much greater than human now and spends his days incognito as a beach bum.]]

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* DeathOfTheOldGods: The God Wars saw most of the old pantheons killed off, and the infrastructural role of gods in society replaced by the sorcerers who did the killing. A handful of the old gods survived to the present day, with varying degrees of power; fire god Kos, for example, ended up a major player in the global economy thanks to remaining steadfastly neutral in the wars, while [[spoiler:Makalwe, [[spoiler:Makawe, originally TopGod of the Kavekana pantheon, is not much greater than human now and spends his days incognito as a beach bum.]]
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* DeathOfTheOldGods: The God Wars saw most of the old pantheons killed off, and the infrastructural role of gods in society replaced by the sorcerers who did the killing. A handful of the old gods survived to the present day, with varying degrees of power; fire god Kos, for example, ended up a major player in the global economy thanks to remaining steadfastly neutral in the wars, while [[spoiler:Makalwe, originally TopGod of the Kavekana pantheon, is not much greater than human now and spends his days incognito as a beach bum.]]
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The ''Craft Sequence'' is a series of novels by Max Gladstone, set in a world analogous to the present day but run using FunctionalMagic in general and MagiTek in particular.

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The ''Craft Sequence'' is a series of novels by Max Gladstone, Creator/MaxGladstone, set in a world analogous to the present day but run using FunctionalMagic in general and MagiTek in particular.
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* FunctionalMagic: The Craft and Applied Theology.

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* FunctionalMagic: The Craft and Applied Theology. Applied Theology is the practice of doing favors for a god (usually worship) in exchange for boons and power. The Craft, which was derived from research into Applied Theology, is essentially magically-enforced contract law, using starlight as a power source. The reason Craftspeople can fly? They struck a deal with the sky, a long time ago.



* YouKillItYouBoughtIt: After deposing the gods of Dresdiel Lex, the King in Red finds himself responsible for providing water to the citizens of that ever-growing desert city. Because he can't just miracle it into existence like the gods used to, this is a pretty tough job, and stated to be unsustainable in the long term.

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* YouKillItYouBoughtIt: After deposing the gods of Dresdiel Lex, the King in Red finds himself responsible for providing water to the citizens of that ever-growing desert city. Because he can't just miracle it into existence like the gods used to, this requires acquiring rights to reservoirs and building pipelines to them, which is a pretty tough job, job since the nearest one is always further away than the last, and stated to be unsustainable in the long term.
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* IndividualismVsCollectivism: One of the, more subtle, aspects of the conflict between the Craftspeople and gods. The Craft is great at allowing you to throw off any claim a higher power might have over you and forge your own fate, at granting great understanding of the deep workings of the universe, and at realizing your full potential. It is, however, by nature [[EquivalentExchange transactional]] and the unfettered pursuit of one's own path, [[{{Ubermensch}} without any constraints]], tends to turn even the better Craftspeople callous and manipulative. In contrast, gods have a sheer power that allow them to accomplish feats that provide for their people in a way a Craftsperson can't, enabling to ''sustain'' a society more capably than a Craftsperson. Their power comes from the ''collective'' belief of their people and their religions creates community, all of which foster communitarian values. Nevertheless, worshippers are not free in the same way Craftspeople are, the bounty of the gods tends to stifle innovation, and in some theocracies the cost of the individual for the good of the whole can be [[HumanSacrifice quite brutal]].
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See also ''Literature/EmpressOfForever'', an unrelated novel by Gladstone, which explores similar themes (parallels between myth/magic and technology, the balance of individual and collective power) from a more sci-fi angle.

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See also ''Literature/EmpressOfForever'', an unrelated novel by Gladstone, which explores similar themes (parallels between myth/magic and technology, the balance of individual and collective power) from a more sci-fi angle.
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See also ''Literature/EmpressOfForever'', an unrelated novel by Gladstone, which explores similar themes (parallels between myth/magic and technology, power and responsibility, individualism vs. solidarity) from a more sci-fi angle.

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See also ''Literature/EmpressOfForever'', an unrelated novel by Gladstone, which explores similar themes (parallels between myth/magic and technology, power the balance of individual and responsibility, individualism vs. solidarity) collective power) from a more sci-fi angle.
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apologies if this kind of cross-promotion(?) is inappropriate, if so please remove it. either way, give the Empress of Forever page some wiki magic love!

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See also ''Literature/EmpressOfForever'', an unrelated novel by Gladstone, which explores similar themes (parallels between myth/magic and technology, power and responsibility, individualism vs. solidarity) from a more sci-fi angle.
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* SheIsTheKing: "Deathless King" is a gender-neutral term.
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* OurLichesAreDifferent: The Deathless Kings. Some of them are literal Lich Kings ([[UnisexTropes and queens and other]]). Some of them are Lich [=CEOs=] or Lich Chancellors. They play the core tropes of lichdom pretty close, being fleshless sorcerous skeletons. The first major twist is that they don't come about through some dark ritual-- "lich"dom (they're NotUsingTheZedWord) is just a natural part of a Craftsperson's lifecycle. The second is that there's nothing inherently evil about it-- though the culture around the Craft has a wide Nietzschean streak that doesn't serve very well as an ethical foundation, so a lot of them are non-inherently evil anyway.

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* OurLichesAreDifferent: The Deathless Kings. Some of them are literal Lich Kings ([[UnisexTropes and queens and other]]). Some of them are Lich [=CEOs=] or Lich Chancellors.Chancellors, or just as often [[OccultLawFirm Lich Senior Partners]]. They play the core tropes of lichdom pretty close, being fleshless sorcerous skeletons. The first major twist is that they don't come about through some dark ritual-- "lich"dom (they're NotUsingTheZedWord) is just a natural part of a Craftsperson's lifecycle. The second is that there's nothing inherently evil about it-- though the culture around the Craft has a wide Nietzschean streak that doesn't serve very well as an ethical foundation, so a lot of them are non-inherently evil anyway.
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** Telomere appears to be Italy. Temoc referenced a telomere legend in which the [[Literature/TheAeneid founder of an empire carried his father on his back]]. The empire was formed next to the 'Ebon sea', and its language shares at least one word ("Altus") with Latin.

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** Telomere appears to be Italy. Temoc referenced a telomere Telomeri legend in which the [[Literature/TheAeneid founder of an empire carried his father on his back]]. The empire was formed next to the 'Ebon sea', and its language shares at least one word ("Altus") with Latin.
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* YouKillItYouBoughtIt: After deposing the gods of Dresdiel Lex, the King in Red finds himself responsible for providing water to the citizens of that ever-growing desert city. Because he can't just miracle it into existence like the gods used to, this is a pretty tough job.

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* YouKillItYouBoughtIt: After deposing the gods of Dresdiel Lex, the King in Red finds himself responsible for providing water to the citizens of that ever-growing desert city. Because he can't just miracle it into existence like the gods used to, this is a pretty tough job.job, and stated to be unsustainable in the long term.
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** ''Literature/LastFirstSnow'': Gentrification protest.

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** ''Literature/LastFirstSnow'': Gentrification protest.protest [[spoiler:and corporate-grade insurance fraud]].
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