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Changed line(s) 46 (click to see context) from:
* The end of "Hot for Teacher", but it's also a tearjerker: Alison has been keeping an old photo of herself and the Liars in her wallet for over a year since she disappeared. For all the AlphaBitch-esque behavior she displayed in the past, [[JerkWithAHeartOfGold she genuinely cares for them.]]
to:
* The end of "Hot for Teacher", but it's also a tearjerker: Alison has been keeping an old photo of herself and the Liars in her wallet for over a year since she disappeared. For all the AlphaBitch-esque behavior she displayed in the past, [[JerkWithAHeartOfGold she genuinely cares for them.]]
* When Emily confronts Mona about her break-up with Mike, Mona confesses that Ezra asked her to get close to him in order to spy on Aria. Then she reveals that [[BecomingTheMask she actually fell in love with him]] and broke up with him [[BreakHisHeartToSaveHim so that he wouldn't get hurt.]]
* When Emily confronts Mona about her break-up with Mike, Mona confesses that Ezra asked her to get close to him in order to spy on Aria. Then she reveals that [[BecomingTheMask she actually fell in love with him]] and broke up with him [[BreakHisHeartToSaveHim so that he wouldn't get hurt.]]
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Changed line(s) 45 (click to see context) from:
* In "Love [=ShAck=] Baby", Hanna reveals that [[spoiler: she once hooked up with Aria's brother Mike.]] We see a brief flashback where Alison says that Aria would never forgive Hanna for that. Cut to the present day: Aria not only forgives Hanna, but her shock at the news takes a back seat to her concern that Hanna is still upset about something.
to:
* In "Love [=ShAck=] Baby", Hanna reveals that [[spoiler: she once hooked up with Aria's brother Mike.]] We see a brief flashback where Alison says that Aria would never forgive Hanna for that. Cut to the present day: Aria not only forgives Hanna, but her shock at the news takes a back seat to her concern that Hanna is still upset about something.something.
* The end of "Hot for Teacher", but it's also a tearjerker: Alison has been keeping an old photo of herself and the Liars in her wallet for over a year since she disappeared. For all the AlphaBitch-esque behavior she displayed in the past, [[JerkWithAHeartOfGold she genuinely cares for them.]]
* The end of "Hot for Teacher", but it's also a tearjerker: Alison has been keeping an old photo of herself and the Liars in her wallet for over a year since she disappeared. For all the AlphaBitch-esque behavior she displayed in the past, [[JerkWithAHeartOfGold she genuinely cares for them.]]
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Changed line(s) 45 (click to see context) from:
* In "Love =ShAck= Baby", Hanna reveals that [[spoiler: she once hooked up with Aria's brother Mike.]] We see a brief flashback where Alison says that Aria would never forgive Hanna for that. Cut to the present day: Aria not only forgives Hanna, but her shock at the news takes a back seat to her concern that Hanna is still upset about something.
to:
* In "Love =ShAck= [=ShAck=] Baby", Hanna reveals that [[spoiler: she once hooked up with Aria's brother Mike.]] We see a brief flashback where Alison says that Aria would never forgive Hanna for that. Cut to the present day: Aria not only forgives Hanna, but her shock at the news takes a back seat to her concern that Hanna is still upset about something.
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Changed line(s) 45 (click to see context) from:
* In "Love ShAck Baby", Hanna reveals that [[spoiler: she once hooked up with Aria's brother Mike.]] We see a brief flashback where Alison says that Aria would never forgive Hanna for that. Cut to the present day: Aria not only forgives Hanna, but her shock at the news takes a back seat to her concern that Hanna is still upset about something.
to:
* In "Love ShAck =ShAck= Baby", Hanna reveals that [[spoiler: she once hooked up with Aria's brother Mike.]] We see a brief flashback where Alison says that Aria would never forgive Hanna for that. Cut to the present day: Aria not only forgives Hanna, but her shock at the news takes a back seat to her concern that Hanna is still upset about something.
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Changed line(s) 43 (click to see context) from:
* Hanna asking Caleb to stay in Ravenswood and help Miranda at the end of "Grave New World", especially since she acknowledges that Miranda is beautiful enough for him to fall for, but she trusts that he won't.
to:
* Hanna asking Caleb to stay in Ravenswood and help Miranda at the end of "Grave New World", especially since she acknowledges that Miranda is beautiful enough for him to fall for, but she trusts that he won't.won't.
* In "Love ShAck Baby", Hanna reveals that [[spoiler: she once hooked up with Aria's brother Mike.]] We see a brief flashback where Alison says that Aria would never forgive Hanna for that. Cut to the present day: Aria not only forgives Hanna, but her shock at the news takes a back seat to her concern that Hanna is still upset about something.
* In "Love ShAck Baby", Hanna reveals that [[spoiler: she once hooked up with Aria's brother Mike.]] We see a brief flashback where Alison says that Aria would never forgive Hanna for that. Cut to the present day: Aria not only forgives Hanna, but her shock at the news takes a back seat to her concern that Hanna is still upset about something.
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Changed line(s) 30 (click to see context) from:
-->([[spoiler: ''Paige's whole face lights up, but she looks down and takes a breath, trying to control herself'')]]
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Changed line(s) 24,25 (click to see context) from:
-->'''Emily''': I haven’t been with anyone since Maya. I haven’t even thought about it. Or at least I didn’t think I was thinking about it. I was drunk that night, and I got lost.
-->(''Paige glances away and nods sadly'')
-->(''Paige glances away and nods sadly'')
to:
-->'''Emily''': [[spoiler: I haven’t been with anyone since Maya. Maya.]] I haven’t even thought about it. Or at least I didn’t think I was thinking about it. I was drunk that night, and I got lost.
-->(''Paige glances away andnods sadly'')nods'')
-->(''Paige glances away and
Changed line(s) 29,31 (click to see context) from:
-->(''Paige's whole face lights up, but she looks down and takes a breath, trying to control herself'')
-->'''Emily''': ''*puts a hand on Paige's neck and makes her look up*'' Don't look away.
-->(''Paige gives her a lovestruck smile and they kiss'')
-->'''Emily''': ''*puts a hand on Paige's neck and makes her look up*'' Don't look away.
-->(''Paige gives her a lovestruck smile and they kiss'')
to:
-->'''Emily''':
-->[[spoiler: '''Emily''': ''*puts a hand on Paige's neck and makes her look up*'' Don't look
-->(''Paige
-->[[spoiler: (''Paige gives her a lovestruck smile and they
Changed line(s) 34,35 (click to see context) from:
-->She could tell you her despair, and you could tell her yours. She could reach for your hand, and you could reach for hers. You could try to choke her out like a fever dream, she could try to push you out of the closet. You could ride your bike for miles in the rain to tell her that you’re sorry; kiss her at precisely the wrong moment, then tell her that you’re sorry; upend a pile of birthday cupcakes looking for a goddamn coconut one, then tell her that you’re sorry. You could get it all wrong. Always, always wrong. Not understanding what you do. Doing the thing you hate. And then one night, by the light of the moon, she could crack you open and coax out your shame and demand that you look at it, look at her. And you could finally — even just for a moment — stop hating yourself for wanting.
to:
-->She could tell you her despair, and you could tell her yours. She could reach for your hand, and you could reach for hers. You could try to choke her out like a fever dream, she could try to push you out of the closet. You could ride your bike for miles in the rain to tell her that you’re sorry; kiss her at precisely the wrong moment, then tell her that you’re sorry; upend a pile of birthday cupcakes looking for a goddamn coconut one, then tell her that you’re sorry. You could get it all wrong. Always, always wrong. Not understanding what you do. Doing the thing you hate. [[spoiler: And then one night, by the light of the moon, she could crack you open and coax out your shame and demand that you look at it, look at her. And you could finally — even just for a moment — stop hating yourself for wanting.
wanting.]]
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Changed line(s) 23 (click to see context) from:
-->(Emily steps closer)
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Changed line(s) 25 (click to see context) from:
-->(Paige glances away and nods sadly)
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Changed line(s) 27 (click to see context) from:
-->(Paige's eyes move back to Emily, looking hopeful)
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Changed line(s) 29,31 (click to see context) from:
-->(Paige's whole face lights up, but she looks down and takes a breath, trying to control herself)
-->''Emily''': ''*puts a hand on Paige's neck and makes her look up*'' Don't look away.
-->(Paige gives her a lovestruck smile and they kiss)
-->''Emily''': ''*puts a hand on Paige's neck and makes her look up*'' Don't look away.
-->(Paige gives her a lovestruck smile and they kiss)
to:
-->''Emily''':
-->'''Emily''': ''*puts a hand on Paige's neck and makes her look up*'' Don't look away.
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Changed line(s) 25,26 (click to see context) from:
--(Paige's eyes move back to Emily, looking hopeful)
--'''Emily''': And I came here.
--'''Emily''': And I came here.
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THIS DESERVES TO BE ON ALL THE PAGES
Added DiffLines:
* Paige and Emily in 3x08, the pool scene.
-->'''Paige''': I’m sorry.
-->'''Emily''': It wasn’t your fault.
-->'''Paige''': I shouldn’t have let it happen. It was wrong. If I ever find out who put that stuff in your flask, I swear, I’ll kill them.
-->'''Emily''': Don’t say that.
-->'''Paige''': I mean it.
-->'''Emily''': I don’t want you to say it. I don’t want you to mean it. I want you to listen.
-->(Emily steps closer)
-->'''Emily''': I haven’t been with anyone since Maya. I haven’t even thought about it. Or at least I didn’t think I was thinking about it. I was drunk that night, and I got lost.
-->(Paige glances away and nods sadly)
-->'''Emily''': Only I didn’t really get lost. I was looking for something. I was looking…for somebody.
--(Paige's eyes move back to Emily, looking hopeful)
--'''Emily''': And I came here.
-->(Paige's whole face lights up, but she looks down and takes a breath, trying to control herself)
-->''Emily''': ''*puts a hand on Paige's neck and makes her look up*'' Don't look away.
-->(Paige gives her a lovestruck smile and they kiss)
** Heather Hogan puts it best:
-->The central conflict of human life can pretty much be summed by a self-hating rant the Apostle Paul goes on in the book of Romans, during the middle of which he lays down this tongue twister: “I do not understand what I do. For what I want to do I do not do, but what I hate I do.” That’s the kind of conundrum most writers wouldn’t be ballsy enough to throw at even the main-est of main characters — hell, it took Terrence Malick years to explore that concept in The Tree of Life — much less a supporting minority character. But that nuanced enigma is Paige’s whole entire deal: What happens when you hate the thing you want? Then hate the embodiment of your desire? Then fall hopelessly in love with her?
-->She could tell you her despair, and you could tell her yours. She could reach for your hand, and you could reach for hers. You could try to choke her out like a fever dream, she could try to push you out of the closet. You could ride your bike for miles in the rain to tell her that you’re sorry; kiss her at precisely the wrong moment, then tell her that you’re sorry; upend a pile of birthday cupcakes looking for a goddamn coconut one, then tell her that you’re sorry. You could get it all wrong. Always, always wrong. Not understanding what you do. Doing the thing you hate. And then one night, by the light of the moon, she could crack you open and coax out your shame and demand that you look at it, look at her. And you could finally — even just for a moment — stop hating yourself for wanting.
-->'''Paige''': I’m sorry.
-->'''Emily''': It wasn’t your fault.
-->'''Paige''': I shouldn’t have let it happen. It was wrong. If I ever find out who put that stuff in your flask, I swear, I’ll kill them.
-->'''Emily''': Don’t say that.
-->'''Paige''': I mean it.
-->'''Emily''': I don’t want you to say it. I don’t want you to mean it. I want you to listen.
-->(Emily steps closer)
-->'''Emily''': I haven’t been with anyone since Maya. I haven’t even thought about it. Or at least I didn’t think I was thinking about it. I was drunk that night, and I got lost.
-->(Paige glances away and nods sadly)
-->'''Emily''': Only I didn’t really get lost. I was looking for something. I was looking…for somebody.
--(Paige's eyes move back to Emily, looking hopeful)
--'''Emily''': And I came here.
-->(Paige's whole face lights up, but she looks down and takes a breath, trying to control herself)
-->''Emily''': ''*puts a hand on Paige's neck and makes her look up*'' Don't look away.
-->(Paige gives her a lovestruck smile and they kiss)
** Heather Hogan puts it best:
-->The central conflict of human life can pretty much be summed by a self-hating rant the Apostle Paul goes on in the book of Romans, during the middle of which he lays down this tongue twister: “I do not understand what I do. For what I want to do I do not do, but what I hate I do.” That’s the kind of conundrum most writers wouldn’t be ballsy enough to throw at even the main-est of main characters — hell, it took Terrence Malick years to explore that concept in The Tree of Life — much less a supporting minority character. But that nuanced enigma is Paige’s whole entire deal: What happens when you hate the thing you want? Then hate the embodiment of your desire? Then fall hopelessly in love with her?
-->She could tell you her despair, and you could tell her yours. She could reach for your hand, and you could reach for hers. You could try to choke her out like a fever dream, she could try to push you out of the closet. You could ride your bike for miles in the rain to tell her that you’re sorry; kiss her at precisely the wrong moment, then tell her that you’re sorry; upend a pile of birthday cupcakes looking for a goddamn coconut one, then tell her that you’re sorry. You could get it all wrong. Always, always wrong. Not understanding what you do. Doing the thing you hate. And then one night, by the light of the moon, she could crack you open and coax out your shame and demand that you look at it, look at her. And you could finally — even just for a moment — stop hating yourself for wanting.
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* Mrs. Grunwald confirms that Ali is alive, but tells the girls that she's trying to figure out who she can trust. Their response is basically that Ali can trust them, no matter what. Even though Emily is the one to say it aloud, it's clear that she speaks for all of them.
to:
* Mrs. Grunwald confirms that Ali is alive, but tells the girls that she's trying to figure out who she can trust. Their response is basically that Ali can trust them, no matter what. Even though Emily is the one to say it aloud, it's clear that she speaks for all of them.them.
* Hanna asking Caleb to stay in Ravenswood and help Miranda at the end of "Grave New World", especially since she acknowledges that Miranda is beautiful enough for him to fall for, but she trusts that he won't.
* Hanna asking Caleb to stay in Ravenswood and help Miranda at the end of "Grave New World", especially since she acknowledges that Miranda is beautiful enough for him to fall for, but she trusts that he won't.
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Changed line(s) 16 (click to see context) from:
-->'''Mona:''' [[ItMeantSomethingToMe I really did love you...and I really was your friend.]]
to:
-->'''Mona:''' [[ItMeantSomethingToMe I really did love you...and I really was your friend.]]]]
* Mrs. Grunwald confirms that Ali is alive, but tells the girls that she's trying to figure out who she can trust. Their response is basically that Ali can trust them, no matter what. Even though Emily is the one to say it aloud, it's clear that she speaks for all of them.
* Mrs. Grunwald confirms that Ali is alive, but tells the girls that she's trying to figure out who she can trust. Their response is basically that Ali can trust them, no matter what. Even though Emily is the one to say it aloud, it's clear that she speaks for all of them.
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Changed line(s) 13 (click to see context) from:
* When the three liars confront [[spoiler: Spencer]] about her apparent betrayal. Not only are they not willing to believe she had betrayed them, she actually tells them the truth about what is going on. I had expected the show to throw in a twist, but no, just four best friends who trust each other despite all of the terrible things that have happened to them.
to:
* When the three liars confront [[spoiler: Spencer]] about her apparent betrayal. Not only are they not willing to believe she had betrayed them, she actually tells them the truth about what is going on. I had expected the show to throw in a twist, but no, just four best friends who trust each other despite all of the terrible things that have happened to them.them.
* "A is for A-l-i-v-e":
** Hanna and Mona, brought together by their current situation, are hanging out and shopping together like old times. After the shopping trip, Hanna tells Mona that she had fun. Mona responds that she knows Hanna didn't really have fun and that she was only hanging out with Mona to get the incriminating video of Ashley that Mona pulled out of Detective Wilden's car. What does Mona do next? She hands over the chip with the only copy of the video on it and advises Hanna to burn it. No blackmail, no demanding anything in return, none of the usual Mona tricks. She just gives it up. The whole moment is capped off by what she says to Hanna before leaving:
-->'''Mona:''' [[ItMeantSomethingToMe I really did love you...and I really was your friend.]]
* "A is for A-l-i-v-e":
** Hanna and Mona, brought together by their current situation, are hanging out and shopping together like old times. After the shopping trip, Hanna tells Mona that she had fun. Mona responds that she knows Hanna didn't really have fun and that she was only hanging out with Mona to get the incriminating video of Ashley that Mona pulled out of Detective Wilden's car. What does Mona do next? She hands over the chip with the only copy of the video on it and advises Hanna to burn it. No blackmail, no demanding anything in return, none of the usual Mona tricks. She just gives it up. The whole moment is capped off by what she says to Hanna before leaving:
-->'''Mona:''' [[ItMeantSomethingToMe I really did love you...and I really was your friend.]]
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Changed line(s) 13 (click to see context) from:
* When the three liars confront [[spoiler: Spencer]] about her apparent betrayal. Not only are they not willing to believe she had betrayed them, she actually tells them the truth about what is going on. I had expected the show to throw in a twist, but no, just four best friends who tryst each other despite all of the terrible things that have happened to them.
to:
* When the three liars confront [[spoiler: Spencer]] about her apparent betrayal. Not only are they not willing to believe she had betrayed them, she actually tells them the truth about what is going on. I had expected the show to throw in a twist, but no, just four best friends who tryst trust each other despite all of the terrible things that have happened to them.
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Added an example
Changed line(s) 11 (click to see context) from:
-->[[spoiler: They kiss.]]
to:
-->[[spoiler: They kiss.]]]]
*When the three liars confront [[spoiler: Spencer]] about her apparent betrayal. Not only are they not willing to believe she had betrayed them, she actually tells them the truth about what is going on. I had expected the show to throw in a twist, but no, just four best friends who tryst each other despite all of the terrible things that have happened to them.
*When the three liars confront [[spoiler: Spencer]] about her apparent betrayal. Not only are they not willing to believe she had betrayed them, she actually tells them the truth about what is going on. I had expected the show to throw in a twist, but no, just four best friends who tryst each other despite all of the terrible things that have happened to them.
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No longer heartwarming.
Deleted line(s) 5,8 (click to see context) :
* In "Breaking The Code", the girls discover that [[spoiler: Mona]] is A's newest victim and invite her to sit with them at lunch. Especially sweet given how they used to treat her.
* In "The Naked Truth", Emily's apology to Mona. Also, Mona helping Emily get back on the swim team.
* In "The Naked Truth", Emily's apology to Mona. Also, Mona helping Emily get back on the swim team.
Changed line(s) 12 (click to see context) from:
* A minor one from "It Happened That Night": Hannah visiting [[spoiler: Mona]] in Radley Sanatorium, trying to fix things between them.
to:
* A minor one from "It Happened That Night": Hannah Hanna visiting [[spoiler: Mona]] in Radley Sanatorium, trying to fix things between them.
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Changed line(s) 14 (click to see context) from:
-->'''Caleb:''' Amd for the record, Hana, I'm gonna stop A. I'm not asking for your permission.
to:
-->'''Caleb:''' Amd And for the record, Hana, Hanna, I'm gonna stop protect you from A. I'm not asking for your permission.
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Changed line(s) 12 (click to see context) from:
* A minor one from "It Happened That Night": Hannah visiting [[spoiler: Mona]] in Radley Sanatorium, trying to fix things between them.
to:
* A minor one from "It Happened That Night": Hannah visiting [[spoiler: Mona]] in Radley Sanatorium, trying to fix things between them.them.
* Oh, Caleb...
-->'''Caleb:''' Amd for the record, Hana, I'm gonna stop A. I'm not asking for your permission.
-->[[spoiler: They kiss.]]
* Oh, Caleb...
-->'''Caleb:''' Amd for the record, Hana, I'm gonna stop A. I'm not asking for your permission.
-->[[spoiler: They kiss.]]
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Changed line(s) 10 (click to see context) from:
* Spencer tops the above with her TakeMyHand moment in "[=UnmAsked=]". Basically, she tries to save the life of someone she ''knows'' stalked and blackmailed her ''and'' tried to kill her.
to:
* Spencer tops the above with her TakeMyHand moment in "[=UnmAsked=]". Basically, she tries to save the life of someone she ''knows'' stalked and blackmailed her ''and'' tried to kill her.her.
* A minor one from "It Happened That Night": Hannah visiting [[spoiler: Mona]] in Radley Sanatorium, trying to fix things between them.
* A minor one from "It Happened That Night": Hannah visiting [[spoiler: Mona]] in Radley Sanatorium, trying to fix things between them.
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Changed line(s) 10 (click to see context) from:
* Spencer tops the above with her TakeMyHand moment in "UnmAsked". Basically, she tries to save the life of someone she ''knows'' stalked and blackmailed her ''and'' tried to kill her.
to:
* Spencer tops the above with her TakeMyHand moment in "UnmAsked"."[=UnmAsked=]". Basically, she tries to save the life of someone she ''knows'' stalked and blackmailed her ''and'' tried to kill her.
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Changed line(s) 9 (click to see context) from:
* In "Eye of the Beholder", when Hanna goes to the [=DiLaurentis=] house and finds it on fire with [[spoiler: Jenna Marshall]] inside, she charges into rescue her without any hesitation. Pretty big of her, doing that for someone who she suspects is stalking/blackmailing her.
to:
* In "Eye of the Beholder", when Hanna goes to the [=DiLaurentis=] house and finds it on fire with [[spoiler: Jenna Marshall]] inside, she charges into rescue her without any hesitation. Pretty big of her, doing that for someone who she suspects is stalking/blackmailing her.
* Spencer tops the above with her TakeMyHand moment in "UnmAsked". Basically, she tries to save the life of someone she ''knows'' stalked and blackmailed her ''and'' tried to kill her.
* Spencer tops the above with her TakeMyHand moment in "UnmAsked". Basically, she tries to save the life of someone she ''knows'' stalked and blackmailed her ''and'' tried to kill her.
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Changed line(s) 9 (click to see context) from:
* In "Eye of the Beholder", when Hanna goes to the [=DiLaurentis=] house and finds it on fire with [[spoiler: Jenna Marshall]] inside and charges into rescue her without any hesitation. Pretty big of her, doing that for someone who she suspects is stalking/blackmailing her.
to:
* In "Eye of the Beholder", when Hanna goes to the [=DiLaurentis=] house and finds it on fire with [[spoiler: Jenna Marshall]] inside and inside, she charges into rescue her without any hesitation. Pretty big of her, doing that for someone who she suspects is stalking/blackmailing her.
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Changed line(s) 7 (click to see context) from:
* In "The Naked Truth", Emily's apology to Mona. Also, Mona helping Emily get back on the swim team.
to:
* In "The Naked Truth", Emily's apology to Mona. Also, Mona helping Emily get back on the swim team.team.
* In "Eye of the Beholder", when Hanna goes to the [=DiLaurentis=] house and finds it on fire with [[spoiler: Jenna Marshall]] inside and charges into rescue her without any hesitation. Pretty big of her, doing that for someone who she suspects is stalking/blackmailing her.
* In "Eye of the Beholder", when Hanna goes to the [=DiLaurentis=] house and finds it on fire with [[spoiler: Jenna Marshall]] inside and charges into rescue her without any hesitation. Pretty big of her, doing that for someone who she suspects is stalking/blackmailing her.
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Changed line(s) 5 (click to see context) from:
* In "Breaking The Code", the girls discover that [[spoiler: Mona]] is A's newest victim and invite her to sit with them at lunch. Especially sweet given how they used to treat her.
to:
* In "Breaking The Code", the girls discover that [[spoiler: Mona]] is A's newest victim and invite her to sit with them at lunch. Especially sweet given how they used to treat her.her.
* In "The Naked Truth", Emily's apology to Mona. Also, Mona helping Emily get back on the swim team.
* In "The Naked Truth", Emily's apology to Mona. Also, Mona helping Emily get back on the swim team.
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Changed line(s) 3 (click to see context) from:
* In the episode "Over My Dead Body," Emily (possibly) dreams of Alison comforting her; Alison tells her that she misses Emily the most and that Emily was always her favorite, before kissing her. It's the nicest we've ever seen Alison and it's especially poignant given that Emily was in love with her.
to:
* In the episode "Over My Dead Body," Emily (possibly) dreams of Alison comforting her; Alison tells her that she misses Emily the most and that Emily was always her favorite, before kissing her. It's the nicest we've ever seen Alison and it's especially poignant given that Emily was in love with her.her.
* In "Breaking The Code", the girls discover that [[spoiler: Mona]] is A's newest victim and invite her to sit with them at lunch. Especially sweet given how they used to treat her.
* In "Breaking The Code", the girls discover that [[spoiler: Mona]] is A's newest victim and invite her to sit with them at lunch. Especially sweet given how they used to treat her.
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Changed line(s) 1 (click to see context) from:
* In the episode The New Normal, Emily is accused of favoritism for her being a lesbian by Paige's father because she was chosen to be captain. When Emily's mom finds out about this she tells him that Emily deserves it because she is the more talented swimmer and worked hard for it. Emily's mom then tells that her she cares about her and will always be there for her even though she doesn't agree with her daughter. Cue Emily hugging her mom and thanking her.
to:
* In the episode The New Normal, Emily is accused of favoritism for her being a lesbian by Paige's father because she was chosen to be captain. When Emily's mom finds out about this she tells him that Emily deserves it because she is the more talented swimmer and worked hard for it. Emily's mom then tells that her she cares about her and will always be there for her even though she doesn't agree with her daughter. Cue Emily hugging her mom and thanking her.
* In the episode "Over My Dead Body," Emily (possibly) dreams of Alison comforting her; Alison tells her that she misses Emily the most and that Emily was always her favorite, before kissing her. It's the nicest we've ever seen Alison and it's especially poignant given that Emily was in love with her.
* In the episode "Over My Dead Body," Emily (possibly) dreams of Alison comforting her; Alison tells her that she misses Emily the most and that Emily was always her favorite, before kissing her. It's the nicest we've ever seen Alison and it's especially poignant given that Emily was in love with her.
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* In the episode The New Normal, Emily is accused of favoritism for her being a lesbian by Paige's father because she was chosen to be captain. When Emily's mom finds out about this she tells him that Emily deserves it because she is the more talented swimmer and worked hard for it. Emily's mom then tells that she cares about her even and will always be there fore her even though she doesn't agree with her daughter. Cue Emily hugging her mom and thanking her.
to:
* In the episode The New Normal, Emily is accused of favoritism for her being a lesbian by Paige's father because she was chosen to be captain. When Emily's mom finds out about this she tells him that Emily deserves it because she is the more talented swimmer and worked hard for it. Emily's mom then tells that her she cares about her even and will always be there fore for her even though she doesn't agree with her daughter. Cue Emily hugging her mom and thanking her.
