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Changed line(s) 11 (click to see context) from:
-->"Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that."''
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-->"Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that."''
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Changed line(s) 13 (click to see context) from:
* Some productions build on the brother-sister relationship of Laertes and Ophelia through body language and FacialDialogue. At least one regional production has them exchange lovingly exasperated looks when Polonius is lecturing them, rolling their eyes and holding back laughter when they realize their father ''still isn't done''. These moments make their relationship as siblings feel much more real and personal.
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* Some productions build on the brother-sister relationship of Laertes and Ophelia through body language and FacialDialogue. At least one regional production has them exchange lovingly exasperated looks when Polonius is lecturing them, rolling their eyes and holding back laughter when they realize their father ''still isn't done''. These moments make their relationship as siblings feel much more real and personal.personal.
* Horatio comforts Hamlet as the latter dies, saying the iconic GoodNightSweetPrince line and in some performances have Horatio lay Hamlet's head in his lap.
* Horatio comforts Hamlet as the latter dies, saying the iconic GoodNightSweetPrince line and in some performances have Horatio lay Hamlet's head in his lap.
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Changed line(s) 10 (click to see context) from:
* Hamlet's ''Immediate'' reaction to his childhood jester being dead is to eulogize him on the spot:
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* Hamlet's ''Immediate'' ''immediate'' reaction to his childhood jester being dead is to eulogize him on the spot:
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Changed line(s) 11 (click to see context) from:
"Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that."''
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*Hamlet's ''Immediate'' reaction to his childhood jester being dead is to eulogize him on the spot:
"Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that."''
"Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that."''
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Changed line(s) 3 (click to see context) from:
* The part in Act III, scene ii, when Hamlet expresses just how much Horatio means to him.
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* The part in Act III, scene ii, when Hamlet expresses just how much Horatio [[HeterosexualLifePartners Horatio]] means to him.
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Heartwarming moments in ''Theatre/{{Hamlet}}''.
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Changed line(s) 8 (click to see context) from:
* Laertes loves his sister enough that he cannot even conceive a scenario in which she killed herself, and sincerely believes that Ophelia will be "a ministering angel".
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* Laertes loves his sister enough that he cannot even conceive a scenario in which she killed herself, and sincerely believes that Ophelia will be "a ministering angel". He also ''openly disrespects a priest'' who claims Ophelia won't be saved. There are no words for how big of a no-no that was at the time.
* Some productions build on the brother-sister relationship of Laertes and Ophelia through body language and FacialDialogue. At least one regional production has them exchange lovingly exasperated looks when Polonius is lecturing them, rolling their eyes and holding back laughter when they realize their father ''still isn't done''. These moments make their relationship as siblings feel much more real and personal.
* Some productions build on the brother-sister relationship of Laertes and Ophelia through body language and FacialDialogue. At least one regional production has them exchange lovingly exasperated looks when Polonius is lecturing them, rolling their eyes and holding back laughter when they realize their father ''still isn't done''. These moments make their relationship as siblings feel much more real and personal.
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Changed line(s) 7 (click to see context) from:
* In the Kenneth Branagh version, Claudius has a white-hot anger rant after he finds out about Polonius's death. Just when he seems beyond the point of no return as far as rage and madness goes, he suddenly collapses into Gertrude's arms like a child seeking protection. It's a truly vulnerable, human moment of real fear and love in sharp contrast with the "villain" he's supposed to be.
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* In the Kenneth Branagh version, Claudius has a white-hot anger rant after he finds out about Polonius's death. Just when he seems beyond the point of no return as far as rage and madness goes, he suddenly collapses into Gertrude's arms like a child seeking protection. It's a truly vulnerable, human moment of real fear and love in sharp contrast with the "villain" he's supposed to be.be.
* Laertes loves his sister enough that he cannot even conceive a scenario in which she killed herself, and sincerely believes that Ophelia will be "a ministering angel".
* Laertes loves his sister enough that he cannot even conceive a scenario in which she killed herself, and sincerely believes that Ophelia will be "a ministering angel".
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* In the Kenneth Branagh version, Claudius has a white-hot anger rant after he finds out about Polonius's death. Just when he seems beyond the point of no return as far as rage and madness goes, he suddenly collapses into Gertrude's arms like a child seeking protection. It's a truly vulnerable, human moment of real fear and love in sharp contrast with the "villain" he's supposed to be.
