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Changed line(s) 22 (click to see context) from:
* While its place in the movie leads up to a very silly punchline, "The Roses Of Success" is an otherwise inspiring song about [[EarnYourHappyEnding finding triumph in the wake of failure]]. A TriumphantReprise plays after Lord Scrumptious agrees to sell Caractacus's sweets (not for their intended purpose, granted, but he's still blown over by the fact that he's actually created something that works for once, especially after his disastrous pitch earlier in the film). Up from the ashes, indeed!
to:
* While its place in the movie leads up to a very silly punchline, "The Roses Of Success" is an otherwise inspiring song about [[EarnYourHappyEnding finding triumph in the wake of failure]]. A TriumphantReprise plays after Lord Scrumptious agrees to sell Caractacus's sweets (not for their intended purpose, granted, but he's still blown over by the fact that he's actually created something that works for once, especially after his disastrous pitch earlier in the film). Up from the ashes, indeed!indeed!
* Truly genuinely being intrigued by the Toot sweets and telling one of her father's employees to take Mr Potts to show it to her father. She even gives him some verbal encouragement: "Don't let him bully you!" Considering how their last meeting went, it's very kind of her.
* Truly genuinely being intrigued by the Toot sweets and telling one of her father's employees to take Mr Potts to show it to her father. She even gives him some verbal encouragement: "Don't let him bully you!" Considering how their last meeting went, it's very kind of her.
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Dewicked trope
Changed line(s) 21 (click to see context) from:
* The implication that the (adult) townspeople are [[EveryoneHasStandards just as disgusted by the ban on children as our heroes are]]. They call after Jeremy and Jemima, with [[AdultFear panic in their voices]], not to go with the Child Catcher when they see the children running through the streets. In the climax, they charge the castle and give the children a fighting chance against the cavalry.
to:
* The implication that the (adult) townspeople are [[EveryoneHasStandards just as disgusted by the ban on children as our heroes are]]. They call after Jeremy and Jemima, with [[AdultFear panic in their voices]], voices, not to go with the Child Catcher when they see the children running through the streets. In the climax, they charge the castle and give the children a fighting chance against the cavalry.
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Changed line(s) 21,22 (click to see context) from:
* The implication that the (adult) townspeople are [[EveryoneHasStandards just a disgusted by the ban on children as our heroes are]]. They call after Jeremy and Jemima, with [[AdultFear panic in their voices]], not to go with the Child Catcher when they see the children running through the streets. In the climax, they charge the castle and give the children a fighting chance against the cavalry.
* While it's place in the movie leads up to a very silly punchline, "The Roses Of Success" is an otherwise inspiring song about [[EarnYourHappyEnding finding triumph in the wake of failure]]. A TriumphantReprise plays after Lord Scrumptious agrees to sell Caractacus's sweets (not for their intended purpose, granted, but he's still blown over by the fact that he's actually created something that works for once, especially after his disastrous pitch earlier in the film). Up from the ashes, indeed!
* While it's place in the movie leads up to a very silly punchline, "The Roses Of Success" is an otherwise inspiring song about [[EarnYourHappyEnding finding triumph in the wake of failure]]. A TriumphantReprise plays after Lord Scrumptious agrees to sell Caractacus's sweets (not for their intended purpose, granted, but he's still blown over by the fact that he's actually created something that works for once, especially after his disastrous pitch earlier in the film). Up from the ashes, indeed!
to:
* The implication that the (adult) townspeople are [[EveryoneHasStandards just a as disgusted by the ban on children as our heroes are]]. They call after Jeremy and Jemima, with [[AdultFear panic in their voices]], not to go with the Child Catcher when they see the children running through the streets. In the climax, they charge the castle and give the children a fighting chance against the cavalry.
* Whileit's its place in the movie leads up to a very silly punchline, "The Roses Of Success" is an otherwise inspiring song about [[EarnYourHappyEnding finding triumph in the wake of failure]]. A TriumphantReprise plays after Lord Scrumptious agrees to sell Caractacus's sweets (not for their intended purpose, granted, but he's still blown over by the fact that he's actually created something that works for once, especially after his disastrous pitch earlier in the film). Up from the ashes, indeed!
* While
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Added DiffLines:
* Due to circumstances, Mr. Potts ends up dancing with a bunch of buskers. After a false start, he actually gets into it and shows that he can dance. Rather than be mad at him for jumping in randomly, some of the dancers give him some of their earnings as thanks for livening up the show.
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Changed line(s) 21 (click to see context) from:
* While it's place in the movie leads up to a very silly punchline, "The Roses Of Success" is an otherwise inspiring song about [[EarnYourHappyEnding finding triumph in the wake of failure]]. A TriumphantReprise plays after Lord Scrumptious agrees to sell Caractacus's sweets (as dog treats, grated, but he's still blown over by the fact that he's actually created something that works for once, especially after his disastrous pitch earlier in the film). Up from the ashes, indeed!
to:
* While it's place in the movie leads up to a very silly punchline, "The Roses Of Success" is an otherwise inspiring song about [[EarnYourHappyEnding finding triumph in the wake of failure]]. A TriumphantReprise plays after Lord Scrumptious agrees to sell Caractacus's sweets (as dog treats, grated, (not for their intended purpose, granted, but he's still blown over by the fact that he's actually created something that works for once, especially after his disastrous pitch earlier in the film). Up from the ashes, indeed!
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Changed line(s) 20 (click to see context) from:
* The implication that the (adult) townspeople are [[EveryoneHasStandards just a disgusted by the ban on children as our heroes are]]. They call after Jeremy and Jemima, with [[AdultFear panic in their voices]], not to go with the Child Catcher when they see the children running through the streets. In the climax, they charge the castle and give the children a fighting chance against the cavalry.
to:
* The implication that the (adult) townspeople are [[EveryoneHasStandards just a disgusted by the ban on children as our heroes are]]. They call after Jeremy and Jemima, with [[AdultFear panic in their voices]], not to go with the Child Catcher when they see the children running through the streets. In the climax, they charge the castle and give the children a fighting chance against the cavalry.cavalry.
* While it's place in the movie leads up to a very silly punchline, "The Roses Of Success" is an otherwise inspiring song about [[EarnYourHappyEnding finding triumph in the wake of failure]]. A TriumphantReprise plays after Lord Scrumptious agrees to sell Caractacus's sweets (as dog treats, grated, but he's still blown over by the fact that he's actually created something that works for once, especially after his disastrous pitch earlier in the film). Up from the ashes, indeed!
* While it's place in the movie leads up to a very silly punchline, "The Roses Of Success" is an otherwise inspiring song about [[EarnYourHappyEnding finding triumph in the wake of failure]]. A TriumphantReprise plays after Lord Scrumptious agrees to sell Caractacus's sweets (as dog treats, grated, but he's still blown over by the fact that he's actually created something that works for once, especially after his disastrous pitch earlier in the film). Up from the ashes, indeed!
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Changed line(s) 19 (click to see context) from:
** Later, when they're locked in the tower, Jemima is sleeping in Jeremy's arms.
to:
** Later, when they're locked in the tower, Jemima is sleeping in Jeremy's arms.arms.
* The implication that the (adult) townspeople are [[EveryoneHasStandards just a disgusted by the ban on children as our heroes are]]. They call after Jeremy and Jemima, with [[AdultFear panic in their voices]], not to go with the Child Catcher when they see the children running through the streets. In the climax, they charge the castle and give the children a fighting chance against the cavalry.
* The implication that the (adult) townspeople are [[EveryoneHasStandards just a disgusted by the ban on children as our heroes are]]. They call after Jeremy and Jemima, with [[AdultFear panic in their voices]], not to go with the Child Catcher when they see the children running through the streets. In the climax, they charge the castle and give the children a fighting chance against the cavalry.
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Changed line(s) 18 (click to see context) from:
* Pay attention to when Jeremy and Jemima are being presented in a cage to the Baron and Baroness. Both have their faces pressed up against the bars, but Jeremy [[BigBrotherInstinct has his arm protectively around Jemima the whole time]].
to:
* Pay attention to when Jeremy and Jemima are being presented in a cage to the Baron and Baroness. Both have their faces pressed up against the bars, but Jeremy [[BigBrotherInstinct has his arm protectively around Jemima the whole time]].time]].
** Later, when they're locked in the tower, Jemima is sleeping in Jeremy's arms.
** Later, when they're locked in the tower, Jemima is sleeping in Jeremy's arms.
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Changed line(s) 17 (click to see context) from:
'''Truly:''' (laughing) Now you'll ''have'' to marry me!
to:
'''Truly:''' (laughing) Now you'll ''have'' to marry me!me!
* Pay attention to when Jeremy and Jemima are being presented in a cage to the Baron and Baroness. Both have their faces pressed up against the bars, but Jeremy [[BigBrotherInstinct has his arm protectively around Jemima the whole time]].
* Pay attention to when Jeremy and Jemima are being presented in a cage to the Baron and Baroness. Both have their faces pressed up against the bars, but Jeremy [[BigBrotherInstinct has his arm protectively around Jemima the whole time]].
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Changed line(s) 1 (click to see context) from:
* Creator/DickVanDyke singing ''You Two''. He's perfect at playing a loving father.
to:
* Creator/DickVanDyke as Caractacus singing ''You Two''."You Two". He's perfect at playing a loving father.
Changed line(s) 3 (click to see context) from:
-->'''Jemima:''' It's the most beautiful thing I've ever seen in my entire life!
to:
-->'''Jemima:''' It's She's the most beautiful thing I've ever seen in my entire life!life!
* The following exchange. If nothing else, you get the feeling that Caractacus wouldn't say that last sentence out loud to just anyone. It's a secret that he's trusting her with:
-->'''Truly:''' I really owe you an apology. You're more than just a father to those two children.\\
'''Caractacus:''' Nursemaid, private tutor, chief cook and bottle-washer, everything. Except what they really need.
* The following exchange. If nothing else, you get the feeling that Caractacus wouldn't say that last sentence out loud to just anyone. It's a secret that he's trusting her with:
-->'''Truly:''' I really owe you an apology. You're more than just a father to those two children.\\
'''Caractacus:''' Nursemaid, private tutor, chief cook and bottle-washer, everything. Except what they really need.
Changed line(s) 5,8 (click to see context) from:
-->'''Truly:''' Where are we?
-->'''Caractacus:''' Somewhere over the North Sea, I think.
-->'''Truly:''' Don't you know where we're going?
-->'''Caractacus:''' I don't, but Chitty does. I think we're in pretty good hands.
-->'''Caractacus:''' Somewhere over the North Sea, I think.
-->'''Truly:''' Don't you know where we're going?
-->'''Caractacus:''' I don't, but Chitty does. I think we're in pretty good hands.
to:
-->'''Truly:''' Where are we?
-->'''Caractacus:'''we?\\
'''Caractacus:''' Somewhere over the North Sea, Ithink.
-->'''Truly:'''think.\\
'''Truly:''' Don't you know where we'regoing?
-->'''Caractacus:'''going?\\
'''Caractacus:''' I don't, but Chitty does. I think we're in pretty good hands.
-->'''Caractacus:'''
'''Caractacus:''' Somewhere over the North Sea, I
-->'''Truly:'''
'''Truly:''' Don't you know where we're
-->'''Caractacus:'''
'''Caractacus:''' I don't, but Chitty does. I think we're in pretty good hands.
Changed line(s) 12,17 (click to see context) from:
-->'''Truly''': *outraged* Well, Mister Potts!
-->'''Caractacus''': *shocked* What? What's the matter?
-->'''Truly''': *laughing* Now you'll ''have'' to marry me!
* The following exchange. If nothing else, you get the feeling that Caractacus wouldn't say that last sentence out loud to just anyone. It's a secret that he's trusting her with:
-->'''Truly:''' I really owe you an apology. You're more than just a father to those two children.
-->'''Caractacus:''' Nursemaid, private tutor, chief cook and bottle-washer, everything. Except what they really need.
-->'''Caractacus''': *shocked* What? What's the matter?
-->'''Truly''': *laughing* Now you'll ''have'' to marry me!
* The following exchange. If nothing else, you get the feeling that Caractacus wouldn't say that last sentence out loud to just anyone. It's a secret that he's trusting her with:
-->'''Truly:''' I really owe you an apology. You're more than just a father to those two children.
-->'''Caractacus:''' Nursemaid, private tutor, chief cook and bottle-washer, everything. Except what they really need.
to:
-->'''Caractacus''': *shocked*
'''Caractacus:''' (shocked) What? What's the
-->'''Truly''': *laughing*
'''Truly:''' (laughing) Now you'll ''have'' to marry
* The following exchange. If nothing else, you get the feeling that Caractacus wouldn't say that last sentence out loud to just anyone. It's a secret that he's trusting her with:
-->'''Truly:''' I really owe you an apology. You're more than just a father to those two children.
-->'''Caractacus:''' Nursemaid, private tutor, chief cook and bottle-washer, everything. Except what they really need.
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Changed line(s) 2 (click to see context) from:
* Chitty having been turned from a burnt-out heap of old iron into a beautiful car yet again. Further heartwarming moments as Chitty starts up again and as Chitty gets back out on the road.
to:
* [[https://www.youtube.com/watch?v=UL4Gf2ydq2U Chitty having been being turned from a burnt-out heap of old iron into a beautiful car yet again. again]]. Further heartwarming moments as Chitty starts up again and as Chitty gets back out on the road.road.
-->'''Jemima:''' It's the most beautiful thing I've ever seen in my entire life!
-->'''Jemima:''' It's the most beautiful thing I've ever seen in my entire life!
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Changed line(s) 1 (click to see context) from:
* Dick van Dyke singing ''You Two''. He's perfect at playing a loving father.
to:
* Dick van Dyke Creator/DickVanDyke singing ''You Two''. He's perfect at playing a loving father.
Changed line(s) 16 (click to see context) from:
-->'''Caractacus:''' Nursemaid, private tutor, chief cook and bottle-washer, everything. Except what they really need.
to:
-->'''Caractacus:''' Nursemaid, private tutor, chief cook and bottle-washer, everything. Except what they really need.
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Changed line(s) 13 (click to see context) from:
-->'''Truly''': *laughing* Now you'll ''have'' to marry me!
to:
-->'''Truly''': *laughing* Now you'll ''have'' to marry me!me!
* The following exchange. If nothing else, you get the feeling that Caractacus wouldn't say that last sentence out loud to just anyone. It's a secret that he's trusting her with:
-->'''Truly:''' I really owe you an apology. You're more than just a father to those two children.
-->'''Caractacus:''' Nursemaid, private tutor, chief cook and bottle-washer, everything. Except what they really need.
* The following exchange. If nothing else, you get the feeling that Caractacus wouldn't say that last sentence out loud to just anyone. It's a secret that he's trusting her with:
-->'''Truly:''' I really owe you an apology. You're more than just a father to those two children.
-->'''Caractacus:''' Nursemaid, private tutor, chief cook and bottle-washer, everything. Except what they really need.
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Added DiffLines:
** While Caractacus is singing ''Hushabye Mountain'', he stops in the middle. He's trying to tell Peter to not lose hope, but he seems to have lost it himself. Then Truly comes in and continues the song, leading him to join in on the last line and regain his fire.
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Changed line(s) 4,7 (click to see context) from:
--->'''Truly:''' Where are we?
--->'''Caractacus:''' Somewhere over the North Sea, I think.
--->'''Truly:''' Don't you know where we're going?
--->'''Caractacus:''' I don't, but Chitty does. I think we're in pretty good hands.
--->'''Caractacus:''' Somewhere over the North Sea, I think.
--->'''Truly:''' Don't you know where we're going?
--->'''Caractacus:''' I don't, but Chitty does. I think we're in pretty good hands.
to:
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Added line(s) 7 (click to see context) :
* Dick van Dyke singing ''You Two''. He's perfect at playing a loving father.
* Chitty having been turned from a burnt-out heap of old iron into a beautiful car yet again. Further heartwarming moments as Chitty starts up again and as Chitty gets back out on the road.
* Chitty having been turned from a burnt-out heap of old iron into a beautiful car yet again. Further heartwarming moments as Chitty starts up again and as Chitty gets back out on the road.
Deleted line(s) 7 (click to see context) :
* Dick van Dyke singing ''You Two''. He's perfect at being a loving father.
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Changed line(s) 9,10 (click to see context) from:
-->'''Truly''': Well, Mister Potts!
-->'''Caractacus''': What? What's the matter?
-->'''Caractacus''': What? What's the matter?
to:
-->'''Truly''': *outraged* Well, Mister Potts!
-->'''Caractacus''': *shocked* What? What's the matter?
-->'''Caractacus''': *shocked* What? What's the matter?
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Changed line(s) 6 (click to see context) from:
* Caractacus and Truly among the hidden children of Vulgaria. They've never met these kids before and technically have no obligation to help, but they take very little convincing, if any.
to:
* Caractacus and Truly among the hidden children of Vulgaria. They've never met these kids before and technically have no obligation to help, but they take very little convincing, if any.any.
* Dick van Dyke singing ''You Two''. He's perfect at being a loving father.
* This little BrickJoke near the end, right after Caractacus and Truly kiss.
-->'''Truly''': Well, Mister Potts!
-->'''Caractacus''': What? What's the matter?
-->'''Truly''': *laughing* Now you'll ''have'' to marry me!
* Dick van Dyke singing ''You Two''. He's perfect at being a loving father.
* This little BrickJoke near the end, right after Caractacus and Truly kiss.
-->'''Truly''': Well, Mister Potts!
-->'''Caractacus''': What? What's the matter?
-->'''Truly''': *laughing* Now you'll ''have'' to marry me!
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Added DiffLines:
* Caractacus and Truly among the hidden children of Vulgaria. They've never met these kids before and technically have no obligation to help, but they take very little convincing, if any.
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* Caractacus expressing complete confidence in Chitty during the journey to Vulgaria:
--->'''Truly:''' Where are we?
--->'''Caractacus:''' Somewhere over the North Sea, I think.
--->'''Truly:''' Don't you know where we're going?
--->'''Caractacus:''' I don't, but Chitty does. I think we're in pretty good hands.
--->'''Truly:''' Where are we?
--->'''Caractacus:''' Somewhere over the North Sea, I think.
--->'''Truly:''' Don't you know where we're going?
--->'''Caractacus:''' I don't, but Chitty does. I think we're in pretty good hands.