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Corrcted some stuff and added more info


''Disney's Anne Frank'' is an[[note]](imaginary)[[/note]] animated film released by Creator/{{Disney}} in Spring 1989. It is very, ''very'' loosely based on ''Theatre/TheDiaryOfAnneFrank'' but takes a lot of liberties with the source material, adding three talking animal sidekicks, a Nazi necromancer FemmeFatale, and a HappilyEverAfter ending.

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''Disney's Anne Frank'' is an[[note]](imaginary)[[/note]] animated film released by Creator/{{Disney}} in Spring 1989. It is very, ''very'' loosely based on ''Theatre/TheDiaryOfAnneFrank'' ''Literature/TheDiaryOfAYoungGirl'' (or most commonly known as "The Diary of Anne Frank") but takes a lot of liberties with the source material, adding three talking animal sidekicks, a Nazi necromancer FemmeFatale, and a HappilyEverAfter ending.



** Creator/DanAykroyd as Mr. Van Pels

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** Creator/DanAykroyd Creator/JerryLewis as Mr. Van Pels



** Creator/JerryLewis as Private Ludvig

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** Creator/JerryLewis Creator/DanAykroyd as Private Ludvig


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* DisownedAdaptation: Unsurprisingly, people who knew Anne in real life, such as Miep Gies (who was none too pleased that her name was used for an antropomorphic male mouse) and Hanneli Goslar (Anne's real life best friend), were pretty outraged at the changes made to the source material and promptly sued Disney over it (more information below).
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* AdaptationalNiceGuy:
** Mrs. Van Pels was portrayed in Anne's entries as an nagging shrew, while in the film she is instead a CoolOldLady.
** Edith Frank is also portrayed as a mother who [[ParentsAsPeople wishes to connect with her teenage daughter]], but often struggles to, rather than the sarcastic, often aloof person Anne wrote about.


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* EndearinglyDorky: Peter often comes off as this.


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** Sgt. Olga also plans to become the Führer herself, as she sees herself as more capable for the position, and thus, part of the climax involves her fighting against Josef for the position after she has Hitler killed.

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Thought I could add some more actors


* AllStarCast: Creator/TomCruise, Music/{{Madonna}}, Bob Hope, and Jason Alexander, just to name a few.

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* AllStarCast: Creator/TomCruise, Music/{{Madonna}}, Bob Hope, and Jason Alexander, just to name a few.And boy those it have one, almost rivalrying [[WesternAnimation/TheLionKing1994 The Lion King]]; the most notable are:
** Creator/MollyRingwald as Anne Frank.
** Creator/JohnnyDepp as Peter Van Pels
** Music/{{Madonna}} as Sgt. Olga
** Creator/AlanRickman as Josef Mengele
** Creator/MegRyan as Margot Frank
** Creator/TomCruise as Fritz Pfeffer
** Creator/RichardHarris as Otto Frank
** Creator/JulieAndrews as Edith Frank
** Creator/DanAykroyd as Mr. Van Pels
** Creator/RitaMoreno as Mrs. Van Pels
** Creator/JerryLewis as Private Ludvig
** Creator/JasonAlexander as Miep
** And let's not get started with the cameos
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Fixed because it contradicts one of the tropes.


** Anne's trip through the concentration camp, when bleeding to death. The music becomes minimal, the imagery becomes trippy...all for it to suddenly become lighter and lighter when a hideous winged figure dances around Anne. The sequence ends with the beautiful, angel-like spirit of the fallen Marie-Rose appearing to encourage Anne to live (and vice versa; see Crowning Moment of Heartwarming).

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** Anne's trip through the concentration camp, camp when bleeding to death.she almost dies from the gunshot. The music becomes minimal, the imagery becomes trippy...all for it to suddenly become lighter and lighter when a hideous winged figure dances around Anne. The sequence ends with the beautiful, angel-like spirit of the fallen Marie-Rose appearing to encourage Anne to live (and vice versa; see Crowning Moment of Heartwarming).
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Oops.


Despite Disney's assurances that they understood the sensitivity of the source material, it was critically panned for its handling of the Holocaust, particularly the ending, where Anne liberates Auschwitz. It was a BoxOfficeBomb and was largely buried by Disney outside of two home video releases (in 1990 and 2003), a limited theatrical re-release in 1995 to promote ''WesternAnimation/{{Pocahontas}}'' (since it is the other film in the canon that is loosely based on a historical figure), and once-in-a-blue-moon TV airings (and both home video releases have ''no reviews on the box at all'', a la ''Film/{{Gigli}}''), and is the company's second-most infamous film after ''Film/SongOfTheSouth''.

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Despite Disney's assurances that they understood the sensitivity of the source material, it was critically panned for its handling of the Holocaust, particularly the ending, where Anne liberates Auschwitz. It was a BoxOfficeBomb and was largely buried by Disney outside of two home video releases (in 1990 and 2003), a limited theatrical re-release in 1995 to promote ''WesternAnimation/{{Pocahontas}}'' (since it is the other Disney animated film in the canon that is loosely based on a historical figure), and once-in-a-blue-moon TV airings (and both home video releases have ''no reviews on the box at all'', a la ''Film/{{Gigli}}''), and is the company's second-most infamous film after ''Film/SongOfTheSouth''.
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Added fictional information,


Despite Disney's assurances that they understood the sensitivity of the source material, it was critically panned for its handling of the Holocaust, particularly the ending, where Anne liberates Auschwitz. It was a BoxOfficeBomb and was largely buried by Disney outside of two home video releases (in 1990 and 2003), a limited theatrical re-release in 1995 to promote ''WesternAnimation/{{Pocahontas}}'', and once-in-a-blue-moon TV airings (and both home video releases have ''no reviews on the box at all'', a la ''Film/{{Gigli}}''), and is the company's second-most infamous film after ''Film/SongOfTheSouth''.

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Despite Disney's assurances that they understood the sensitivity of the source material, it was critically panned for its handling of the Holocaust, particularly the ending, where Anne liberates Auschwitz. It was a BoxOfficeBomb and was largely buried by Disney outside of two home video releases (in 1990 and 2003), a limited theatrical re-release in 1995 to promote ''WesternAnimation/{{Pocahontas}}'', ''WesternAnimation/{{Pocahontas}}'' (since it is the other film in the canon that is loosely based on a historical figure), and once-in-a-blue-moon TV airings (and both home video releases have ''no reviews on the box at all'', a la ''Film/{{Gigli}}''), and is the company's second-most infamous film after ''Film/SongOfTheSouth''.
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Spelling/grammar fix(es)


Despite Disney's assurances that they understood the sensitivity of the source material, it was critically panned for its handling of the Holocaust, particularly the ending, where Anne liberates Auschwitz. It was a BoxOfficeBomb and was largely buried by Disney outside of two home video releases, (in 1990 and 2003) a limited theatrical re-release in 1995 to promote ''WesternAnimation/{{Pocahontas}}'', and once-in-a-blue-moon TV airings (and both home video releases have ''no reviews on the box at all'', a la ''Film/{{Gigli}}''), and is the company's second-most infamous film after ''Film/SongOfTheSouth''.

to:

Despite Disney's assurances that they understood the sensitivity of the source material, it was critically panned for its handling of the Holocaust, particularly the ending, where Anne liberates Auschwitz. It was a BoxOfficeBomb and was largely buried by Disney outside of two home video releases, releases (in 1990 and 2003) 2003), a limited theatrical re-release in 1995 to promote ''WesternAnimation/{{Pocahontas}}'', and once-in-a-blue-moon TV airings (and both home video releases have ''no reviews on the box at all'', a la ''Film/{{Gigli}}''), and is the company's second-most infamous film after ''Film/SongOfTheSouth''.
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Added fictional information since the poster mentioned Pocahontas, so I added it to fix it.


Despite Disney's assurances that they understood the sensitivity of the source material, it was critically panned for its handling of the Holocaust, particularly the ending, where Anne liberates Auschwitz. It was a BoxOfficeBomb and was largely buried by Disney outside of two home video releases (in 1990 and 2003) and once-in-a-blue-moon TV airings (and both home video releases have ''no reviews on the box at all'', a la ''Film/{{Gigli}}''), and is the company's second-most infamous film after ''Film/SongOfTheSouth''.

to:

Despite Disney's assurances that they understood the sensitivity of the source material, it was critically panned for its handling of the Holocaust, particularly the ending, where Anne liberates Auschwitz. It was a BoxOfficeBomb and was largely buried by Disney outside of two home video releases releases, (in 1990 and 2003) a limited theatrical re-release in 1995 to promote ''WesternAnimation/{{Pocahontas}}'', and once-in-a-blue-moon TV airings (and both home video releases have ''no reviews on the box at all'', a la ''Film/{{Gigli}}''), and is the company's second-most infamous film after ''Film/SongOfTheSouth''.
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Trope was cut/disambiguated due to cleanup


* FamilyUnfriendlyDeath: Poor Sgt. Olga. [[KickTheSonOfABitch Or not.]]

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* FamilyUnfriendlyDeath: Poor Sgt. Olga. [[KickTheSonOfABitch Or not.]]

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** In RealLife, Fritz Pfeffer was in his ''fifties'' when he hid out with the Franks and van Pels. Here, he's made into a teenager, apparently for no other reason than to PairTheSpares with Margot. Oy.



* InNameOnly: In RealLife, Fritz Pfeffer was in his ''fifties'' when he hid out with the Franks and van Pels. Here, he's made into a teenager, apparently for no other reason than to PairTheSpares with Margot. Oy.

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* InNameOnly: In RealLife, Fritz Pfeffer was in his ''fifties'' when he hid out with The film is totally unlike the Franks and van Pels. Here, he's made into a teenager, apparently for no other reason than to PairTheSpares with Margot. Oy.book, as detailed on ArtisticLicenseHistory.
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* OneBookAuthor: The only film animated by Walt Disney Feature Animation New York City, the most obscure of the Creator/WaltDisneyAnimationUnits (their only other credits are uncredited work on ''[[WesternAnimation/DuckTales1987 DuckTales]]''). 90% of the animation staff from the unit (with the exceptions of Jim Jinkins and Michael Sporn) aren't credited for much else; allegedly, they answered a newspaper ad placed by Buena Vista International under the false name of "Animation Control Corp."

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* OneBookAuthor: The only film animated by Walt Disney Feature Animation New York City, the most obscure of the Creator/WaltDisneyAnimationUnits (their only other credits are uncredited work on ''[[WesternAnimation/DuckTales1987 DuckTales]]''). 90% of the animation staff from the unit (with the exceptions of Jim Jinkins Creator/JimJinkins and [[Creator/MichaelSpornAnimation Michael Sporn) Sporn]]) aren't credited for much else; allegedly, they answered a newspaper ad placed by Buena Vista International under the false name of "Animation Control Corp."
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** Even though a young Will Smith's voice cameo provided a small MomentOfAwesome, not only did Jackie Robinson not become a Brooklyn Dodger until 1947, why would he even be in Amsterdam?

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** Even though a young Will Smith's voice cameo provided a small MomentOfAwesome, SugarWiki/MomentOfAwesome, not only did Jackie Robinson not become a Brooklyn Dodger until 1947, why would he even be in Amsterdam?
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Does Not Like Shoes has been renamed and redefined to focus on characters that explicitly or implicitly state a preference for going barefoot. Removing misuse


* DoesNotLikeShoes: Anne. Her father says that everyone must go barefoot in the attic so no one will hear them. Not only does Anne gleefully take her shoes off and leave them off for the rest of the film, she also holds her bare foot up toward the camera and wiggles her toes. Rumor has it that scene was traced over for Ariel's discovery of her feet in ''WesternAnimation/{{The Little Mermaid|1989}}''.
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** Creator/TimCurry has a brief yet memorable performance as Winston Churchill in the breakdancing scene with Franklin Roosevelt.

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** Creator/TimCurry has a brief yet memorable performance as Winston Churchill in the breakdancing scene with Franklin Roosevelt.Roosevelt, who is himself confusingly voiced by ''Creator/ArnoldSchwarzenegger''.
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Gag Boobs has been renamed to Boob Based Gag. Changing to the proper trope where appropriate and cutting misuse.


* GagBoobs: Sgt. Olga in pre-production sketches. She ended up flat-chested, to keep her from competing with the heroine in the attractiveness arena.
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** After Anne is captured and sent to Aushwitz, Sgt. Olga's animation becomes surprisingly smooth as she threatens Anne to run a film reel of ''Film/TriumphOfTheWill''.

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** After Anne is captured and sent to Aushwitz, Auschwitz, Sgt. Olga's animation becomes surprisingly smooth as she threatens Anne to run a film reel of ''Film/TriumphOfTheWill''.



** One of the Nazis is referred to as Ernst Rohm, who Hitler had actually murdered in 1934 during the Night of the Long Knives.

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** One of the Nazis is referred to as Ernst Rohm, who Röhm, whom Hitler had actually murdered in 1934 during the Night of the Long Knives.
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* BabiesEverAfter: While she lays dying, Marie-Rose Blanche tells Lorenz that she [[SomeoneToRememberHimBy "left you something to remember me by"]]. At the end of the film, before Anne and Petr leave for London, Anne and Petr bid Lorenz and Marie-Rose's mixed-species clutch of nestlings farewell. We also see Anne and Petr, along with what appears to be a human version of Lorenz and Marie-Rose, as beatnik-type married couples with children, during the '80s-music video-esque DisneyAcidSequence for "Leibchen".

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* BabiesEverAfter: While she lays dying, Marie-Rose Blanche tells Lorenz that she [[SomeoneToRememberHimBy "left you something to remember me by"]]. At the end of the film, before Anne and Petr Peter leave for London, Anne and Petr Peter bid Lorenz and Marie-Rose's mixed-species clutch of nestlings farewell. We also see Anne and Petr, Peter, along with what appears to be a human version of Lorenz and Marie-Rose, as beatnik-type married couples with children, during the '80s-music video-esque DisneyAcidSequence for "Leibchen".



* NiceJewishBoy: Petr.

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* NiceJewishBoy: Petr.Peter.



** Petr has Mouschi the cat.

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** Petr Peter has Mouschi the cat.
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trope split


* YouMustBeThisTallToRide: Anne can't get on a ride in the opening montage, so she does...[[TotemPoleTrench some]][[PaperThinDisguise thing]]. When they are walking onto the ride, Anne almost does a SneezeOfDoom, but luckily it's [[AntiSneezeFinger averted]].

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* YouMustBeThisTallToRide: Anne can't get on a ride in the opening montage, so she does...[[TotemPoleTrench some]][[PaperThinDisguise thing]]. When they are walking onto the ride, Anne almost does a SneezeOfDoom, an IllTimedSneeze, but luckily it's [[AntiSneezeFinger averted]].

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