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Changed line(s) 3,4 (click to see context) from:
* Cecil B. Demille actually speaks fondly of Norma, and defends her to his {{Jerkass}} assistant.
* The old Paramount worker recognizing Norma, and rushing to greet her. The fans may have forgotten her, but her coworkers have not.
* The old Paramount worker recognizing Norma, and rushing to greet her. The fans may have forgotten her, but her coworkers have not.
to:
* Cecil B. Demille [=DeMille=] actually speaks fondly of Norma, and defends her to his {{Jerkass}} assistant.
assistant. When he realizes Paramount was only calling because of her car, he tries to break the news to her gently.
* The old Paramountworker workers recognizing Norma, and rushing to greet her. The fans may have forgotten her, but her coworkers have not.
* The old Paramount
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Added DiffLines:
* Cecil B. Demille actually speaks fondly of Norma, and defends her to his {{Jerkass}} assistant.
* The old Paramount worker recognizing Norma, and rushing to greet her. The fans may have forgotten her, but her coworkers have not.
* The old Paramount worker recognizing Norma, and rushing to greet her. The fans may have forgotten her, but her coworkers have not.
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Changed line(s) 2 (click to see context) from:
* In the musical, the new year's party is this before it goes awry. Joe and Norma actually have a good time together, dancing and laughing. It's surprisingly sweet.
to:
* In the musical, the new year's party is this before it goes awry. Joe and Norma actually have a good time together, dancing and laughing. It's surprisingly sweet.sweet.
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* Anytime Joe shows he actually does care about Norma, which makes the ending that much more tragic.
* In the musical, the new year's party is this before it goes awry. Joe and Norma actually have a good time together, dancing and laughing. It's surprisingly sweet.
* In the musical, the new year's party is this before it goes awry. Joe and Norma actually have a good time together, dancing and laughing. It's surprisingly sweet.
