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** ''Film/HowToLoseAGuyInTenDays'' was named after a mock-self help book that directed women on the behaviors guaranteed to turn off the man they've been seeing.
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*** For one thing, nearly everyone is time-displaced. Characters like Darwin, Angel Salvadore and Azazel didn't appear until the 2000's and were absolutely not part of the X-Men's founding class. Mystique, Havok and Banshee weren't, either.
*** Havok is Cyclops's younger brother in the comics. In the films, he's at least a decade older and there's not even a hint that they're related.
*** Banshee isn't Irish in the film, despite it being one of his defining character traits in the comics.
*** Moira McTaggart, a Scottish geneticist in the comics, is now an American secret agent. This even goes against the films' continuity.
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* ''Film/FunWithDickAndJane'': Like the famous [[Literature/DickAndJane beginning reader books]], the main characters are named Dick and Jane... and that's it!

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* ''Film/FunWithDickAndJane'': Like the famous [[Literature/DickAndJane beginning reader books]], the main characters are named Dick and Jane... and that's it!it! The title is merely a cute bit of wordplay in this case, and not an indicator that it's supposed to be an adaptation of said books.
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* Alfred Hitchcock's adaptation of ''Literature/TheThirtyNineSteps'' is considered to be this by John Buchan's family due to how far it deviated from the source material after [[spoiler:Hannay sneaks out of his flat]]; that said, they still regarded it as an entertaining film in its own right.

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* Alfred Hitchcock's adaptation of ''Literature/TheThirtyNineSteps'' ''Film/{{The 39 Steps|1935}}'' is considered to be this by John Buchan's family due to how far it deviated from [[Literature/TheThirtyNineSteps the source material material]] after [[spoiler:Hannay sneaks out of his flat]]; Hannay goes on the run; that said, they still regarded it as an entertaining film in its own right.
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* ''Film/MazeRunnerTheScorchTrials'' is radically different from ''Literature/TheScorchTrials'', with only a few key elements and themes remaining. Wes Ball, the director, likened it to using the same ingredients to make a different recipe.

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* ''A Cry in the Wild'' is an adaptation of Gary Paulsen's ''Hatchet'', but the sequel, ''White Wolves: A Cry in the Wild II'' has no relation to [[Literature/BriansSaga the series]] other than having the same director.


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* ''A Cry in the Wild'' is an adaptation of Gary Paulsen's ''Hatchet'', but the sequel, ''White Wolves: A Cry in the Wild II'' has no relation to [[Literature/BriansSaga the series]] other than having the same director.
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The first Death Wish didn\'t glorify vigilantism. Only the sequels did.


** Garfield actually insisted on the changes. Due to his hatred of the sequels to the film version of ''Film/DeathWish'', he would not sell the film rights to ''Death Sentence'' unless the main character was not Paul Kersey and the adaptation didn't follow the film series. This in turn led to a long development hell period for the project.
* For that matter, ''Film/DeathWish''; the film's supposed glorification of vigilantism goes against the intended message of the novel.
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* The 1995 remake of the 1947 crime drama ''KissOfDeath'' kept the basic plot and included a fleeting ShoutOut (that most people will miss), but changed the characters' names. It would have been polite to call it something else, since the 1947 original is a very good thriller and still quite scary.
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* ''Film/{{Snowpiercer}}'' is based off of a French graphic novel named ''Le Transperceneige''. Very, ''VERY'' loosely - the only thing it has in common are the setting and the name of the train it takes place on. This actually doesn't make it bad at all - the film is still a very strong film on its own.

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* ''Film/{{Snowpiercer}}'' is based off of a French graphic novel named ''Le Transperceneige''. Very, ''VERY'' loosely - the only thing it has in common are the setting and the name of the train it takes place on. This actually doesn't make it bad at all - the film is still a very strong film on its own.
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* It's been confirmed by WordOfGod that ''Film/AvengersAgeOfUltron'' will having nothing to do with the [[Comicbook/AgeOfUltron comic book story of the same name]]. Aside from featuring Ultron as the BigBad, [[CaptainObvious of course]]. They just went with the name because it [[RuleOfCool sounded cool]].
** Similarly, early indications are that the third (and fourth) ''Avengers'' films, ''Film/AvengersInfinityWar'', will have much more in common with the comic book story ''ComicBook/TheInfinityGauntlet'' than the story actually titled ''Infinity War'', which is a sequel to the above. Again, blame the RuleOfCool.

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* It's been confirmed by WordOfGod that ''Film/AvengersAgeOfUltron'' will having has nothing to do with the [[Comicbook/AgeOfUltron comic book story of the same name]]. Aside from featuring Ultron as the BigBad, [[CaptainObvious of course]]. They just went with the name because it [[RuleOfCool sounded cool]].
**
cool]].
%%**
Similarly, early indications are that the third (and fourth) ''Avengers'' films, ''Film/AvengersInfinityWar'', will have much more in common with the comic book story ''ComicBook/TheInfinityGauntlet'' than the story actually titled ''Infinity War'', which is a sequel to the above. Again, blame the RuleOfCool.



* The forthcoming ''Film/CabinFever: Patient Zero'' has nothing in common with the previous two films outside of having a virus and from the premise, seems to read more like a combination of ''Film/{{Outbreak}}'' and ''Film/TheHumanCentipede''.

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* The forthcoming ''Film/CabinFever: Patient Zero'' has nothing in common with the previous two films outside of having a virus and from the premise, seems to read virus. It's more like a combination of ''Film/{{Outbreak}}'' and ''Film/TheHumanCentipede''.



* Happens all the time with comic book movies. Given that ''Film/{{Constantine}}'' doesn't even keep the ''ComicBook/{{Hellblazer}}'' title out of confusion with ''Franchise/{{Hellraiser}}'', you have to wonder why they bothered.
** Constantine is a curious case, in that while it is viewed as a poor adaptation, it ''is'' viewed as a good stand alone movie.

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* Happens This happens all the time with comic book movies. Given that ''Film/{{Constantine}}'' doesn't even keep the ''ComicBook/{{Hellblazer}}'' title out of confusion with ''Franchise/{{Hellraiser}}'', you have to wonder why they bothered.
** Constantine ''Constantine'' is a curious case, in that while it is viewed as a poor adaptation, it ''is'' viewed as a good stand alone movie.



* ''Film/DragonballEvolution'' has ''some'' elements in common with the original manga, such as the presence of Goku and a girl named Bulma who are in search of the seven [[MacGuffin Dragon Balls]]. But nearly everything else is heavily modified from the original canon. Goku went from a twelve-year old {{Chaste|Hero}} WildChild to a sixteen-year old negative high schooler who wants to get with a girl. He learns the Kamehameha too late, and is too serious to even be considered the same character. And Krillin, a highly important character in the original, was removed entirely (although [[FunnyAnimal Oolong and Puar]] may be understandable). Bulma and [[AscendedExtra Mai]] go the other way and TookALevelInBadass. It was declared CanonDiscontinuity by Toriyama.

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* ''Film/DragonballEvolution'' has ''some'' elements in common with the original manga, such as the presence of Goku and a girl named Bulma who are in search of the seven [[MacGuffin Dragon Balls]]. But nearly everything else is heavily modified from the original canon. Goku went from a twelve-year old {{Chaste|Hero}} WildChild to a sixteen-year old negative angsty high schooler who wants to get with a girl. He learns the Kamehameha too late, and is too serious to even be considered the same character. And Krillin, a highly important character in the original, was removed entirely (although [[FunnyAnimal Oolong and Puar]] may be understandable). Bulma and [[AscendedExtra Mai]] go the other way and TookALevelInBadass. It was declared CanonDiscontinuity by Toriyama.



* ''Film/IKnowWhatYouDidLastSummer'' was based on a book from the ''1970s'' (yes, there was book). The film and the book have almost nothing in common, besides the vaguely similar plot and some character names. Creator/LoisDuncan, the writer of the book, was apparently pretty unhappy about this.

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* ''Film/IKnowWhatYouDidLastSummer'' was based on a book from the ''1970s'' (yes, ([[AdaptationDisplacement yes, there was book).a book]]). The film and the book have almost nothing in common, besides the vaguely similar plot and some character names. Creator/LoisDuncan, the writer of the book, was apparently pretty unhappy about this.



* ''Film/IRobot'', has several passing similarities to the [[Literature/IRobot namesake series]] (it does prominently feature robots being ThreeLawsCompliant), but the actual storyline is nothing like the original. However, that book was an anthology of ''nine'' separate stories in a common universe, mostly revolving around the central character Susan Calvin. The film features many of the concepts of that universe. The conceit of the film is that it's a loose prequel to those stories, a new tale in the overall series of stories whose blanket title is ''I, Robot''.
** However there is [[Literature/AdamLink another story]] called ''[[http://en.wikipedia.org/wiki/I,_Robot_%28short_story%29 I, Robot]]'' that pre-dates the Creator/IsaacAsimov version where a robot is blamed for the death of his creator. Which was made into In Name Only episodes for both versions of ''Series/TheOuterLimits''.

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* ''Film/IRobot'', ''Film/IRobot'' has several passing similarities to the [[Literature/IRobot namesake series]] (it does prominently feature robots being ThreeLawsCompliant), but the actual storyline is nothing like the original. However, that book was an anthology of ''nine'' separate stories in a common universe, mostly revolving around the central character Susan Calvin. The film features many of the concepts of that universe. The conceit of the film is that it's a loose prequel to those stories, a new tale in the overall series of stories whose blanket title is ''I, Robot''.
** However there is [[Literature/AdamLink another story]] called ''[[http://en.wikipedia.org/wiki/I,_Robot_%28short_story%29 I, Robot]]'' that pre-dates the Creator/IsaacAsimov version where a robot is blamed for the death of his creator. Which This was made into In Name Only episodes for both versions of ''Series/TheOuterLimits''.



* ''Film/TheMask'': [[ComicBook/TheMask The original comic]] was more of a horror series involving the titular Mask turning people into Axe Crazy murderers. The movie, then [[WesternAnimation/TheMask the animated series]] turned the character into a comical Super Hero, kept as the main character a guy who only last one issue in the comic, and used few elements from the comic. The show and the movie are actually better remembered than the comic, and the serie was rather well-received

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* ''Film/TheMask'': [[ComicBook/TheMask The original comic]] was more of a horror series involving the titular Mask turning people into Axe Crazy AxCrazy murderers. The movie, then [[WesternAnimation/TheMask the animated series]] turned the character into a comical Super Hero, kept as the main character a guy who only last lasts one issue in the comic, and used few elements from the comic. [[AdaptationDisplacement The show and the movie are actually better remembered than the comic, comic]], and the serie cartoon was rather well-receivedwell-received.



** A person is only allowed to meet the Childlike Empress once, at least, until her name is changed again, and Bastian had already met her. [[note]]a good part of the premise to the second half of the book hinges on this[[/note]]

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** A person is only allowed to meet the Childlike Empress once, at least, until her name is changed again, and Bastian had already met her. [[note]]a [[note]]A good part of the premise to of the second half of the book hinges on this[[/note]]this.[[/note]]



** The Fantasians are not supposed to enter the human world, due to the fact that they are then no longer part of the imagination, but become lies. That was part of the problem with the Nothing - the things it ate up were sent off to the human world, which destroyed both Fantasia and the human world.
* ''Film/NightAtTheMuseum,'' because the original book was very short.

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** The Fantasians are not supposed to enter the human world, due to the fact that they are then no longer part of the imagination, but imagination and become lies. That was part of the problem with the Nothing - the things it ate up were sent off to the human world, which destroyed was destroying both Fantasia and the human world.
* ''Film/NightAtTheMuseum,'' ''Film/NightAtTheMuseum'' underwent drastic AdaptationExpansion, because the original book was very short.



* In Argentina, there's a pornographic film called ''Pollémon'', leading one to believe that it's a Pokémon porno spoof. The film's cover even advertises, ''"Vive las fascinantes aventuras de Pollachu!"'' ("Live the fascinating adventures of Pollachu!") If you were expecting to see someone in a poorly-designed Pikachu costume, Team Rocket, or anything else having to do with Pokémon, well... let's just say you'll be PRETTY disappointed.

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* In Argentina, there's a pornographic film called ''Pollémon'', ''[[ParallelPornTitles Pollémon]]'' (roughly analogous to "Dickémon"), leading one to believe that it's a Pokémon porno spoof. The film's cover even advertises, ''"Vive las fascinantes aventuras de Pollachu!"'' ("Live ("Experience the fascinating adventures of Pollachu!") If you were expecting to see someone in a poorly-designed Pikachu costume, Team Rocket, or anything else having to do with Pokémon, well... let's just say you'll be PRETTY disappointed.



* The first ''Film/ThePrincessDiaries'' film took the basic plotline of [[Literature/ThePrincessDiaries the books]] and the character names and did its own thing, probably because they got Creator/JulieAndrews to play the grandmother, but the sequel basically did its own thing entirely. The fact that Mia's mother married Mia's teacher and had a baby is the only thing the sequel took from the book series. [[MindScrew Though in-universe the movies exist within the books continuity]] with Mia lampshading how they changed so many things (Good and bad) compared to her "real-life" adventures.

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* The first ''Film/ThePrincessDiaries'' film took the basic plotline of [[Literature/ThePrincessDiaries the books]] and the character names and did its own thing, probably because they got Creator/JulieAndrews to play the grandmother, but the sequel basically did its own thing entirely. The fact that Mia's mother married Mia's teacher and had a baby is the only thing the sequel took from the book series. [[MindScrew Though in-universe In-universe, though, the movies exist within the books continuity]] books' continuity]], with Mia lampshading how they changed so many things (Good (good and bad) compared to her "real-life" adventures.



* The movie adaptation of ''Literature/TheDarkIsRising'', which in its primary market didn't even keep the name, being re-titled ''Film/TheSeeker''. One reviewer joked that "They only changed one thing in the plot - ''everything''", and it's not far wrong. The Stanton family, who in the books are warm, caring and British, are now dysfunctional and American; Will is changed from a thoughtful, wise-for-his-age eleven-year-old to a whiny fourteen-year-old [[HormoneAddledTeenager hormone-addled]] {{jerkass}} who's more interested in stealing his brother's girlfriend than completing his quest for the Signs, and all the Arthurian mythology is hacked out and replaced with Christian allegory. The director himself ''bragged'' about how unfaithful it was, admitting that he [[SciFiGhetto didn't really care for fantasy works anyway]].

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* The movie adaptation of ''Literature/TheDarkIsRising'', which in its primary market didn't even keep the name, being re-titled ''Film/TheSeeker''. One reviewer joked that "They only changed one thing in the plot - ''everything''", and it's not far wrong. The Stanton family, who in the books are warm, caring and British, are now dysfunctional and American; Will is changed from a thoughtful, wise-for-his-age eleven-year-old to a whiny fourteen-year-old whiny, fourteen-year-old, [[HormoneAddledTeenager hormone-addled]] {{jerkass}} who's more interested in stealing his brother's girlfriend than completing his quest for the Signs, and all the Arthurian mythology is hacked out and replaced with Christian allegory. The director himself ''bragged'' about how unfaithful it was, admitting that he [[SciFiGhetto didn't really care for fantasy works anyway]].



* ''A Shot in the Dark'' is allegedly based on a stage play by Harry Kurnitz (itself based on a play by Marcel Achard), but all it really has is the plot, a deceased chauffeur named Miguel and a couple named Benjamin and Dominique. In fact, it was supposed to be almost exactly like the stage play -- until Blake Edwards suggested that Creator/PeterSellers play Inspector Clouseau.

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* ''A Shot in the Dark'' ''Film/AShotInTheDark'' is allegedly based on a stage play by Harry Kurnitz (itself based on a play by Marcel Achard), but all it really has is the plot, a deceased chauffeur named Miguel and a couple named Benjamin and Dominique. In fact, it was supposed to be almost exactly like the stage play -- until Blake Edwards suggested that Creator/PeterSellers play Inspector Clouseau.



* The comic book ComicBook/TheSpirit is about a BadassNormal with no powers, who is a CelibateHero that gets nervous around women and wears an ugly, off the rack blue and white suit. ''Film/TheSpirit'' is about a revived dead guy with a HealingFactor, who is a HandsomeLech in a stylish, tailored, black-on-black suit. And his enemy, the Octopus, is an intimidating and powerful gangster obsessed with not letting anyone see his face. In the film, he's a lower-tier scientist with ambitions of godhood who is incredibly vain and showoffy about his good looks. It's like they were trying to do the exact opposite of the comics. The irony? Creator/WillEisner gave the rights to Michael Uslan, the producer, on the understanding that Uslan wouldn't give the project to anyone who 'Didn't get it'. There were further ironies in the fact that Creator/FrankMiller was a big fan of Eisner, one of Eisner's friends, and showed himself to be capable of understanding the concept of The Spirit as indicated by his Daredevil work.

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* The comic book ComicBook/TheSpirit is about a BadassNormal with no powers, who is a CelibateHero that gets nervous around women and wears an ugly, off the rack blue and white suit. The movie ''Film/TheSpirit'' is about a revived dead guy with a HealingFactor, who is a HandsomeLech in a stylish, tailored, black-on-black suit. And his enemy, the Octopus, is an intimidating and powerful gangster obsessed with not letting anyone see his face. In the film, he's a lower-tier scientist with ambitions of godhood who is incredibly vain and showoffy about his good looks. It's like they were trying to do the exact opposite of the comics. The irony? Creator/WillEisner gave the rights to Michael Uslan, the producer, on the understanding that Uslan wouldn't give the project to anyone who 'Didn't 'didn't get it'. There were further ironies in the fact that Creator/FrankMiller was a big fan of Eisner, one of Eisner's friends, and showed himself to be capable of understanding the concept of The Spirit as indicated by his Daredevil work.



* If Creator/KevinSmith is to be believed, Jon Peters' ''Franchise/{{Superman}} Lives'', a movie that was never made, would have had Superman's iconic outfit be replaced by an all black one, Superman wouldn't fly, and he'd fight ''a GiantSpider'', it would have also given Lex a pet named "Chewie", as well as making Brainiac fight ''polar bears''. [[http://www.youtube.com/watch?v=vgYhLIThTvk This is true folks]]. Fortunately, Kevin Smith tried to make a script that worked the changes in while still throwing in the traditional Superman feel, but ''Superman Lives'' was never made to this day.

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* If Creator/KevinSmith is to be believed, Jon Peters' ''Franchise/{{Superman}} Lives'', a movie that was never made, would have had Superman's iconic outfit be replaced by an all black one, one (as Peters felt the original suit was "too faggy"), Superman wouldn't fly, and he'd fight ''a GiantSpider'', it GiantSpider''. It would have also given Lex a pet named "Chewie", as well as making Brainiac fight ''polar bears''. [[http://www.youtube.com/watch?v=vgYhLIThTvk This is true All true, folks]]. Fortunately, Kevin Smith tried to make a script that worked the changes in while still throwing in the traditional Superman feel, but ''Superman Lives'' was never made to this day.



* The 1990 film, ''Film/{{Troll 2}}'' is not related to the 1986 B-movie ''Troll'' in any way but name. It's also about goblins, not trolls. Amusingly, there are two films that claim to be the sequel to ''Troll 2'', both directed by Joe D'Amato: ''Crawlers: Troll 3'', which is about killer tree roots, and ''Troll 3: The Sword of Power'' (AKA ''Quest For The Mighty Sword''), which uses some of the goblin costumes from ''Troll 2'', but is actually one of the sequels to ''[[Film/TheBladeMaster Ator]]''). Ultimately the ''Troll'' "series" immediately became a dumping ground for whatever genre horror film came along.

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* The 1990 film, ''Film/{{Troll 2}}'' is not related to the 1986 B-movie ''Troll'' in any way but name. It's also about goblins, not trolls. Amusingly, there are two films that claim to be the sequel to ''Troll 2'', both directed by Joe D'Amato: ''Crawlers: Troll 3'', which is about killer tree roots, and ''Troll 3: The Sword of Power'' (AKA ''Quest For The Mighty Sword''), which uses some of the goblin costumes from ''Troll 2'', but is actually one of the sequels to ''[[Film/TheBladeMaster Ator]]''). Ultimately the ''Troll'' "series" immediately became a dumping ground for whatever genre of horror film came along.



* The ''Film/{{Underdog}}'' [[TheMovie Movie]]: Well, it uses some of the names from the cartoon. Everything else is different.
* The ''Series/WalkingWithDinosaurs'' 3D movie doesn't follow the documentary format of the original series, opting instead for telling a coherent story with highly anthropomorphised, talking (or rather, "thinking aloud") dinosaurs. The serious, scientific tone is replaced with {{slapstick}}, ToiletHumour and BlackAndWhiteMorality. Nor are most of the original creators involved. It's seemingly more of a combination of ''WesternAnimation/MarchOfTheDinosaurs'', ''Series/DinosaurRevolution'', Disney's ''Disney/{{Dinosaur}}'' with bits of ''WesternAnimation/TheLandBeforeTime''. However, the background dinosaur extras ''do'' behave like real animals, at least.

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* The ''Film/{{Underdog}}'' [[TheMovie Movie]]: Well, it movie]] uses some of the names from the cartoon. Everything else is different.
different. For one thing, the world of the cartoons was populated almost entirely by {{funny animal}}s. The film takes place in the real world with the eponymous character and several others as {{talking animal}}s.
* The ''Series/WalkingWithDinosaurs'' 3D movie doesn't follow the documentary format of the original series, opting instead for telling a coherent story with highly anthropomorphised, talking (or rather, "thinking aloud") dinosaurs. The serious, scientific tone is replaced with {{slapstick}}, ToiletHumour and BlackAndWhiteMorality. Nor are most Most of the original creators involved. were not involved with the movie's production. It's seemingly more of a combination of ''WesternAnimation/MarchOfTheDinosaurs'', ''Series/DinosaurRevolution'', and Disney's ''Disney/{{Dinosaur}}'' with bits of ''WesternAnimation/TheLandBeforeTime''. However, the background dinosaur extras ''do'' behave like real animals, at least.



* ''Film/WhoFramedRogerRabbit'' bears very little resemblance to its original source, ''Literature/WhoCensoredRogerRabbit''. Only five characters and the premise of human beings and cartoon characters co-existing and the murder plot are there.

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* ''Film/WhoFramedRogerRabbit'' bears very little resemblance to its original source, ''Literature/WhoCensoredRogerRabbit''. Only five characters and characters, the premise of human beings and cartoon characters co-existing co-existing, and the murder plot are there.there.



** ''Film/XMenTheLastStand'':

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** * ''Film/XMenTheLastStand'':



*** Deadpool retains his sarcastic sense of humor, MotorMouth and katanas... and even those fall by the wayside by the time of the main events of the movie. [[spoiler:While he does undergo a procedure to give him a copy of Wolverine's HealingFactor that leaves his body horrifically scarred just like in the comics, he's also saddled with Cyclops' optic blasts, Wraith's teleportation (He uses a device in the comics) and a pair of [[BladeBelowTheShoulder Blades Below the Shoulders]], and just to add insult to injury, his mouth is sewn shut.]]

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*** Deadpool retains his sarcastic sense of humor, MotorMouth and katanas... and even those fall by the wayside by the time of the main events of the movie. [[spoiler:While he does undergo a procedure to give him a copy of Wolverine's HealingFactor that leaves his body horrifically scarred just like in the comics, he's also saddled with Cyclops' optic blasts, Wraith's teleportation (He uses a device in the comics) and a pair of [[BladeBelowTheShoulder Blades Below the Shoulders]], and just Shoulders]]. Just to add insult to injury, his mouth is sewn shut.]]



** ''Film/MinorityReport'' only takes 4 or 5 characters and the concept of Precrime from the original short story of the same name. Differences include a setting relocation, {{adaptation expansion}}s to characters, name changes, adding new characters and what not. The biggest most significant gap, however is the actions the protagonist takes towards the end in their respective stories.

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** ''Film/MinorityReport'' only takes 4 or 5 characters and the concept of Precrime from the original short story of the same name. Differences include a setting relocation, {{adaptation expansion}}s to characters, name changes, adding new characters and what not. The biggest most significant gap, however however, is the actions the protagonist takes towards the end in their respective stories.



** The original ''Film/TotalRecall1990'' is very loosely based on a short story called "We Can Remember It For You, Wholesale.". Actually, both the film and the story begin being roughly the same, but there's a point in which they divert: just after the protagonist has his malfunctioning memory trip. Viewers of the movie will instantly recognize that point as the same one in which the movie has a sudden MoodWhiplash from classic sci-fi to pull-all-the-stops action movie, while the story turns into a spectacular MindRape.

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** The original ''Film/TotalRecall1990'' is very loosely based on a short story called "We Can Remember It For You, Wholesale.". Actually, both Both the film and the story begin being roughly the same, but there's a point in which they divert: just after the protagonist has his malfunctioning memory trip. Viewers of the movie will instantly recognize that point as the same one in which the movie has a sudden MoodWhiplash from classic sci-fi to pull-all-the-stops action movie, while the story turns into a spectacular MindRape.



* ''Film/{{Snowpiercer}}'' is based off of a French graphic novel named ''Le Transperceneige''. Very ''VERY'' loosely - the only thing it has in common are the setting and the name of the train it takes place on. This actually doesn't make it bad at all - the film is still a very strong film on its own.

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* ''Film/{{Snowpiercer}}'' is based off of a French graphic novel named ''Le Transperceneige''. Very Very, ''VERY'' loosely - the only thing it has in common are the setting and the name of the train it takes place on. This actually doesn't make it bad at all - the film is still a very strong film on its own.



* ''Film/TheAmazingSpiderMan2'' features a version of Ashley Kafka with the only thing in common with the comic character being that they work as Ravencroft and the name, as the Kafka of the comics was a female psychologist who cared about her paitents, whereas the movie Kafa is a male MadScientist who tortures Electro ForScience
* The only things ''Film/TheDarkKnightSaga'''s version of Gillian Loeb has in common in the character of the same name from ''ComicBook/BatmanYearOne'' is that he's against Batman and preceding [[TheCommissionerGordon Jim Gordon]] as Police Commissioner[[note]]and even then, in the comics, then was a man named Grogan was held the job between Loeb leaving and Gordon taking over[[/note]], as the movie character has more to do with Michael Akins, an officer who temporarily replaced Gordon as Commissioner: namely being a young, honest, African-American cop rather than the old Caucasian CorruptCop from the comics.

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* ''Film/TheAmazingSpiderMan2'' features a version of Ashley Kafka with the only thing in common with the comic character being that they work as Ravencroft and the name, as the Kafka of the comics was a female psychologist who cared about her paitents, whereas the movie Kafa Kafka is a male MadScientist who tortures Electro ForScience
ForScience.
* The only things ''Film/TheDarkKnightSaga'''s version of Gillian Loeb has in common in the character of the same name from ''ComicBook/BatmanYearOne'' is that he's against Batman and preceding [[TheCommissionerGordon Jim Gordon]] as Police Commissioner[[note]]and even Commissioner[[note]]Even then, in the comics, then was a man named Grogan was who held the job between Loeb leaving and Gordon taking over[[/note]], as the movie character has more to do with Michael Akins, an officer who temporarily replaced Gordon as Commissioner: namely being a young, honest, African-American cop rather than the old Caucasian CorruptCop from the comics.
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*** Callisto's not scarred or one-eyed, she has a mix of Caliban's and Quicksilver's powers and not her own hypersensitivity.\\\
Kid Omega is actually Quill. The writers even state so in the DVDCommentary.

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*** Callisto's not scarred or one-eyed, she has a mix of Caliban's and Quicksilver's powers and not her own hypersensitivity.\\\
hypersensitivity.
***
Kid Omega is actually Quill. The writers even state so in the DVDCommentary.
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** ''Film/XMenTheLastStand'':\\\
Callisto's not scarred or one-eyed, she has a mix of Caliban's and Quicksilver's powers and not her own hypersensitivity.\\\
Kid Omega is actually Quill. The writers even state so in the DVDCommentary.\\\
Leech. The movie ditches his defining trait of not passing for normal and not being able to do anything about it because most mutant powers don't work on him. Also, his powers no longer temporarily nullify whoever he touches, he has an area of effect that fully humanizes whoever enters it. Granted, it serves as a better justification for [[spoiler: using him as a source for The Cure, as using the original comic book plot would have left no screen time for the Phoenix plotline]].
** ''Film/XMenOriginsWolverine'' is fairly notorious for it, with many of the featured mutants having little (or nothing) to do with its comic book counterparts:\\\
Emma Frost. The only attributes that she has in common with her comics counterpart is that she's blonde and can turn her skin into a diamond-like form. ''First Class'' would [[CanonDiscontinuity ignore]] her appearance in this story and present its own version of Emma as much closer to her comics counterpart. Then again, she's called "Emma", but the surname is never said. However, in one of the character TV spots, they clearly use Frost as her surname.\\\
Agent Zero. Not only do they use his New Weapon X callsign instead of his Weapon X one (Maverick), he somehow has Agent X's powers as well. Neither his powers as Maverick (kinetic energy absorption and redirection), nor his powers as Agent Zero (corrosive skin secretions designed to defeat HealingFactor abilities) make an actual appearance. Oh, and he's no longer East German.\\\
Bolt. Or Bradley, for those who missed him because he's long-dead in the comics. He's not only not called by his callsign, he's also no longer the kid Maverick teaches in the use of his powers after retiring - he's now Maverick's comrade-in-arms. Who, instead of lightning-flinging powers, has electric-appliance-powering-and-controlling powers.\\\
Deadpool retains his sarcastic sense of humor, MotorMouth and katanas... and even those fall by the wayside by the time of the main events of the movie. [[spoiler:While he does undergo a procedure to give him a copy of Wolverine's HealingFactor that leaves his body horrifically scarred just like in the comics, he's also saddled with Cyclops' optic blasts, Wraith's teleportation (He uses a device in the comics) and a pair of [[BladeBelowTheShoulder Blades Below the Shoulders]], and just to add insult to injury, his mouth is sewn shut.]]\\\
In the comics, Blob's fat body was a part of his mutation, with the super strength more of a {{Required Secondary Power|s}}. In fact it's ''the fat'' that made him virtually resistant to any weapons.
** ''Film/XMenFirstClass'' has nothing to do with the [[ComicBook/XMen comic book of the same name]] and features entirely different origins for many of the characters. Despite this, the movie was very well-received by critics and was a hit at the box office.\\\
A notable aspect is the complete reinvention of one character in particular, Azazel. Azazel in the comics is an immortal mutant/demon warlord who was banished to another dimension because he looked and acted like the devil and got many women pregnant to have an army of children to free him...somehow. In the film, he's a Russian KnifeNut who looks like the devil but other than killing a few people, doesn't act like it. He instead appears more like his son, Nightcrawler, only red and evil. [[TropesAreNotBad This is not a bad thing]], and as he originally was [[TheScrappy so despised]], the film [[RescuedFromTheScrappyHeap gave the character a well welcomed overhaul]].
** Most of ''Film/TheWolverine'''s characters are based from ''[[ComicBook/FrankMillersWolverine Frank Miller's Wolverine]]'' series; with some of them taken liberties to in terms of role.\\\
The comics' Kenuichio Harada is ''THE'' Silver Samurai, Shingen's arrogant illegitimate son and a mutant seeking to rule the Yashida clan for himself. He despises the "gaijin" and the Yashidas especially his half-sister Mariko. In the film, most of his personality reflected on Shingen while Harada is relegated to the Yashidas' bodyguard, Mariko's ex-fiance [[spoiler:and not even the actual Silver Samurai]]. His closest reference to the comics is his affiliation with Viper.\\\
Viper aka Madame Hydra is a high-ranking member of HYDRA (and eventually leader) who is a human with superb martial arts skills and knowledge with poisons. Much like Juggernaut before her, the film depicts her as a mutant scientist with snake-like attributes who mainly works for herself. Confusingly, Fox was still allowed to use her, even though she's much more tied to Nick Fury and SHIELD. Strangely enough, it's the Silver Samurai who is one of HYDRA's leaders during the events of ''X-Men: The Official Game''.

to:

** ''Film/XMenTheLastStand'':\\\
''Film/XMenTheLastStand'':
***
Callisto's not scarred or one-eyed, she has a mix of Caliban's and Quicksilver's powers and not her own hypersensitivity.\\\
Kid Omega is actually Quill. The writers even state so in the DVDCommentary.\\\
DVDCommentary.
***
Leech. The movie ditches his defining trait of not passing for normal and not being able to do anything about it because most mutant powers don't work on him. Also, his powers no longer temporarily nullify whoever he touches, he has an area of effect that fully humanizes whoever enters it. Granted, it serves as a better justification for [[spoiler: using him as a source for The Cure, as using the original comic book plot would have left no screen time for the Phoenix plotline]].
** ''Film/XMenOriginsWolverine'' is fairly notorious for it, with many of the featured mutants having little (or nothing) to do with its comic book counterparts:\\\
counterparts:
***
Emma Frost. The only attributes that she has in common with her comics counterpart is that she's blonde and can turn her skin into a diamond-like form. ''First Class'' would [[CanonDiscontinuity ignore]] her appearance in this story and present its own version of Emma as much closer to her comics counterpart. Then again, she's called "Emma", but the surname is never said. However, in one of the character TV spots, they clearly use Frost as her surname.\\\
surname.
***
Agent Zero. Not only do they use his New Weapon X callsign instead of his Weapon X one (Maverick), he somehow has Agent X's powers as well. Neither his powers as Maverick (kinetic energy absorption and redirection), nor his powers as Agent Zero (corrosive skin secretions designed to defeat HealingFactor abilities) make an actual appearance. Oh, and he's no longer East German.\\\
German.
***
Bolt. Or Bradley, for those who missed him because he's long-dead in the comics. He's not only not called by his callsign, he's also no longer the kid Maverick teaches in the use of his powers after retiring - he's now Maverick's comrade-in-arms. Who, instead of lightning-flinging powers, has electric-appliance-powering-and-controlling powers.\\\
powers.
***
Deadpool retains his sarcastic sense of humor, MotorMouth and katanas... and even those fall by the wayside by the time of the main events of the movie. [[spoiler:While he does undergo a procedure to give him a copy of Wolverine's HealingFactor that leaves his body horrifically scarred just like in the comics, he's also saddled with Cyclops' optic blasts, Wraith's teleportation (He uses a device in the comics) and a pair of [[BladeBelowTheShoulder Blades Below the Shoulders]], and just to add insult to injury, his mouth is sewn shut.]]\\\
]]
***
In the comics, Blob's fat body was a part of his mutation, with the super strength more of a {{Required Secondary Power|s}}. In fact it's ''the fat'' that made him virtually resistant to any weapons.
** ''Film/XMenFirstClass'' has nothing to do with the [[ComicBook/XMen comic book of the same name]] and features entirely different origins for many of the characters. Despite this, the movie was very well-received by critics and was a hit at the box office.\\\
office.
***
A notable aspect is the complete reinvention of one character in particular, Azazel. Azazel in the comics is an immortal mutant/demon warlord who was banished to another dimension because he looked and acted like the devil and got many women pregnant to have an army of children to free him...somehow. In the film, he's a Russian KnifeNut who looks like the devil but other than killing a few people, doesn't act like it. He instead appears more like his son, Nightcrawler, only red and evil. [[TropesAreNotBad This is not a bad thing]], and as he originally was [[TheScrappy so despised]], the film [[RescuedFromTheScrappyHeap gave the character a well welcomed overhaul]].
** Most of ''Film/TheWolverine'''s characters are based from ''[[ComicBook/FrankMillersWolverine Frank Miller's Wolverine]]'' series; with some of them taken liberties to in terms of role.\\\
role.
***
The comics' Kenuichio Harada is ''THE'' Silver Samurai, Shingen's arrogant illegitimate son and a mutant seeking to rule the Yashida clan for himself. He despises the "gaijin" and the Yashidas especially Yashidas--especially his half-sister Mariko. In the film, most of his personality reflected on Shingen while Harada is relegated to the Yashidas' bodyguard, Mariko's ex-fiance [[spoiler:and not even the actual Silver Samurai]]. His closest reference to the comics is his affiliation with Viper.\\\
Viper
Viper.
*** Viper,
aka Madame Hydra Hydra, is a high-ranking member of HYDRA (and eventually leader) who is a human with superb martial arts skills and knowledge with poisons. Much like Juggernaut before her, the film depicts her as a mutant scientist with snake-like attributes who mainly works for herself. Confusingly, Fox was still allowed to use her, even though she's much more tied to Nick Fury and SHIELD. Strangely enough, it's the Silver Samurai who is one of HYDRA's leaders during the events of ''X-Men: The Official Game''.
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* Film/PromNight1980'' spawned a series of sequels and a remake that have nothing do with the film, other than being horror movies set around a prom.

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* Film/PromNight1980'' ''Film/PromNight1980'' spawned a series of sequels and a remake that have nothing do with the film, other than being horror movies set around a prom.



** The DirectToVideo ''Film/PromNightIIITheLastKiss'' ''is'' an actual sequel to ''Hello Mary Lou'' though, and ''Film/PromNightIVDeliverUsFromEvil'' (also released DTV) is a spin-off.

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** The DirectToVideo *** ''Film/PromNightIIITheLastKiss'' ''is'' an actual sequel to ''Hello Mary Lou'' though, and ''Film/PromNightIVDeliverUsFromEvil'' (also is a spin-off. Both were released DTV) is a spin-off.DirectToVideo.

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* None of the sequels or the remake to ''Film/PromNight1980'' have ''anything'' to do with the film, other than being Canadian horror films set around a prom.
** ''Film/HelloMaryLouPromNightII'' wasn't even filmed as a sequel. It only got branded as such at the last minute due to ExecutiveMeddling, much to the dismay of the writer/producer. Wheres the original ''Prom Night'' has a realistic slasher premise, this film is full-blown supernatural/fantasy, and has it's share of camp and comedic elements. The difference is pretty striking. The DirectToVideo ''Film/PromNightIIITheLastKiss'' ''is'' an actual sequel to this film, but ''Film/PromNightIVDeliverUsFromEvil'' (also released DTV) is once again a completely independent film.
** [[Film/PromNight2008 The 2008 remake]] is similar to the original in only the most basic sense, [[StalkerWithACrush having a completely different story]] all together. It does go back to being a straight slasher film though.

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* None Film/PromNight1980'' spawned a series of the sequels or the and a remake to ''Film/PromNight1980'' that have ''anything'' to nothing do with the film, other than being Canadian horror films movies set around a prom.
prom.
** ''Film/HelloMaryLouPromNightII'' wasn't even filmed as a sequel. It only got branded as such at the last minute due to ExecutiveMeddling, much to the dismay of the writer/producer. Wheres the original ''Prom Night'' has a realistic slasher premise, this film is full-blown supernatural/fantasy, and has it's share of camp and comedic elements. The difference is pretty striking. The DirectToVideo ''Film/PromNightIIITheLastKiss'' ''is'' an actual sequel to this film, but ''Film/PromNightIVDeliverUsFromEvil'' (also released DTV) is once again a completely independent film.
** The DirectToVideo ''Film/PromNightIIITheLastKiss'' ''is'' an actual sequel to ''Hello Mary Lou'' though, and ''Film/PromNightIVDeliverUsFromEvil'' (also released DTV) is a spin-off.
** [[Film/PromNight2008 The 2008 remake]] is similar to the original in only the most basic sense, [[StalkerWithACrush having a completely different story]] all together.and characters altogether. It does go back to being a straight slasher film though.

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* ''Film/HelloMaryLouPromNightII'' has no connection to the [[Film/PromNight1980 first]] outside the setting and being a prom-themed horror film. Likewise, [[Film/PromNightIVDeliverUsFromEvil the fourth]] is unconnected to the previous three outside a brief appearance by Hamilton High (the [[Film/PromNightIIITheLastKiss third film]] was a legit sequel to the second film). [[Film/PromNight2008 The remake]] is similar to the original in only the most basic sense, [[StalkerWithACrush having a completely different story]] all together. Some even consider it to be a completely independent film. The reason the second ''Prom Night'' flick was this was because of ExecutiveMeddling. Originally it was supposed to be called "The Haunting of Hamilton High", and be a scary tribute to the slasher genre (featuring references to ''Literature/{{Carrie}}, Film/TheOmen, Franchise/{{Halloween}}, Franchise/ANightmareOnElmStreet, Franchise/FridayThe13th, Film/TheExorcist, Film/PromNight1980'', along many others), but because it was a prom-themed horror film with a school of the same name as ''Prom Night'' (which was done on purpose as a homage to the original ''Prom Night''), the original film's distributor picked it up to cash in on ''Prom Night'''s success, and retooled it as a ''Prom Night'' sequel. Needless to say, the director was not happy about this...


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* None of the sequels or the remake to ''Film/PromNight1980'' have ''anything'' to do with the film, other than being Canadian horror films set around a prom.
** ''Film/HelloMaryLouPromNightII'' wasn't even filmed as a sequel. It only got branded as such at the last minute due to ExecutiveMeddling, much to the dismay of the writer/producer. Wheres the original ''Prom Night'' has a realistic slasher premise, this film is full-blown supernatural/fantasy, and has it's share of camp and comedic elements. The difference is pretty striking. The DirectToVideo ''Film/PromNightIIITheLastKiss'' ''is'' an actual sequel to this film, but ''Film/PromNightIVDeliverUsFromEvil'' (also released DTV) is once again a completely independent film.
** [[Film/PromNight2008 The 2008 remake]] is similar to the original in only the most basic sense, [[StalkerWithACrush having a completely different story]] all together. It does go back to being a straight slasher film though.
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* ''A Shot in the Dark'' is allegedly based on a stage play by Harry Kurnitz (itself based on a play by Marcel Achard), but all it really has is the plot, a deceased chauffeur named Miguel and a couple named Benjamin and Dominique. In fact, it was supposed to be almost exactly like the stage play -- until Blake Edwards suggested that Creator/PeterSellers play Inspector Clouseau.
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* ''The Adventures of Don Juan'' really has little involvement of the Don Juan story as most people know it. Sure, he's a seductive guy with a servant named Leporello, but the story focuses on him helping the Queen of Spain rather than him throwing a banquet and getting dragged down to hell by a talking statue.
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* In ''Film/IronMan3'', the BigBad is [[spoiler:Aldrich Killian]]. In the comic arc the movie adapts, the character [[spoiler:dies off very near the start and plays no active role in the order of events]] as a result. In this case, this was done intentionally in order to place a very crazy plot twist halfway through the movie; [[BrokenBase fans are still divided]] weither this was a [[TropeAreNotBad good]] or bad thing.

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* In ''Film/IronMan3'', the BigBad is [[spoiler:Aldrich Killian]]. In the comic arc the movie adapts, the character [[spoiler:dies off very near the start and plays no active role in the order of events]] as a result. In this case, this was done intentionally in order to place a very crazy plot twist halfway through the movie; [[BrokenBase fans are still divided]] weither this was a [[TropeAreNotBad [[TropesAreNotBad good]] or bad thing.
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* In ''Film/IronMan3'', the BigBad is [[spoiler:Aldrich Killian]]. In the comic arc the movie adapts, the character [[spoiler:dies off very near the start and plays no active role in the order of events]] as a result. Another example where [[TropesAreNotBad it works to the benefit of the adaptation]], as it led to a very crazy plot twist halfway through the movie as a result.

to:

* In ''Film/IronMan3'', the BigBad is [[spoiler:Aldrich Killian]]. In the comic arc the movie adapts, the character [[spoiler:dies off very near the start and plays no active role in the order of events]] as a result. Another example where [[TropesAreNotBad it works In this case, this was done intentionally in order to the benefit of the adaptation]], as it led to place a very crazy plot twist halfway through the movie as movie; [[BrokenBase fans are still divided]] weither this was a result.[[TropeAreNotBad good]] or bad thing.
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* The Korean film ''Film/HanselAndGretel'' borrows some concepts from the original tale but overall it's a completely different story.

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* The Korean film ''Film/HanselAndGretel'' ''Film/HanselAndGretel2007'' borrows some concepts from the original tale but overall it's a completely different story.
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* ''Film/{{Catwoman}}'': Go read a ''ComicBook/{{Catwoman}}'' comic. '''Any''' ''Catwoman'' comic. Then compare it to this movie. Other than the main character being a cat-themed antiheroine who dresses in black leather and wields a whip, there's almost no resemblance. The closest this film gets to having anything in common with the source material is an off-hand comment about "other people who have had such abilities", and one of the photos on the table is Selina from ''Film/BatmanReturns''.

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* ''Film/{{Catwoman}}'': Go read a ''ComicBook/{{Catwoman}}'' comic. '''Any''' ''Catwoman'' comic. Then compare it to this the movie. Other than the main character being a cat-themed antiheroine who dresses in black leather and wields a whip, there's almost no resemblance. The closest this film gets to having anything in common with the source material is an off-hand comment about "other people who have had such abilities", and one of the photos on the table is Selina from ''Film/BatmanReturns''.



* ''Film/FreakyFriday2003'': A girl named Anna and her mother who don't understand each other very well both switch bodies one Friday morning and get a better understanding of each other's lives and become closer, and...that's about all this movie has in common with the original film ''or'' the book. [[TropesAreNotBad During the movie's release, people praised it for not directly rehashing its predecessor, which was already more than 20 years old.]] The lack of similarities didn't stop publishers of the book from slapping a photo of Lindsay Lohan and Jamie Lee Curtis on reprints' covers, though.

to:

* ''Film/FreakyFriday2003'': A girl named Anna and her mother who don't understand each other very well both switch bodies one Friday morning and get a better understanding of each other's lives and become closer, and...that's about all this the movie has in common with the original film ''or'' the book. [[TropesAreNotBad During the movie's release, people praised it for not directly rehashing its predecessor, which was already more than 20 years old.]] The lack of similarities didn't stop publishers of the book from slapping a photo of Lindsay Lohan and Jamie Lee Curtis on reprints' covers, though.
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* Creator/RogerZelazny's 1969 ''Literature/DamnationAlley'' was set in a post-apocalyptic Nation of California in which the aftereffects of WWIII twenty years ago have spiraled way beyond nuclear winter to bring the entire Earth to the [[ApocalypseHow brink of death]], including continuous several hundred mile an hour winds that continually roar by about 500 feet above the ground to produce a blanket of radioactive rubble and garbage mixed with the contents of a good part of the world's oceans (which regularly results in a shower of horribly mutated sea life raining down to feed the giant abominations that dominate the land) in the sky. The story follows a SociopathicHero (the last living Hell's Angel) who has been forced into a lone suicidal medicine delivery mission through the inland no-man's-land to the U.S. East Coast as the result of a murder conviction. The movie ''Film/DamnationAlley'' was instead set in a toned down version of this two years after the fireworks, with the protagonist recast as a soldier at a missile base in the desert. After braving some drunken hillbillies and rubber cockroaches to investigate a mysterious radio signal, he and his [[TheSquad squadmates]] discover a [[HiddenElfVillage completely untouched]] [[VivaLasVegas haven]] and live HappilyEverAfter. The film was the more strongly favored of two "Sci-Fi" films being made by Fox at the time. The other film was ''[[Film/ANewHope Star Wars]]'' (1977); this one's budget was 1.54 times larger.

to:

* Creator/RogerZelazny's 1969 ''Literature/DamnationAlley'' was set in a post-apocalyptic Nation of California in which the aftereffects of WWIII twenty years ago have spiraled way beyond nuclear winter to bring the entire Earth to the [[ApocalypseHow brink of death]], including continuous several hundred mile an hour winds that continually roar by about 500 feet above the ground to produce a blanket of radioactive rubble and garbage mixed with the contents of a good part of the world's oceans (which regularly results in a shower of horribly mutated sea life raining down to feed the giant abominations that dominate the land) in the sky. The story follows a SociopathicHero (the last living Hell's Angel) who has been forced into a lone suicidal medicine delivery mission through the inland no-man's-land to the U.S. East Coast as the result of a murder conviction. The movie ''Film/DamnationAlley'' was instead set in a toned down version of this two years after the fireworks, with the protagonist recast as a soldier at a missile base in the desert. After braving some drunken hillbillies and rubber cockroaches to investigate a mysterious radio signal, he and his [[TheSquad squadmates]] discover a [[HiddenElfVillage completely untouched]] [[VivaLasVegas [[UsefulNotes/LasVegas haven]] and live HappilyEverAfter. The film was the more strongly favored of two "Sci-Fi" films being made by Fox at the time. The other film was ''[[Film/ANewHope Star Wars]]'' (1977); this one's budget was 1.54 times larger.
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* ''[[Film/HoratioHornblower Captain Horatio Hornblower, R. N.]]'': Comprising ''The Happy Return'', ''Ship of the Line'' and ''Flying Colours'', the film takes the bare plotline and ignores everything else. Several major elements and subplots are removed or replaced entirely, characterizations are radically changed.

to:

* ''[[Film/HoratioHornblower Captain Horatio Hornblower, R. N.]]'': Comprising ''The Happy Return'', ''Ship of the Line'' and ''Flying Colours'', the film takes the bare plotline and ignores everything else. Several major elements and subplots are removed or replaced entirely, entirely and characterizations are radically changed.



** Hornblower, in the book, absolutely ''wreaks havoc'' on French shipping and naval operations in the Mediterranean, taking numerous prizes. The ''Sutherland'' is explicitly Dutch built and painted with a sloppy Nelson Chequer, which Hornblower uses to perform numerous ruse de guerre, before attacking the four warships in the open sea, virtually destroying three and heavily damaging the fourth, to prevent them from slipping into the harbour defended by coastal artillery, and the ''Sutherland'' is captured and towed to shore to stop from sinking. In the movie, the ''Sutherland'' is French and (in the colourised version at least) is painted an ugly seafoam, Hornblower captures one brig before learning of the warships and attacks them in the harbour, mostly being attacked by shore battery before personally firing a cannon into the ''Sutherland's'' hull to bottle up the harbour and prevent her capture.
** The Chateau de Graçay is removed entirely. They are ''quite'' vital to ''Flying Colours'', as the Comte de Graçay houses Hornblower, Bush and Brown through the winter and helps them assemble a rowboat and has his maids fashion Dutch customs officers' uniforms to escape, whereas here they simply escape from the carriage and reach Nantes, then [[MuggedForDisguise attack three Dutch officers for their uniforms]]. The character Marie, with whom Hornblower carries on an affair, is also removed.

to:

** Hornblower, in the book, absolutely ''wreaks havoc'' on French shipping and naval operations in the Mediterranean, taking numerous prizes. The ''Sutherland'' is explicitly Dutch built and painted with a sloppy Nelson Chequer, which Hornblower uses to perform numerous ruse de guerre, before attacking the four warships in the open sea, virtually destroying three and heavily damaging the fourth, to prevent them from slipping into the a harbour defended by coastal artillery, and the artillery. The ''Sutherland'' is heavily damaged, captured and towed to shore to stop from sinking. In the movie, the ''Sutherland'' is French and (in the colourised version at least) is painted an ugly seafoam, Hornblower captures one brig before learning of the warships and attacks them in the harbour, mostly being attacked by shore battery before personally firing a cannon into the ''Sutherland's'' hull to bottle up the harbour and prevent her capture.
** The Chateau de Graçay is removed entirely. They are ''quite'' vital to ''Flying Colours'', as the Comte de Graçay houses Hornblower, Bush and Brown through the winter and winter, helps them assemble a rowboat and has his maids fashion Dutch customs officers' uniforms to escape, whereas here they simply escape from the carriage and reach Nantes, then [[MuggedForDisguise attack three Dutch officers for their uniforms]]. The character Marie, with whom Hornblower carries on an affair, is also removed.
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* ''Creepshow 3'' is a much lambasted example, which is rather remarkable since like its namesakes it's a horror anthology movie. But unlike the other ''Film/Creepshow'' movies it had no involvement from George Romero or Stephen King and, even more damning, had no homages to the EC horror comics of the past. Of course, it helps (or doesn't help) that ''Creepshow'' and ''Creepshow 2'' are considered classics, while with ''Creepshow 3'' is as widely disliked as any work can be.

to:

* ''Creepshow 3'' is a much lambasted example, which is rather remarkable since like its namesakes it's a horror anthology movie. But unlike the other ''Film/Creepshow'' ''Creepshow'' movies it had no involvement from George Romero or Stephen King and, even more damning, had no homages to the EC horror comics of the past. Of course, it helps (or doesn't help) that ''Creepshow'' and ''Creepshow 2'' are considered classics, while with ''Creepshow 3'' is as widely disliked as any work can be.
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* ''Creepshow 3'' is a much lambasted example, which is rather remarkable since like its namesakes it's [[Film/Creepshow a horror anthology movie.]] But unlike the other ''Creepshow'' movies it had no involvement from George Romero or Stephen King and, even more damning, had no homages to the EC horror comics of the past. Of course, it helps (or doesn't help) that ''Creepshow'' and ''Creepshow 2'' are considered classics, while with ''Creepshow 3'' is as widely disliked as any work can be.

to:

* ''Creepshow 3'' is a much lambasted example, which is rather remarkable since like its namesakes it's [[Film/Creepshow a horror anthology movie.]] movie. But unlike the other ''Creepshow'' ''Film/Creepshow'' movies it had no involvement from George Romero or Stephen King and, even more damning, had no homages to the EC horror comics of the past. Of course, it helps (or doesn't help) that ''Creepshow'' and ''Creepshow 2'' are considered classics, while with ''Creepshow 3'' is as widely disliked as any work can be.
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Added DiffLines:

* ''Creepshow 3'' is a much lambasted example, which is rather remarkable since like its namesakes it's [[Film/Creepshow a horror anthology movie.]] But unlike the other ''Creepshow'' movies it had no involvement from George Romero or Stephen King and, even more damning, had no homages to the EC horror comics of the past. Of course, it helps (or doesn't help) that ''Creepshow'' and ''Creepshow 2'' are considered classics, while with ''Creepshow 3'' is as widely disliked as any work can be.
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* ''Film/IKnowWhatYouDidLastSummer'' was based on a book from the ''1970s'' (yes, there was book). The film and the book have almost nothing in common, besides the vaguely similar plot and some character names. LoisDuncan, the writer of the book, was apparently pretty unhappy about this.

to:

* ''Film/IKnowWhatYouDidLastSummer'' was based on a book from the ''1970s'' (yes, there was book). The film and the book have almost nothing in common, besides the vaguely similar plot and some character names. LoisDuncan, Creator/LoisDuncan, the writer of the book, was apparently pretty unhappy about this.

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* It's been confirmed by WordOfGod that ''Film/AvengersAgeOfUltron'' will having nothing to do with the [[Comicbook/AgeOfUltron comic book story of the same name]]. Aside from featuring Ultron as the BigBad, [[CaptainObvious of course]].

to:

* It's been confirmed by WordOfGod that ''Film/AvengersAgeOfUltron'' will having nothing to do with the [[Comicbook/AgeOfUltron comic book story of the same name]]. Aside from featuring Ultron as the BigBad, [[CaptainObvious of course]]. They just went with the name because it [[RuleOfCool sounded cool]].
** Similarly, early indications are that the third (and fourth) ''Avengers'' films, ''Film/AvengersInfinityWar'', will have much more in common with the comic book story ''ComicBook/TheInfinityGauntlet'' than the story actually titled ''Infinity War'', which is a sequel to the above. Again, blame the RuleOfCool.
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** The new character Batgirl introduced is considered by many fans to be this due to the liberties taken with her origin, changing her from Commissioner Gordon's daughter to Alfred's niece, and dropping any original characterization and {{backstory}}.

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** The new character Batgirl introduced is considered by many fans to be this due to the liberties taken with her origin, changing her from Commissioner Gordon's daughter to Alfred's niece, and dropping any original characterization and {{backstory}}.



*** Ironically enough, a true sequel titled "Beast" was supposed to be released around the same time as Millionaire Boyz Club, and was meant to follow up on the two main characters since the last film. This was either scrapped or put on the shelf. The main cause was of course the many legal troubles of one of its main actors, {{DMX}}.

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*** Ironically enough, a true sequel titled "Beast" was supposed to be released around the same time as Millionaire Boyz Club, and was meant to follow up on the two main characters since the last film. This was either scrapped or put on the shelf. The main cause was of course the many legal troubles of one of its main actors, {{DMX}}.Music/{{DMX}}.



* ''[[Film/HoratioHornblower Captain Horatio Hornblower, R. N.]]'': Comprising of ''The Happy Return'', ''Ship of the Line'' and ''Flying Colours'', the film takes the bare plotline and ignores everything else. Several major elements and subplots are removed or replaced entirely, characterizations are radically changed.

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* ''[[Film/HoratioHornblower Captain Horatio Hornblower, R. N.]]'': Comprising of ''The Happy Return'', ''Ship of the Line'' and ''Flying Colours'', the film takes the bare plotline and ignores everything else. Several major elements and subplots are removed or replaced entirely, characterizations are radically changed.



* ''Film/CheaperByTheDozen'': The book is about the world's first efficiency expert and how he raises his twelve children, while the movie is about a husband trying to raise twelve kids while his wife is away on a business trip. Note that this only applies to the remakes. The original movies made in the 50's and 60's were much, ''much'' more faithful to the events in the books - which were actually loosely based on events in real life, reminiscent of the Little House on the Prairie books.

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* ''Film/CheaperByTheDozen'': The book is about the world's first efficiency expert and how he raises his twelve children, while the movie is about a husband trying to raise twelve kids while his wife is away on a business trip. Note that this only applies to the remakes. The original movies made in the 50's 1950s and 60's 1960s were much, ''much'' more faithful to the events in the books - which were actually loosely based on events in real life, reminiscent of the Little House on the Prairie books.



* This trope is present in ''Existo'', the strangest installment in the [[http://tvtropes.org/pmwiki/pmwiki.php/Film/ErnestPWorrell Ernest]] canon. Existo was a mentally unstable stage magician played by Bruce Arntson in the Ernest movies and TV show. In TheNineties when Ernest was relegated to straight-to-video releases, Existo got his own movie...sort of. ''Existo'' starred Bruce Arntson, but changed his character into an obsessively antiestablishmentary singer/songwriter and put him at the center of a morbid political satire set in Nashville.

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* This trope is present in ''Existo'', the strangest installment in the [[http://tvtropes.org/pmwiki/pmwiki.php/Film/ErnestPWorrell Ernest]] Film/ErnestPWorrell canon. Existo was a mentally unstable stage magician played by Bruce Arntson in the Ernest movies and TV show. In TheNineties when Ernest was relegated to straight-to-video releases, Existo got his own movie...sort of. ''Existo'' starred Bruce Arntson, but changed his character into an obsessively antiestablishmentary anti-establishmentary singer/songwriter and put him at the center of a morbid political satire set in Nashville.



* ''Film/FreakyFriday2003'': A girl named Anna and her mother who don't understand each other very well both switch bodies one Friday morning and get a better understanding of each other's lives and become closer, and...that's about all this movie has in common with the original ''or'' the book. [[TropesAreNotBad During the movie's release, people praised it for not directly rehashing its 20+ year old predecessor.]] The lack of similarities didn't stop publishers of the book from slapping a photo of Lindsay Lohan and Jamie Lee Curtis on reprints' covers, though.

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* ''Film/FreakyFriday2003'': A girl named Anna and her mother who don't understand each other very well both switch bodies one Friday morning and get a better understanding of each other's lives and become closer, and...that's about all this movie has in common with the original film ''or'' the book. [[TropesAreNotBad During the movie's release, people praised it for not directly rehashing its 20+ year old predecessor.predecessor, which was already more than 20 years old.]] The lack of similarities didn't stop publishers of the book from slapping a photo of Lindsay Lohan and Jamie Lee Curtis on reprints' covers, though.



* The ''Franchise/{{Halloween}}'' series was originally intended to be something of a ''Goosebumps'' for adults, with new, unrelated stories released every year. After the first two films had concluded Michael Myers's story, ''Film/HalloweenIIISeasonOfTheWitch'' told a completely new and unrelated story about an insane Irish-American novelty-maker and his scheme involving android mooks and planting tiny shards of Stonehenge into his company's Halloween masks in order to "sacrifice" millions of American children via a TV broadcast. The film's poor financial performance led to Michael's return.

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* The ''Franchise/{{Halloween}}'' series was originally intended to be something of a ''Goosebumps'' for adults, with new, unrelated stories released every year. After the first two films had concluded Michael Myers's Myers' story, ''Film/HalloweenIIISeasonOfTheWitch'' told a completely new and unrelated story about an insane Irish-American novelty-maker novelty maker and his scheme involving android mooks and planting tiny shards of Stonehenge into his company's Halloween masks in order to "sacrifice" millions of American children via a TV broadcast. The film's poor financial performance led to Michael's return.



* Any ''Film/HomeAlone'' films after the second one have only tenuous connections to the ones before them. 3 and 5 feature completely different families and antagonists (a group of international criminals working for North Korea in 3 and a trio of thieves in 5.) ''Home Alone 4'' technically has the [=MacCallisters=], but they have little to nothing to do with the [=MacCallisters=] from the first 2 movies, nor do any of the new actors look anything like their previous counterparts. Similarly, the Wet Bandits are back (though they're never called that), but Harry has been replaced with Marv's wife. Also, instead of building his own traps, Kevin just relies on a technologically advanced smart home to thwart them.
* The movie version of ''Literature/HowToEatFriedWorms'' has nothing in common with the book other than that the main characters gets stuck in a bet that involves having to consume earthworms. And even then, the film still gets it wrong by saying he has to eat ten worms in one day, when in the book, he had to eat one worm a day for 15 days.

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* Any ''Film/HomeAlone'' films after the second one have only tenuous connections to the ones before them. 3 The third and 5 fifth films feature completely different families and antagonists villains (a group of international criminals working for North Korea in 3 ''HA 3'' and a trio of thieves in 5.''HA 5''.) ''Home Alone 4'' technically has the [=MacCallisters=], but they have little to nothing to do with the [=MacCallisters=] from the first 2 two movies, nor do any of the new actors look anything like their previous counterparts. Similarly, the Wet Bandits are back (though they're never called that), but Harry has been replaced with Marv's wife. Also, instead of building his own traps, Kevin just relies on a technologically advanced smart home to thwart them.
* The movie version of ''Literature/HowToEatFriedWorms'' has nothing in common with the book other than that the main characters gets stuck in a bet that involves having to consume earthworms. And even then, the film still gets it wrong by saying he the lead character has to eat ten worms in one day, when in the book, he had to eat one worm a day for 15 days.



* Classic Creator/HumphreyBogart film noir ''Film/InALonelyPlace'' shares its title and the character's names with Dorothy B Hughes' novel, and absolutely nothing else. One can see Dix Steele's (successful) attempt to adapt a trashy novel into a screenplay as a metaphor for adapting Hughes' book into a film.

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* Classic Creator/HumphreyBogart film noir ''Film/InALonelyPlace'' shares its title and the character's characters' names with Dorothy B B. Hughes' novel, and absolutely nothing else. One can see Dix Steele's (successful) attempt to adapt a trashy novel into a screenplay as a metaphor for adapting Hughes' book into a film.



** It does take inspiration from different Isaac Asimov stories, including one called "Robot Dreams." One of the Asimov short stories, "The Evitable Conflict," featured [[spoiler: massive, central robot minds taking over the planet because they could run it better than us. While that story was more subtle (the robots took over without humans even knowing it, versus the RobotWar of this film), VIKI's motivations are close to what Asimov wrote]]. Spooner himself bears resemblance to the protagonist of Asimov's Robot series, Elijah Baley, who is a New York detective who overcomes his distrust of robots when he is forced to work with a robot partner. The similarities end there, however.

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** It does take inspiration from different Isaac Asimov stories, including one called "Robot Dreams." Dreams". One of the Asimov short stories, "The Evitable Conflict," Conflict", featured [[spoiler: massive, [[spoiler:massive, central robot minds taking over the planet because they could run it better than us. While that story was more subtle (the robots took over without humans even knowing it, versus the RobotWar of this film), VIKI's motivations are close to what Asimov wrote]]. Spooner himself bears resemblance to the protagonist of Asimov's Robot series, Elijah Baley, who is a New York detective who overcomes his distrust of robots when he is forced to work with a robot partner. The similarities end there, however.



* ''Series/ISpy''. Has none of the wit or coolness of the original. In fact, the director begged the studio not to use that as the title for the movie, but ExecutiveMeddling won the day.

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* ''Series/ISpy''. Has The film has none of the wit or coolness of the original.original TV series. In fact, the director begged the studio not to use that as the title for the movie, but ExecutiveMeddling won the day.



* ''Jingle all the Way 2'', the 2014 DirectToVideo sequel to ''Film/JingleAllTheWay'', has absolutely no characters or actors in common with the original. Literally the only common thread is that both films are about a father trying to find a CoolToy for their child.

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* ''Jingle all All the Way 2'', the 2014 DirectToVideo sequel to ''Film/JingleAllTheWay'', has absolutely no characters or actors in common with the original. Literally the only common thread is that both films are about a father trying to find a CoolToy for their child.



* ''Film/TheLeagueOfExtraordinaryGentlemen''. The Creator/AlanMoore [[Comicbook/TheLeagueOfExtraordinaryGentlemen comic]] won't remind you of the film, and vice versa.
* Steven Spielberg's ''Film/{{Lincoln}}'' was promoted (and even credited) as an adaptation of Doris Kearns Goodwin's nonfiction book ''Team of Rivals''. A tie-in version of ''Team'' was even reprinted around the time of ''Lincoln'''s release. However, ''Team'' covers Lincoln's entire presidency, devoting only a few pages to the 13th Amendment and its ratification - the movie's entire focus. Somewhat justified, as Spielberg originally planned a miniseries adaptation of ''Team'' and later pared it down to the extant film.

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* ''Film/TheLeagueOfExtraordinaryGentlemen''. The Creator/AlanMoore [[Comicbook/TheLeagueOfExtraordinaryGentlemen [[ComicBook/TheLeagueOfExtraordinaryGentlemen comic]] won't remind you of the film, and vice versa.
* Steven Spielberg's ''Film/{{Lincoln}}'' was promoted (and even credited) as an adaptation of Doris Kearns Goodwin's nonfiction book ''Team of Rivals''. A tie-in version of ''Team'' was even reprinted around the time of ''Lincoln'''s release. However, ''Team'' covers Lincoln's entire presidency, devoting only a few pages to the 13th Amendment and its ratification - the movie's entire focus. Somewhat justified, as Spielberg originally planned a miniseries adaptation of ''Team'' and later pared it down to the extant film.



* ''Film/TheMask'': [[Comicbook/TheMask The original comic]] was more of a horror series involving the titular Mask turning people into Axe Crazy murderers. The movie, then [[WesternAnimation/TheMask the animated series]] turned the character into a comical Super Hero, kept as the main character a guy who only last one issue in the comic, and used few elements from the comic. The show and the movie are actually better remembered than the comic, and the serie was rather well-received

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* ''Film/TheMask'': [[Comicbook/TheMask [[ComicBook/TheMask The original comic]] was more of a horror series involving the titular Mask turning people into Axe Crazy murderers. The movie, then [[WesternAnimation/TheMask the animated series]] turned the character into a comical Super Hero, kept as the main character a guy who only last one issue in the comic, and used few elements from the comic. The show and the movie are actually better remembered than the comic, and the serie was rather well-received



** ''The Mysterious Island'' has nothing to do with [[TheMysteriousIsland the book of that name]]; it's actually based loosely on ''TheOdyssey''.
** ''Under the Seas'' is sometimes called ''20,000 Leagues Under the Sea'', but it takes only two things from [[TwentyThousandLeaguesUnderTheSea the book]]: the submarine and the fish. (No, seriously. The cutout fish Méliès made for the movie were closely based on the original book illustrations; TheOtherWiki [[http://en.wikipedia.org/wiki/Under_the_Seas says so]].)

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** ''The Mysterious Island'' has nothing to do with [[TheMysteriousIsland [[Literature/TheMysteriousIsland the book of that name]]; it's actually based loosely on ''TheOdyssey''.
''Literature/TheOdyssey''.
** ''Under the Seas'' is sometimes called ''20,000 Leagues Under the Sea'', but it takes only two things from [[TwentyThousandLeaguesUnderTheSea [[Literature/TwentyThousandLeaguesUnderTheSea the book]]: the submarine and the fish. (No, seriously. The cutout fish Méliès made for the movie were closely based on the original book illustrations; TheOtherWiki [[http://en.wikipedia.org/wiki/Under_the_Seas says so]].)



** AURYN can only exist in Fantasia, as its power is Fantasien, the world of human fantasy. A person cannot make things from their imagination magically appear in the human world.

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** AURYN can only exist in Fantasia, as its power is Fantasien, the world of human fantasy. A person cannot make things from their his imagination magically appear in the human world.



* The sequel to ''PureCountry'' shares literally no characters or actors with the first film.

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* The sequel to ''PureCountry'' ''Film/PureCountry'' shares literally no characters or actors with the first film.



* Given only 5 of the ''Film/JamesBond'' films don't take at least the title from Creator/IanFleming's [[Literature/JamesBond novels/stories]], it happened often.

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* Given that only 5 five of the ''Film/JamesBond'' films don't take at least the title from Creator/IanFleming's [[Literature/JamesBond novels/stories]], it happened often.
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* ''A Cry in the Wild'' is an adaptation of Gary Paulsen's ''Hatchet'', but the sequel, ''White Wolves: A Cry in the Wild II'' has no relation to [[Literature/BriansSaga the series]] other than having the same director.
* The opening credits to ''Film/{{Adaptation}}'' list it as based on Susan Orlean's book ''The Orchid Thief'', to which it bears very little resemblance. But then, [[PostModernism that was]] [[IntendedAudienceReaction the point of the movie]].
* ''Film/AeonFlux'' had nothing in common with [[WesternAnimation/AeonFlux the TV series]] except for three character names, a couple of prop designs, and that it involved an ActionGirl. The creator of the TV show has been complaining ever since. Interestingly, the video game is actually a wonderfully faithful adaptation of the cartoon, despite being produced as a tie-in for the movie.
* Creator/TimBurton's ''Film/AliceInWonderland''. Despite being named for the shortened-version of the first book, the movie is actually a sequel of sorts. The Red Queen shares only her title with the chess piece from ''Through the Looking Glass'', and is in every other respect based on the Queen of Hearts from ''Alice in Wonderland''.
* The ''Franchise/AloneInTheDark'' video game series is a rather atmospheric experience, usually residing within the territory of SurvivalHorror, but ''Film/AloneInTheDark2005'' is just a hardcore action flick with a few horror elements stolen from various sources, with almost no story elements from the games. When Creator/UweBoll was handed a working script, his first comment was "There weren't enough car chases." Also, at no point are any of the characters ever alone in the dark. They are either with someone else at the time, or they are not in the dark.
* The classic Creator/RayBradbury short story, ''Literature/ASoundOfThunder'' and [[Film/ASoundOfThunder the film of the same title]] both involve time travellers accidentally altering the past while hunting a dinosaur -- and that's literally '''it'''. The movie even kills the concept on which the book was based ''in the first five minutes''. That's like Marty getting run over by a semi before he can hit 88 MPH in the first ''Film/BackToTheFuture''.
** The best part is how, in the original story, the possible effects of the altered past are built up to be unspeakably disastrous during the course of the story. When the Time Safari does get back, however, everything is basically the same... [[spoiler:and then they notice the wonky spelling...]] The story's ending was apparently too subtle for Hollywood, so we got a city overgrown with jungle (it doesn't even [[ItMakesSenseInContext make sense in context]]) and [[EverythingTryingToKillYou crawling with killer baboon-things and sewer sharks]]. Oh, and there's also something about a catfish-man. [[WhatDoYouMeanItWasntMadeOnDrugs Of course]].
** The worst part is the movie can't even keep its own mythology straight. In the original story, it was simple - changing something in the past changed the future. In the movie, changing the past causes time to change in six "waves", and the protagonists remember everything that happened before the change. At the end, when the timeline is set right, the changes happen instantly and nobody remembers what happened.
* The film adaptation of the novel ''Avalon High''. In the movie, the main character turns out to be [[spoiler:the reincarnation of Arthur, rather than Elaine of Astolat/The Lady of the Lake]], changing the entire plot completely. Similarly, Marco [[spoiler:is Kay instead of Mordred, and a teacher turns out to actually be Mordred]]. With half of the characters swapped around, it definitely becomes a case of this trope.
* It's been confirmed by WordOfGod that ''Film/AvengersAgeOfUltron'' will having nothing to do with the [[Comicbook/AgeOfUltron comic book story of the same name]]. Aside from featuring Ultron as the BigBad, [[CaptainObvious of course]].
* ''Film/BatmanAndRobin'':
** The new character Batgirl introduced is considered by many fans to be this due to the liberties taken with her origin, changing her from Commissioner Gordon's daughter to Alfred's niece, and dropping any original characterization and {{backstory}}.
** Bane from the same film, dropping the WickedCultured GeniusBruiser aspects of his comic book counterpart, leaving a DumbMuscle [[TheBrute Brute]] whose dialogue throughout the movie consists of mere grunts.
* ''Film/{{Battleship}}'' may well have a completely different title. The only real nods to the source are the alien canister bombs that embed themselves into ship decks before exploding much like the pegs from the board game and the (jarring) scene where they use boys to map the sea into numbered squares they can fire at.
* Creator/AndreNorton's ''The Beast Master'' series tell the story of retired veteran Hosteen Storm, an American Indian in the far future who was recruited into an elite commando force, the titular Beast Masters, which were telepathically bonded to a team of genetically enhanced animals (a horse, tiger, pair of ferrets and hawk in Storm's case) to fight an interstellar war. With Earth destroyed on the way to a costly victory, he is discharged with honors to seek his fate and sort out his life on a distant colony world. It's been adapted to other media a number of times... In a manner of speaking:
** [[Film/TheBeastmaster Three films]] were made, recasting him as Dar, a blond BarbarianHero with telepathically linked animal companions in a generic HighFantasy setting. While a box-office bomb, the first film was actually pretty good for what it was and received a [[VindicatedByCable cult following on TV]].
** A SciFi [[Series/{{Beastmaster}} Original Series]] was made, seemingly through direct PopCulturalOsmosis from the films.
* HypeWilliams, a hip hop video director, took a shot at directing a movie in 1998. The result was ''Belly''. Now it may not have won any Oscars due to a mediocre plot, but the film became a cult classic with its distinctive narrative and visual style that Williams videos were known for. Eight years later, Millionaire Boyz Club was finished and ready to be released straight to DVD. This movie has no connection to Belly whatsoever. For reasons unknown to even the actors, the film was released as Belly 2: Millionaire Boyz Club. The original film featured heavy MusicVideoSyndrome (specifically videos Hype Williams directed), narration from the main character, themes of self destruction, knowledge of self, redemption, salvation, albeit done very sloppy in terms of writing, and dropped many anvils towards the end. This "sequel" had a completely different cast and director, none of the themes of the first film, and lacked the visual style and narrative that the first film was known for.
** The title change may also have missed the point of the original. The title "Belly" was meant to mean "Belly of the Beast". The "Beast" supposedly meaning the evil of men, or in this case the evils of the ghetto (drugs, alcohol, violence, etc). The second film however was a cookie cutter "gangsta' flick" that glorified every tired cliche used in 'hood movies.
*** Ironically enough, a true sequel titled "Beast" was supposed to be released around the same time as Millionaire Boyz Club, and was meant to follow up on the two main characters since the last film. This was either scrapped or put on the shelf. The main cause was of course the many legal troubles of one of its main actors, {{DMX}}.
* Hitchcock's suspense classic ''Film/TheBirds'' was inspired by a Daphne du Maurier short story of the same name. The only thing they have in common is that [[ExactlyWhatItSaysOnTheTin there are birds]] and they attack people.
* The 1934 movie ''Film/TheBlackCat'' starring Creator/BorisKarloff and Creator/BelaLugosi has nothing to do with the Creator/EdgarAllanPoe story of that title.
* ''Film/BookOfShadowsBlairWitch2'', the sequel to ''Film/TheBlairWitchProject'', is actually about some dorks inspired by the previous (and acknowledged as fictional) film who try to find the witch for themselves. {{Mind Screw}}iness, [[{{Fanservice}} naked breasts]], and [[FauxSymbolism random owl "symbolism"]].
* ''Blue Lagoon: The Awakening'' is supposedly a retelling of ''Literature/TheBlueLagoon''. Yes, there is an island, and the two teenage castaways learn to survive and fall in love. But it's set in the modern day with two American high schoolers, who get stranded on the island after fleeing the Tobagoan police during a senior trip. They only live on the island for a few months before getting rescued, and in the meantime they have lots of casual sex knowing full well what it is that they're doing (and she doesn't even get pregnant).
* ''Film/TheBourneSeries'' have nothing whatsoever to do with [[Literature/TheBourneSeries Ludlum's novels]], aside from the name of the main character and his amnesia. They cut out the primary villain (since Carlos the Jackal is just a teensy bit in prison at the moment), changed the time to present day, completely changed the backstory behind Bourne's skills, changed the last name, nationality, profession (and, in the second film, [[spoiler: lifespan]]) of his love interest... The movies are generally considered ''good'', mind you (especially the first one). Just... expect to be disoriented if you read the books afterward.
* ''Film/{{Bratz}}'' is only really about [[Franchise/{{Bratz}} the toy line]] in name only. However, there wasn't much to go on to begin with.
* The forthcoming ''Film/CabinFever: Patient Zero'' has nothing in common with the previous two films outside of having a virus and from the premise, seems to read more like a combination of ''Film/{{Outbreak}}'' and ''Film/TheHumanCentipede''.
* The sequel ''The Curse of the Cat People'' has very little in common with the original ''Film/CatPeople'', beyond featuring the same three main characters.
* ''[[Film/HoratioHornblower Captain Horatio Hornblower, R. N.]]'': Comprising of ''The Happy Return'', ''Ship of the Line'' and ''Flying Colours'', the film takes the bare plotline and ignores everything else. Several major elements and subplots are removed or replaced entirely, characterizations are radically changed.
** Hornblower is now a standard Hollywood hero that makes grand speeches and gives compliments, in stark contrast to the brooding ByronicHero who disdains "unnecessary words".
** A subplot of the ''Lydia's'' surgeon being killed in action against the ''Natividad'' and Lady Barbara assuming his duties, before falling ill en route to England and Hornblower nursing her back to health is added.
** El Supremo's subordinates, such as his personal aide and the captain(s) he puts in command of the ''Natividad'' are written out, and his crucifying of dissidents (which causes a brief skirmish between the ''Lydia's'' crew and El Supremo's soldiers) is not mentioned. El Supremo was later shown to Hornblower as a prisoner chained belowdecks on a Spanish lugger, whereas in the film he personally commands the ''Natividad'' and is killed in its destruction.
** Maria attends a dinner with Lady Barbara and Admiral Leighton at beginning of ''Ship of the Line'', but here dies [[TheGhost offscreen]] while Hornblower was in the Pacific.
** The East Indiamen convoy, which Hornblower must protect from two attacking privateers, is dropped (possibly because Hornblower illegally presses 120 crewmen).
** Hornblower, in the book, absolutely ''wreaks havoc'' on French shipping and naval operations in the Mediterranean, taking numerous prizes. The ''Sutherland'' is explicitly Dutch built and painted with a sloppy Nelson Chequer, which Hornblower uses to perform numerous ruse de guerre, before attacking the four warships in the open sea, virtually destroying three and heavily damaging the fourth, to prevent them from slipping into the harbour defended by coastal artillery, and the ''Sutherland'' is captured and towed to shore to stop from sinking. In the movie, the ''Sutherland'' is French and (in the colourised version at least) is painted an ugly seafoam, Hornblower captures one brig before learning of the warships and attacks them in the harbour, mostly being attacked by shore battery before personally firing a cannon into the ''Sutherland's'' hull to bottle up the harbour and prevent her capture.
** The Chateau de Graçay is removed entirely. They are ''quite'' vital to ''Flying Colours'', as the Comte de Graçay houses Hornblower, Bush and Brown through the winter and helps them assemble a rowboat and has his maids fashion Dutch customs officers' uniforms to escape, whereas here they simply escape from the carriage and reach Nantes, then [[MuggedForDisguise attack three Dutch officers for their uniforms]]. The character Marie, with whom Hornblower carries on an affair, is also removed.
** Bush's foot is shot off by a cannonball at the end of ''Ship of the Line''. Here his leg is hit with shrapnel and gets better during their escape.
** The film contains several anachronisms such as drinking to the King's health (not permitted until the reign of King William IV in 1830) and referring to Sir Arthur Wellesley as the Duke of Wellington in 1808, when he was awarded that title in 1814, both of which the books make a point not to make.
** A detailed analysis of changes can be found [[http://www.imdb.com/title/tt0043379/board/nest/171388912 here]]. That said, the film is enjoyable on its own rights.
* ''Film/{{Catwoman}}'': Go read a ''ComicBook/{{Catwoman}}'' comic. '''Any''' ''Catwoman'' comic. Then compare it to this movie. Other than the main character being a cat-themed antiheroine who dresses in black leather and wields a whip, there's almost no resemblance. The closest this film gets to having anything in common with the source material is an off-hand comment about "other people who have had such abilities", and one of the photos on the table is Selina from ''Film/BatmanReturns''.
* Tony Richardson's ''Film/TheChargeOfTheLightBrigade'' is less a remake of the 1936 Errol Flynn film (or the Tennyson poem) than an adaptation of the nonfiction book ''The Reason Why'', by Cecil Woodham-Smith. Richardson said that the studio [[ExecutiveMeddling renamed the movie in post-production]], thinking ''Light Brigade'' a more commercial title.
* ''Film/CheaperByTheDozen'': The book is about the world's first efficiency expert and how he raises his twelve children, while the movie is about a husband trying to raise twelve kids while his wife is away on a business trip. Note that this only applies to the remakes. The original movies made in the 50's and 60's were much, ''much'' more faithful to the events in the books - which were actually loosely based on events in real life, reminiscent of the Little House on the Prairie books.
* Apparently ''Film/CityOfAngels'' is a ForeignRemake of ''Der Himmel Über Berlin (Wings of Desire)'', but aside of the central premise (angel longs to live a human life) there's nothing left.
* The Hungarian movie ''Colonel Redl'' purports to be an adaptation of John Osborne's play ''A Patriot for Me''. Aside from featuring Alfred Redl as the main character, and a prominent duel scene early in the film, they have nothing in common.
* ''Film/TheHustler'' is a reasonably close adaptation of the book of that name. They each have a sequel called ''Film/TheColorOfMoney'', but the film and the novel have almost nothing in common.
* ''Film/ConanTheBarbarian1982'' scarcely bears any relation to the books (and comics), besides some few elements like names and most notably {{Creator/Mako}}'s narration at the start. Conan's character is fundamentally altered since he now grows up in slavery, becoming what he is all due to others (e.g. devoting his life to revenge against the warlord who [[YouKilledMyFather left him an orphan]], being educated in the arts and in swordsmanship by Eastern masters). The Conan of the books was always master of his own fate, WalkingTheEarth because he felt like it and absorbing knowledge as he went.
* Happens all the time with comic book movies. Given that ''Film/{{Constantine}}'' doesn't even keep the ''ComicBook/{{Hellblazer}}'' title out of confusion with ''Franchise/{{Hellraiser}}'', you have to wonder why they bothered.
** Constantine is a curious case, in that while it is viewed as a poor adaptation, it ''is'' viewed as a good stand alone movie.
* ''Film/TheCuriousCaseOfBenjaminButton'' only takes the basic premise and title from the F. Scott Fitzgerald story that it is based on. While the former is a good MagicRealism drama by itself, the latter is mostly a comic farce.
* Creator/RogerZelazny's 1969 ''Literature/DamnationAlley'' was set in a post-apocalyptic Nation of California in which the aftereffects of WWIII twenty years ago have spiraled way beyond nuclear winter to bring the entire Earth to the [[ApocalypseHow brink of death]], including continuous several hundred mile an hour winds that continually roar by about 500 feet above the ground to produce a blanket of radioactive rubble and garbage mixed with the contents of a good part of the world's oceans (which regularly results in a shower of horribly mutated sea life raining down to feed the giant abominations that dominate the land) in the sky. The story follows a SociopathicHero (the last living Hell's Angel) who has been forced into a lone suicidal medicine delivery mission through the inland no-man's-land to the U.S. East Coast as the result of a murder conviction. The movie ''Film/DamnationAlley'' was instead set in a toned down version of this two years after the fireworks, with the protagonist recast as a soldier at a missile base in the desert. After braving some drunken hillbillies and rubber cockroaches to investigate a mysterious radio signal, he and his [[TheSquad squadmates]] discover a [[HiddenElfVillage completely untouched]] [[VivaLasVegas haven]] and live HappilyEverAfter. The film was the more strongly favored of two "Sci-Fi" films being made by Fox at the time. The other film was ''[[Film/ANewHope Star Wars]]'' (1977); this one's budget was 1.54 times larger.
* The "remake" ''Film/DayOfTheDead2008'' is nothing like [[Film/DayOfTheDead the original]] except for being a zombie movie. Except for the setting, the monsters, the downbeat ending and the dying hero turning plot.
* ''Film/DeathSentence'' the film has a different story, focused on a PapaWolf VigilanteMan going on a RoaringRampageOfRevenge, as opposed to the original novel, which was a sequel to the ''Literature/DeathWish'' novel. Author Brian Garfield has stated that despite the differences, the film still did get the novel's point across.
** Garfield actually insisted on the changes. Due to his hatred of the sequels to the film version of ''Film/DeathWish'', he would not sell the film rights to ''Death Sentence'' unless the main character was not Paul Kersey and the adaptation didn't follow the film series. This in turn led to a long development hell period for the project.
* For that matter, ''Film/DeathWish''; the film's supposed glorification of vigilantism goes against the intended message of the novel.
* Most film versions of ''[[Literature/TheStrangeCaseOfDrJekyllAndMrHyde Doctor Jekyll and Mr. Hyde]]'' are like this. They have a [[FrozenInTime setting of Victorian England]] and a doctor who turns evil by drinking a self-made potion... and that's it. Jekyll is usually [[HotterAndSexier young and sexy]], not middle-aged, and [[TokenRomance he has a girlfriend or wife]]; Hyde looks disfigured and terrorizes prostitutes, a bit like Jack the Ripper. The main reason for this is that, in the original story, the revelation that Hyde and Jekyll are one and the same was a TwistEnding, but is now a case of ItWasHisSled. Since the chances of shocking the audience while sticking to the original narrative are nil, adaptations tend to show the story from Jekyll/Hyde's point of view (he's actually not the protagonist in the book) and spoil the "surprise" early on.
* ''Film/{{Doom}}'' has very little in common with [[VideoGame/{{Doom}} the game series]] it is supposedly based on other than the title. Both the games and the movie feature humans on Mars trying to repel a sudden outbreak of horrific monsters whose origins are initially unknown. The name of the [[MegaCorp Evil Corporation]] responsible for the outbreak is the same, but that's where the similarities end. When the origin of the monsters is eventually revealed, it is completely different than the games, being more akin to [[Franchise/ResidentEvil another video game series featuring similar monsters]].
** Even the monsters themselves (at least, the three types of them that actually appear in the movie) qualify for this trope. Though they do vaguely resemble their counterparts from the games as far as their physical appearances are concerned, the behaviour they display is noticeably different and they possess none of the signature abilities that their game counterparts have.
** The original script was closer to the game, ''Doom 3'' at least, but the idea of opening a gateway to Hell was not considered acceptable for a mainstream film, so it was hastily {{retcon}}ned to be genetic engineering gone wrong.
* ''Film/DragonballEvolution'' has ''some'' elements in common with the original manga, such as the presence of Goku and a girl named Bulma who are in search of the seven [[MacGuffin Dragon Balls]]. But nearly everything else is heavily modified from the original canon. Goku went from a twelve-year old {{Chaste|Hero}} WildChild to a sixteen-year old negative high schooler who wants to get with a girl. He learns the Kamehameha too late, and is too serious to even be considered the same character. And Krillin, a highly important character in the original, was removed entirely (although [[FunnyAnimal Oolong and Puar]] may be understandable). Bulma and [[AscendedExtra Mai]] go the other way and TookALevelInBadass. It was declared CanonDiscontinuity by Toriyama.
* ''Film/DrDolittle'', with Creator/EddieMurphy, is named after a literary character named Literature/DoctorDolittle who talks to animals -- but beyond [[SpeaksFluentAnimal talking to animals itself]], the two productions have essentially nothing in common with each other. The book is set in Britain sometime in the past, the movie is set in the USA of today. The main character got a RaceLift. And that's just the beginning.
* Aside from a few throwaway lines and other minor elements -- some of which don't actually match the game versions anyway (e.g. the beholders) -- ''Film/DungeonsAndDragons'' is nothing more than a generic (and not very good) fantasy movie with a famous brand name attached to it. The sequel ''Film/DungeonsAndDragonsWrathOfTheDragonGod'', a SyFyChannelOriginalMovie, sticks much closer to the original game content, right down to mentioning established gods, demons, spells, monsters, and even having Gary Gygax involved. Each character had a character sheet, and the actors can be seen [[ShownTheirWork reading the Third Edition Player's Handbook]] to better understand their characters.
* The ''Literature/{{Earthsea|Trilogy}}'' movie had very little in common with the books except the names, and sometimes it didn't even get the names right. (Specifically, "Ged" is the protagonist's real name, "Sparrowhawk" is his username. The movie switches that around.) And given that it's Earthsea, where knowing the correct names for things is the root of magical power, that's kind of horrible.
* Only the 1974 ''Emmanuelle'' bears any relation to the novel from which it derives its name, and even that movie deviates from the source material in several respects (in the original novel, for instance, Mario is an openly gay man.) The rest of the Emmanuelle movies were just attempts to cash in on the success of the original.
* Creator/WoodyAllen's film ''Everything You Always Wanted To Know About Sex ... But Were Afraid To Ask'' has absolutely nothing to do with the (ostensibly nonfiction) book of the same name.[[note]]This is probably just as well.[[/note]]
* This trope is present in ''Existo'', the strangest installment in the [[http://tvtropes.org/pmwiki/pmwiki.php/Film/ErnestPWorrell Ernest]] canon. Existo was a mentally unstable stage magician played by Bruce Arntson in the Ernest movies and TV show. In TheNineties when Ernest was relegated to straight-to-video releases, Existo got his own movie...sort of. ''Existo'' starred Bruce Arntson, but changed his character into an obsessively antiestablishmentary singer/songwriter and put him at the center of a morbid political satire set in Nashville.
* Quite a few supposedly "[[VeryLooselyBasedOnATrueStory based on a true story]]" movies fit this trope -- ''Film/TheExorcismOfEmilyRose'' springs to mind.
* Creator/DavidCronenberg's version of ''Film/TheFly1986'' has very little, apart from the basic premise, in common with [[Film/TheFly1958 the 50s movie]] with Creator/VincentPrice and even less to do with [[Literature/TheFly the original French science fiction story]]. [[TropesAreTools Some consider this a good thing.]]
* ''Film/{{Frankenstein 1931}}'' has very little in common with Creator/MaryShelley's [[Literature/{{Frankenstein}} novel]] except a few names and the concept of person made of corpse body parts being brought life.
* ''Film/FreakyFriday2003'': A girl named Anna and her mother who don't understand each other very well both switch bodies one Friday morning and get a better understanding of each other's lives and become closer, and...that's about all this movie has in common with the original ''or'' the book. [[TropesAreNotBad During the movie's release, people praised it for not directly rehashing its 20+ year old predecessor.]] The lack of similarities didn't stop publishers of the book from slapping a photo of Lindsay Lohan and Jamie Lee Curtis on reprints' covers, though.
* ''Film/FreeWilly: Escape from Pirate's Cove'' is this, very much. The only thing it has in common with the original films is a whale named Willy. And even then, it's a different whale.
* ''Film/FunWithDickAndJane'': Like the famous [[Literature/DickAndJane beginning reader books]], the main characters are named Dick and Jane... and that's it!
* The 1998 ''Film/{{Godzilla|1998}}'' strays so far from [[Franchise/{{Godzilla}} the source material]], many fans like to call it ''GINO'' (Godzilla In Name Only), and Toho went so far as to rename the beast "Zilla" because they believed that Emmerich managed to remove the 'God' from Godzilla. They even went so far as to incorporate him into their own ''Godzilla'' series as an antagonist in ''Film/GodzillaFinalWars'' (thus making it clear that he and Godzilla are two different characters), only to have the ''real'' Godzilla [[CurbStompBattle defeat him with two hits in an 11-second battle]]. Strangely enough, after that film, many fans who previously hated him now [[RescuedFromTheScrappyHeap accept him]] as just another monster in Godzilla's RoguesGallery. Curiously, the [[WesternAnimation/GodzillaTheSeries series]] that followed the movie was well received.
* The ''Franchise/{{Halloween}}'' series was originally intended to be something of a ''Goosebumps'' for adults, with new, unrelated stories released every year. After the first two films had concluded Michael Myers's story, ''Film/HalloweenIIISeasonOfTheWitch'' told a completely new and unrelated story about an insane Irish-American novelty-maker and his scheme involving android mooks and planting tiny shards of Stonehenge into his company's Halloween masks in order to "sacrifice" millions of American children via a TV broadcast. The film's poor financial performance led to Michael's return.
* The Korean film ''Film/HanselAndGretel'' borrows some concepts from the original tale but overall it's a completely different story.
* ''Film/HelloMaryLouPromNightII'' has no connection to the [[Film/PromNight1980 first]] outside the setting and being a prom-themed horror film. Likewise, [[Film/PromNightIVDeliverUsFromEvil the fourth]] is unconnected to the previous three outside a brief appearance by Hamilton High (the [[Film/PromNightIIITheLastKiss third film]] was a legit sequel to the second film). [[Film/PromNight2008 The remake]] is similar to the original in only the most basic sense, [[StalkerWithACrush having a completely different story]] all together. Some even consider it to be a completely independent film. The reason the second ''Prom Night'' flick was this was because of ExecutiveMeddling. Originally it was supposed to be called "The Haunting of Hamilton High", and be a scary tribute to the slasher genre (featuring references to ''Literature/{{Carrie}}, Film/TheOmen, Franchise/{{Halloween}}, Franchise/ANightmareOnElmStreet, Franchise/FridayThe13th, Film/TheExorcist, Film/PromNight1980'', along many others), but because it was a prom-themed horror film with a school of the same name as ''Prom Night'' (which was done on purpose as a homage to the original ''Prom Night''), the original film's distributor picked it up to cash in on ''Prom Night'''s success, and retooled it as a ''Prom Night'' sequel. Needless to say, the director was not happy about this...
* Any ''Film/HomeAlone'' films after the second one have only tenuous connections to the ones before them. 3 and 5 feature completely different families and antagonists (a group of international criminals working for North Korea in 3 and a trio of thieves in 5.) ''Home Alone 4'' technically has the [=MacCallisters=], but they have little to nothing to do with the [=MacCallisters=] from the first 2 movies, nor do any of the new actors look anything like their previous counterparts. Similarly, the Wet Bandits are back (though they're never called that), but Harry has been replaced with Marv's wife. Also, instead of building his own traps, Kevin just relies on a technologically advanced smart home to thwart them.
* The movie version of ''Literature/HowToEatFriedWorms'' has nothing in common with the book other than that the main characters gets stuck in a bet that involves having to consume earthworms. And even then, the film still gets it wrong by saying he has to eat ten worms in one day, when in the book, he had to eat one worm a day for 15 days.
* ''Film/IAmLegend'': The only thing the film and the book have in common is a disease that turns people into monsters. And even then they didn't get it quite right: the infected in the book are traditional vampires (which the book painstakingly comes up with scientific explanations for all their weaknesses: sunlight, aversion to mirrors and holy objects, garlic, staking) who are slow and stupid like zombies, while in the movie they are just hairless, pale cannibals like the monsters from ''Film/TheDescent.'' In the new movie it's a virus that was developed as a cure for cancer, but in the old book, it was a type of bacteria carried by dust storms. Also, a Caucasian-to-minority RaceLift for the main character, Robert Neville, who is nothing like the Neville of the book. While Neville loses his daughter and wife in the film, it's not because of them being infected. Neville's unique immunity is just something that he was born with, and there are plenty of others who are also immune. The setting was a suburb in a small town, while the movie takes places in a desolated New York city. There is no Ben Cortman character (unless you count the nameless infected leader, and even then he shares nothing in common with the Determinator neighbor-turned vampire character from the book). There are no scenes of the infected harassing Neville at home. There is no separate faction of intelligent, civilized vampires (maybe because they thought viewing audiences would be too dense to understand that concept). The woman that Neville meets does not [[spoiler: turn out to be one of the intelligent vampires and betrays him]]. Of course, ''I Am Legend'' isn't TheFilmOfTheBook so much as a remake of ''Film/TheOmegaMan'', which is ''itself'' an In Name Only adaptation of the book ''Literature/IAmLegend''... Except for the name, of course, and the film gives the meaning of the title an entirely different meaning. Robert Neville is a legend because he developed a cure, while in the book Neville [[spoiler: is a legend because in a world inhabited entirely by vampires, the one normal human that hunts them is the monster. He walks in the daylight, he stalks them while they are sleeping and impales them to leave bloodless corpses behind. It makes him the "human Dracula" of this world]]. The original ending would've given it some connection with the book it was apparently based on, but that was changed too.
* ''Film/IKnowWhatYouDidLastSummer'' was based on a book from the ''1970s'' (yes, there was book). The film and the book have almost nothing in common, besides the vaguely similar plot and some character names. LoisDuncan, the writer of the book, was apparently pretty unhappy about this.
* Classic Creator/HumphreyBogart film noir ''Film/InALonelyPlace'' shares its title and the character's names with Dorothy B Hughes' novel, and absolutely nothing else. One can see Dix Steele's (successful) attempt to adapt a trashy novel into a screenplay as a metaphor for adapting Hughes' book into a film.
* ''Film/IRobot'', has several passing similarities to the [[Literature/IRobot namesake series]] (it does prominently feature robots being ThreeLawsCompliant), but the actual storyline is nothing like the original. However, that book was an anthology of ''nine'' separate stories in a common universe, mostly revolving around the central character Susan Calvin. The film features many of the concepts of that universe. The conceit of the film is that it's a loose prequel to those stories, a new tale in the overall series of stories whose blanket title is ''I, Robot''.
** However there is [[Literature/AdamLink another story]] called ''[[http://en.wikipedia.org/wiki/I,_Robot_%28short_story%29 I, Robot]]'' that pre-dates the Creator/IsaacAsimov version where a robot is blamed for the death of his creator. Which was made into In Name Only episodes for both versions of ''Series/TheOuterLimits''.
** It does take inspiration from different Isaac Asimov stories, including one called "Robot Dreams." One of the Asimov short stories, "The Evitable Conflict," featured [[spoiler: massive, central robot minds taking over the planet because they could run it better than us. While that story was more subtle (the robots took over without humans even knowing it, versus the RobotWar of this film), VIKI's motivations are close to what Asimov wrote]]. Spooner himself bears resemblance to the protagonist of Asimov's Robot series, Elijah Baley, who is a New York detective who overcomes his distrust of robots when he is forced to work with a robot partner. The similarities end there, however.
*** "The Evitable Conflict" is one of the stories in "I, Robot" the short story collection, and there are in fact slight nods to it beyond those already listed. "Little Lost Robot", for example, involving a robot who is not impressioned with the entirety of the Three Laws, and is ordered by an irate technician to "get lost", is compressed into the factory scene alluded to under MathematiciansAnswer below.
* ''Series/ISpy''. Has none of the wit or coolness of the original. In fact, the director begged the studio not to use that as the title for the movie, but ExecutiveMeddling won the day.
* ''Film/TheItalianJob2003'' shared only the concept of a gold heist in Mini Coopers and a few names with ''Film/TheItalianJob1969''. Notably, the remake's Mini Cooper heist is set in LA instead of Italy. The remake's title refers to another heist shown at the beginning.
* ''Jingle all the Way 2'', the 2014 DirectToVideo sequel to ''Film/JingleAllTheWay'', has absolutely no characters or actors in common with the original. Literally the only common thread is that both films are about a father trying to find a CoolToy for their child.
* ''Film/JonahHex'' bears very little resemblance to [[ComicBook/JonahHex the comic book]], save for the scarred protagonist. The filmmakers added an inexplicable super power to temporarily resurrect the dead, which served no purpose, as he just uses this ability to pump the dead for information, something the hardcore western Hex of the comic would have accomplished simply by shooting the living in the kneecap.
* ''Film/{{Jumanji}}'' was vastly different than the book. Of course, the book, by ChrisVanAllsburg, was a children's picture book and so would've made a movie that lasted around 4 minutes. But the whole plot of the movie revolving around Creator/RobinWilliams' character and his love interest was made just for the movie.
* ''Film/{{Jumper}}'' shares the title, two character names, and the fact that the main character can jump with [[Literature/{{Jumper}} the book]]. Also the fact of the bank robbery itself, but none of the details of it. The book is a character study with a science fiction twist, the movie is a science fiction action flick. The author of the original book tries to remedy this with the third book in the Jumper series, "Griffin's Story," which is slightly closer to the movie than the first book in the series "Jumper".
* {{Invoked|Trope}} in ''Film/JurassicPark'' by Ian Malcolm: "At some point, we will see some dinosaurs on this dinosaur tour, right?" ''Film/JurassicPark'' itself counts more as a PragmaticAdaptation (and a fine one at that). It condenses a few characters, cuts down on the chaos-theory technobabble, and is all in all a well-liked film. The sequel, ''Film/TheLostWorldJurassicPark'', on the other hand bears very little resemblance to [[Literature/TheLostWorld1995 the book]]. Which is odd, since Creator/MichaelCrichton specifically wrote the second book to closer resemble the first movie (revealing that [[RetCon Malcolm actually survived]] for instance).
* ''Kemper: The Co-ed Killer'' has almost nothing to do with [[http://en.wikipedia.org/wiki/Edmund_Kemper the killer]] it claims to be based on. A few other biopics of serial killers and other infamous criminals also count, especially any created by Ulli Lommel.
* All that ''Film/KeyLargo'' has in common with the play it is supposedly based on is there being a couple of fugitive Seminoles falsely blamed for a murder. The characters of the play have completely different names and backstories. The play does not feature a gangster taking people hostage, and is not set during a hurricane or even in a hotel, though its UsefulNotes/SpanishCivilWar background was out of date by the time the film was produced.
* The 1995 remake of the 1947 crime drama ''KissOfDeath'' kept the basic plot and included a fleeting ShoutOut (that most people will miss), but changed the characters' names. It would have been polite to call it something else, since the 1947 original is a very good thriller and still quite scary.
* ''Film/TheLawnmowerMan'' has nothing to do with Creator/StephenKing's short story of the same name. They had the gall, originally, to call it ''[[InCaseYouForgotWhoWroteIt Stephen King's]] The Lawnmower Man'' anyway, and he successfully sued to get his name taken out of the title. The short story is about a creepy satyr who mows lawns. The movie is about a mentally deficient gardener who has his brain transplanted into cyberspace and becomes a god of computers. The short story's climax -- in which [[spoiler:a man is chased down and killed by an animated lawnmower]] -- is a scene in the film.
* ''Film/TheLeagueOfExtraordinaryGentlemen''. The Creator/AlanMoore [[Comicbook/TheLeagueOfExtraordinaryGentlemen comic]] won't remind you of the film, and vice versa.
* Steven Spielberg's ''Film/{{Lincoln}}'' was promoted (and even credited) as an adaptation of Doris Kearns Goodwin's nonfiction book ''Team of Rivals''. A tie-in version of ''Team'' was even reprinted around the time of ''Lincoln'''s release. However, ''Team'' covers Lincoln's entire presidency, devoting only a few pages to the 13th Amendment and its ratification - the movie's entire focus. Somewhat justified, as Spielberg originally planned a miniseries adaptation of ''Team'' and later pared it down to the extant film.
* Pedro Almodovar's movie ''Live Flesh'' was supposedly based on a novel of the same name by Ruth Rendell. Both featured a policeman crippled by a shot from a criminal who, when released from prison has an affair with the policeman's partner... and that's it.
* The 1999 adaptation of ''Literature/MansfieldPark''. They didn't like the book, so they converted the ExtremeDoormat protagonist to a DeadpanSnarker PluckyGirl, peppered with some "[[{{Anvilicious}} subtle]]" hints on slavery, and crowned the whole with a dose of [[HoYay Les Yay]].
* ''Film/TheManWhoKnewTooMuch'' was a collection of detective short stories by G.K. Chesterton. Hitchcock had the right to adapt some of these stories and used that as justification for using the name (which he thought was too cool not to use).
* ''Film/TheMask'': [[Comicbook/TheMask The original comic]] was more of a horror series involving the titular Mask turning people into Axe Crazy murderers. The movie, then [[WesternAnimation/TheMask the animated series]] turned the character into a comical Super Hero, kept as the main character a guy who only last one issue in the comic, and used few elements from the comic. The show and the movie are actually better remembered than the comic, and the serie was rather well-received
* None of the sequels to ''Film/{{Meatballs}}'' had anything to do with the original outside of being set in a camp. The second film was a DolledUpInstallment shot under the name ''Space Kid'' while the third and fourth films threw out the concept of the relationships between the campers and the counselors in favor of ripping off the ''Film/{{Porkys}}'' franchise.
* Pioneering director Creator/GeorgesMelies did this a bit:
** ''Baron Munchausen's Dream'' features a baron, but he has no obvious similarities to the one TheMunchausen is named after.
** ''The Impossible Voyage'', in French, has the same title as a play by Creator/JulesVerne (''Voyage à travers l'Impossible'', literally ''[[http://en.wikipedia.org/wiki/Journey_Through_the_Impossible Journey Through the Impossible]]''). And both works are about traveling crazy places, including into space and underwater, in ways that are highly reminiscent of Verne's books. That's where the similarities end, though.
** ''The Mysterious Island'' has nothing to do with [[TheMysteriousIsland the book of that name]]; it's actually based loosely on ''TheOdyssey''.
** ''Under the Seas'' is sometimes called ''20,000 Leagues Under the Sea'', but it takes only two things from [[TwentyThousandLeaguesUnderTheSea the book]]: the submarine and the fish. (No, seriously. The cutout fish Méliès made for the movie were closely based on the original book illustrations; TheOtherWiki [[http://en.wikipedia.org/wiki/Under_the_Seas says so]].)
* ''Film/MenInBlack'': The first five minutes of the first movie is a faithful reproduction of the first few pages of the first issue of the [[Comicbook/MenInBlack comic]]. After that, they have almost nothing in common.
* Similarly to the page image, [[http://cube.ign.com/articles/600/600860p1.html IGN once announced on April Fool's Day]] a ''Franchise/{{Metroid}}'' movie... directed by Creator/UweBoll... produced by Creator/{{Troma}}... and set on Earth, with a plot similar to ''VideoGame/HalfLife''.
* The ''Film/MissionImpossible'' movies borrowed [[ThisPageWillSelfDestruct some]] [[LatexPerfection commonly]] [[MissionImpossibleCableDrop used]] [[ImpossibleMission tropes]] from the original ''Series/MissionImpossible'' TV show, and then created an action thriller film series out of a show that was always focused on outthinking the villain, preferably without him even realizing that there ''was'' someone acting against him. Between that and the way the film treated the only character to appear in both show and film, the cast of the show disavowed the movies and at least one of them stormed out of the theater during the premiere.
* ''Film/MysteryMen'' follows the concept of its comic, but created an entirely new cast and story line. The only character who is in both is Mr. Furious, who is an entirely different character in each.
* The third movie in ''Film/TheNeverendingStory'' series shares no plot at all with the book. The only element from the book it uses that wasn't in the first two movies is the Old Man of Wandering Mountain - and in a very different context.
** As the Old Man of Wandering Mountain chronicles the story that is Fantasien, and the Childlike Empress is the collective imagination which allows the land she rules to exist, the two are never supposed to meet. The situation is akin to a mirror looking in a mirror, and can cause the end of the universe.
** A person is only allowed to meet the Childlike Empress once, at least, until her name is changed again, and Bastian had already met her. [[note]]a good part of the premise to the second half of the book hinges on this[[/note]]
** AURYN can only exist in Fantasia, as its power is Fantasien, the world of human fantasy. A person cannot make things from their imagination magically appear in the human world.
** The Fantasians are not supposed to enter the human world, due to the fact that they are then no longer part of the imagination, but become lies. That was part of the problem with the Nothing - the things it ate up were sent off to the human world, which destroyed both Fantasia and the human world.
* ''Film/NightAtTheMuseum,'' because the original book was very short.
* The Russian UrbanFantasy movie based on the book ''Literature/NightWatch'', itself titled ''Night Watch'', was faithful to the book, except for the depth of the story, the ending and [[spoiler: the fact that in the book Anton and Yegor are unrelated and Anton never went to that old witch]]. But the book is divided in three stories, and only the first was made into the movie ''Night Watch''. The second movie, ''Day Watch'' was completely unrelated to the book of the same name: it was a completely new story with the beginning taken from the second story of the book ''Night Watch'' and some elements from the third one (namely, the magic chalk).
* The film ''Pathfinder'' is a remake of the 1987 film of the same name. Other than having a Scandinavian main character and the same title, they are completely different films (the title even became ''Pathfinder: Legend of the Ghost Warrior'' when Fox realized this).
* ''[[Film/PercyJacksonAndTheOlympians Percy Jackson & the Olympians: The Lightning Thief]]'' is based on the book ''The Lightning Thief''' in that it is about a boy who is the son of the God Poseidon and he has to find the Lightning Thief; everything else in the film differs from the source material.
* ''Film/PeterBenchleysCreature'' is almost completely different from the book its based on. Several characters have the same names from the book, but there is no guarantee that they will have the same personality, {{race|Lift}}, or role. It has a completely different setting and backstory. Even the titular creature is completely different (the only similarities they have are that they are humanoid amphibious creatures, but [[spoiler:one is a scientifically modified human with steal claws and teeth and one is a genetically engineered shark with human DNA.]]) While some scenes from the book survived for the adaptation (often heavily edited), they are spliced in all over the place and interspersed with completely made up subplots. To top it all off, it really doesn't even share the name. The original novel was called WhiteShark, but was renamed for TheMovie. The original novel was retroactively renamed PeterBenchleysCreature. Although, that said, it wasn't really that bad of a movie....
* Both film versions of ''Franchise/PlanetOfTheApes'' share nothing in common with [[Literature/PlanetOfTheApes the novel that inspired them]] except the existence of a planet ruled by intelligent apes with humans as savage animals. Both movies... well, ''ape'' the TwistEnding of the novel [[spoiler: the narrator returns to Earth after his voyage only to find that it too has been dominated by intelligent apes]], though in significantly different ways. Oddly, the third movie in the series, ''Film/EscapeFromThePlanetOfTheApes'', is similar to that of the original novel (loosely), but with the roles of humans and apes reversed.
* Somehow the book ''Please Don't Eat The Daisies'', which was a collection of essays and articles, became a feature film starring Doris Day and David Niven.
* Other than having protagonists with [[ThemeNaming plant-themed names]], and being about seductive women causing drama, the movies in the ''Film/PoisonIvy'' series have practically nothing in common with the original 1992 film starring Creator/DrewBarrymore. The closest thing that the original has to an actual sequel is the third film, ''Poison Ivy: The New Seduction''--which has a completely new cast of characters, and features Ivy's (heretofore unmentioned) sister, Violet, as the protagonist.
* In Argentina, there's a pornographic film called ''Pollémon'', leading one to believe that it's a Pokémon porno spoof. The film's cover even advertises, ''"Vive las fascinantes aventuras de Pollachu!"'' ("Live the fascinating adventures of Pollachu!") If you were expecting to see someone in a poorly-designed Pikachu costume, Team Rocket, or anything else having to do with Pokémon, well... let's just say you'll be PRETTY disappointed.
* The 1960 film of ''Literature/{{Pollyanna}}'' has the title character, the Glad Game, something of the setup, and a few character names/traits in common with the book. The plot, much of the characterization, and some of the side plots are entirely different.
* The Creator/KevinCostner [[Film/ThePostman movie]] of David Brin's very fine novel ''Literature/ThePostman'' is barely recognizable (starting with the fact the movie is not so 'very fine'). The scene where the main character discovers the postman's uniform is the only scene from the book to make it into the movie. Otherwise the main character and his motivation is completely different (in the book he's much less of an obvious white-hat), the love interest is completely different, the villain is completely different (in the book being a genetically-enhanced warrior, in the movie just a weird guy with a beard), there is a second 'hero' who doesn't appear at all in the movie and there is an interesting subplot about a super-powerful AI that is guiding a remote village of survivors back to civilization that isn't even mentioned in the film. [[http://www.davidbrin.com/postmanmovie.htm The author is quite aware of the necessary changes for a movie adaption and is rather pleased with the result]].
* ''Manhwa/{{Priest}}'' is a rather unique and strikingly drawn ''manwha'' combining ReligiousHorror, ZombieApocalypse and TheWestern, as BadassPreacher Ivan Isaacs treks across the American frontier battling a band of rebel angels. [[Film/{{Priest}} The movie]]...is about a ''bunch'' of priests fighting vampires in the far future. About the only thing the two have in common is a main character with a cross on his forehead. The only people who are happy about this are the ones who've never read the comic. The director made this change as he didn't want people saying that he was copying his previous film ''Film/{{Legion}}''.
* The first ''Film/ThePrincessDiaries'' film took the basic plotline of [[Literature/ThePrincessDiaries the books]] and the character names and did its own thing, probably because they got Creator/JulieAndrews to play the grandmother, but the sequel basically did its own thing entirely. The fact that Mia's mother married Mia's teacher and had a baby is the only thing the sequel took from the book series. [[MindScrew Though in-universe the movies exist within the books continuity]] with Mia lampshading how they changed so many things (Good and bad) compared to her "real-life" adventures.
* The sequel to ''PureCountry'' shares literally no characters or actors with the first film.
* ''Film/QueenOfTheDamned'' shared only the title and character names with the book. Important plot elements and characterizations were either changed or completely ignored. As a matter of fact, Warner Bros. made it no secret that the only reason the movie was made was because the rights to the book were about to expire. When book author Anne Rice offered to pen the screenplay for free, the studio flat-out refused, preferring to make a low-budget cash-in as quickly as possible.
* The plot of the 2012 film ''Film/{{The Raven|2012}}'' has nothing to do with the Creator/EdgarAllanPoe poem "Literature/TheRaven", even though Poe is the main character (unsurprisingly, as an adaptation of the poem would not fill a feature film).
* The ''Franchise/ResidentEvil'' [[Film/ResidentEvil movies]] got the ''look'' of the games down for the most part. Too bad they threw out the plot, characterization, atmosphere, and everything else that makes the games so enjoyable. The movies should have been called "The [[GodModeSue Amazing Alice's]] [[WaifFu Kung-Fu Adventures]] in {{Zombie|Apocalypse}} [[Franchise/TheMatrix MatrixLand]]." It would have made much more sense as a title ''and'' pissed off far fewer ''Franchise/ResidentEvil'' fans.
* ''The Running Man'' [[Film/TheRunningMan film]] and [[Literature/TheRunningMan novel]] are both set in a dystopian world and center on a television show where a man is hunted. Beyond that, they have nothing to do with each other. In fact, the film adaptation has far more in common with an earlier Creator/RobertSheckley short story entitled "The Seventh Victim", but presumably, Sheckley's relatively-obscure name wouldn't sell as many tickets as the Creator/StephenKing pseudonym. "Based on the novel by Richard Bachman" is placed in the opening credits, and copies of the novel featured Creator/ArnoldSchwarzenegger's face on the cover, advertising the film.
* ''Film/TheSaint'': Creator/ValKilmer plays a character with the same name as the classic character created by Leslie Charteris, but Kilmer's character is an angsty, semi-OCD, nonentity. AndThatsTerrible. The character is specifically said to have been inspired by Charteris's stories, which are RecursiveCanon within the movie.
* The film ''Saint Sinner'' had nothing to do with the Creator/CliveBarker comic book series.
* Creator/NeilGaiman used to tell a story about receiving a prospective script for a [[Comicbook/TheSandman Sandman]] movie. Near the beginning, he read a scene in which the title character is attacked by soldiers while declaring "[[PunyEarthlings Puny humans!]] Your weapons have no effect on Morpheus, the Lord of Dreams!" Gaiman then put the script down and refused to read another word.
* Creator/RafaelSabatini's novel ''Literature/TheSeaHawk'' was a tale of an English gentleman framed for murder by his fiancée's brother, getting shanghaied to the Mediterranean, and converting to Islam that he might become a pirate and wreak vengeance on the people that threw him away. The Errol Flynn movie ''Film/TheSeaHawk'' is a tale of an English privateer and his affair with Queen Elizabeth, with a bit of background about the Spanish Armada.
* The movie adaptation of ''Literature/TheDarkIsRising'', which in its primary market didn't even keep the name, being re-titled ''Film/TheSeeker''. One reviewer joked that "They only changed one thing in the plot - ''everything''", and it's not far wrong. The Stanton family, who in the books are warm, caring and British, are now dysfunctional and American; Will is changed from a thoughtful, wise-for-his-age eleven-year-old to a whiny fourteen-year-old [[HormoneAddledTeenager hormone-addled]] {{jerkass}} who's more interested in stealing his brother's girlfriend than completing his quest for the Signs, and all the Arthurian mythology is hacked out and replaced with Christian allegory. The director himself ''bragged'' about how unfaithful it was, admitting that he [[SciFiGhetto didn't really care for fantasy works anyway]].
* The 2006 version of ''Film/TheShaggyDog'' has completely different characters from the 1959 film, and a different mechanism for transformation (genetic engineering versus a magical ring). Essentially everything is different except for the part where a person is turned into a shaggy dog.
* ''Film/{{Shin Kamen Rider|Prologue}}'', a DarkerAndEdgier ContinuityReboot of the ''Franchise/KamenRider'' franchise. Note that the title itself makes ''[[ArtifactTitle no sense]]'', as the protagonist doesn't wear a mask and never rides his motorcycle while transformed. There's a reason the film has been so heavily disowned by the fandom.
* Some of the adaptations starring Creator/ShirleyTemple were this. The 1938 film based on ''RebeccaOfSunnybrookFarm'' had the same basic premise, but it essentially isn't the same banana as Kate Douglas Wiggin's 1903 original. Both depictions of Rebecca were equally talented, but Shirley!Rebecca was portrayed as a little girl participating in a radio show.
* [[Film/InitiationSilentNightDeadlyNight4 The fourth]] and [[Film/SilentNightDeadlyNight5TheToyMaker fifth]] entries in the ''Silent Night, Deadly Night'' series are unrelated to the previous three movies, which features AxCrazy siblings of [[BadSanta Santa]] imposters. The fourth film is almost unrelated to Christmas and involves some kind of ancient Egyptian witch cult and the fifth has [[LivingToys evil toys]] connected to an enigmatic toymaker by the name of [[{{Pun}} Joe Petto]]. The films have homages to the original three though, with scenes of them being briefly shown on televisions and the villains dressing up as Santa at least once.
* The comic book ComicBook/TheSpirit is about a BadassNormal with no powers, who is a CelibateHero that gets nervous around women and wears an ugly, off the rack blue and white suit. ''Film/TheSpirit'' is about a revived dead guy with a HealingFactor, who is a HandsomeLech in a stylish, tailored, black-on-black suit. And his enemy, the Octopus, is an intimidating and powerful gangster obsessed with not letting anyone see his face. In the film, he's a lower-tier scientist with ambitions of godhood who is incredibly vain and showoffy about his good looks. It's like they were trying to do the exact opposite of the comics. The irony? Creator/WillEisner gave the rights to Michael Uslan, the producer, on the understanding that Uslan wouldn't give the project to anyone who 'Didn't get it'. There were further ironies in the fact that Creator/FrankMiller was a big fan of Eisner, one of Eisner's friends, and showed himself to be capable of understanding the concept of The Spirit as indicated by his Daredevil work.
* ''Stage Door'', the play by George S. Kaufman and Edna Ferber, had so little in common with ''Film/StageDoor'', the movie nominally adapted from it, that Kaufman joked that the movie might as well have changed its title to ''Screen Door''. The movie's vast changes in characterization, plot and dialogue (barely any of the play's lines were retained) were [[http://zvbxrpl.blogspot.com/2005/03/calla-lilies-are-in-bloom-again.html for the better]].
* ''Film/StarshipTroopers'', which was really more of a TakeThat against [[Literature/StarshipTroopers the original book]] than an adaptation. The producers didn't even buy the rights to the original until after the script was written. Verhoeven didn't even read more than a chapter or two into the book, by his own admission.
* [[Film/{{Steel}} The film version]] of Comicbook/{{Steel}} cuts all Superman references apart from the title character wearing a Superman tattoo...which is unintentional, since Shaquille O'Neal, who plays the title character, already had it.
* The ''Literature/StuartLittle'' movies. The books were set in the late 1940s, Stuart was born from a human mother rather than adopted, and only the boat race in the first movie bears any resemblance to the events of the book.
* If Creator/KevinSmith is to be believed, Jon Peters' ''Franchise/{{Superman}} Lives'', a movie that was never made, would have had Superman's iconic outfit be replaced by an all black one, Superman wouldn't fly, and he'd fight ''a GiantSpider'', it would have also given Lex a pet named "Chewie", as well as making Brainiac fight ''polar bears''. [[http://www.youtube.com/watch?v=vgYhLIThTvk This is true folks]]. Fortunately, Kevin Smith tried to make a script that worked the changes in while still throwing in the traditional Superman feel, but ''Superman Lives'' was never made to this day.
* Alfred Hitchcock's adaptation of ''Literature/TheThirtyNineSteps'' is considered to be this by John Buchan's family due to how far it deviated from the source material after [[spoiler:Hannay sneaks out of his flat]]; that said, they still regarded it as an entertaining film in its own right.
* Neither the [[Film/TheThreeMusketeers1993 1993]] nor the [[Film/TheThreeMusketeers2011 2011]] versions of ''The Three Musketeers'' were at all like [[Literature/TheThreeMusketeers the book]]. In particular, the 2011 film had ''{{zeppelins|FromAnotherWorld}}'' [[AnachronismStew in 1630s France]].
* ''To Have and Have Not'', the film, has very little to do with ''To Have and Have Not'', the Creator/ErnestHemingway novel. This may have something to do with the fact that director Creator/HowardHawks, though a Hemingway admirer in general, hated the book.
* The 1990 film, ''Film/{{Troll 2}}'' is not related to the 1986 B-movie ''Troll'' in any way but name. It's also about goblins, not trolls. Amusingly, there are two films that claim to be the sequel to ''Troll 2'', both directed by Joe D'Amato: ''Crawlers: Troll 3'', which is about killer tree roots, and ''Troll 3: The Sword of Power'' (AKA ''Quest For The Mighty Sword''), which uses some of the goblin costumes from ''Troll 2'', but is actually one of the sequels to ''[[Film/TheBladeMaster Ator]]''). Ultimately the ''Troll'' "series" immediately became a dumping ground for whatever genre horror film came along.
** ''Troll 2'' was part of a trend of Italian in-name-only B-movie sequels in the 1980s and 1990s. There were such instances of an ''Alien 2'' and a ''Terminator 2'' long before such films existed. Low-budget ThreateningShark film ''Cruel Jaws'' was promoted as the fifth ''Film/{{Jaws}}'' film. There was even [[Film/{{Zombi 2}} a sequel]] to ''Film/DawnOfTheDead'' (titled ''Zombi'' in Italy) that spawned a franchise of its own. Why the producers of these films' "predecessors" never filed lawsuits is unknown. These "sequels" were later retitled for overseas release, but ''Troll 2'' is the only instance of such title being retained worldwide.
* The ''Film/{{Underdog}}'' [[TheMovie Movie]]: Well, it uses some of the names from the cartoon. Everything else is different.
* The ''Series/WalkingWithDinosaurs'' 3D movie doesn't follow the documentary format of the original series, opting instead for telling a coherent story with highly anthropomorphised, talking (or rather, "thinking aloud") dinosaurs. The serious, scientific tone is replaced with {{slapstick}}, ToiletHumour and BlackAndWhiteMorality. Nor are most of the original creators involved. It's seemingly more of a combination of ''WesternAnimation/MarchOfTheDinosaurs'', ''Series/DinosaurRevolution'', Disney's ''Disney/{{Dinosaur}}'' with bits of ''WesternAnimation/TheLandBeforeTime''. However, the background dinosaur extras ''do'' behave like real animals, at least.
* ''Film/{{Wanted}}'' takes out almost all of the [[ComicBook/{{Wanted}} the original comics]] story and background. The premise in its most broad strokes stays the same: the main character is a cuckolded loser who is brought into a WorldOfBadass by a love interest due to his long-lost and supposedly deceased father. Beyond that, the story and setting are completely different.
* The [[Film/WarOfTheWorlds 2005 movie adaptation]] of ''Literature/TheWarOfTheWorlds'' features Earth being attacked by hostile aliens in three-legged "tripod" machines. After all the human military's attempted counterattacks are ineffective, the aliens are ultimately defeated by illness due to their immune systems not being able to cope with Earth's bacteria. Beyond that, it has nothing in common with Creator/HGWells's original novel. Most notably, the movie is set in the United States [[SettingUpdate in the early 21st century]] instead of the novel's late 19th century England and the aliens are never stated to be Martians in the movie as they are in the novel.
* ''Film/WhoFramedRogerRabbit'' bears very little resemblance to its original source, ''Literature/WhoCensoredRogerRabbit''. Only five characters and the premise of human beings and cartoon characters co-existing and the murder plot are there.
* ''[[Film/TheWildGeese Wild Geese II]]'' features no actors (or even ''characters''!) from the original, and also is in a different genre.
* ''Film/WildWildWest''. [[Series/TheWildWildWest The original show]] was a merging of TheWestern with the SpyDrama. It didn't really have much SteamPunk elements, just some technology that would have been high-tech for the time period. The movie ran with SteamPunk and the specific Film/JamesBond-style "save the world" spy escapades. The show didn't have anything like the SpiderTank or the magnetic collars, which makes it a very stark contrast going between the two. According to ''Website/{{Cracked}}'', the premise of the ''Wild Wild West'' movie is based on a ''WesternAnimation/BatmanTheAnimatedSeries'' episode that originally starred the above-mentioned ComicBook/JonahHex. It isn't exactly known how it became a ''Wild Wild West'' story. The above clip linked about Kevin Smith working on the unreleased Superman movie has him mentioning that the same guy that wanted all the weird changes worked on the script for ''Wild Wild West'', and he got the giant spider he was so adamant about.
* The movie adaptation of Andzej Sapkowski's Witcher books had little if any resemblance to the source material and many fans have decided to simply deny its existence. The later video games are much more faithful.
* The 1939 film version of ''Theatre/TheWomen'' is very faithful to Clare Boothe's play. The 2008 remake is basically ''Series/SexAndTheCity'' with a different cast and [[{{Gendercide}} no visible men]].
* The 1925 film version of ''Literature/TheWonderfulWizardOfOz'' features a completely different plot from the novel, incorporating a few elements from later Oz books that do not apply to the characters in the first book. Dorothy is not a farm girl from Kansas but a kidnapped princess of Oz, and is also a young woman instead of a young girl. The Scarecrow, the Tin Man, and the Cowardly Lion are not characters but the disguises of three farmhands. The Tin Man and Uncle Henry are [[AdaptationalVillainy villains]] in this version. The Wicked Witch of the West does not appear at all and the villain is Prime Minister Krewl (based on King Krewl) instead. It ends with Dorothy marrying a prince.
* Before its release, the [[Film/WorldWarZ movie adaptation]] of ''Literature/WorldWarZ'' [[http://io9.com/5830389/world-war-z-movie-synopsis-is-nothing-like-the-book-internet-melts-down was shaping up to be this]]. WordOfGod [[http://www.giantfreakinrobot.com/scifi/max-brooks-calls-world-war-adaptation.html confirmed it.]] As Webvideo/HonestTrailers put it, "Get ready for the big screen adaptation of [[Literature/WorldWarZ the best-selling novel]] that's got everything you loved about... the title. And nothing else." Later on in the video, they show a scrolling list of all the book's awesome moments that were left out of the film.
* ''Film/XMen'':
** ''Film/XMenTheLastStand'':\\\
Callisto's not scarred or one-eyed, she has a mix of Caliban's and Quicksilver's powers and not her own hypersensitivity.\\\
Kid Omega is actually Quill. The writers even state so in the DVDCommentary.\\\
Leech. The movie ditches his defining trait of not passing for normal and not being able to do anything about it because most mutant powers don't work on him. Also, his powers no longer temporarily nullify whoever he touches, he has an area of effect that fully humanizes whoever enters it. Granted, it serves as a better justification for [[spoiler: using him as a source for The Cure, as using the original comic book plot would have left no screen time for the Phoenix plotline]].
** ''Film/XMenOriginsWolverine'' is fairly notorious for it, with many of the featured mutants having little (or nothing) to do with its comic book counterparts:\\\
Emma Frost. The only attributes that she has in common with her comics counterpart is that she's blonde and can turn her skin into a diamond-like form. ''First Class'' would [[CanonDiscontinuity ignore]] her appearance in this story and present its own version of Emma as much closer to her comics counterpart. Then again, she's called "Emma", but the surname is never said. However, in one of the character TV spots, they clearly use Frost as her surname.\\\
Agent Zero. Not only do they use his New Weapon X callsign instead of his Weapon X one (Maverick), he somehow has Agent X's powers as well. Neither his powers as Maverick (kinetic energy absorption and redirection), nor his powers as Agent Zero (corrosive skin secretions designed to defeat HealingFactor abilities) make an actual appearance. Oh, and he's no longer East German.\\\
Bolt. Or Bradley, for those who missed him because he's long-dead in the comics. He's not only not called by his callsign, he's also no longer the kid Maverick teaches in the use of his powers after retiring - he's now Maverick's comrade-in-arms. Who, instead of lightning-flinging powers, has electric-appliance-powering-and-controlling powers.\\\
Deadpool retains his sarcastic sense of humor, MotorMouth and katanas... and even those fall by the wayside by the time of the main events of the movie. [[spoiler:While he does undergo a procedure to give him a copy of Wolverine's HealingFactor that leaves his body horrifically scarred just like in the comics, he's also saddled with Cyclops' optic blasts, Wraith's teleportation (He uses a device in the comics) and a pair of [[BladeBelowTheShoulder Blades Below the Shoulders]], and just to add insult to injury, his mouth is sewn shut.]]\\\
In the comics, Blob's fat body was a part of his mutation, with the super strength more of a {{Required Secondary Power|s}}. In fact it's ''the fat'' that made him virtually resistant to any weapons.
** ''Film/XMenFirstClass'' has nothing to do with the [[ComicBook/XMen comic book of the same name]] and features entirely different origins for many of the characters. Despite this, the movie was very well-received by critics and was a hit at the box office.\\\
A notable aspect is the complete reinvention of one character in particular, Azazel. Azazel in the comics is an immortal mutant/demon warlord who was banished to another dimension because he looked and acted like the devil and got many women pregnant to have an army of children to free him...somehow. In the film, he's a Russian KnifeNut who looks like the devil but other than killing a few people, doesn't act like it. He instead appears more like his son, Nightcrawler, only red and evil. [[TropesAreNotBad This is not a bad thing]], and as he originally was [[TheScrappy so despised]], the film [[RescuedFromTheScrappyHeap gave the character a well welcomed overhaul]].
** Most of ''Film/TheWolverine'''s characters are based from ''[[ComicBook/FrankMillersWolverine Frank Miller's Wolverine]]'' series; with some of them taken liberties to in terms of role.\\\
The comics' Kenuichio Harada is ''THE'' Silver Samurai, Shingen's arrogant illegitimate son and a mutant seeking to rule the Yashida clan for himself. He despises the "gaijin" and the Yashidas especially his half-sister Mariko. In the film, most of his personality reflected on Shingen while Harada is relegated to the Yashidas' bodyguard, Mariko's ex-fiance [[spoiler:and not even the actual Silver Samurai]]. His closest reference to the comics is his affiliation with Viper.\\\
Viper aka Madame Hydra is a high-ranking member of HYDRA (and eventually leader) who is a human with superb martial arts skills and knowledge with poisons. Much like Juggernaut before her, the film depicts her as a mutant scientist with snake-like attributes who mainly works for herself. Confusingly, Fox was still allowed to use her, even though she's much more tied to Nick Fury and SHIELD. Strangely enough, it's the Silver Samurai who is one of HYDRA's leaders during the events of ''X-Men: The Official Game''.
* ''Film/YesMan'' is a fictional story using only the central premise of Danny Wallace's non-fiction book.
* Other than being about twenty-somethings entering a program to go undercover in a high school, does ''Film/TwentyOneJumpStreet'' have anything to do with [[Series/TwentyOneJumpStreet the show of the same name]]? It might has well been called ''Film/NeverBeenKissed Goes Undercover''. It's meant to be a StealthSequel, not an outright remake of the show. There's even dialogue at the beginning that makes it clear that the old 21 Jump Street program is being revived, they use the same old church as home base, and several original characters from the show make appearances.
* Given only 5 of the ''Film/JamesBond'' films don't take at least the title from Creator/IanFleming's [[Literature/JamesBond novels/stories]], it happened often.
** ''Film/TheSpyWhoLovedMe'' [[EnforcedTrope had to be done this way]]; [[CreatorBacklash Ian Fleming disliked]] [[Literature/TheSpyWhoLovedMe the book]], and refused to allow them to use the storyline. Horror, the novel's steel-toothed villain, was modified and renamed Jaws.
** To a smaller extent, ''Film/{{Moonraker}}'' also has little to do with [[Literature/{{Moonraker}} the book]] outside of the villain being named Hugo Drax.
** The short story "[[Literature/OctopussyAndTheLivingDaylights Octopussy]]" shares no plot with [[Film/{{Octopussy}} the film]], but does provide the backstory to the title character, as revealed in a somewhat shoehorned-in dialogue sequence.
** ''Film/AViewToAKill'' has nothing to do with [[Literature/ForYourEyesOnly the short story]] aside from its setting. Even the titles are different, as the short story is called "''From'' a View to a Kill"!
** ''Film/QuantumOfSolace'' has nothing at all to do with [[Literature/ForYourEyesOnly the short story]].
** The first film version of ''Film/CasinoRoyale1967'' (done by a producer who had the rights to [[Literature/CasinoRoyale the novel]]) suffered through both DevelopmentHell and TroubledProduction, and the final product bears only a slight resemblance to the source.
* Creator/PhilipKDick stories sometimes get this treatment, except they tend to change even the name.
** ''Film/BladeRunner'' took the title of one book (''The Bladerunner'' by Alan E. Nourse) and slapped it on a movie made from a completely different story (Dick's ''Do Androids Dream of Electric Sheep?''). But except for the broad concept of a man hunting for renegade androids, and a few names, everything else differs from Dick's original. In fact, the whole dynamic is reversed: in the story, the androids are soulless villains, the threat of what humanity is becoming. In the film, the androids are tragic {{Byronic Hero}}es and the humans are callous slavemasters.
** ''Film/MinorityReport'' only takes 4 or 5 characters and the concept of Precrime from the original short story of the same name. Differences include a setting relocation, {{adaptation expansion}}s to characters, name changes, adding new characters and what not. The biggest most significant gap, however is the actions the protagonist takes towards the end in their respective stories.
** ''Film/{{Next}}'' is based on ''The Golden Man'', and differs greatly from its source material even for a movie based on a Philip K Dick story: Both share the general idea of the government trying to capture a main character who has the ability to foresee the immediate impact of anything he does before he does it. However, the setting, the main character's background, personality, and appearance, and ''what'' the government wants with him are all changed beyond recognition: In the original story, it was a post-apocalyptic future, the main character was a golden-skinned, non-sapient mutant, and the government was trying to wipe out all mutants with superhuman powers. On the other hand, the film takes place in the present, where the main character is a perfectly normal-looking, sapient human, and the government wants him to use his abilities to help them stop a nuclear threat. Reportedly, the original script was much more faithful to the source material before some drastic rewrites kicked in.
** The original ''Film/TotalRecall1990'' is very loosely based on a short story called "We Can Remember It For You, Wholesale.". Actually, both the film and the story begin being roughly the same, but there's a point in which they divert: just after the protagonist has his malfunctioning memory trip. Viewers of the movie will instantly recognize that point as the same one in which the movie has a sudden MoodWhiplash from classic sci-fi to pull-all-the-stops action movie, while the story turns into a spectacular MindRape.
** ''Film/TotalRecall2012'' completely [[DoingInTheWizard abandoned]] most of the MindScrew elements, [[ComicallyMissingThePoint in an attempt to ground it more in realism]]. Critical reaction to this wasn't exactly favorable.
* ''Film/{{Snowpiercer}}'' is based off of a French graphic novel named ''Le Transperceneige''. Very ''VERY'' loosely - the only thing it has in common are the setting and the name of the train it takes place on. This actually doesn't make it bad at all - the film is still a very strong film on its own.
* Some films snag the title of a self-help book that is selling well at the moment.
** The Creator/NatalieWood romantic comedy ''Sex and the Single Girl'', though it references the original Helen Gurley Brown bestseller and its author, has nothing to do with the original, which was a ''self-help'' book.
** Creator/WoodyAllen made an "adaptation" of the advice book ''Everything You Always Wanted To Know About Sex (But Were Afraid To Ask)''.
** ''Film/RebelWithoutACause'' was named after a book by a psychiatrist. Otherwise, it has nothing to do with it.
** ''Film/HesJustNotThatIntoYou'' is basically just an ensemble romantic comedy with the same name as the relationship advice book.
* Some nonfiction books are turned into fictional stories with the same themes and subject matter.
** ''Fast Food Nation'' is a fictional story that conveys the original book's argument that fast food is bad for your health and America!
** ''Film/TheMenWhoStareAtGoats'' is a fictional story about the paranormal CIA department discussed in the book.
** ''What To Expect When You're Expecting'' is a fictional story about pregnant ladies based on a pregnancy guide.
** ''Film/MeanGirls'' is a fictional story about the destructive effects of high school cliques on girls based on a self-help book, ''Queen Bees and Wannabes''.
* There have been many modern day film adaptations of Shakespeare plays which may or may not retain the original play's title. These films typically follow roughly the same plot as the original play, but have next to nothing in common with it beyond that. They are usually set in the modern day United States as opposed to the historical settings of the original plays, and in many cases the names of the characters are adapted to modern equivalents if not outright changed.
* This was common with movie versions of Broadway musicals produced in the 1930s, 1940s, and sometimes in the 1950s:
** The 1956 film version of ''Theatre/AnythingGoes'' bears next to no resemblance to the musical it's based on. Aside from five songs (sung in completely different contexts) and the fact that there's a boat (going from France to New York, where the original show was going the other direction), they might as well have called it something like ''Road to Broadway'' and not stepped on anyone's toes.
** The 1949 film ''Red, Hot and Blue'' shares its title with a Music/ColePorter musical and absolutely nothing else.
** The 1936 movie version of ''Rose-Marie'' resembles the original musical play in score only. They share a number of songs and a few {{Leitmotif}}s, but the plots have almost nothing in common other than both having a title character trying to protect a wanted man from a determined Mountie. Between the versions, these three characters all have different names (the "Rose-Marie" of the 1936 movie is a pseudonym), and the relations between them are very different: in the musical play, the wanted man is Rose-Marie's lover, not her brother as in the movie.
** ''Broadway Rhythm'' was nominally an adaptation of ''Very Warm For May''; though the show had been a flop on Broadway, its writers, Jerome Kern and Oscar Hammerstein, were hired to write {{Movie Bonus Song}}s. However, the film producers ended up throwing out almost everything from ''Very Warm For May'' aside from its BreakawayPopHit, "All The Things You Are."
** The 1952 film version of ''The Belle of New York'' replaced all the songs, and most of the plot as well. However, the original musical dates back to 1897 and has not lasted well in popularity.
** ''Film/TheBandWagon'' is actually a JukeboxMusical that borrowed several songs from the 1931 Broadway revue ''The Band Wagon''. The revue, of course, had no plot, but that hadn't stopped 20th Century-Fox into adapting it into the 1949 movie ''Dancing in the Dark''. Creator/FredAstaire had starred in the revue ''The Band Wagon'' with his sister Adele (who went on from this production to retire from the stage), but performed none of the same numbers in the movie; this total aversion of RoleReprisal was likely deliberate.
** ''Film/FunnyFace'' has a completely different plot from a 1927 Broadway musical which had a few of the same songs and Fred Astaire.
** The 1938 film version of ''Sweethearts'' adapted a romantic operetta into a backstage musical about a romantic operetta. Taking the Victor Herbert songs and attributes them to fictional songwriters, the movie's ShowWithinAShow has an unclear plot which is definitely not that of the original show.
* Very common with {{Spaghetti Western}}s, as Italian studios frequently retitled generic Westerns to cash in on successful films. ''Film/{{Django}}'' provides the most extreme example, with at least '''thirty''' unrelated movies featuring Django in the title. Other popular characters like Ringo, Sabata, Sartana and Trinity inspired similar ripoffs. There were even [[UltimateShowdownOfUltimateDestiny crossovers between several of these franchises]]!
* Virtually every movie with Poe's name in the publicity has little or nothing to do with the author. Creator/RogerCorman took this to an extreme when he made ''[[LovecraftOnFilm The Haunted Palace]]''; it's actually based on Creator/HPLovecraft, but Corman thought Poe's name was more famous and thus would put more seats in seats. Today he'd probably do the opposite....
* In ''Film/IronMan3'', the BigBad is [[spoiler:Aldrich Killian]]. In the comic arc the movie adapts, the character [[spoiler:dies off very near the start and plays no active role in the order of events]] as a result. Another example where [[TropesAreNotBad it works to the benefit of the adaptation]], as it led to a very crazy plot twist halfway through the movie as a result.
* ''Film/TheAmazingSpiderMan2'' features a version of Ashley Kafka with the only thing in common with the comic character being that they work as Ravencroft and the name, as the Kafka of the comics was a female psychologist who cared about her paitents, whereas the movie Kafa is a male MadScientist who tortures Electro ForScience
* The only things ''Film/TheDarkKnightSaga'''s version of Gillian Loeb has in common in the character of the same name from ''ComicBook/BatmanYearOne'' is that he's against Batman and preceding [[TheCommissionerGordon Jim Gordon]] as Police Commissioner[[note]]and even then, in the comics, then was a man named Grogan was held the job between Loeb leaving and Gordon taking over[[/note]], as the movie character has more to do with Michael Akins, an officer who temporarily replaced Gordon as Commissioner: namely being a young, honest, African-American cop rather than the old Caucasian CorruptCop from the comics.
* ''Film/EllaEnchanted'' keeps the names of some characters and the premise of Ella being cursed with obedience, but otherwise bears little resemblance to the book.
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