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* ''WesternAnimation/MonstersInc'' is a PlayedForLaughs version. While the monsters don't show any signs that they consider the human race evil or malevolent, they are for some reason under the impression that humans are toxic enough to kill with a touch. They go to any lengths necessary to keep themselves safe from them when producing energy from them by scaring children. They basically consider the human race living nuclear power.

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* ''WesternAnimation/MonstersInc'' ''WesternAnimation/MonstersInc1'' is a PlayedForLaughs version. While the monsters don't show any signs that they consider the human race evil or malevolent, they are for some reason under the impression that humans are toxic enough to kill with a touch. They go to any lengths necessary to keep themselves safe from them when producing energy from them by scaring children. They basically consider the human race living nuclear power.
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* The final most dangerous threat of ''WesternAnimation/PussInBootsTheLastWish'' isn't the three large bears with immense strength working with Goldilocks nor is it the lupine bounty hunter [[spoiler:who turns out to be TheGrimReaper himself]], but rather ''Big'' Jack Horner, the monstrously apathetic and cruel normal human who is willing to do anything to get power (including causing the deaths of his own men) due to envy originating from wounded petty pride and a lust for power.

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* The final most dangerous threat of ''WesternAnimation/PussInBootsTheLastWish'' isn't the three large bears with immense strength working with Goldilocks nor is it the lupine bounty hunter [[spoiler:who turns out to be TheGrimReaper himself]], but rather ''Big'' "Big" Jack Horner, the monstrously apathetic and cruel normal human who is willing to do anything to get power (including causing the deaths of his own men) due to envy originating from wounded petty pride and a lust for power.
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* The final most dangerous threat of ''WesternAnimation/PussInBootsTheLastWish'' isn't the three large bears with immense strength working with Goldilocks nor is it the lupine bounty hunter [[spoiler:who turns out to be TheGrimReaper himself]], but rather ''Big'' Jack Horner, the monstrously apathetic and cruel normal human who is willing to do anything to get power (including causing the deaths of his own men) due to envy originating from wounded petty pride and a lust for power.
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* ''WesternAnimation/AtlantisTheLostEmpire'': Commander Lyle Tiberius Rourke, especially since his plan to visit Atlantis [[spoiler:was just a way for him to obtain that place's Heart ''[[{{Greed}} for his own greed]]'', even if it means leaving the Atlanteans to their potential extinction]]. When compared with his second-in-command Helga Sinclair, Rourke himself is '''a lot''' more [[{{Sociopath}} sociopathic]] than her.

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* ''WesternAnimation/AtlantisTheLostEmpire'': Commander Lyle Tiberius Rourke, especially since his plan to visit Atlantis [[spoiler:was just a way for him to obtain that place's namesake Heart of Atlantis ''[[{{Greed}} for his own greed]]'', even if it means leaving the Atlanteans to their potential extinction]].extinction once it's completely taken away from them]]. When compared with his second-in-command Helga Sinclair, Rourke himself is '''a lot''' more [[{{Sociopath}} sociopathic]] than her.
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* ''WesternAnimation/AtlantisTheLostEmpire'': Commander Lyle Tiberius Rourke, especially since his plan to visit Atlantis [[spoiler:was just a way for him to obtain that place's Heart ''[[{{Greed}} for his own greed]]'', even if it means leaving the Atlanteans to their potential extinction]]. When compared with his second-in-command Helga Sinclair, Rourke himself is '''a lot''' more [[{{Sociopath}} sociopathic]].

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* ''WesternAnimation/AtlantisTheLostEmpire'': Commander Lyle Tiberius Rourke, especially since his plan to visit Atlantis [[spoiler:was just a way for him to obtain that place's Heart ''[[{{Greed}} for his own greed]]'', even if it means leaving the Atlanteans to their potential extinction]]. When compared with his second-in-command Helga Sinclair, Rourke himself is '''a lot''' more [[{{Sociopath}} sociopathic]].sociopathic]] than her.
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* ''WesternAnimation/AtlantisTheLostEmpire'': Commander Lyle Tiberius Rourke, especially since his plan to visit Atlantis [[spoilers:was just a way for him to obtain that place's Heart ''[[{{Greed}} for his own greed]]'', even if it means leaving the Atlanteans to their potential extinction]]. When compared with his second-in-command Helga Sinclair, Rourke himself is '''a lot''' more [[{{Sociopath}} sociopathic]].

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* ''WesternAnimation/AtlantisTheLostEmpire'': Commander Lyle Tiberius Rourke, especially since his plan to visit Atlantis [[spoilers:was [[spoiler:was just a way for him to obtain that place's Heart ''[[{{Greed}} for his own greed]]'', even if it means leaving the Atlanteans to their potential extinction]]. When compared with his second-in-command Helga Sinclair, Rourke himself is '''a lot''' more [[{{Sociopath}} sociopathic]].
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Atlantis: The Lost Empire: Rourke, who is even much less sympathetic than Helga.

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* ''WesternAnimation/AtlantisTheLostEmpire'': Commander Lyle Tiberius Rourke, especially since his plan to visit Atlantis [[spoilers:was just a way for him to obtain that place's Heart ''[[{{Greed}} for his own greed]]'', even if it means leaving the Atlanteans to their potential extinction]]. When compared with his second-in-command Helga Sinclair, Rourke himself is '''a lot''' more [[{{Sociopath}} sociopathic]].
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** While both versions of the tale are as depressing as hell, it's interesting to note that the cartoon has an even more of a DownerEnding than the original book. [[spoiler:In the film, the dogs are heavily implied to have died at the end, whereas they go live with a nice "Master" at the end of the book.]]

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** While both versions of the tale are as depressing as hell, it's interesting to note that the cartoon movie has an even more of a DownerEnding than the original book. [[spoiler:In the film, the dogs are heavily implied to have died at the end, whereas they go live with a nice "Master" at the end of the book.]]
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** Adding to this, it seemed a lot of the people in the ending montage were using it as political ammunition to put conservation laws in effect they'd already wanted.

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** Adding to this, it seemed a lot of the people in the ending montage were using it as political ammunition to put conservation laws in effect they'd already wanted. wanted into effect.
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* In ''WesternAnimation/HotelTransylvania'', [[{{Dracula}} Count Dracula]] grew to believe this following an incident where an angry mob set his previous home on fire [[spoiler:which resulted in the death of his wife]]. Dracula even appeared scared and tried to calm the mob down, but they still did it anyway. After meeting Jonathan in the 21st century, however, he begins to warm up to humans which is then solidified when he meets a whole town of friendly humans who proceed to help him even after he reveals who he really is. The following movies continue to subvert the trope, the worst humans are just insensitive jerks [[spoiler: and any that are actually villainous like Van Helsing and Erika undergo a HeelFaceTurn.]]

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* In ''WesternAnimation/HotelTransylvania'', [[{{Dracula}} Count Dracula]] grew to believe this following an incident where an angry mob set his previous home on fire [[spoiler:which resulted in the death of his wife]]. Dracula even appeared scared and tried to calm the mob down, but they still did it anyway. After meeting Jonathan in the 21st century, however, he begins to warm up to humans which is then solidified when he meets a whole town of friendly humans who proceed to help him even after he reveals who he really is. The following movies continue to subvert the trope, the worst humans are just insensitive jerks [[spoiler: and any that who are actually villainous like Van Helsing and Erika undergo a HeelFaceTurn.]]
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** Francis gets into an argument with Claudandus, asking about the good men. Claudandus yells back "No! ''No!'' There aren't any good men! They're ''all'' bad! ''They're all the same!''" Claudandus is even spitting as he yells this. Obviously, Claudandus's argument is flawed, because Francis's owner is a good man.

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** Francis gets into an argument with Claudandus, asking about the good men. Claudandus yells back back, "No! ''No!'' ''NO!'' There aren't any good men! They're ''all'' bad! ''They're all the same!''" Claudandus is even spitting as he yells this. Obviously, Claudandus's argument is flawed, because Francis's owner is a good man.
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** [[DeadpanSnarker Bluebeard]] at first believes that it's a human causing the murders stating that only a human would do something so cruel to a cat. Of course, it turns out to be a cat (IE:[[spoiler:Pascal/Claudandus]]) committing the murders rather than a human. He also refers to humans under the slang term "[[FantasticRacism Can-Openers]]", believing that humans are only good for opening cans of food for cats.
** Francis gets into an argument with Claudandus, asking about the good men. Claudandus yells back "No! NO! There aren't any good men! They're all bad! ALL OF THEM!" Claudandus is even spitting as he yells this. Obviously, Claudandus's argument is flawed, because Francis's owner is a good man.

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** [[DeadpanSnarker Bluebeard]] at first believes that it's a human causing the murders stating that only a human would do something so cruel to a cat. Of course, it turns out to be a cat (IE:[[spoiler:Pascal/Claudandus]]) (IE: [[spoiler:Pascal/Claudandus]]) committing the murders rather than a human. He also refers to humans under the slang term "[[FantasticRacism Can-Openers]]", believing that humans are only good for opening cans of food for cats.
** Francis gets into an argument with Claudandus, asking about the good men. Claudandus yells back "No! NO! ''No!'' There aren't any good men! They're all ''all'' bad! ALL OF THEM!" ''They're all the same!''" Claudandus is even spitting as he yells this. Obviously, Claudandus's argument is flawed, because Francis's owner is a good man.
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* ''WesternAnimation/TheSecretOfNIMH'' is a tough case. It is harsh in its depictions of human scientists performing animal experimentation on rodents, who aren't even developed themselves as individuals. The biggest threat to TheProtagonist and her family is a farmer who's unaware that an adorable boy is in his fields. Though one rat, Jenner, has the dubious honor of being the evilest character on screen.

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* ''WesternAnimation/TheSecretOfNIMH'' is a tough case. It is harsh in its depictions of human scientists performing animal experimentation on rodents, who aren't even developed themselves as individuals. The biggest threat to TheProtagonist and her family is a farmer who's plowing his fields, unaware that an adorable boy is in his fields. Though and bed-ridden young mouse lives there. However, one rat, Jenner, has rat — Jenner —has the dubious honor of being the evilest most evil character on screen.
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* ''WesternAnimation/TheSecretOfNIMH'' is a tough case. It is harsh in its depictions of human scientists performing animal experimentation on rodents, who aren't even developed themselves as individuals. GGThe biggest threat to TheProtagonist and her family is a farmer who's unaware that an adorable boy is in his fields. Though one rat, Jenner, has the dubious honor of being the evilest character on screen.

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* ''WesternAnimation/TheSecretOfNIMH'' is a tough case. It is harsh in its depictions of human scientists performing animal experimentation on rodents, who aren't even developed themselves as individuals. GGThe The biggest threat to TheProtagonist and her family is a farmer who's unaware that an adorable boy is in his fields. Though one rat, Jenner, has the dubious honor of being the evilest character on screen.

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* ''WesternAnimation/FindingNemo'' takes the misguided point of view. The dentist believes that he has rescued the lame Nemo from the dangers of the reef rather than separating him from his father, and the main antagonist is a slightly hyperactive little girl who doesn't realize that if she shakes the bag too hard she'll kill the little fish inside. [[HanlonsRazor It's clearly ignorance rather than malice]]. Then again, when one of the sharks earlier in the movie hears about Nemo being "kidnapped" he says disgustedly, "Humans. Think they own everything."

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* ''WesternAnimation/FindingNemo'' takes the misguided point of view. The dentist believes that he has rescued the lame Nemo from the dangers of the reef rather than separating him from his father, and the main antagonist is a slightly a hyperactive little girl who doesn't realize that if she shakes the bag too hard she'll kill the little fish inside. [[HanlonsRazor It's clearly ignorance rather than malice]]. Then again, when one of the sharks earlier in the movie hears about Nemo being "kidnapped" "kidnapped", he says disgustedly, "Humans. Think they own everything."



* ''WesternAnimation/SpiritStallionOfTheCimarron'':
** Depicts a white man owning a wild horse as equivalent to slavery because TheProtagonist is the horse and not the human. [[spoiler: This human is a GracefulLoser because he comes to see the horse as a WorthyOpponent.]]
** The Native Americans of the same film are shown in a more sympathetic light, but the titular stallion still doesn't like being trained. The other horses do but they prefer the Native Americans to the Settler.

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* ''WesternAnimation/SpiritStallionOfTheCimarron'':
** Depicts
''WesternAnimation/SpiritStallionOfTheCimarron'' depicts a white man owning a wild horse as equivalent to slavery because TheProtagonist is the horse and not the human. [[spoiler: This human is a GracefulLoser because he comes to see the horse as a WorthyOpponent.]]
** The Native Americans of the same film are shown in a more sympathetic light, but the titular stallion still doesn't like being trained. The other horses do but they prefer the Native Americans to the Settler.Settlers.
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Considering the fact that all that NIMH did was experiments they obviously couldn't know or care about the well-being of the rats and mice. Any improvement would be a by-product and an object of further study rather than any good-will gesture. And when they managed to escape they immediately seeked their extermination not even willing to give them a chance at life.


* In ''WesternAnimation/{{Dumbo}}'', Dumbo's mom was separated from him and chained up in a cage because she gave a bratty human kid a (well-deserved) spanking for harassing Dumbo. This can be a double subversion, however, because from the POV of the humans, the bratty human kid ''is'' an audience of the circus, and Mrs. Jumbo's rampage will risk an injured audience and smears on the circus name, possibly causing it to lose audience and go bankrupt because of the risk of rampage. Even if it's harsh, the Ringmaster is doing what he can to keep the circus alive and allow animals to have their role in his circus... except that his future treatment to Dumbo is to force him to play the clown and be the subject of further ridicule, thereby the double-subversion.

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* In ''WesternAnimation/{{Dumbo}}'', Dumbo's mom was separated from him and chained up in a cage because she gave a bratty human kid a (well-deserved) spanking for harassing Dumbo. This can be a double subversion, however, because from the POV of the humans, humans who don't quite understand that the animals are all perfectly capable of restraining themselves, the bratty human kid ''is'' an audience of the circus, and Mrs. Jumbo's rampage will risk an injured audience and smears smear on the circus name, possibly causing it to lose audience and go bankrupt because of the risk of rampage. Even if it's harsh, the Ringmaster is doing what he can to keep the circus alive and allow animals to have their role in his circus... except that his future treatment to Dumbo is to force him to play the clown and be the subject of further ridicule, ridicule and ''also'' risk his well-being, thereby the double-subversion.



** This cumulates in a scene where the protagonists are being besieged by a frenzied mob of living townspeople, complete [[DoesThisRemindYouOfAnything with arms grasping at them through broken windows]]. Meanwhile, the actual zombies calmly went in through the back entrance of the building [[spoiler: to ask the protagonist to help put them back to rest.]]

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** This cumulates culminates in a scene where the protagonists are being besieged by a frenzied mob of living townspeople, complete [[DoesThisRemindYouOfAnything with arms grasping at them through broken windows]]. Meanwhile, the actual zombies calmly went in through the back entrance of the building [[spoiler: to ask the protagonist to help put them back to rest.]]



* ''WesternAnimation/TheSecretOfNIMH'' is a tough case. On is harsh in its depictions of humans performing animal experimentation on rodents. However, the rodents benefit it from it because they become ''more like humans''. They can read and do math and design buildings and harness electricity. This was the goal of the experiments. The biggest threat to TheProtagonist and her family is a farmer who's unaware that an adorable boy is in his fields. Though one rat, Jenner, has the dubious honor of being the evilest character on screen.

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* ''WesternAnimation/TheSecretOfNIMH'' is a tough case. On It is harsh in its depictions of humans human scientists performing animal experimentation on rodents. However, the rodents benefit it from it because they become ''more like humans''. They can read and do math and design buildings and harness electricity. This was the goal of the experiments. The rodents, who aren't even developed themselves as individuals. GGThe biggest threat to TheProtagonist and her family is a farmer who's unaware that an adorable boy is in his fields. Though one rat, Jenner, has the dubious honor of being the evilest character on screen.
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* ''WesternAnimation/Nimona2023'': As much of a front Nimona tries to make as a CardCarryingVillain, [[ThenLetMeBeEvil all she really is is a scared, lonely child who embraced a label that was forced upon her]]. The Kingdom, however, seems to have embraced a cultural identity of monster-slaying, despite no one having encountered a monster in a thousand years, with everyone's first instinct when they see Nimona being to declare her a threat. They are also neck-deep in Feudalistic ideas of class, the Queen wishing to make knighthood a profession based on merit being considered so radical an idea that [[spoiler:the Director has her assassinated because she saw this break in tradition as an existential threat to their entire society, making Ballister her patsy in order to delegitimize the idea to the public at large]].

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* Implied in the [[https://www.youtube.com/watch?v=vhgOAR4Xq4Y "Bolero" sequence]] of ''WesternAnimation/AllegroNonTroppo'': Life on a distant planet evolves out of a [[ShoutOut discarded]] [[Film/TheGodsMustBeCrazy soda bottle]]. Eventually, apes (who are [[DarkIsEvil masses of black, sketchy fur]] compared to the brightly colored cartoon animals and have [[RedEyesTakeWarning red eyes]] set in [[BlackEyesOfCrazy black sclera]]) are revealed as cheating bastards who don't follow the animals' evolutionary path [[spoiler:and eventually mess up the planet by creating war, religion, and destructive cities. By the end, they have evolved into humans, but on the inside, they're still vicious, unsatisfied animals]].


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* ''WesternAnimation/PeaceOnEarth'': Humans are portrayed as warmongering monsters who drove themselves to extinction through their constant conflicts, to the point that they finally went extinct when the last two humans alive shot each other. The animal society that arose in their wake, by contrast, is peaceful and essentially utopian.
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''WesternAnimation/SupermanBatmanApocalypse'': Batman forces Darkseid to return Supergirl to the heroes by threatening to destroy his planet. Darkseid commends him on such a ruthless maneuver, stating that it was believable coming from him (and would've failed were it done by a certain Kryptonian and Amazon) because humans are renowned for killing their own kind in order to win.

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* ''WesternAnimation/SupermanBatmanApocalypse'': Batman forces Darkseid to return Supergirl to the heroes by threatening to destroy his planet. Darkseid commends him on such a ruthless maneuver, stating that it was believable coming from him (and would've failed were it done by a certain Kryptonian and Amazon) because humans are renowned for killing their own kind in order to win.



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''WesternAnimation/SupermanBatmanApocalypse'': Batman forces Darkseid to return Supergirl to the heroes by threatening to destroy his planet. Darkseid commends him on such a ruthless maneuver, stating that it was believable coming from him (and would've failed were it done by a certain Kryptonian and Amazon) because humans are renowned for killing their own kind in order to win.
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* Played With in ''Anime/PrincessMononoke''. Normally, when films try to deal with the "humans vs. nature" conflict, [[{{Anvilicious}} it creates clumsy caricatures of both sides]]. However, ''Princess Mononoke'' presents the conflict in a [[GrayAndGreyMorality more even-handed fashion]]. The [[LadyOfWar Lady Eboshi]] is shown to be [[AntiVillain quite a complex villain]] with [[AFatherToHisMen some]] [[OnlySaneMan good]] [[HeelRealization sides]], and the closest thing to a true villain in the film is [[AffablyEvil a genuinely nice and friendly guy]]. Some of the other human characters of the film, however...

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* Played With in ''Anime/PrincessMononoke''. Normally, when films try to deal with the "humans vs. nature" conflict, [[{{Anvilicious}} it creates clumsy caricatures of both sides]]. However, ''Princess Mononoke'' presents the conflict in a [[GrayAndGreyMorality more even-handed fashion]]. The [[LadyOfWar Lady Eboshi]] is shown to be [[AntiVillain quite a complex villain]] with [[AFatherToHisMen some]] [[OnlySaneMan good]] [[HeelRealization sides]], and the closest thing to a true villain in the film is [[AffablyEvil a genuinely nice and friendly guy]]. Meanwhile, the nature side has armies of [[CanisMajor massive]], [[FullBoarAction dangerous]] animal-gods led by an AnimalisticAbomination with control over [[FertileFeet life]] and [[WalkingWasteland death]] and an [[BlueAndOrangeMorality absolutely alien morality]]. Some of the other human characters of the film, however...
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* ''Anime/TheAnimatrix'': [[ZigZaggedTrope Zig-zagged]].
** Humans start the RobotWar purely out of FantasticRacism (the robots literally came before humanity bearing flowers and open arms) and that the robots locked humanity in the Matrix purely as self-defense against genocide and attempting to give them an utopia which human minds did not want.
** In the present day, they create a device to show the machines that not ALL humans are/were bastards and that they wish for peaceful co-existence. It also gives them free will to decide whether or not to fight alongside the humans or continue the war at all. [[spoiler:It ends with the deaths of the humans involved and the machines sent to destroy them, leaving the machine all alone to decide his purpose now...]]

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