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AC is an exceptable use for a synthesized voice, right?
Changed line(s) 25 (click to see context) from:
* Carlos' one month anniversary gift to Cecil in Episode 32: a watch that is the only true timepiece in Night Vale. And later in the episode, Cecil telling Old Woman Josie "I have a new boyfriend" in what sounds like a tone of ''wonder.''
to:
* Carlos' one month anniversary gift to Cecil in Episode 32: a watch that is the only true timepiece in Night Vale. And later in the episode, Cecil telling Old Woman Josie "I have a new boyfriend" in what sounds like a tone of ''wonder.'' ''
* In an odd way, the relationship between Megan (a severed yet sentient adult man's hand) and the computer in Episode 34, ''A Beautiful Dream'', even if the computer is a bit of an extremist in accomplishing his goals.
--> Computer: [[AC: There will not be war anymore, Megan. There will not be hatred or bigotry. Desert Bluffs will no longer exist. There will be fewer ice cream flavors, but they will be better. The air will be clean. I promise you, Megan, I will make the world just as you saw in your [[TitleDrop beautiful dream.]] No more teasing or pain. I will fix everything for you, my only friend.]]
* In an odd way, the relationship between Megan (a severed yet sentient adult man's hand) and the computer in Episode 34, ''A Beautiful Dream'', even if the computer is a bit of an extremist in accomplishing his goals.
--> Computer: [[AC: There will not be war anymore, Megan. There will not be hatred or bigotry. Desert Bluffs will no longer exist. There will be fewer ice cream flavors, but they will be better. The air will be clean. I promise you, Megan, I will make the world just as you saw in your [[TitleDrop beautiful dream.]] No more teasing or pain. I will fix everything for you, my only friend.]]
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Changed line(s) 22 (click to see context) from:
* The live show at the SF Booksmith. Let's... discuss... this. [[http://www.youtube.com/watch?v=Atay_qSdAX8 Let's start here]].
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* The live show at performed during the SF Booksmith.latter half of 2013. Let's... discuss... this. [[http://www.youtube.com/watch?v=Atay_qSdAX8 Let's start here]].
Changed line(s) 24 (click to see context) from:
-->[[spoiler: And he said to me, "I just thought that maybe, it was time for us to make a home... together." And I said "YES! That would be... well... that would be neat!"]]
to:
-->[[spoiler: And he said to me, "I “I just thought that maybe, maybe it was…it was time for us us, maybe, to make a home... together." home. Together.” And I said "YES! “Yes! Please! That would be... well... be, well, that would be neat!"]]neat! But somewhere else, OK? A duplex, an apartment…I don’t think a condo." "No," he said, "Not a condo." And then he said, “'Listen—' Mmmmmmm…… he thinks I shouldn’t tell you everything. That…I should leave a little something there that belongs just to us.”]]
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Changed line(s) 3 (click to see context) from:
** Cecil mentions in particular the reuniting of two Night Vale citizens named Wilson and Amber. [[spoiler:Wilson, in the heat of the moment, proposes to Amber, who he'd apparently only met once or twice. Amber declines his marriage proposal, but offers to get dinner with him instead. Wilson agrees and tries to laugh it off, saying it was nothing, and Amber insists she thought nothing of it, but Cecil insists that both of them took it very seriously.]] It's an incredibly sweet moment.
to:
** Cecil mentions in particular the reuniting of two Night Vale citizens named Wilson and Amber. [[spoiler:Wilson, in the heat of the moment, proposes to Amber, who he'd apparently only met once or twice. Amber declines his marriage proposal, but offers to get dinner with him instead. Wilson agrees and tries to laugh it off, saying it was nothing, and Amber insists she thought nothing of it, but Cecil insists that both of them took it very seriously.]] It's an incredibly sweet moment. (Perhaps it's a coincidence, but the names Amber and Wilson are more meaningful if you're a fan of {{House}}.)
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Changed line(s) 24,25 (click to see context) from:
-->[[spoiler: And he said to me, "I just thought that maybe, it was time for us to make a home... together." And I said "YES! That would be... well... that would be neat!]]
* Carlos' monthiversary gift to Cecil in episode 32: a watch that is the only true timepiece in Night Vale. And later in the episode, Cecil telling Old Woman Josie "I have a new boyfriend" in what sounds like a tone of ''wonder.'' Awww.
* Carlos' monthiversary gift to Cecil in episode 32: a watch that is the only true timepiece in Night Vale. And later in the episode, Cecil telling Old Woman Josie "I have a new boyfriend" in what sounds like a tone of ''wonder.'' Awww.
to:
-->[[spoiler: And he said to me, "I just thought that maybe, it was time for us to make a home... together." And I said "YES! That would be... well... that would be neat!]]
neat!"]]
* Carlos'monthiversary one month anniversary gift to Cecil in episode Episode 32: a watch that is the only true timepiece in Night Vale. And later in the episode, Cecil telling Old Woman Josie "I have a new boyfriend" in what sounds like a tone of ''wonder.'' Awww.
* Carlos'
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* Carlos' monthiversary gift to Cecil in episode 32: a watch that is the only true timepiece in Night Vale. And later in the episode, Cecil telling Old Woman Josie "I have a new boyfriend" in what sounds like a tone of ''wonder.'' Awww.
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-->[[spoiler: And he said to me, "I just thought that maybe, it was time for us to make a home... together." And I said "YES! That would be... well... that would be neat!]]
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Changed line(s) 22 (click to see context) from:
* The live show at the SF Booksmith. Let's... discuss... this. [[http://www.youtube.com/watch?v=Atay_qSdAX8 Starting here]].
to:
* The live show at the SF Booksmith. Let's... discuss... this. [[http://www.youtube.com/watch?v=Atay_qSdAX8 Starting here]].Let's start here]].
-->Perfection is not real. Perfection is not human. Carlos is not perfect- no, even better- he is imperfect. Everything about him, and us, and all of this is imperfect. And those imperfections in our reality are the seams and cracks into which our outsized love can seep and pool.
-->Perfection is not real. Perfection is not human. Carlos is not perfect- no, even better- he is imperfect. Everything about him, and us, and all of this is imperfect. And those imperfections in our reality are the seams and cracks into which our outsized love can seep and pool.
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Changed line(s) 22 (click to see context) from:
* The live show at the SF Booksmith. Let's... discuss... this.
to:
* The live show at the SF Booksmith. Let's... discuss... this. [[http://www.youtube.com/watch?v=Atay_qSdAX8 Starting here]].
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Changed line(s) 22 (click to see context) from:
to:
* The live show at the SF Booksmith. Let's... discuss... this.
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Changed line(s) 3 (click to see context) from:
** Cecil mentions in particular the reuniting of two Night Vale citizens named Wilson and Amber. [[spoiler:Wilson, in the heat of the moment, proposes to Amber, who he'd apparently only met once or twice. Amber declines his marriage proposal, but offers to get dinner with him instead. Wilson agrees amd tries to laugh it off, saying it was nothing, and Amber insists she thought nothing of it, but Cecil insists that both of them took it very seriously.]] It's an incredibly sweet moment.
to:
** Cecil mentions in particular the reuniting of two Night Vale citizens named Wilson and Amber. [[spoiler:Wilson, in the heat of the moment, proposes to Amber, who he'd apparently only met once or twice. Amber declines his marriage proposal, but offers to get dinner with him instead. Wilson agrees amd and tries to laugh it off, saying it was nothing, and Amber insists she thought nothing of it, but Cecil insists that both of them took it very seriously.]] It's an incredibly sweet moment.
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Changed line(s) 3 (click to see context) from:
** Cecil mentions in particular the reuniting of two Night Vale citizens named Wilson and Amber. [[spoiler:Wilson, in the heat of the moment, proposes to Amber, who he'd apparently only met once or twice. Amber declines his marriage proposal, but offers to get dinner with him instead. Wilson agrees tries to laugh it off, saying it was nothing, and Amber insists she thought nothing of it, but Cecil insists that both of them took it very seriously.]] It's an incredibly sweet moment.
to:
** Cecil mentions in particular the reuniting of two Night Vale citizens named Wilson and Amber. [[spoiler:Wilson, in the heat of the moment, proposes to Amber, who he'd apparently only met once or twice. Amber declines his marriage proposal, but offers to get dinner with him instead. Wilson agrees amd tries to laugh it off, saying it was nothing, and Amber insists she thought nothing of it, but Cecil insists that both of them took it very seriously.]] It's an incredibly sweet moment.
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** Cecil mentions in particular the reuniting of two Night Vale citizens named Wilson and Amber. [[spoiler:Wilson, in the heat of the moment, proposes to Amber, who he'd apparently only met once or twice. Amber declines his marriage proposal, but offers to get dinner with him instead. Wilson agrees tries to laugh it off, saying it was nothing, and Amber insists she thought nothing of it, but Cecil insists that both of them took it very seriously.]] It's an incredibly sweet moment.
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Changed line(s) 12 (click to see context) from:
** From episode two, "Glow Cloud":
to:
** From episode two, Episode 2, "Glow Cloud":
Changed line(s) 16 (click to see context) from:
* It's very understated, but Cecil calling Carlos "caring and reliable" in episode 29.
to:
* It's very understated, but Cecil calling Carlos "caring and reliable" in episode Episode 29.
Changed line(s) 20 (click to see context) from:
* Carlos spent episode 31 making Cecil dinner. Was it at his place? Cecil's? Are they sharing a place now? Regardless we have reached domesticity critical mass.
to:
* Carlos spent episode Episode 31 making Cecil dinner. Was it at his place? Cecil's? Are they sharing a place now? Regardless we have reached domesticity critical mass.mass.
-----
-----
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Changed line(s) 19 (click to see context) from:
** Likewise, Cecil's comments about being glad for his little community and all the people who listen to him share news about his neat town, which is a meta "thank you" from the show's producers to the audience.
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** Likewise, Cecil's comments about being glad for his little community and all the people who listen to him share news about his neat town, which is a meta "thank you" from the show's producers to the audience.audience.
* Carlos spent episode 31 making Cecil dinner. Was it at his place? Cecil's? Are they sharing a place now? Regardless we have reached domesticity critical mass.
* Carlos spent episode 31 making Cecil dinner. Was it at his place? Cecil's? Are they sharing a place now? Regardless we have reached domesticity critical mass.
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Changed line(s) 18 (click to see context) from:
* Cecil's concern for Dana. He's deeply worried about her and asks Night Vale to pray for her.
to:
* Cecil's concern for Dana. He's deeply worried about her and asks Night Vale to pray for her.her.
** Likewise, Cecil's comments about being glad for his little community and all the people who listen to him share news about his neat town, which is a meta "thank you" from the show's producers to the audience.
** Likewise, Cecil's comments about being glad for his little community and all the people who listen to him share news about his neat town, which is a meta "thank you" from the show's producers to the audience.
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Changed line(s) 17 (click to see context) from:
* Apparently Cecil and Carlos have reached the point in their relationship where Cecil is noticing Carlos' flaws (but still calls him lovely and refers to him as ''his'' Carlos), they're kind of snarky to each other, and text regularly.
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* Apparently Cecil and Carlos have reached the point in their relationship where Cecil is noticing Carlos' flaws (but still calls him lovely and refers to him as ''his'' Carlos), they're kind of snarky to each other, and text regularly.regularly.
* Cecil's concern for Dana. He's deeply worried about her and asks Night Vale to pray for her.
* Cecil's concern for Dana. He's deeply worried about her and asks Night Vale to pray for her.
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Changed line(s) 16 (click to see context) from:
* It's very understated, but Cecil calling Carlos "caring and reliable" in episode 29.
to:
* It's very understated, but Cecil calling Carlos "caring and reliable" in episode 29.29.
* Apparently Cecil and Carlos have reached the point in their relationship where Cecil is noticing Carlos' flaws (but still calls him lovely and refers to him as ''his'' Carlos), they're kind of snarky to each other, and text regularly.
* Apparently Cecil and Carlos have reached the point in their relationship where Cecil is noticing Carlos' flaws (but still calls him lovely and refers to him as ''his'' Carlos), they're kind of snarky to each other, and text regularly.
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Added DiffLines:
--> "Some of us are not here. We leave space for them. Space, that has been emptied by time."
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Changed line(s) 14 (click to see context) from:
--> There is a car. It's not in Night Vale, or even in the desert which cradles our little town. It's out somewhere, beyond that. There are many cars there, but I'm speaking only about one- blue, squarish, with tires and windows and an engine that works most of the time. A woman is driving it, and she is also glancing whenever she can at the child in the passenger seat. He is a child, but he is 15. You understand. She is glancing at him, but she is not saying anything, and ''he'' is not saying anything either. She wants to cry or she wants to push him out of the car. Or, she wants to go back in time and insist on using a condom. Only she would never do that. She wouldn't change any of this, really. Not for all the money, piles of money, some of it defunct money from defunct and absent governments. She wouldn't give ''any'' of this back. So she drives her car, blue, squarish, with tires and windows and an engine that works most of the time. And she glances at the 15-year old child, and neither of them speaks.
to:
--> There is a car. It's not in Night Vale, or even in the desert which cradles our little town. It's out somewhere, beyond that. There are many cars there, but I'm speaking only about one- blue, squarish, with tires and windows and an engine that works most of the time. A woman is driving it, and she is also glancing whenever she can at the child in the passenger seat. He is a child, but he is 15. You understand. She is glancing at him, but she is not saying anything, and ''he'' is not saying anything either. She wants to cry or she wants to push him out of the car. Or, she wants to go back in time and insist on using a condom. Only she would never do that. She wouldn't change any of this, really. Not for all the money, piles of money, some of it defunct money from defunct and absent governments. She wouldn't give ''any'' of this back. So she drives her car, blue, squarish, with tires and windows and an engine that works most of the time. And she glances at the 15-year old child, and neither of them speaks.speaks.
* It's very understated, but Cecil calling Carlos "caring and reliable" in episode 29.
* It's very understated, but Cecil calling Carlos "caring and reliable" in episode 29.
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Changed line(s) 14 (click to see context) from:
--> There is a car. It's not in Night Vale, or even in the desert which cradles our little town. It's out somewhere, beyond that. There are many cars there, but I'm speak only about one- blue, squarish, with tires and windows and an engine that works most of the time. A woman is driving it, and she is also glancing whenever she can at the child in the passenger seat. He is a child, but he is 15. You understand. She is glancing at him, but she is not saying anything, and ''he'' is not saying anything either. She wants to cry or she wants to push him out of the car. Or, she wants to go back in time and insist on using a condom. Only she would never do that. She wouldn't change any of this, really. Not for all the money, piles of money, some of it defunct money from defunct and absent governments. She wouldn't give ''any'' of this back. So she drives her car, blue, squarish, with tires and windows and an engine that works most of the time. And she glances at the 15-year old child, and neither of them speaks.
to:
--> There is a car. It's not in Night Vale, or even in the desert which cradles our little town. It's out somewhere, beyond that. There are many cars there, but I'm speak speaking only about one- blue, squarish, with tires and windows and an engine that works most of the time. A woman is driving it, and she is also glancing whenever she can at the child in the passenger seat. He is a child, but he is 15. You understand. She is glancing at him, but she is not saying anything, and ''he'' is not saying anything either. She wants to cry or she wants to push him out of the car. Or, she wants to go back in time and insist on using a condom. Only she would never do that. She wouldn't change any of this, really. Not for all the money, piles of money, some of it defunct money from defunct and absent governments. She wouldn't give ''any'' of this back. So she drives her car, blue, squarish, with tires and windows and an engine that works most of the time. And she glances at the 15-year old child, and neither of them speaks.
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Changed line(s) 12 (click to see context) from:
-->The desert seems vast, even endless. And yet, scientists tell us that somewhere, even now, there is snow.
to:
-->The desert seems vast, even endless. And yet, scientists tell us that somewhere, even now, there is snow.snow.
* The oddly bittersweet traffic in "The Man in the Tan Jacket":
--> There is a car. It's not in Night Vale, or even in the desert which cradles our little town. It's out somewhere, beyond that. There are many cars there, but I'm speak only about one- blue, squarish, with tires and windows and an engine that works most of the time. A woman is driving it, and she is also glancing whenever she can at the child in the passenger seat. He is a child, but he is 15. You understand. She is glancing at him, but she is not saying anything, and ''he'' is not saying anything either. She wants to cry or she wants to push him out of the car. Or, she wants to go back in time and insist on using a condom. Only she would never do that. She wouldn't change any of this, really. Not for all the money, piles of money, some of it defunct money from defunct and absent governments. She wouldn't give ''any'' of this back. So she drives her car, blue, squarish, with tires and windows and an engine that works most of the time. And she glances at the 15-year old child, and neither of them speaks.
* The oddly bittersweet traffic in "The Man in the Tan Jacket":
--> There is a car. It's not in Night Vale, or even in the desert which cradles our little town. It's out somewhere, beyond that. There are many cars there, but I'm speak only about one- blue, squarish, with tires and windows and an engine that works most of the time. A woman is driving it, and she is also glancing whenever she can at the child in the passenger seat. He is a child, but he is 15. You understand. She is glancing at him, but she is not saying anything, and ''he'' is not saying anything either. She wants to cry or she wants to push him out of the car. Or, she wants to go back in time and insist on using a condom. Only she would never do that. She wouldn't change any of this, really. Not for all the money, piles of money, some of it defunct money from defunct and absent governments. She wouldn't give ''any'' of this back. So she drives her car, blue, squarish, with tires and windows and an engine that works most of the time. And she glances at the 15-year old child, and neither of them speaks.
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Changed line(s) 9 (click to see context) from:
-->Sleep heavily and know that I am here with you now. The past is gone, and cannot harm you anymore. And while the future is fast coming for you, it always flinches first, and settles in as the gentle present. This now, this us, we can cope with that. We can do this together, you and I, drowsily, but comfortably.
to:
-->Sleep heavily and know that I am here with you now. The past is gone, and cannot harm you anymore. And while the future is fast coming for you, it always flinches first, and settles in as the gentle present. This now, this us, we can cope with that. We can do this together, you and I, drowsily, but comfortably.comfortably.
* A lot of Cecil's FauxlosophicNarration ends up being weirdly heartwarming, even when it's nonsensical.
** From episode two, "Glow Cloud":
-->The desert seems vast, even endless. And yet, scientists tell us that somewhere, even now, there is snow.
* A lot of Cecil's FauxlosophicNarration ends up being weirdly heartwarming, even when it's nonsensical.
** From episode two, "Glow Cloud":
-->The desert seems vast, even endless. And yet, scientists tell us that somewhere, even now, there is snow.
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* After 16 episodes of sounding like something of a StalkerWithACrush about Carlos, Cecil proves that he really is a good guy by quietly accepting that 'sometimes people just don't call, and that's okay' and that he isn't going to pressure Carlos into anything. Of course, it just makes it even more adorable when Carlos does actually call him.
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Changed line(s) 6 (click to see context) from:
** Cecil almost drives his car into a cloud of shadow energy on the way home, he's so delighted.
to:
** Cecil almost drives his car into a cloud of shadow energy on the way home, he's so delighted.delighted.
* Cecil's closing narration in Episode 12:
-->Sleep heavily and know that I am here with you now. The past is gone, and cannot harm you anymore. And while the future is fast coming for you, it always flinches first, and settles in as the gentle present. This now, this us, we can cope with that. We can do this together, you and I, drowsily, but comfortably.
* Cecil's closing narration in Episode 12:
-->Sleep heavily and know that I am here with you now. The past is gone, and cannot harm you anymore. And while the future is fast coming for you, it always flinches first, and settles in as the gentle present. This now, this us, we can cope with that. We can do this together, you and I, drowsily, but comfortably.
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Changed line(s) 5 (click to see context) from:
* In Episode 27, after over a year of build up, the listeners are almost led to believe that Carlos and Cecil's date is off to an awkward end, [[spoilers:until Carlos leans in and kisses him.]]
to:
* In Episode 27, after over a year of build up, the listeners are almost led to believe that Carlos and Cecil's date is off to an awkward end, [[spoilers:until [[spoiler:until Carlos leans in and kisses him.]]
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Changed line(s) 4 (click to see context) from:
-->"Nothing. ...I just wanted to see you."
to:
-->"Nothing. ...I just wanted to see you.""
* In Episode 27, after over a year of build up, the listeners are almost led to believe that Carlos and Cecil's date is off to an awkward end, [[spoilers:until Carlos leans in and kisses him.]]
** Cecil almost drives his car into a cloud of shadow energy on the way home, he's so delighted.
* In Episode 27, after over a year of build up, the listeners are almost led to believe that Carlos and Cecil's date is off to an awkward end, [[spoilers:until Carlos leans in and kisses him.]]
** Cecil almost drives his car into a cloud of shadow energy on the way home, he's so delighted.
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Changed line(s) 2 (click to see context) from:
* "One Year Later", the anniversary episode. Especially the final scene, where [[spoiler:Cecil and Carlos quietly sit together watching the lights in the sky]].
to:
* "One Year Later", the anniversary episode. Especially the final scene, where [[spoiler:Cecil and Carlos quietly sit together watching the lights in the sky]].sky]].
-->"What danger are we in? What mystery needs to be explored?"
-->"Nothing. ...I just wanted to see you."
-->"What danger are we in? What mystery needs to be explored?"
-->"Nothing. ...I just wanted to see you."
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Changed line(s) 1 (click to see context) from:
* The end of the street-cleaners episode. Everybody that has survived, and even the City Council members, hold hands together in still silence and out of a sense of camaraderie. Cecil implies that everybody is exhausted from the ordeal but grateful to be alive.
to:
* The end of the street-cleaners episode. Everybody that has survived, and even the City Council members, hold hands together in still silence and out of a sense of camaraderie. Cecil implies that everybody is exhausted from the ordeal but grateful to be alive.alive.
* "One Year Later", the anniversary episode. Especially the final scene, where [[spoiler:Cecil and Carlos quietly sit together watching the lights in the sky]].
* "One Year Later", the anniversary episode. Especially the final scene, where [[spoiler:Cecil and Carlos quietly sit together watching the lights in the sky]].
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Changed line(s) 1 (click to see context) from:
* The end of the street-cleaners episode. Everybody that has survived, and even the City Council members, hold hands together in still silence. Cecil implies that everybody is exhausted from the ordeal but grateful to be alive.
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* The end of the street-cleaners episode. Everybody that has survived, and even the City Council members, hold hands together in still silence.silence and out of a sense of camaraderie. Cecil implies that everybody is exhausted from the ordeal but grateful to be alive.
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* The end of the street-cleaners episode. Everybody that has survived, and even the City Council members, hold hands together in still silence. Cecil implies that everybody is exhausted from the ordeal but grateful to be alive.