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** Finally, Tverdillo qualifies big time. He betrayed the Russian people and helped the German Teutonic knights in their crimes. It was very satisfying to see him being torn by the mob.

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** Finally, Tverdillo qualifies big time. He betrayed the Russian people and helped the German Teutonic knights in their crimes. It was very satisfying to see him being torn by the mob.mob.
* In StarTrekBeyond, one of Krall's two [[Dragon]]s is Kalara, [[spoiler: his former science officer, Jessica Wolff]], whose role in his scheme is to be a BitchInSheepsClothing running a WoundedGazelleGambit to lure well-meaning spacers into the nebula to be torn apart by his swarm and the survivors enslaved and then systematically killed to fuel the BigBadTrio's life-extension technology. Their most recent victims of this plot are the crew of the ''Enterprise.'' It's extremely satisfying to see Captain Kirk outwit her and finish her off by [[ThereIsNoKillLikeOverkill flipping the remains of the destroyed saucer on top of her, smashing her into the terrain like a particularly insignificant bug.]]
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** In the live action production of ''Film/TheMist'', the monsters are terrifying but don't appear to be acting with true malice. They're just following their instincts to eat and reproduce. But boy, oh boy, can you ever hate Mrs. Carmody, the shrill, hateful Jesus freak who looks down her nose at anyone who isn't as "righteous" as she is and whipped the mob into a religious frenzy that almost resulted in the murder of the protagonist's young son.

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** In the live action production of ''Film/TheMist'', the monsters are terrifying but don't appear to be acting with true malice. They're just following their instincts to eat and reproduce. But boy, oh boy, can you ever hate Mrs. Carmody, the shrill, [[TheFundamentalist hateful Jesus freak freak]] who looks down her nose at [[HolierThanThou anyone who isn't as "righteous" as she is is]] and whipped the mob into a religious frenzy that almost resulted in the murder of the protagonist's young son.
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* The version of ComicBook/LexLuthor in ''Film/BatmanVSupermanDawnOfJustice'' is this as his mannerisms can get on people's nerves, he openly mocks people who don't help him, he projects his personal issues on people who had nothing to do with them (his reason for hating Superman in this incarnation is that his worldview, shaped by being a victim of abuse by his father, is that power and benevolence can't go hand in hand), and he'll kill anyone who refuses to help him or even [[spoiler: have a crisis of consciousness at his actions]], he throws Senator Finch's "Take a bucket of piss and call it 'Granny's Peach Tea'." and throws in back at her in a very literal way [[spoiler:before blowing her up to discredit Superman, and creates Doomsday to kill Superman.]] This makes it very cathartic in the [[ReCut Ultimate Edition]] when [[spoiler: after Luthor smugly mocks Batman over knowledge about his secret identity as Bruce Wayne and that he pulled an InsanityDefense for his crimes, Bruce wipes the smug look off by revealing he's arranged for Luthor to be sent to [[BedlamHouse Arkham Asylum]].]]

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* The version of ComicBook/LexLuthor in ''Film/BatmanVSupermanDawnOfJustice'' is this as his mannerisms can get on people's nerves, he openly mocks people who don't help him, he projects his personal issues on people who had nothing to do with them (his reason for hating Superman in this incarnation is that his worldview, shaped by being a victim of abuse by his father, is that power and benevolence can't go hand in hand), and he'll kill anyone who refuses to help him or even [[spoiler: have a crisis of consciousness at his actions]], he throws Senator Finch's "Take a bucket of piss and call it 'Granny's Peach Tea'.Tea' " and throws in back at her in a very literal way [[spoiler:before blowing her up to discredit Superman, and creates Doomsday to kill Superman.]] This makes it very cathartic in the [[ReCut Ultimate Edition]] when [[spoiler: after Luthor smugly mocks Batman over knowledge about his secret identity as Bruce Wayne and that he pulled an InsanityDefense for his crimes, Bruce wipes the smug look off by revealing he's arranged for Luthor to be sent to [[BedlamHouse Arkham Asylum]].]]
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* ''{{Film/Ladyhawke}}'': The Bishop casts a curse on two lovers so they will never be able to love each other - Navarre also says that while hawks and wolves mate for life, the Bishop did not even leave them that option. He also instructs the hunter Cezar to trap wolves, hoping to actually kill Navarre during the night when he is in his wolf form. Plus his ways to rule over the region.

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* ''{{Film/Ladyhawke}}'': The Bishop casts a curse on two lovers so they will never be able to love each other - Navarre also says that while hawks and wolves mate for life, the Bishop did not even leave them that option. He also instructs the hunter Cezar to trap wolves, hoping to actually kill Navarre during the night when he is in his wolf form. Plus his ways to rule over the region.region.
* The entire army of the Teutonic Knights in ''Film/AlexanderNevsky'' since they slaughter innocent civilians and throw crying toddlers into bonfire. Grand Master in particular since he is their leader is this.
** The Bishop counts too. He might not directly ordered the crimes, but he gave his blessings to them.
** Finally, Tverdillo qualifies big time. He betrayed the Russian people and helped the German Teutonic knights in their crimes. It was very satisfying to see him being torn by the mob.

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** ''Film/{{Alien3}}'' has both the [[ObstructiveBureaucrat prison warden]] Andrews, who refuses to believe Ripley's claims about the xenomorph even after several prisoners' deaths, and AxCrazy inmate Golic, who frees the xenomorph after the other prisoners manage to trap it.

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** ''Film/{{Alien3}}'' ''Film/Alien3'' has both the [[ObstructiveBureaucrat prison warden]] Andrews, who refuses to believe Ripley's claims about the xenomorph even after several prisoners' deaths, and AxCrazy inmate Golic, who frees the xenomorph after the other prisoners manage to trap it.



* ''Film/DieHard'':
** The reporter, played by TypeCast Creator/WilliamAtherton, who played Walter Peck in ''Film/{{Ghostbusters 1984}}'', giving the audience a subconscious reason to hate him. The German terrorists/bank robbers have awesome accents and their leader is the perfect villain to love: [[MagnificentBastard intelligent]], WickedCultured, and [[AffablyEvil somewhat]] [[PetTheDog considerate to the hostages]], but swift and deadly toward the authorities and driven by greed. So who do you hate? The annoying reporter that ends up exposing who Holly [=McClane=] really is by threatening the [=McClane=] housekeeper with deportation and terrorizes their kids all for the sake of a story. Possibly the greatest comeuppance example: he gets punched by Holly [=McClane=] at the end.
** The coke-snorting yuppie asswipe who [[CasanovaWannabe constantly badly flirts with Holly]] and exposes John's identity to the terrorists, probably hoping to ''finally'' get her in the sack. OK, he was also trying to defuse the whole hostage situation thing, but he's so bad at it that he's just wasting screentime until he inevitably fails. [[RewardedAsATraitorDeserves He ends up getting shot in the head by the terrorists for his trouble]].
** To a somewhat lesser degree, the two Agent Johnsons (no relation). They are rather disrespectful to Powell and the other police, unknowingly play into the robbers' hands by cutting the power, and are perfectly fine with allowing some of the hostages to die if it means getting the villains.
** A third example: Deputy Chief Robinson is a massive {{Jerkass}}, continually assumes Powell is wrong, distrusts [=McClane=] and generally acts as though he has the IdiotBall in his pocket at all times. Creator/RogerEbert went so far as to argue that this character alone more or less wrecks the film for him.
** The same reporter gets zapped with a stun gun by the same Holly [=McClane=] in ''Die Hard 2'' after revealing on international TV that the airport has been hijacked, thereby causing a panic that the authorities were desperately trying to avoid. William Atherton seems to have made a career playing jerks we love to hate. Speaking of which...

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* ''Film/DieHard'':
** The reporter, played by TypeCast Creator/WilliamAtherton, who played Walter Peck in ''Film/{{Ghostbusters 1984}}'', giving the audience a subconscious reason to hate him.
''Film/DieHard'': The German terrorists/bank robbers have awesome accents and their leader is the perfect villain to love: [[MagnificentBastard intelligent]], WickedCultured, and [[AffablyEvil somewhat]] [[PetTheDog considerate to the hostages]], but swift and deadly toward the authorities and driven by greed. So who do you hate? The annoying reporter that ends up exposing who Holly [=McClane=] really is by threatening Well, perhaps because of just how [[EvilIsCool cool]] the [=McClane=] housekeeper with deportation and terrorizes their kids all for main antagonists are, the sake of a story. Possibly film gives you no less than ''five'' Hate Sinks to choose from:
** Harry Ellis,
the greatest comeuppance example: he gets punched by Holly [=McClane=] at the end.
** The
coke-snorting yuppie asswipe who [[CasanovaWannabe constantly badly flirts with Holly]] and exposes John's identity to the terrorists, probably hoping to ''finally'' get her in the sack. OK, he was also trying to defuse the whole hostage situation thing, but he's so bad at it that he's just wasting screentime until he inevitably fails. [[RewardedAsATraitorDeserves He ends up getting shot in the head by the terrorists for his trouble]].
** To a somewhat lesser degree, the two Agent Johnsons (no relation). They are rather disrespectful to Powell and the other police, unknowingly play into the robbers' hands by cutting the power, and are perfectly fine with allowing some of the hostages to die if it means getting the villains.
** A third example:
Deputy Chief Dwayne Robinson is a massive {{Jerkass}}, continually assumes Powell is wrong, distrusts [=McClane=] [=McClane=], and generally acts as though he has the IdiotBall in his pocket at all times. Creator/RogerEbert went so far as to argue that this character alone more or less wrecks the film for him.
** To a somewhat lesser degree, the two FBI Agents Johnson and Johnson.[[note]]No relation.[[/note]] They are rather disrespectful to Powell and even Robinson above, unknowingly play into the robbers' hands by cutting the power, and are perfectly fine with allowing some of the hostages to die if it means getting the villains.
** {{Paparazz|i}}o Richard Thornburg, played by TypeCast Creator/WilliamAtherton, who played Walter Peck in ''Film/{{Ghostbusters 1984}}'', giving the audience a subconscious reason to hate him.
The same annoying reporter that ends up exposing who Holly [=McClane=] really is by threatening the [=McClane=] housekeeper with deportation and terrorizes their kids all for the sake of a story. Possibly the greatest comeuppance example: he gets punched by Holly [=McClane=] at the end. He even gets zapped with a stun gun by the same Holly [=McClane=] in ''Die Hard 2'' after revealing on international TV that the airport has been hijacked, thereby causing a panic that the authorities were desperately trying to avoid. William Atherton seems to have made a career playing jerks we love to hate. Speaking of which...



** ''Film/{{Ghostbusters 1984}}'': Walter Peck is made especially obnoxious and slimy so that his entirely reasonable request to check the Ghostbusters' equipment quickly escalates into him rashly shutting down their containment grid and unleashing a literal hell on earth. Granted, Peck is ''absolutely right'' about the inadequacy of the containment procedures, but he proves it by ''breaking'' them. The fact that his first reaction to a disaster, which he is clearly responsible for bringing about in front of multiple witnesses, is to have the Ghostbusters arrested while totally ignoring his own culpability with such SmugSnake self-righteousness seals the deal securing the audience's hate for him.

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** ''Film/{{Ghostbusters 1984}}'': ''Film/Ghostbusters1984'': Walter Peck is made especially obnoxious and slimy so that his entirely reasonable request to check the Ghostbusters' equipment quickly escalates into him rashly shutting down their containment grid and unleashing a literal hell on earth. Granted, Peck is ''absolutely right'' about the inadequacy of the containment procedures, but he proves it by ''breaking'' them. The fact that his first reaction to a disaster, which he is clearly responsible for bringing about in front of multiple witnesses, is to have the Ghostbusters arrested while totally ignoring his own culpability with such SmugSnake self-righteousness seals the deal securing the audience's hate for him.
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* ''Film/KingdomOfHeaven'': Raynald de Chatillon fanatically hates the Muslims and seeks any excuse to slaughter them. He also believes that since [[ScrewTheRulesIHaveMoney he is a noble, he can do as he likes]]. When he gets punished and imprisoned for it, he merely tries to find a way out of it, and slaughters yet another caravan including Saladin's sister. In the end, when he gets captured by Saladin, he shows no remorse for his actions.

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* ''Film/KingdomOfHeaven'': Raynald de Chatillon fanatically hates the Muslims and seeks any excuse to slaughter them. He also believes that since [[ScrewTheRulesIHaveMoney he is a noble, he can do as he likes]]. When he gets punished and imprisoned for it, he merely tries to find a way out of it, and when he does ultimately get freed (due to a new king pardoning him) Raynald slaughters yet another caravan including Saladin's sister. In the end, when he gets captured by Saladin, he shows no remorse for his actions.
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* ''Film/KingdomOfHeaven'': Raynald de Chatillon fanatically hates the Muslims and seeks any excuse to slaughter them. He also believes that since [[ScrewTheRulesIHaveMoney he is a noble, he can do as he likes]]. When he gets punished and imprisoned for it, he merely tries to find a way out of it, and slaughters yet another caravan including Saladin's sister. In the end, when he gets captured by Saladin, he shows no remorse for his actions.

to:

* ''Film/KingdomOfHeaven'': Raynald de Chatillon fanatically hates the Muslims and seeks any excuse to slaughter them. He also believes that since [[ScrewTheRulesIHaveMoney he is a noble, he can do as he likes]]. When he gets punished and imprisoned for it, he merely tries to find a way out of it, and slaughters yet another caravan including Saladin's sister. In the end, when he gets captured by Saladin, he shows no remorse for his actions.actions.
* ''{{Film/Ladyhawke}}'': The Bishop casts a curse on two lovers so they will never be able to love each other - Navarre also says that while hawks and wolves mate for life, the Bishop did not even leave them that option. He also instructs the hunter Cezar to trap wolves, hoping to actually kill Navarre during the night when he is in his wolf form. Plus his ways to rule over the region.
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* ''{{Film/Alligator}}'': Mr. Slade, a CorruptCorporateExecutive, has his researchers experiment on puppies to get the hormone, and has them pay a pet store owner to dognap puppies when they run out of their legal supply. These experiments lead to an alligator who lives in the sewers becoming giant and getting a ravenous appetite. This was an accident, so it can't be held against him. However, he has the mayor hinder the investigation in order to keep his company going. During the climax, the alligator attacks his daughter's wedding. He makes a beeline for his car, locks it, and tries to drive away and leave everybody else tibdie. [[KarmicDeath The alligator gets him anyways]].

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* ''{{Film/Alligator}}'': Mr. Slade, a CorruptCorporateExecutive, has his researchers experiment on puppies to get the hormone, and has them pay a pet store owner to dognap puppies when they run out of their legal supply. These experiments lead to an alligator who lives in the sewers becoming giant and getting a ravenous appetite. This was an accident, so it can't be held against him. However, he has the mayor hinder the investigation in order to keep his company going. During the climax, the alligator attacks his daughter's wedding. He makes a beeline for his car, locks it, and tries to drive away and leave everybody else tibdie. [[KarmicDeath The alligator gets him anyways]].anyways]].
* ''Film/KingdomOfHeaven'': Raynald de Chatillon fanatically hates the Muslims and seeks any excuse to slaughter them. He also believes that since [[ScrewTheRulesIHaveMoney he is a noble, he can do as he likes]]. When he gets punished and imprisoned for it, he merely tries to find a way out of it, and slaughters yet another caravan including Saladin's sister. In the end, when he gets captured by Saladin, he shows no remorse for his actions.
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* ''Film/RobotAndFrank'' centers around a VillainProtagonist who uses a robot caretaker to help him in his burglary schemes, so to help preserve audience sympathy, his main victim isn't presented in the best light. Said victim is Jake, who's sponsoring the public library in Frank's neighborhood, but is haphazardly disposing of the books in favor of more modern formats and putting Jennifer, Frank's love interest, out of a job. He's also generally irritating and full of himself, and is quite well-off, to the point where we don't feel too bad when Robot and Frank eventually steal some jewelry he keeps in a safe.

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* ''Film/RobotAndFrank'' centers around a VillainProtagonist who uses a robot caretaker to help him in his burglary schemes, so to help preserve audience sympathy, his main victim isn't presented in the best light. Said victim is Jake, who's sponsoring the public library in Frank's neighborhood, but is haphazardly disposing of the books in favor of more modern formats and putting Jennifer, Frank's love interest, out of a job. He's also generally irritating and full of himself, and is quite well-off, to the point where we don't feel too bad when Robot and Frank eventually steal some jewelry he keeps in a safe.safe.
* ''{{Film/Alligator}}'': Mr. Slade, a CorruptCorporateExecutive, has his researchers experiment on puppies to get the hormone, and has them pay a pet store owner to dognap puppies when they run out of their legal supply. These experiments lead to an alligator who lives in the sewers becoming giant and getting a ravenous appetite. This was an accident, so it can't be held against him. However, he has the mayor hinder the investigation in order to keep his company going. During the climax, the alligator attacks his daughter's wedding. He makes a beeline for his car, locks it, and tries to drive away and leave everybody else tibdie. [[KarmicDeath The alligator gets him anyways]].
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* The version of ComicBook/LexLuthor in ''Film/BatmanVSupermanDawnOfJustice'' is this as his mannerisms can get on people's nerves, he openly mocks people who don't help him, he projects his personal issues on people who had nothing to do with them (his reason for hating Superman in this incarnation is that his worldview, shaped by being a victim of abuse by his father, is that power and benevolence can't go hand in hand), and he'll kill anyone who refuses to help him or even [[spoiler: have a crisis of consciousness at his actions.]], he throws Senator Finch's "Take a bucket of piss and call it 'Granny's Peach Tea'." and throws in back at her in a very literal way [[spoiler:before blowing her up to discredit Superman, and creates Doomsday to kill Superman.]] This makes it very cathartic in the [[ReCut Ultimate Edition]] when [[spoiler: after Luthor smugly mocks Batman over knowledge about his secret identity as Bruce Wayne and that he pulled an InsanityDefense for his crimes, Bruce wipes the smug look off by revealing he's arranged for Luthor to be sent to [[BedlamHouse Arkham Asylum]].]]

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* The version of ComicBook/LexLuthor in ''Film/BatmanVSupermanDawnOfJustice'' is this as his mannerisms can get on people's nerves, he openly mocks people who don't help him, he projects his personal issues on people who had nothing to do with them (his reason for hating Superman in this incarnation is that his worldview, shaped by being a victim of abuse by his father, is that power and benevolence can't go hand in hand), and he'll kill anyone who refuses to help him or even [[spoiler: have a crisis of consciousness at his actions.]], actions]], he throws Senator Finch's "Take a bucket of piss and call it 'Granny's Peach Tea'." and throws in back at her in a very literal way [[spoiler:before blowing her up to discredit Superman, and creates Doomsday to kill Superman.]] This makes it very cathartic in the [[ReCut Ultimate Edition]] when [[spoiler: after Luthor smugly mocks Batman over knowledge about his secret identity as Bruce Wayne and that he pulled an InsanityDefense for his crimes, Bruce wipes the smug look off by revealing he's arranged for Luthor to be sent to [[BedlamHouse Arkham Asylum]].]]
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** The aformention King of Sparta wasn't a saint either. Menelaus is probably the only character who has no redeeming qualities. He was already making out with other women before he found out about Helen+Paris, which makes him a {{hypocrite}} when he wants revenge against both of them, stating that he wants to [[DisproportionateRetribution kill her with his own two hands]] when he gets her back. Finally, when Paris tries to make a deal with Agamemnon to not attack Troy if he fights Menelaus alone, Menelaus secretly [[MoralEventHorizon suggests Agamemnon to just break the deal if/when he kills Paris]].
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** ''Film/SweeneyToddDemonAtABarberStreet'': If you don't hate Judge Turpin for sending the main character away to Australia and raping his wife, or you don't hate him for ordering a beating a young man for looking at his hostage, you will certainly hate him for sentencing a crying little boy to death without even knowing if he was guilty by his own admission.

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** ''Film/SweeneyToddDemonAtABarberStreet'': ''Film/SweeneyToddTheDemonBarberOfFleetStreet'': If you don't hate Judge Turpin for sending the main character away to Australia and raping his wife, or you don't hate him for ordering a beating a young man for looking at his hostage, you will certainly hate him for sentencing a crying little boy to death without even knowing if he was guilty by his own admission.
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Added DiffLines:

** ''Film/SweeneyToddDemonAtABarberStreet'': If you don't hate Judge Turpin for sending the main character away to Australia and raping his wife, or you don't hate him for ordering a beating a young man for looking at his hostage, you will certainly hate him for sentencing a crying little boy to death without even knowing if he was guilty by his own admission.
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* ''Film/RobotAndFrank'' centers around a VillainProtagonist who uses a robot caretaker to help him in his burglary schemes, so to help preserve audience sympathy, his main victim isn't presented in the best light. Said victim is Jake, who's sponsoring the public library in Frank's neighborhood, but is haphazardly disposing of the books and turning the library into a multimedia experience. He's also generally irritating and full of himself, and is quite well-off, to the point where we don't feel too bad when Robot and Frank eventually steal some jewelry he keeps in a safe.

to:

* ''Film/RobotAndFrank'' centers around a VillainProtagonist who uses a robot caretaker to help him in his burglary schemes, so to help preserve audience sympathy, his main victim isn't presented in the best light. Said victim is Jake, who's sponsoring the public library in Frank's neighborhood, but is haphazardly disposing of the books in favor of more modern formats and turning the library into putting Jennifer, Frank's love interest, out of a multimedia experience.job. He's also generally irritating and full of himself, and is quite well-off, to the point where we don't feel too bad when Robot and Frank eventually steal some jewelry he keeps in a safe.
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* ''Film/{{Troy}}'': Paris, the unrepentant womanizer who started a war that ultimately destroyed his entire city and family because he wanted to get laid with the wife of the king of Sparta. He's also a DirtyCoward who refuses to follow through on any attempt to take responsibility for his actions, most notably by running out on the honor duel against aforementioned king of Sparta ''that he proposed'' when it became clear he was going to die. This being a GrayAndGrayMorality world, however, his final fate is left unclear ([[KarmaHoudini though it is implied that he got to live out the rest of his days with the most beautiful woman in the world staying as his wife]]).

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* ''Film/{{Troy}}'': Paris, the unrepentant womanizer who started a war that ultimately destroyed his entire city and family because he wanted to get laid with the wife of the king of Sparta. He's also a DirtyCoward who refuses to follow through on any attempt to take responsibility for his actions, most notably by running out on the honor duel against aforementioned king of Sparta ''that he proposed'' when it became clear he was going to die. This being a GrayAndGrayMorality world, however, his final fate is left unclear ([[KarmaHoudini though it is implied that he got to live out the rest of his days with the most beautiful woman in the world staying as his wife]]).wife]]).
* ''Film/RobotAndFrank'' centers around a VillainProtagonist who uses a robot caretaker to help him in his burglary schemes, so to help preserve audience sympathy, his main victim isn't presented in the best light. Said victim is Jake, who's sponsoring the public library in Frank's neighborhood, but is haphazardly disposing of the books and turning the library into a multimedia experience. He's also generally irritating and full of himself, and is quite well-off, to the point where we don't feel too bad when Robot and Frank eventually steal some jewelry he keeps in a safe.
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''Film/{{Troy}}'': Paris, the unrepentant womanizer who started a war that ultimately destroyed his entire city and family because he wanted to get laid with the wife of the king of Sparta. He's also a DirtyCoward who refuses to follow through on any attempt to take responsibility for his actions, most notably by running out on the honor duel against aforementioned king of Sparta ''that he proposed'' when it became clear he was going to die. This being a GrayAndGrayMorality world, however, his final fate is left unclear ([[KarmaHoudini though it is implied that he got to live out the rest of his days with the most beautiful woman in the world staying as his wife]]).

to:

* ''Film/{{Troy}}'': Paris, the unrepentant womanizer who started a war that ultimately destroyed his entire city and family because he wanted to get laid with the wife of the king of Sparta. He's also a DirtyCoward who refuses to follow through on any attempt to take responsibility for his actions, most notably by running out on the honor duel against aforementioned king of Sparta ''that he proposed'' when it became clear he was going to die. This being a GrayAndGrayMorality world, however, his final fate is left unclear ([[KarmaHoudini though it is implied that he got to live out the rest of his days with the most beautiful woman in the world staying as his wife]]).
Is there an issue? Send a MessageReason:
None


* The version of ComicBook/LexLuthor in ''Film/BatmanVSupermanDawnOfJustice'' is this as his mannerisms can get on people's nerves, he openly mocks people who don't help him, he projects his personal issues on people who had nothing to do with them (his reason for hating Superman in this incarnation is that his worldview, shaped by being a victim of abuse by his father, is that power and benevolence can't go hand in hand), and he'll kill anyone who refuses to help him or even [[spoiler: have a crisis of consciousness at his actions.]], he throws Senator Finch's "Take a bucket of piss and call it 'Granny's Peach Tea'." and throws in back at her in a very literal way [[spoiler:before blowing her up to discredit Superman, and creates Doomsday to kill Superman.]] This makes it very cathartic in the [[ReCut Ultimate Edition]] when [[spoiler: after Luthor smugly mocks Batman over knowledge about his secret identity as Bruce Wayne and that he pulled an InsanityDefense for his crimes, Bruce wipes the smug look off by revealing he's arranged for Luthor to be sent to [[BedlamHouse Arkham Asylum]].]]

to:

* The version of ComicBook/LexLuthor in ''Film/BatmanVSupermanDawnOfJustice'' is this as his mannerisms can get on people's nerves, he openly mocks people who don't help him, he projects his personal issues on people who had nothing to do with them (his reason for hating Superman in this incarnation is that his worldview, shaped by being a victim of abuse by his father, is that power and benevolence can't go hand in hand), and he'll kill anyone who refuses to help him or even [[spoiler: have a crisis of consciousness at his actions.]], he throws Senator Finch's "Take a bucket of piss and call it 'Granny's Peach Tea'." and throws in back at her in a very literal way [[spoiler:before blowing her up to discredit Superman, and creates Doomsday to kill Superman.]] This makes it very cathartic in the [[ReCut Ultimate Edition]] when [[spoiler: after Luthor smugly mocks Batman over knowledge about his secret identity as Bruce Wayne and that he pulled an InsanityDefense for his crimes, Bruce wipes the smug look off by revealing he's arranged for Luthor to be sent to [[BedlamHouse Arkham Asylum]].]]]]
''Film/{{Troy}}'': Paris, the unrepentant womanizer who started a war that ultimately destroyed his entire city and family because he wanted to get laid with the wife of the king of Sparta. He's also a DirtyCoward who refuses to follow through on any attempt to take responsibility for his actions, most notably by running out on the honor duel against aforementioned king of Sparta ''that he proposed'' when it became clear he was going to die. This being a GrayAndGrayMorality world, however, his final fate is left unclear ([[KarmaHoudini though it is implied that he got to live out the rest of his days with the most beautiful woman in the world staying as his wife]]).
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* ''Film/{{Titanic 1997}}'': Billy Zane's character, Cal. He [[ItWillNeverCatchOn disparages the Picasso paintings]]; he [[DomesticAbuser verbally and physically abuses Rose]]; he [[MurderTheHypotenuse tries to have Jack killed]]; is exposed to [[{{Greed}} care more about money than Rose]]; and finally [[DirtyCoward cons his way onto a lifeboat using a small child]] to save his pathetic hide. But the karma gods are not mocked: in the aftermath of the disaster Cal loses the Heart of the Ocean diamond, loses Rose, loses his fortune, and eventually takes his own life.

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* ''Film/{{Titanic 1997}}'': Billy Zane's character, Cal. He [[ItWillNeverCatchOn disparages the Picasso paintings]]; paintings]], he [[DomesticAbuser verbally and physically abuses Rose]]; Rose]], he [[MurderTheHypotenuse tries to have Jack killed]]; killed]], is exposed to [[{{Greed}} care more about money than Rose]]; Rose]] and finally [[DirtyCoward cons his way onto a lifeboat using a small child]] to save his pathetic hide. But the karma gods are not mocked: in the aftermath of the disaster Cal loses the Heart of the Ocean diamond, loses Rose, loses his fortune, and eventually takes his own life.
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* The version of ComicBook/LexLuthor in ''Film/BatmanVSupermanDawnOfJustice'' is this as his mannerisms can get on people's nerves, he openly mocks people who don't help him, he projects his personal issues on people who had nothing to do with them (his reason reason for hating Superman is this incarnation is that his worldview, shaped by being a victim of abuse by his father, is that power and benevolence can't go hand in hand), and he'll kill anyone who refuses to help him or even [[spoiler: have a crisis of consciousness at his actions.]], he throws Senator Finch's "Take a bucket of piss and call it 'Granny's Peach Tea'." and throws in back at her in a very literal way [[spoiler:before blowing her up to discredit Superman, and creates Doomsday to kill Superman.]] This makes it very cathartic in the [[ReCut Ultimate Edition]] when [[spoiler: after Luthor smugly mocks Batman over knowledge about his secret identity as Bruce Wayne and pulled an InsanityDefense for his crimes, Bruce wipes the smug look off by revealing he's arranged for Luthor to be sent to [[BedlamHouse Arkham Asylum]].]]

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* The version of ComicBook/LexLuthor in ''Film/BatmanVSupermanDawnOfJustice'' is this as his mannerisms can get on people's nerves, he openly mocks people who don't help him, he projects his personal issues on people who had nothing to do with them (his reason reason for hating Superman is in this incarnation is that his worldview, shaped by being a victim of abuse by his father, is that power and benevolence can't go hand in hand), and he'll kill anyone who refuses to help him or even [[spoiler: have a crisis of consciousness at his actions.]], he throws Senator Finch's "Take a bucket of piss and call it 'Granny's Peach Tea'." and throws in back at her in a very literal way [[spoiler:before blowing her up to discredit Superman, and creates Doomsday to kill Superman.]] This makes it very cathartic in the [[ReCut Ultimate Edition]] when [[spoiler: after Luthor smugly mocks Batman over knowledge about his secret identity as Bruce Wayne and that he pulled an InsanityDefense for his crimes, Bruce wipes the smug look off by revealing he's arranged for Luthor to be sent to [[BedlamHouse Arkham Asylum]].]]
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==> '''Dr. Kaufman''' I'm just a professional doing a job!
==> '''James Bond''' [[PreMortemOneLiner Me too.]]

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==> --> '''Dr. Kaufman''' I'm just a professional doing a job!
==> --> '''James Bond''' [[PreMortemOneLiner Me too.]]
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* Creator/RolandEmmerich gets a lot of mileage out of this trope due to his films typically having [[DisasterMovie nature or non-speaking monsters]] as their antagonists.

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* Creator/RolandEmmerich gets a lot of mileage out of this trope due to his films typically having [[DisasterMovie nature or non-speaking monsters]] as their antagonists.amesb


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** In ''Film/TomorrowNeverDies'', media mogul Elliot Carver is played by the wonderful Creator/JonathanPryce in full [[ChewingTheScenery scenery-chewing]] LargeHam mode, but his sullen, sociopathic associate [[TheDragon Mr. Stamper]] and craven TortureTechnician Dr. Kaufman both exist to be hated and then killed.
==> '''Dr. Kaufman''' I'm just a professional doing a job!
==> '''James Bond''' [[PreMortemOneLiner Me too.]]
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** ''Literature/{{IT}}'' has a lot of people to hate. The titular monster is downright hilarious, so he's pretty much impossible to hate. Henry Bowers got a bit of a pass because he'd grown up on (in the words of Mike Hanlon) "a good farm gone to shitshack shambles" with his insane, abusive father. However, it's very easy to hate the men in Bev's life, particularly the nameless early boyfriends (one of whom broke her nose), her husband Tom (although he dropped dead after he saw IT in the book, his fate was left unresolved in the film) and her violent, twisted, sexually abusive. Several of the townspeople who looked away while the kids were being beaten up and might have died at the hands of the bullies also deserve the HateSink.

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** ''Literature/{{IT}}'' has a lot of people to hate. The titular monster is downright hilarious, so he's pretty much impossible to hate. Henry Bowers got a bit of a pass because he'd grown up on (in the words of Mike Hanlon) "a good farm gone to shitshack shambles" with his insane, abusive father. However, it's very easy to hate the men in Bev's life, particularly the nameless early boyfriends (one of whom broke her nose), her husband Tom (although he dropped dead after he saw IT in the book, his fate was left unresolved in the film) and her violent, twisted, sexually abusive.abusive father. Several of the townspeople who looked away while the kids were being beaten up and might have died at the hands of the bullies also deserve the HateSink.
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** The reporter, played by {{Type Cast}}ed Creator/WilliamAtherton, who played Walter Peck in ''Film/{{Ghostbusters 1984}}'', giving the audience a subconscious reason to hate him. The German terrorists/bank robbers have awesome accents and their leader is the perfect villain to love: [[MagnificentBastard intelligent]], WickedCultured, and [[AffablyEvil somewhat]] [[PetTheDog considerate to the hostages]], but swift and deadly toward the authorities and driven by greed. So who do you hate? The annoying reporter that ends up exposing who Holly [=McClane=] really is by threatening the [=McClane=] housekeeper with deportation and terrorizes their kids all for the sake of a story. Possibly the greatest comeuppance example: he gets punched by Holly [=McClane=] at the end.

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** The reporter, played by {{Type Cast}}ed TypeCast Creator/WilliamAtherton, who played Walter Peck in ''Film/{{Ghostbusters 1984}}'', giving the audience a subconscious reason to hate him. The German terrorists/bank robbers have awesome accents and their leader is the perfect villain to love: [[MagnificentBastard intelligent]], WickedCultured, and [[AffablyEvil somewhat]] [[PetTheDog considerate to the hostages]], but swift and deadly toward the authorities and driven by greed. So who do you hate? The annoying reporter that ends up exposing who Holly [=McClane=] really is by threatening the [=McClane=] housekeeper with deportation and terrorizes their kids all for the sake of a story. Possibly the greatest comeuppance example: he gets punched by Holly [=McClane=] at the end.
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* In the live-action version of ''Film/HowTheGrinchStoleChristmas'', the title character is still TheHeavy causing the story's conflict, but receives a sympathetic backstory thanks to AdaptationExpansion, and even if he hadn't is [[TheGrotesque pretty lovable]] all the same. A more directly loathsome character is original creation Augustus Maywho, Whoville's [[MayorPain greedy mayor]] who thinks Christmas is all about the commercialism. He even turns out to have been one of the Grinch's boyhood bullies and to have stolen his adolescent flame Martha Whovier from him, thus playing a part in his StartOfDarkness.

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* In the live-action version of ''Film/HowTheGrinchStoleChristmas'', the title character is still TheHeavy causing the story's conflict, but receives a sympathetic backstory thanks to AdaptationExpansion, and even if he hadn't is [[TheGrotesque pretty lovable]] all the same. A more directly loathsome character is original creation Augustus Maywho, Whoville's [[MayorPain greedy mayor]] who thinks Christmas is all about the commercialism. He even turns out to have been one of the Grinch's boyhood bullies and to have stolen his adolescent flame Martha Whovier from him, thus playing a part in his StartOfDarkness.StartOfDarkness.
* The version of ComicBook/LexLuthor in ''Film/BatmanVSupermanDawnOfJustice'' is this as his mannerisms can get on people's nerves, he openly mocks people who don't help him, he projects his personal issues on people who had nothing to do with them (his reason reason for hating Superman is this incarnation is that his worldview, shaped by being a victim of abuse by his father, is that power and benevolence can't go hand in hand), and he'll kill anyone who refuses to help him or even [[spoiler: have a crisis of consciousness at his actions.]], he throws Senator Finch's "Take a bucket of piss and call it 'Granny's Peach Tea'." and throws in back at her in a very literal way [[spoiler:before blowing her up to discredit Superman, and creates Doomsday to kill Superman.]] This makes it very cathartic in the [[ReCut Ultimate Edition]] when [[spoiler: after Luthor smugly mocks Batman over knowledge about his secret identity as Bruce Wayne and pulled an InsanityDefense for his crimes, Bruce wipes the smug look off by revealing he's arranged for Luthor to be sent to [[BedlamHouse Arkham Asylum]].]]
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* ''Film/TheGodfather'''s main villains are either BitchInSheepsClothing whose villainy isn't discovered until late in the movie (Barzini), have little screen time (Tattaglia), or are AffablyEvil and hard to hate (Solozzo). Most of our hatred goes to minor characters:
** Carlo. He's a Jerkass who abuses Connie verbally and physically, plays a key role in setting up [[spoiler:Sonny's murder]] and turns out to be [[spoiler: working for Barzini]]. He receives ''two'' immensely satisfying retributions: a NoHoldsBarredBeatDown from Sonny, and [[spoiler:a gruesome strangulation death courtesy of Clemenza]].
** Jack Woltz, a pedophile Hollywood producer who blocks Johnny Fontaine's career for purely personal reasons. We feel bad for the horse, but Woltz deserves everything he gets.
** Captain [=McClusky=], a boorish DirtyCop who's introduced calling Michael a guinea and breaks his nose, precipitating his ProtagonistJourneyToVillain. It's extremely satisfying when [[BoomHeadShot Michael repays him in kind]].

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* ''Film/TheGodfather'''s main villains are either BitchInSheepsClothing [[BitchInSheepsClothing Bitches in Sheep's Clothing]] whose villainy isn't discovered until late in the movie (Barzini), have little screen time (Tattaglia), or are AffablyEvil and hard to hate (Solozzo). Most of our hatred goes to minor characters:
** Carlo. Carlo Rizzi. He's a Jerkass who abuses Connie verbally and physically, plays a key role in setting up [[spoiler:Sonny's murder]] and turns out to be [[spoiler: working [[spoiler:working for Barzini]]. He receives ''two'' immensely satisfying retributions: a NoHoldsBarredBeatDown from Sonny, and [[spoiler:a gruesome strangulation death courtesy of Clemenza]].
Clemenza on Michael's orders]].
** Jack Woltz, a pedophile Hollywood producer who blocks Johnny Fontaine's career for purely personal and self-serving reasons. We feel bad for Khartoum, the horse, horse that the Corleones have killed and whose head is placed in Woltz's bed, but Woltz himself deserves everything he gets.
** Captain [=McClusky=], a boorish DirtyCop who's introduced calling Michael a guinea and breaks breaking his nose, precipitating his ProtagonistJourneyToVillain. It's extremely satisfying when [[BoomHeadShot Michael repays him in kind]].
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** ''Film/TwoThousandTwelve'' has a more minor example with Chief of Staff Carl Anheuser, who keeps the impending global disaster a secret from all but those who can afford to buy a ticket to safety, to not mention being a belittling {{Jerkass}} to those who put honor or humanity over survival. He's given slightly more respect than the above examples, with a couple of JerkassHasAPoint moments and much less of a comeuppance at the end.

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** ''Film/TwoThousandTwelve'' has a more minor example downplayed with Chief of Staff Carl Anheuser, who keeps the impending global disaster a secret from all but those who can afford to buy a ticket to safety, to not mention being a belittling {{Jerkass}} to those who put honor or humanity over survival. He's given slightly more respect than the above examples, with a couple of JerkassHasAPoint moments and much less of a comeuppance at the end.
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** Captain [=McClusky=], a boorish DirtyCop who's introduced calling Michael a guinea and breaks his nose, precipitating his ProtagonistJourneyToVillain. It's extremely satisfying when [[BoomHeadShot Michael repays him in kind]].

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** Captain [=McClusky=], a boorish DirtyCop who's introduced calling Michael a guinea and breaks his nose, precipitating his ProtagonistJourneyToVillain. It's extremely satisfying when [[BoomHeadShot Michael repays him in kind]].kind]].
* In the live-action version of ''Film/HowTheGrinchStoleChristmas'', the title character is still TheHeavy causing the story's conflict, but receives a sympathetic backstory thanks to AdaptationExpansion, and even if he hadn't is [[TheGrotesque pretty lovable]] all the same. A more directly loathsome character is original creation Augustus Maywho, Whoville's [[MayorPain greedy mayor]] who thinks Christmas is all about the commercialism. He even turns out to have been one of the Grinch's boyhood bullies and to have stolen his adolescent flame Martha Whovier from him, thus playing a part in his StartOfDarkness.
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* ''Film/{{Godzilla|1998}}'' has both the conniving news anchor Charles Caiman (who among other things steals Audrey's story (and the video she took from Nick)) and the meddlesome Mayor Ebert (who keeps jerkishly complaining about everything the military does (although he ''is'' kind of right to be angry [[DestructiveSavior when said military wrecks half of downtown Manhattan on their first confrontation with Godzilla]]) and is focused on his re-election (to the point he thinks on his last scene about using Godzilla's slaying as a publicity booster)).

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* ''Film/{{Godzilla|1998}}'' has both the conniving news anchor Charles Caiman (who among other things steals Audrey's story (and the video she took from Nick)) and the meddlesome Mayor Ebert (who keeps jerkishly complaining about everything the military does (although he ''is'' kind of right to be angry [[DestructiveSavior when said military wrecks half of downtown Manhattan on their first confrontation with Godzilla]]) and is focused on his re-election (to the point he thinks on his last scene about using Godzilla's slaying as a publicity booster)).booster).
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** ''Film/{{Ghostbusters 1984}}'': Walter Peck is made especially obnoxious and slimy so that his entirely reasonable request to check the Ghostbusters' equipment quickly escalates into him rashly shutting down their containment grid and unleashing a literal hell on earth. The viewers are called upon to place full blame on Peck and give a pass to the heroic Ghostbusters for their part; Peck is ''completely right'' about the inadequacy of the containment procedures, but he proves it by ''breaking'' them. The fact that his first reaction to a disaster, which he is clearly responsible for bringing about in front of multiple witnesses, is to have the Ghostbusters arrested while totally ignoring his own culpability with such SmugSnake self-righteousness seals the deal securing the audience's hate for him.

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** ''Film/{{Ghostbusters 1984}}'': Walter Peck is made especially obnoxious and slimy so that his entirely reasonable request to check the Ghostbusters' equipment quickly escalates into him rashly shutting down their containment grid and unleashing a literal hell on earth. The viewers are called upon to place full blame on Peck and give a pass to the heroic Ghostbusters for their part; Granted, Peck is ''completely ''absolutely right'' about the inadequacy of the containment procedures, but he proves it by ''breaking'' them. The fact that his first reaction to a disaster, which he is clearly responsible for bringing about in front of multiple witnesses, is to have the Ghostbusters arrested while totally ignoring his own culpability with such SmugSnake self-righteousness seals the deal securing the audience's hate for him.



** ''Film/MarsAttacks'': The Martians are indisputably the bad guys here, with their constant and unprovoked attacks against [[StupidGood a human race who just want to be their friends]]. Problem is, the Martians are [[LaughablyEvil so goofy in their evil]] that it's a lot easier to laugh at them than to hate them. And, truth be told, it's hard not to root for them when their opponents are a seemingly endless stream of pathetic douchebags that include James Dale, the gladhanding and thoroughly insincere President of the United States (though he becomes a better man [[spoiler: all too late]]); Art Land, [[CorruptCorporateExecutive the sleazy businessman who cares only about making money]] and completely ignores his wife's drinking problem; Donald Kessler, [[KnowNothingKnowItAll the pompous and delusional scientist]]; Jerry Ross, the lecherous and TooDumbToLive White House press secretary; Nathalie Lake, the extremely superficial TV talk-show hostess; General Decker, who is obsessed with violence, and General Casey, who considers advancing his career more important than guaranteeing national security... and we can even hate the Norris family, even though they never do anything worse than confining the grandmother of the family to a nursing home and are actually quite sympathetic because they are mourning the death of their eldest son, because they're [[{{Eagleland}} fat, lazy, right-wing trailer-trash rednecks]] [[StopBeingStereotypical who make America look bad]].

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** ''Film/MarsAttacks'': The Martians are indisputably the bad guys here, with their constant and unprovoked attacks against [[StupidGood a human race who just want to be their friends]]. Problem is, the Martians are [[LaughablyEvil so goofy in their evil]] that it's a lot easier to laugh at them than to hate them. And, truth be told, it's hard not to root for them when their opponents are a seemingly endless stream of pathetic douchebags that include James Dale, the gladhanding and thoroughly insincere President of the United States (though he becomes a better man [[spoiler: all too late]]); Art Land, [[CorruptCorporateExecutive the sleazy businessman who cares only about making money]] and completely ignores his wife's drinking problem; Donald Kessler, [[KnowNothingKnowItAll the pompous and delusional scientist]]; Jerry Ross, the lecherous and TooDumbToLive White House press secretary; Nathalie Lake, the extremely superficial TV talk-show hostess; General Decker, who is obsessed with violence, a trigger-happy nut par excellence, and General Casey, who considers advancing his career more important than guaranteeing national security... and we can even hate the Norris family, even though they never do anything worse than confining the grandmother of the family to a nursing home and are actually quite sympathetic because they are mourning the death of their eldest son, because they're [[{{Eagleland}} fat, lazy, right-wing trailer-trash rednecks]] [[StopBeingStereotypical who make America look bad]].



** ''Literature/{{IT}}'' has a lot of people to hate. The titular monster is, as with other examples, a creature that lives by its nature, although during shooting, Creator/TimCurry was an outcast on set because he looked so creepy in the makeup. Henry Bowers got a bit of a pass because he'd grown up on (in the words of Mike Hanlon) "a good farm gone to shitshack shambles" with his insane, abusive father. However, it's very easy to hate the men in Bev's life, particularly the nameless early boyfriends (one of whom broke her nose), her husband Tom (although he dropped dead after he saw IT in the book, his fate was left unresolved in the film) and her abusive, creepy-bordering-on-paedophile father. Several of the townspeople who looked away while the kids were being beaten up and might have died at the hands of the bullies also deserve the HateSink.

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** ''Literature/{{IT}}'' has a lot of people to hate. The titular monster is, as with other examples, a creature that lives by its nature, although during shooting, Creator/TimCurry was an outcast on set because he looked is downright hilarious, so creepy in the makeup.he's pretty much impossible to hate. Henry Bowers got a bit of a pass because he'd grown up on (in the words of Mike Hanlon) "a good farm gone to shitshack shambles" with his insane, abusive father. However, it's very easy to hate the men in Bev's life, particularly the nameless early boyfriends (one of whom broke her nose), her husband Tom (although he dropped dead after he saw IT in the book, his fate was left unresolved in the film) and her abusive, creepy-bordering-on-paedophile father.violent, twisted, sexually abusive. Several of the townspeople who looked away while the kids were being beaten up and might have died at the hands of the bullies also deserve the HateSink.
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* ''Film/{{Titanic 1997}}'': Billy Zane's character, Cal. He [[ItWillNeverCatchOn disparages the Picasso paintings]]; he [[DomesticAbuser verbally and physically abuses Rose]]; he [[MurderTheHypotenuse tries to have Jack killed]]; is exposed to [[{{Greed}} care more about money than Rose]]; and finally [[DirtyCoward cons his way onto a lifeboat using a small child]] to save his pathetic hide. But the karma gods are not mocked: in the aftermath of the disaster Cal loses the Heart of the Ocean diamond, loses Rose, loses his fortune, and eventually takes his own life.
* Creator/RolandEmmerich gets a lot of mileage out of this trope due to his films typically having [[DisasterMovie nature or non-speaking monsters]] as their antagonists.
** ''Film/IndependenceDay'' has the Secretary of Defense, Mr. Nimzicki (dubbed by Podcast/RiffTrax "Foily [=McAntagonist=]"). The aliens are inscrutable, have {{cool ship}}s and bring the MonumentalDamage and massive carnage that is [[JustHereForGodzilla the reason the audience bought the tickets]]. This guy knows about the aliens ahead of time but stays silent to give the President "{{plausible deniability}}." He continually pushes the use of nukes even after they're proven ineffective. He cockily celebrates victory too soon only to immediately be proven wrong. Finally he is the only person to disagree with the final plan that ends up working. His comeuppance is being fired by President Whitmore in person. Though he's then thrown a bone by being allowed into the prayer circle David's father is starting.
** ''Film/TwoThousandTwelve'' has a more minor example with Chief of Staff Carl Anheuser, who keeps the impending global disaster a secret from all but those who can afford to buy a ticket to safety, to not mention being a belittling {{Jerkass}} to those who put honor or humanity over survival. He's given slightly more respect than the above examples, with a couple of JerkassHasAPoint moments and much less of a comeuppance at the end.
* ''Film/{{Godzilla|1998}}'' has both the conniving news anchor Charles Caiman (who among other things steals Audrey's story (and the video she took from Nick)) and the meddlesome Mayor Ebert (who keeps jerkishly complaining about everything the military does (although he ''is'' kind of right to be angry [[DestructiveSavior when said military wrecks half of downtown Manhattan on their first confrontation with Godzilla]]) and is focused on his re-election (to the point he thinks on his last scene about using Godzilla's slaying as a publicity booster)).
* ''TheDayAfterTomorrow'' has the skeptical Vice President, who puts off from doing anything about [[IgnoredExpert Jack Hall's]] warnings because of the potential economic impact up until it is impossible to do anything to help evacuate approximately half of the United States and the people in it ([[AndZoidberg and the whole of Canada, too]]). His further comeuppance includes [[YouAreInCommandNow becoming President of the United States (the actual President being one of said casualties)]], [[BreakTheHaughty having to hear all the reports of the horrors of the super-storm as they come in]] and deliver his first Presidential speech from the U.S. embassy ''in Mexico''.
* ''Film/{{Aliens}}'': Paul Reiser's company guy, Carter Burke. The aliens are already scary, so the filmmakers are hedging their bets by offering Burke as the weaselly company guy that only cares about money and fame. He knows about the aliens ahead of time and sends the colonists to investigate. He disagrees with nuking the site from orbit. He [[MoralEventHorizon tries to impregnate Newt and Ripley with alien embryos with a plan to sabotage and kill the other heroes]]. Finally he cravenly retreats behind a door locking the other heroes out, where [[LaserGuidedKarma he is deliciously killed by an alien]]. Clearly, it worked: Paul Reiser said ''his own mother,'' who sat next to him at the premiere, cheered at his on-screen death!\\
\\
In the novel, he is found attached to a wall when Ripley goes on her rescue mission to save Newt. Although he begs for death, she only hands him a grenade. (This scene was actually filmed, but was cut from the movie when it was realized that too little in-story time would have passed for the scene to work. Since everything up to that point had established that it took several hours for the facehugger to drop off its victim, and several more hours for the chestburster to grow and break out, Burke should still have had the facehugger attached to him when Ripley found him less than an hour after he got grabbed.)
* Similar characters exist in each of the ''Franchise/{{Alien}}'' films:
** ''Film/{{Alien}}'' has science officer Ash, who turns out to be an android programmed to bring the xenomorph back to Earth no matter what - the crew is expendable.
** ''Film/{{Alien3}}'' has both the [[ObstructiveBureaucrat prison warden]] Andrews, who refuses to believe Ripley's claims about the xenomorph even after several prisoners' deaths, and AxCrazy inmate Golic, who frees the xenomorph after the other prisoners manage to trap it.
** ''Film/AlienResurrection'' has both [[GeneralRipper General Perez]] and creepy scientist Dr. Gediman. Gediman is portrayed by Brad Dourif, who was somewhat typecast as this type of character.
* In ''Film/HartsWar'' the Nazi officers running the POW camp are mostly {{flat character}}s, except for Colonel Visser, who is exceptionally likable for a Nazi commanding officer due to his EvilVirtues and genuinely [[AffablyEvil polite, open demeanour]]; Colonel [=McNamara=] initially comes off as a flawed individual willing to throw a fellow soldier under a bus [[ShootTheDog for the sake]] [[IDidWhatIHadToDo of his mission]], but eventually he [[HeroicSacrifice lets himself be killed]] [[AFatherToHisMen for the sake of his men]]. The falsely accused Lieutenant Scott, his attourney Lieutenant Hart (the titular character) and the prosecutor are all honour-bound men only interested in seeing the truth come to light. Who's to hate? Sergeant Bedford, whose death drives the plot of the movie. Initially shown as a screaming racist, it is eventually revealed that he traded information about his fellow soldiers' assignment for a petty grudge against a fellow prisoner because he was black (like Scott, incidentally) whom he framed and got killed, and was willing to give them a lot more in exchange for the means to escape and [[DirtyCoward save his own hide]]. Scott says that even though he didn't kill Bedford, he sure wanted to; he was just beaten to the punch. Even the prosecutor says that while he hates Bedford's guts, the law is still the law and it can't be broken.
* ''Film/DieHard'':
** The reporter, played by {{Type Cast}}ed Creator/WilliamAtherton, who played Walter Peck in ''Film/{{Ghostbusters 1984}}'', giving the audience a subconscious reason to hate him. The German terrorists/bank robbers have awesome accents and their leader is the perfect villain to love: [[MagnificentBastard intelligent]], WickedCultured, and [[AffablyEvil somewhat]] [[PetTheDog considerate to the hostages]], but swift and deadly toward the authorities and driven by greed. So who do you hate? The annoying reporter that ends up exposing who Holly [=McClane=] really is by threatening the [=McClane=] housekeeper with deportation and terrorizes their kids all for the sake of a story. Possibly the greatest comeuppance example: he gets punched by Holly [=McClane=] at the end.
** The coke-snorting yuppie asswipe who [[CasanovaWannabe constantly badly flirts with Holly]] and exposes John's identity to the terrorists, probably hoping to ''finally'' get her in the sack. OK, he was also trying to defuse the whole hostage situation thing, but he's so bad at it that he's just wasting screentime until he inevitably fails. [[RewardedAsATraitorDeserves He ends up getting shot in the head by the terrorists for his trouble]].
** To a somewhat lesser degree, the two Agent Johnsons (no relation). They are rather disrespectful to Powell and the other police, unknowingly play into the robbers' hands by cutting the power, and are perfectly fine with allowing some of the hostages to die if it means getting the villains.
** A third example: Deputy Chief Robinson is a massive {{Jerkass}}, continually assumes Powell is wrong, distrusts [=McClane=] and generally acts as though he has the IdiotBall in his pocket at all times. Creator/RogerEbert went so far as to argue that this character alone more or less wrecks the film for him.
** The same reporter gets zapped with a stun gun by the same Holly [=McClane=] in ''Die Hard 2'' after revealing on international TV that the airport has been hijacked, thereby causing a panic that the authorities were desperately trying to avoid. William Atherton seems to have made a career playing jerks we love to hate. Speaking of which...
* ''Franchise/{{Ghostbusters}}''
** ''Film/{{Ghostbusters 1984}}'': Walter Peck is made especially obnoxious and slimy so that his entirely reasonable request to check the Ghostbusters' equipment quickly escalates into him rashly shutting down their containment grid and unleashing a literal hell on earth. The viewers are called upon to place full blame on Peck and give a pass to the heroic Ghostbusters for their part; Peck is ''completely right'' about the inadequacy of the containment procedures, but he proves it by ''breaking'' them. The fact that his first reaction to a disaster, which he is clearly responsible for bringing about in front of multiple witnesses, is to have the Ghostbusters arrested while totally ignoring his own culpability with such SmugSnake self-righteousness seals the deal securing the audience's hate for him.
** ''Film/GhostbustersII'': Jack Hardemeyer makes Peck look NICE by comparison, due to [[MoralEventHorizon having the 'Busters committed to the psych ward just as Vigo made his big play]]. He ''would have'' gotten himself pulled into the Museum's slime-shell, but [[DeletedScene this has yet to actually be seen]] and his comeuppance in the film proper is getting fired from the Mayor's cabinet.
* ''Film/LittleShopOfHorrors'': Despite the situation that Seymour got himself into, we understand that he's doing this out of his love for Audrey, who is the sweetest character in the story. You can't hate the sassy ManEatingPlant Audrey II because even though it eats blood, it also sings a few interesting songs. However, you can hate [[DepravedDentist Orin Scrivello D.D.S.]], who abuses Audrey and takes glee in tormenting his patients.
* Up the wazoo in Creator/TimBurton's films:
** ''Film/{{Beetlejuice}}''. The villain of the title is funny, creative, stylish, and highly susceptible to DracoInLeatherPants - and anyway, he's really [[PunchClockVillain just a "bio-exorcist" taking on a job]]. And we certainly can't hate the heroes of the story: Barbara and Adam Maitland and Lydia Deetz. Even Lydia's self-absorbed mother, Delia, is understandable to a certain extent and has undergone a HeelFaceTurn by the end. But we're certainly welcome to hate the snooty New York yuppies Delia wants so desperately to impress, and [[BigDamnVillains Betelgeuse gives them exactly what they deserve]].
** Both ''Film/{{Batman}}'' films.
*** Let's face it, SelfDemonstrating/TheJoker is quite simply one of the most lovable supervillains in movie history. And Batman himself, while he has quite a few flaws, is ultimately an honorable person and a true hero. But it's okay to hate Carl Grissom for being a SmugSnake and a [[DirtyCoward coward]]. It's okay to hate Tony Rotelli for being a smartass who's still not smart enough to keep his mouth shut. And it's certainly okay to hate Lieutenant Eckhart because he's a FatBastard and [[ChronicBackstabbingDisorder an all-around traitor]]. The two muggers of the film's opening who hit a man over the head and [[KickTheDog threaten to shoot his son]] are also particularly loathsome.
*** In ''Film/BatmanReturns'', The Penguin and almost all of the other villains are just too funny and cool to hate - yes, even the hypocritical and cowardly CorruptCorporateExecutive who is the film's true baddie. But go right ahead and hate [[AssholeVictim that rapist whom Catwoman righteously kills]]. And we're also invited to hate the Ice Princess, even though she never does anything remotely reprehensible, because [[AcceptableTargets she's blonde, gorgeous, stupid (and that's putting it mildly), and just plain annoying]] (though she was much more evil in the original script). Josh, the smarmy campaign manager, is also a good candidate.
** ''Film/MarsAttacks'': The Martians are indisputably the bad guys here, with their constant and unprovoked attacks against [[StupidGood a human race who just want to be their friends]]. Problem is, the Martians are [[LaughablyEvil so goofy in their evil]] that it's a lot easier to laugh at them than to hate them. And, truth be told, it's hard not to root for them when their opponents are a seemingly endless stream of pathetic douchebags that include James Dale, the gladhanding and thoroughly insincere President of the United States (though he becomes a better man [[spoiler: all too late]]); Art Land, [[CorruptCorporateExecutive the sleazy businessman who cares only about making money]] and completely ignores his wife's drinking problem; Donald Kessler, [[KnowNothingKnowItAll the pompous and delusional scientist]]; Jerry Ross, the lecherous and TooDumbToLive White House press secretary; Nathalie Lake, the extremely superficial TV talk-show hostess; General Decker, who is obsessed with violence, and General Casey, who considers advancing his career more important than guaranteeing national security... and we can even hate the Norris family, even though they never do anything worse than confining the grandmother of the family to a nursing home and are actually quite sympathetic because they are mourning the death of their eldest son, because they're [[{{Eagleland}} fat, lazy, right-wing trailer-trash rednecks]] [[StopBeingStereotypical who make America look bad]].
* Creator/AdamSandler's ''Film/BigDaddy'' is a movie [[LoadsAndLoadsOfCharacters crammed with all sorts of characters]], so you'd expect there to be a few good villains among them... but, one by one, almost all of the characters eliminate themselves as targets of hate. The hero's main antagonist in the film is none other than himself; [[CharacterDevelopment he will overcome his character flaws and become a better person]], so by default he can't be hated. The one character who comes closest to filling the role of a ''human'' antagonist is nothing more than a PunchClockVillain who is ultimately sympathetic. The protagonist's gruff father might be seen as a potential Hate Sink, but he and his son reconcile in a CrowningMomentOfHeartwarming. {{Jerkass}} characters like the homeless guy and the drunken old man are [[TooFunnyToBeEvil so goofy that you can't really be offended by them]]. Even the protagonist's roommate's fiancée, who acts like a bitch throughout most of the movie, proves to be a JerkWithAHeartOfGold. So who is there left to hate? Who else but the surly ex-girlfriend from the movie's opening scene. She lies to the protagonist, cheats on him with a much older man, and then expresses absolutely no remorse when she gets caught. You have to wait until the last few seconds of the movie to see this character get what's coming to her, but it's worth it.
* ''Film/{{Twister}}'': Cary Elwes plays the corporate-backed scientist Jonas. You can't rage at the tornadoes, right? They're a force of nature, and they inspire awe in the heroes and give them purpose. But this guy "sold out" and got corporate funding, making him a puppet of TheMan (and why would a scientist [[ForScience ever want funding]]?). His team travel in sleek and sinisterly identical black vans compared to our RagtagBunchOfMisfits' ragtag assortment of vehicles, and he's a hack that doesn't know the true science and just copies the heroes or relies too much on the instruments rather than the clairvoyant way that Bill Paxton just stares at the storm and knows which way it will go. Ultimately, he and his driver get sucked into the storm when he arrogantly ignores the heroes' warnings.
* ''Film/TheToweringInferno''. You can't hate a fire, but you can hate the selfish, incompetent Roger Simmons. Jim Duncan also plays this role, to a lesser degree.
* Sean Parker from ''Film/TheSocialNetwork''. In a story full of GrayAndGrayMorality, he's the closest character portrayed as an outright villain due to how much of a {{Jerkass}} he is.
* Harvey Baylor in ''Film/PlanetOfTheDinosaurs''. The protagonists have all crash-landed on a far flung planet inhabited by prehistoric creatures, with no way to contact Earth and little hope of being rescued. Harvey proceeds to whine indiscriminately about how he's the Vice President of Spaceways Incorporated (and therefore their boss) and he can get them all fired, complains about having to do so much walking with no clear endpoint, and repeatedly sexually harasses his secretary. You can't hate the dinosaurs because they're dinosaurs (and barely put in any appearances in the movie anyway), and you can't hate the planet because it's a planet. But BOY can you hate Harvey Baylor! [[spoiler:Thankfully he dies about halfway through the movie by being fatally gored by a Centrosaur and tossed off a cliff.]]
* Creator/StephenKing movies (and the books they are based on):
** You can't hate the titular [[EldritchAbomination eldritch abominations]] from ''Film/TheLangoliers'' (especially since they're just [[HellIsThatNoise a creepy noise closing in from over the horizon]] for most of the story), and there's no one to really blame for stranding the characters in the past. But there's Toomy. Hateful, spiteful, [[{{Jerkass}} assholish]], with {{Freudian excuse}}s and issues stacked high, who annoys, irritates and backstabs. You can't ''not'' hate Toomy. [[spoiler: He gets eaten by the title ClockRoaches near the end of the movie.]]
** In the live action production of ''Film/TheMist'', the monsters are terrifying but don't appear to be acting with true malice. They're just following their instincts to eat and reproduce. But boy, oh boy, can you ever hate Mrs. Carmody, the shrill, hateful Jesus freak who looks down her nose at anyone who isn't as "righteous" as she is and whipped the mob into a religious frenzy that almost resulted in the murder of the protagonist's young son.
** Percy Wetmore in ''Film/TheGreenMile''. You can't hate the racism in the '30s that put John Coffey on Death Row, you can't hate the system for making sure he'll die in the electric chair, and you sure can't hate Old Sparky itself. But you can definitely hate Percy, who uses the fact that he's the nephew of the governor's wife to duck authority at every turn... even after [[MoralEventHorizon deliberately sabotaging the execution of a convict he particularly hates simply because he hates him (and not for anything that got him on Death Row, he just personally hated him)]] [[CruelAndUnusualDeath having him fry alive in the chair]], right after telling him his fantasy of a place for his mouse was a lie. [[spoiler:His comeuppance comes in the form of Mr. Coffey, who "uses him as a gun" to kill a more proper villain, William Wharton, then leaves him catatonic.]]
** ''Literature/{{IT}}'' has a lot of people to hate. The titular monster is, as with other examples, a creature that lives by its nature, although during shooting, Creator/TimCurry was an outcast on set because he looked so creepy in the makeup. Henry Bowers got a bit of a pass because he'd grown up on (in the words of Mike Hanlon) "a good farm gone to shitshack shambles" with his insane, abusive father. However, it's very easy to hate the men in Bev's life, particularly the nameless early boyfriends (one of whom broke her nose), her husband Tom (although he dropped dead after he saw IT in the book, his fate was left unresolved in the film) and her abusive, creepy-bordering-on-paedophile father. Several of the townspeople who looked away while the kids were being beaten up and might have died at the hands of the bullies also deserve the HateSink.
* ''Franchise/JurassicPark'':
** ''Film/JurassicPark'': Donald Gennaro, the lawyer. Specifically because of how different his character is in [[Literature/JurassicPark the book]] from the movie. In the book he is actually fairly competent and brave, not the useless, spineless character in the movie, illustrating the screenplay writers needed someone the audience to focus some hate on, because you can't hate the heroes or the dinosaurs right? He's the only person to not see any problem with cloning dinosaurs, shows his stupidity on the tour by asking if the live people are autoerotic (confusing the word with "animatronic"), and then abandons the children during the scene with the T-Rex. His comeuppance of getting eaten sitting on the toilet is masterful. The movie version of Gennaro seems to be a CompositeCharacter of Ed Regis from the book, who also abandoned the children during the T-Rex attack and ended up eaten.\\
\\
Ironically, [[Literature/JurassicPark the novel version]] of John Hammond fills the role very nicely; he's an arrogant, rich bastard used to getting his own way, whose refusal to listen to criticism ends up getting numerous people killed. His comeuppance is [[spoiler: falling prey to the dinosaurs himself at the very end, after it seems as though they're safe.]] In the movie he's upgraded to a kindly old man whose only faults are naïve overconfidence and [[LicensedSexist sexism in survival situations]].
** ''Film/JurassicWorld'': Vic Hoskins is an arrogant, manipulative, war-loving braggard who [[spoiler:engineered the catastrophe on the island to steal the dinosaur embryos for military use, and dies pathetically begging for his life to a ''Velociraptor''.]] Like many monster movies before it, this is essentially the creators hedging their bets. The ''Indominus rex'' is a terrifying unstoppable killing machine, but was designed for exactly that reason. Hoskins on the other hand is genuinely loathsome on a human level.
* ''Film/ResidentEvilAfterlife'': Kim Koates plays the annoying Bennett, a movie producer trapped in an L.A. prison with a few other survivors. His character is the classic hatesink - utterly one dimensional and can be lifted right out of the story. He is rude, selfish, and disagrees with every other main character on decisions. [[spoiler:When things start to go wrong he [[DirtyCoward shoots a fellow survivor and then escapes in a small plane leaving the rest behind]]. Then in the climax he does the bidding of the main evil character so that he is saved. But he gets his just deserts when the heroes kill the main villain and leave him to be eaten by some unseen horror.]]
* ''Film/{{Unstoppable}}'': You can't hate a runaway train, but you can hate ObstructiveBureaucrat Galvin. His comeuppance is that he loses his job afterwards.
* George A. Romero's ''Film/LivingDeadSeries'' of ZombieApocalypse movies always include at least one of these; they usually have a big share of the blame in making things go FromBadToWorse.
* Simon Canton in ''Film/DeepRising''. The monsters are just predators that live to consume, and most of the mercenaries have some redeeming qualities such as determination and being badasses. Canton however is ''only'' [[ItsAllAboutMe selfish]], [[DirtyCoward cowardly]], and [[{{Greed}} greedy]]. [[spoiler:He's not so bad at first (having clearly established with Finnegan that he had planned for everyone aboard the boat to be safely evacuated), but he eventually tries to leave the other survivors for dead, then tries to kill Trillian, shrugs off the all the passengers' deaths because he can still scam the insurance agency if the ship sinks, and tries to steal Finnegan's boat. He meets a deliciously KarmicDeath.]]
* Dr. Gerhard Klopfer in ''Film/{{Conspiracy}}'', who stands out as the most detestible character in a film filled with Nazis. He and his colleagues are all genocidal imperialists, but most of them are at least pragmatic, coldly efficient, or not ''completely'' unsympathetic (Kritzinger and Lange). Klopfer tops them all by being morbidly obese, gluttonous, ugly, rude, an open pervert, even more simple-mindedly racist than the others, and cowardly (he makes jokes about Heydrich's possible Jewish ancestry behind his back but dares not to say it to his face when dared to do so by Mueller).
* In the movie ''Film/{{Waiting}}'', the primary antagonist is the restaurant staff's soul-crushingly dull and miserable existence. Which is why we have the "biatch" who ordered the steak. She's only in one scene, but that was more than enough. Every single line of her dialogue is a condescending insult (including being angry ''her food was delivered too fast,'') delivered with an infuriating sneer. When she drags out the "How hard is your job?!" line, that's when they've had enough. Even after [[http://www.youtube.com/watch?v=3cAJcCUnV40 watching them subject her food]] to the most '''disgusting''' act of revenge you could imagine, you'll still feel like she was let off too easy.
* In ''St Helens'', this role is split between Whittaker, the logging baron and Dr. Wagner, Jackson's boss at the geological survey. You can't hate a volcano for erupting, but you can hate people who [[IgnoredExpert ignore the protagonist's warnings]] and suggestions to evacuate. Whittaker is made less-likable by profiting off the media attention the volcanic activity brings the town, being rude to the protagonist's love interest, while Wagner verbally disparages the hero and hates him personally.
* Like Creator/TimBurton above, Creator/JohnHughes really loves this trope.
** The parents we see in ''Film/TheBreakfastClub'' are all abusive, self-absorbed assholes that exist to make the kids look much better by comparison.
* [[CanonForeigner Alfrid Lickspittle]] in ''[[Film/TheHobbit The Hobbit Trilogy]]'' (especially ''[[Film/TheHobbitTheBattleOfTheFiveArmies The Battle Of The Five Armies]]''), a SuspiciouslySimilarSubstitute of Gríma Wormtongue without any redemable qualities. He's a greedy opportunist who immediatly kisses Bard's ass after the death of the former chief, yet before that he was supporting the latter against him. He treats the civilians like crap especially the women and when [[spoiler: orcs invade the refugees' camp]], [[DirtyCoward he flees all battles]] and goes as far as disguising himself as an old woman. Needless to say that the audience would beg an Orc to kill him. [[spoiler:Unfortunately, the theatrical cut has him pull a KarmaHoudini, so audiences had to wait a year until the extended edition for his much-applauded KarmicDeath.]]
* Talbot in the 2003 ''Film/{{Hulk}}'' seems purpose-made to make the audience loathe him. The [[BigBad real threat of the film]] is Bruce's evil, obsessed father David who is the root cause of the entire Hulk problem, and General Ross is [[AntiVillain a man trying to do what's right to stop a genuine menace]], even if he goes out of his way to persecute Bruce out of prejudice. Talbot is just a smug corporate bastard who only wants fame and glory, endangers everyone by going over Ross's head to unleash the Hulk, bullies Bruce whenever he can and being a dickish romantic foil, and contributes little to the story besides repeatedly getting Bruce into Hulk-mode.
* Many Franchise/{{Godzilla}} films have one of these. After all, you can't hate {{Kaiju}}, but you can hate objectively terrible people.
** Film/MothraVsGodzilla has [[CorruptCorporateExecutive Torahata]], and, to a lesser extent, Kumayama.
* Jimmy from ''Film/QTheWingedSerpent''. A money-grubbing, obnoxious coward who doesn't care that innocent people are dying.
* On one hand, Patty, Ned's girlfriend from ''Film/SchoolOfRock'' [[StrawmanHasAPoint has a point]] about Ned letting his friend Dewey mooch off of him. On the other hand, she acts like an utter bitch who constantly [[HenpeckedHusband henpecks Ned]] and takes delight in Dewey's misery. This eventually culminates in Ned leaving to go see Dewey and his band of students perform at BattleOfTheBands, slamming the door in Patty's face while she ironically yells at him to stand up for himself for once.
* ''Film/{{Paparazzi}}'' reads like some Hollywood actor's revenge fantasy, where the main character basically spends the latter half of the film committing numerous acts of vigilante murder against the paparazzi who crippled his wife and put his son in a coma in an accident. The only reason this is even remotely acceptable is because the film [[AcceptableTargets depicts all paparazzo as cackling supervillains who take perverse joy in ruining people's lives]], to the point that even the police are secretly rooting for the killer.
* Being a killer-animal story, ''Film/SnakesOnAPlane'' has Paul, a businessman who is obnoxious for the sake of being obnoxious and only exists so the audience can cheer when he dies. In contrast, the guy who put the snakes on the plane simply disappears from the narrative entirely because there's no believable way to put him on the plane after take-off, and extending the action beyond what the audience came for would have probably induced EndingFatigue.
* Scowler from the ''Series/WalkingWithDinosaurs'' movie has proved himself to be unlikable due to being a BigBrotherBully to Patchi and picking on him for no reason. Then his hatedom increases when he [[CurbStompBattle thrashes Patchi in a battle]] and then [[KickTheDog kicks him out of the herd, leaves him to die, and doesn't let Juniper help him]]. Just because Patchi leads the herd off the icy lake, which Scowler led them onto in the first place. It makes it satisfying when Gorgon and his pack maul him to near death near the end of the film.
* ''Film/TwelveAngryMen'' has Jurors #10 and #7. Jurors #3 and #4 are the most die-hard in favor of the conviction of the innocent defendant, but 3 has a FreudianExcuse ([[spoiler:the defendant reminds him of his estranged son]]) and 4 simply honestly believes the defendant is guilty, so it's hard to hate either of them, especially 4. But we can definitely hate 10, who believes [[InTheBlood the defendant MUST be guilty]] [[PoliticallyIncorrectVillain because he's Latino]] and who even 3 and 4 despise despite technically being on the same side. 7 is a more neutral character, but he goes about his neutrality in [[{{Jerkass}} the most assholish manner possible]], not caring at all about doing justice or the fact that someone's life is at stake and simply voting with whoever's in the lead at the time so he can go home and watch baseball (or, in the stage version, off to a Broadway show).
* ''{{Film/Willow}}'' has Burglekutt, the prefect of Willow's village whose EstablishingCharacterMoment involves his making it quite clear that he wants the hero's farmland. A minor RunningGag involves his head and/or face getting shit on by passing birds.
* ''Film/CharlieAndTheChocolateFactory'' has, in addition to the "bad" kids, Violet's absolutely horrendous mother. While a major point in the book and both films is that the brats' parents made them the way they are, this overbearing StageMom in particular gets a lot of emphasis, and it's clear she's groomed her daughter to be an overachiever for herself and only herself.
* Onodera in ''Film/GameraVsBarugon'' is a gargantuan asshole whose pursuit of wealth is carried out with neither empathy nor honour. It's hard not to cheer when he gets eaten.
* Paul Sarone in Film/{{Anaconda}}. You can't hate the anaconda, but you can hate him. He is willing to sacrifice the protagonists in order to capture the anaconda.
* ''Film/{{Footloose}}'', being a film with a very sympathetic main villain in Rev. Shaw Moore, has two of these.
** Principal Roger Dunbar is of the weaselly but ultimately ineffectual variety; Bomont's SmugSnake head educator, he is a [[TheFundamentalist fundamentalist Christian]] to a degree that [[EveryoneHasStandards even Rev. Moore is creeped out]]. Dunbar shares all his scenes with Moore and his role in the film consists entirely of making Moore look better by comparison. Dunbar's role in ultimately brief, but Moore's witnessing how far he's willing to go is the push he needs for his own HeelFaceTurn.
** Chuck Cranston, meanwhile, is a threat in his own right. Ariel Moore's trucker boyfriend, he bashes women both verbally and [[DomesticAbuse physically]], looks down on college students, manipulates Ariel's emotions following her brother's death to get in her pants, spreads rumors about Ren [=McCormack=] after Ariel becomes interested in him, and is involved in the drug trade. He ultimately suffers a one-two karmic punch of having his prized truck trashed by Ariel, and then being beaten up himself by Ren later on.
* Most of the characters in the ''Film/SpiderManTrilogy'' either are likable (like Aunt May, just to pick someone other than TheHero) or unlikable but well-received for the performance by their respective actor (J.Jonah Jameson, a BadBoss and SmugSnake {{Paparazzi}} punk, is played ''marvellously'' by Creator/JKSimmons). However, there's an exception: the wrestling manager from the [[Film/SpiderMan1 first movie]]; he's a completely despicable guy who cheats Peter out of his prize money for no reason other than to be a dick and kicks him out with a sneer when Peter tries to argue about it. Karma deals him a hard blow for this act of bastardry -- when said manager gets held-up, Peter doesn't stop the burglar; when asked why he didn't, Peter gives him a very effective and satisfying IronicEcho of the same reason the manager used to cut TheHero out of his prize money.
* ''Film/TransformersAgeOfExtinction'' has Attinger, an amoral, self-righteous hypocrite who instigated ThePurge on the Autobots and commissioned an army of artificial drones made from the corpses of Autobots and Decepticons. He also has no problem in killing his fellow humans to keep his operations a secret, and sides with Lockdown in capturing Optimus, so he can get a cybertron Seed to create more [[GreenRocks transformium]] for his plans.
* Franchise/JamesBond:
** ''Film/TheWorldIsNotEnough'' has a [[WoobieDestroyerOfWorlds very sympathetic]] BigBadDuumvirate in [[BrokenBird Elektra King]] and [[DeathSeeker Renard]], so to give us a properly loathsome character, we've got Sir Robert King, [[CorruptCorporateExecutive amoral oil baron]], Elektra's father, and [[FreudianExcuse one-man explanation for her turn to evil]]. He used his British citizenship to con his immigrant wife out of her own company, emotionally and financially abused her and Elektra, bulldozed centuries-old landmarks to make room for oil pipelines, badly mistreated the people living around said pipelines, and abandoned his daughter to be kidnapped and raped as a teen rather than pay a ransom. Elektra assassinates him with a booby-trapped briefcase full of money, meaning Sir Robert dies [[HoistByHisOwnPetard showered in the only thing he ever cared about]] and the audience rejoices.
** ''Film/{{Spectre}}'' has Max Denbigh. From the moment the audience learns he's a [[PrivateMilitaryContractors civilian contractor]] placed in charge of a merger between [=MI5=] and [=MI6=] [[TyrantTakesTheHelm we know he's going to be trouble]], and he proves it by acting like a SmugSnake to Bond and M and [[DoesThisRemindYouOfAnything advocating the replacement of human agents with]] {{Attack Drone}}s and [[BigBrotherIsWatching mass surveillance]]. It ultimately comes out that [[spoiler: he's not just slimy -- he's flat-out evil; he's in bed with Blofeld and plans to turn control of the new surveillance system he's designing over to him. At the end of the film he suffers a KarmicDeath when he plummets to the bottom of the headquarters of the merged intelligence service, which he had paid for with SPECTRE blood money]].
* ''Film/{{Elf}}'' is a feel-good holiday comedy about reconciliation between father and son Walter and Buddy Hobbs, and as such lacks a true villain, but it does have Fulton Greenway, the [[DaEditor blowhard publisher]] of the book company Walter works for, and the reason ''why'' the latter is such a Christmas-hating workaholic. Greenway is the only character not to learn the TrueMeaningOfChristmas in the film, and Walter's big redemption moment comes during a meeting with Greenway, [[TheScrooge held at night on Christmas Eve]], where he realizes that his son is more important and tells Greenway where to stick it, leaving the latter [[VillainousBreakdown ranting and raving in the boardroom]]. He's [[TypeCasting played by the same actor as]] ''Godzilla''[='=]s Mayor Ebert, above.
* ''Film/TheMartian'' has a subversion in the form of NASA Director Teddy Sanders. He's exactly the sort of jaded, cynical administrator figure one commonly finds in this role, seems to care more about NASA's budget and reputation than returning Watley to Earth at times, and the film's most catastrophic mistake, the rushing of the supply pod through inspection, leading to its disintegration on takeoff, is on him. Ultimately, however, Sanders never acts with malice toward anyone and wants Watley back on Earth just as much as his more idealistic subordinates do, [[spoiler: and accordingly gets a happy ending]].
* Subverted with Mayor Vaughn in ''Film/{{Jaws}}''. Since the shark is just an animal, you can't really blame it for following its nature. You can blame the mayor however for ignoring the danger the shark poses, keeping the beach open, and outright lying to people about the danger. Early on, he seems much more dislikable than the shark. However, later on, we see that he ''does'' have a heart when he comforts Chief Brody, telling him he shouldn't blame himself for what happened to Alex. He has a HeelRealization moment when he sees the shark attack in a pond, and the second film implies that he's learned his lesson.
* ''Film/TheGodfather'''s main villains are either BitchInSheepsClothing whose villainy isn't discovered until late in the movie (Barzini), have little screen time (Tattaglia), or are AffablyEvil and hard to hate (Solozzo). Most of our hatred goes to minor characters:
** Carlo. He's a Jerkass who abuses Connie verbally and physically, plays a key role in setting up [[spoiler:Sonny's murder]] and turns out to be [[spoiler: working for Barzini]]. He receives ''two'' immensely satisfying retributions: a NoHoldsBarredBeatDown from Sonny, and [[spoiler:a gruesome strangulation death courtesy of Clemenza]].
** Jack Woltz, a pedophile Hollywood producer who blocks Johnny Fontaine's career for purely personal reasons. We feel bad for the horse, but Woltz deserves everything he gets.
** Captain [=McClusky=], a boorish DirtyCop who's introduced calling Michael a guinea and breaks his nose, precipitating his ProtagonistJourneyToVillain. It's extremely satisfying when [[BoomHeadShot Michael repays him in kind]].

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