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* Almost any scene of Godai with the children, either at the pre-school or the cabaret. The kids love him to death and he almost always puts any and every negative emotion on hold to care for them.
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Changed line(s) 18 (click to see context) from:
* Godai's grandmother, Yukari, convinces his parents to leave the family restaurant open when they come to visit after becoming engaged. It served two purposes: to introduce Kyoko to all the friends and family who frequent the restaurant and to show Kyoko the people in Godai's life growing up were not upset about her age or that she had been married before, something Kyoko was extremely concerned about. Yukari gives Godai a dowry and Kyoko a family heirloom ring.
to:
* Godai's grandmother, Yukari, convinces his parents to leave the family restaurant open when they come to visit after becoming engaged. It served two purposes: to introduce Kyoko to all the friends and family who frequent the restaurant and to show Kyoko the people in Godai's life growing up were not upset about her age or that she had been married before, something Kyoko was extremely concerned about. Yukari gives Godai a dowry and Kyoko a family heirloom ring.ring and all of Godai's friends and family have nothing but good things to say about her.
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* Godai's grandmother, Yukari, convinces his parents to leave the family restaurant open when they come to visit after becoming engaged. It served two purposes: to introduce Kyoko to all the friends and family who frequent the restaurant and to show Kyoko the people in Godai's life growing up were not upset about her age or that she had been married before, something Kyoko was extremely concerned about. Yukari gives Godai a dowry and Kyoko a family heirloom ring.
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Deleted line(s) 1,2 (click to see context) :
You know what, let's just call the final dozen episodes a "Crowning Season of Heartwarming". Some of these also show up on the Tear Jerker page.
Changed line(s) 8,11 (click to see context) from:
--> '''Kyoko:''' You should've thought of that before! Before you started with all those other women!
--> '''Godai:''' Look, I'm not slick enough to even ''try'' making passes at women!
--> '''Kyoko:''' Oh, ''sure''...
--> '''Godai:''' Don't you understand? It's ''you'' ... ''you'' are the only one I ''ever wanted!''
--> '''Godai:''' Look, I'm not slick enough to even ''try'' making passes at women!
--> '''Kyoko:''' Oh, ''sure''...
--> '''Godai:''' Don't you understand? It's ''you'' ... ''you'' are the only one I ''ever wanted!''
to:
-->
'''Godai:''' Look, I'm not slick enough to even ''try'' making passes at
-->
'''Kyoko:''' Oh,
-->
'''Godai:''' Don't you understand? It's ''you'' ... ''you'' are the only one I ''ever wanted!''
Changed line(s) 14 (click to see context) from:
--> '''Godai:''' The woman I love, Kozue... burns with jealousy, leaps to conclusions, cries, and turns to ice, but, when she laughs... the world is mine.
to:
Changed line(s) 16 (click to see context) from:
--> '''Kyoko:''' Promise me... that even if it's by one day... you'll outlive me.
to:
Changed line(s) 21,22 (click to see context) from:
-->'''Godai:''' ...You've been a part of her ever since the first day I met her, and I still fell in love with her. So...I'm taking you into my life too, as part of her.
-->'''Kyoko:''' *thinking* Soichiro...this is what you wanted for me...isn't it?
-->'''Kyoko:''' *thinking* Soichiro...this is what you wanted for me...isn't it?
to:
-->'''Godai:''' ...You've been a part of her ever since the first day I met her, and I still fell in love with her. So...I'm taking you into my life too, as part of her.
-->'''Kyoko:'''her.\\
'''Kyoko:''' *thinking* Soichiro...this is what you wanted for me...isn't it?
-->'''Kyoko:'''
'''Kyoko:''' *thinking* Soichiro...this is what you wanted for me...isn't it?
Changed line(s) 26 (click to see context) from:
** Mitaka, after all the rivalry between them, congratulating Godai.
to:
** Mitaka, after all the rivalry between them, congratulating Godai.Godai.
----
----
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Changed line(s) 18 (click to see context) from:
* When the tenants ask, "Spare us any more guessing." "Yeah... are you two together, or not?" Godai and Kyoko are so used to hiding their feelings that it never even occurred to them that the first thing Ichinose would say is, "What're you afraid of? Think we're gonna ease you or something?" and Youtsuya, of all people, says "Our heart-felt congratulations," and Akemi smiles at them and says "It took long enough." Kyoko just stands there with a blank look on her face and Godai has to pick himself up off the floor.
to:
* When the tenants ask, "Spare us any more guessing." "Yeah... are you two together, or not?" Godai and Kyoko are so used to hiding their feelings that it never even occurred to them that the first thing Ichinose would say is, "What're you afraid of? Think we're gonna ease tease you or something?" and Youtsuya, Yotsuya, of all people, says "Our heart-felt congratulations," and Akemi smiles at them and says "It took long enough." Kyoko just stands there with a blank look on her face and Godai has to pick himself up off the floor.
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Changed line(s) 18 (click to see context) from:
* When the tenants ask, "Spare us any more guessing." "Yeah... are you two together, or not?" Godai and Kyoko are so used to hiding their feelings that it never even occurred to them that the first thing Ichinose would say is, "What're you afraid of? Think we're gonna tease you or something?" and Youtsuya, of all people, says "Our heart-felt congratulations," and Akemi smiles at them and says "It took long enough." Kyoko just stands there with a blank look on her face and Godai has to pick himself up off the floor.
to:
* When the tenants ask, "Spare us any more guessing." "Yeah... are you two together, or not?" Godai and Kyoko are so used to hiding their feelings that it never even occurred to them that the first thing Ichinose would say is, "What're you afraid of? Think we're gonna tease ease you or something?" and Youtsuya, of all people, says "Our heart-felt congratulations," and Akemi smiles at them and says "It took long enough." Kyoko just stands there with a blank look on her face and Godai has to pick himself up off the floor.
Changed line(s) 20 (click to see context) from:
* The final scene at Souichiro's grave where Godai finally accepts Souichiro as a part of his life, showing how much he's grown as a man and giving Kyoko the freedom to finally let go of her husband. Again, this also marks the difference between Godai and Mitaka, as Mitaks wanted to make Kyoko forget her late husband.
to:
* The final scene at Souichiro's grave where Godai finally accepts Souichiro as a part of his life, showing how much he's grown as a man and giving Kyoko the freedom to finally let go of her husband. Again, this also marks the difference between Godai and Mitaka, as Mitaks Mitaka wanted to make Kyoko forget her late husband.
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Removing This Troper.
Changed line(s) 6 (click to see context) from:
* Mitaka finally accepting Asuna and moving on with his life. That scene where they're sitting next to each other on the bed gets me going every time.
to:
* Mitaka finally accepting Asuna and moving on with his life. That scene where they're sitting next to each other on the bed gets me going every time.
Changed line(s) 24 (click to see context) from:
* The extended epilogue showing how everyone's moved on in the subsequent months. This Troper can't help but cry when Godai and Kyoko come back with the baby and hears 'Kanashimi o Konnichiwa' one more time.
to:
* The extended epilogue showing how everyone's moved on in the subsequent months. This Troper can't help but cry when months, such as Godai and Kyoko come coming back with the baby and hears hearing 'Kanashimi o Konnichiwa' one more time.
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Changed line(s) 25 (click to see context) from:
* At Kyoko and Godai's wedding reception, while Godai is making a speech to everyone, he is about to refer to Kyoko as "Kyoko-san" but stops himself. He turns to his wife and says just "Kyoko," deciding to drop the honourific from her name.
to:
* At Kyoko and Godai's wedding reception, while Godai is making a speech to everyone, he is about to refer to Kyoko as "Kyoko-san" but stops himself. He turns to his wife and says just "Kyoko," deciding to drop the honourific from her name.name.
** Mitaka, after all the rivalry between them, congratulating Godai.
** Mitaka, after all the rivalry between them, congratulating Godai.
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Changed line(s) 20 (click to see context) from:
* The final scene at Souichiro's grave where Godai finally accepts Souichiro as a part of his life, showing how much he's grown as a man and giving Kyoko the freedom to finally let go of her husband.
to:
* The final scene at Souichiro's grave where Godai finally accepts Souichiro as a part of his life, showing how much he's grown as a man and giving Kyoko the freedom to finally let go of her husband. Again, this also marks the difference between Godai and Mitaka, as Mitaks wanted to make Kyoko forget her late husband.
-->'''Godai:''' ...You've been a part of her ever since the first day I met her, and I still fell in love with her. So...I'm taking you into my life too, as part of her.
-->'''Kyoko:''' *thinking* Soichiro...this is what you wanted for me...isn't it?
-->'''Godai:''' ...You've been a part of her ever since the first day I met her, and I still fell in love with her. So...I'm taking you into my life too, as part of her.
-->'''Kyoko:''' *thinking* Soichiro...this is what you wanted for me...isn't it?
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* Godai finally finding Kyoko after searching for her all across Japan. [[note]] She had been traveling due to a misunderstanding that caused her to think that both Godai and Mitaka had given up on her. [[/note]] The moment where she realized what he had done can be pinpointed as the exact moment where she truly solidified her choice between Godai and Mitaka. It also highlights the difference between Mitaka, who chose to solve the problem alone, and Godai, who chose to chase after Kyoko.
Changed line(s) 11 (click to see context) from:
* The scene where Kozue and Godai break off their relationship -- as friends, and Kozue asks him what the other woman is like. Before he can answer, she gets off the train, but we get to hear:
to:
** Of course, it's slightly mitigated by the fact that he's saying this right in front of a love hotel...
* The scene where Kozue and Godai break off their relationship -- as friends, and Kozue asks him what the other woman is like. Before he can answer, she getsoff on the train, but we get to hear:
* The scene where Kozue and Godai break off their relationship -- as friends, and Kozue asks him what the other woman is like. Before he can answer, she gets
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** Of course, right after that, they ruined the moment by holding ''yet another all-nighter party'' which was the cause of the conflict between Kyoko and Godai that led to that moment in the first place.
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Changed line(s) 13 (click to see context) from:
* The scene with Godai and Kyoko, where he's carrying her drunken father home on his back- and [[strike:Kyoko finally accepts his hand in marriage]] he finally proposes.
to:
* The scene with Godai and Kyoko, where he's carrying her drunken father home on his back- back - and [[strike:Kyoko finally accepts his hand in marriage]] he finally proposes.
Changed line(s) 15 (click to see context) from:
* Godai and Kyoko [[spoiler:making love for the first time.]]
to:
* Godai and Kyoko [[spoiler:making love for the first time.at Ikkoku-kan.]]
Changed line(s) 20 (click to see context) from:
* At Kyoko and Godai's wedding reception, while Godai is making a speech to everyone, he is about to refer to Kyoko as "Kyoko-san" but stops himself. He turns to his wife and says just "Kyoko," officially dropping the honourific from her name, as he no longer needs to say it.
to:
* At Kyoko and Godai's wedding reception, while Godai is making a speech to everyone, he is about to refer to Kyoko as "Kyoko-san" but stops himself. He turns to his wife and says just "Kyoko," officially dropping deciding to drop the honourific from her name, as he no longer needs to say it.name.
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Changed line(s) 15,16 (click to see context) from:
* Godai and Kyoko [[spoiler:having sex for the first time.]]
* When the tenants ask, "Spare us any more guessing." "Yeah... are you two together, or not?" Godai and Kyoko are so used to hiding their feelings that it never even occurred to them that the first thing Ichinose would say is, "What're you afraid of? Think we're gonna tease you or something?" and Youtsuya, of all people, says "Our heart-felt congratulations." Kyoko just stands there with a blank look on her face and Godai has to pick himself up off the floor.
* When the tenants ask, "Spare us any more guessing." "Yeah... are you two together, or not?" Godai and Kyoko are so used to hiding their feelings that it never even occurred to them that the first thing Ichinose would say is, "What're you afraid of? Think we're gonna tease you or something?" and Youtsuya, of all people, says "Our heart-felt congratulations." Kyoko just stands there with a blank look on her face and Godai has to pick himself up off the floor.
to:
* Godai and Kyoko [[spoiler:having sex [[spoiler:making love for the first time.]]
* When the tenants ask, "Spare us any more guessing." "Yeah... are you two together, or not?" Godai and Kyoko are so used to hiding their feelings that it never even occurred to them that the first thing Ichinose would say is, "What're you afraid of? Think we're gonna tease you or something?" and Youtsuya, of all people, says "Our heart-feltcongratulations.congratulations," and Akemi smiles at them and says "It took long enough." Kyoko just stands there with a blank look on her face and Godai has to pick himself up off the floor.
* When the tenants ask, "Spare us any more guessing." "Yeah... are you two together, or not?" Godai and Kyoko are so used to hiding their feelings that it never even occurred to them that the first thing Ichinose would say is, "What're you afraid of? Think we're gonna tease you or something?" and Youtsuya, of all people, says "Our heart-felt
Changed line(s) 18 (click to see context) from:
* The GrandFinale wedding
to:
* The GrandFinale weddingwedding.
Changed line(s) 20 (click to see context) from:
* At Kyoko and Godai's wedding reception, while Godai is making a speech to everyone, he is about to refer to Kyoko as "Kyoko-san" but stops himself. He turns to his wife and says "Kyoko," officially dropping the honourific from her name, as he no longer needs to say it.
to:
* At Kyoko and Godai's wedding reception, while Godai is making a speech to everyone, he is about to refer to Kyoko as "Kyoko-san" but stops himself. He turns to his wife and says just "Kyoko," officially dropping the honourific from her name, as he no longer needs to say it.
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* At Kyoko and Godai's wedding reception, while Godai is making a speech to everyone, he is about to refer to Kyoko as "Kyoko-san" but stops himself. He turns to his wife and says "Kyoko," officially dropping the honourific from her name, as he no longer needs to say it.
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----
Changed line(s) 4,7 (click to see context) from:
--> Kyoko: You should've thought of that before! Before you started with all those other women!
--> Godai: Look, I'm not slick enough to even ''try'' making passes at women!
--> Kyoko: Oh, ''sure''...
--> Godai: Don't you understand? It's you... ''you'' are the only one I ever wanted
--> Godai: Look, I'm not slick enough to even ''try'' making passes at women!
--> Kyoko: Oh, ''sure''...
--> Godai: Don't you understand? It's you... ''you'' are the only one I ever wanted
to:
--> Kyoko: '''Kyoko:''' You should've thought of that before! Before you started with all those other women!
-->Godai: '''Godai:''' Look, I'm not slick enough to even ''try'' making passes at women!
-->Kyoko: '''Kyoko:''' Oh, ''sure''...
-->Godai: '''Godai:''' Don't you understand? It's you... ''you'' ... ''you'' are the only one I ever wanted''ever wanted!''
-->
-->
-->
Changed line(s) 9 (click to see context) from:
--> Godai: The woman I love, Kozue... burns with jealousy, leaps to conclusions, cries, and turns to ice, but, when she laughs... the world is mine.
to:
--> Godai: '''Godai:''' The woman I love, Kozue... burns with jealousy, leaps to conclusions, cries, and turns to ice, but, when she laughs... the world is mine.