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Changed line(s) 104 (click to see context) from:
--> '''Cyril:''' Seven years ago... ''[Conspiratorially]'' I saw it all with me own eyes. 'Alfway through the gravedigger scene, he went all quiet an pale.
to:
--> '''Cyril:''' Seven years ago... ''[Conspiratorially]'' ''[[[PoseOfSilence Conspiratorially]]]'' I saw it all with me own eyes. 'Alfway through the gravedigger scene, he went all quiet an pale.
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Changed line(s) 135 (click to see context) from:
* Nearly any scene with [[TrueArtIsIncomprehensible Darren Nichols]], although [[https://www.youtube.com/watch?v=axD-nU9QNzs the duel]] and [[https://www.youtube.com/watch?v=pBdhWebZQX0 "No horses, no fire, no flinging flaming horses at the audience."]] probably top out the list.
to:
* Nearly any scene with [[TrueArtIsIncomprehensible Darren Nichols]], Nichols, although [[https://www.youtube.com/watch?v=axD-nU9QNzs the duel]] and [[https://www.youtube.com/watch?v=pBdhWebZQX0 "No horses, no fire, no flinging flaming horses at the audience."]] probably top out the list.
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Changed line(s) 3,16 (click to see context) from:
-->'''Reg Mortimer''': How can we help you?
-->'''Geoffrey''': Well, I wonder if you could do me the favour of removing Oliver's head from his body and setting the head aside prior to the cremation, saving the head. O.K., let me explain that I'm not crazy.
-->'''Sal Mortimer''': With all due respect, we have heard otherwise.
-->'''Geoffrey''': That was a temporary condition and I assure you, I don't want to do anything weird with the head. As a matter of fact, it was Oliver himself who requested that his flesh be removed and that his skull be used in all future productions of Hamlet. So, you see, it's not weird and in fact it is notarized.
-->'''Reg Mortimer''': We've never removed a head.
-->'''Sal Mortimer''': We've sewn them back on.
-->'''Geoffrey''': Well, I imagine it's the same thing but in reverse.
-->'''Reg Mortimer''': And there are legal implications.
-->'''Geoffrey''': You see, I would have thought that the ethical implications of not respecting a man's last wish would outweigh the legal implications. Furthermore, I believe that the state has no place in the nation's bedrooms and by extension, their graves.
-->'''Reg Mortimer''': We can remove the head, but we can't do the rendering, we're not equipped.
-->'''Geoffrey''': I see. And where would you suppose a fellow would go for such a service?
-->'''Reg Mortimer''': A taxidermist.
-->'''Sal Mortimer''': I would begin with the less reputable firms.
-->'''Geoffrey''': Thank you. Let's do this thing.
-->'''Geoffrey''': Well, I wonder if you could do me the favour of removing Oliver's head from his body and setting the head aside prior to the cremation, saving the head. O.K., let me explain that I'm not crazy.
-->'''Sal Mortimer''': With all due respect, we have heard otherwise.
-->'''Geoffrey''': That was a temporary condition and I assure you, I don't want to do anything weird with the head. As a matter of fact, it was Oliver himself who requested that his flesh be removed and that his skull be used in all future productions of Hamlet. So, you see, it's not weird and in fact it is notarized.
-->'''Reg Mortimer''': We've never removed a head.
-->'''Sal Mortimer''': We've sewn them back on.
-->'''Geoffrey''': Well, I imagine it's the same thing but in reverse.
-->'''Reg Mortimer''': And there are legal implications.
-->'''Geoffrey''': You see, I would have thought that the ethical implications of not respecting a man's last wish would outweigh the legal implications. Furthermore, I believe that the state has no place in the nation's bedrooms and by extension, their graves.
-->'''Reg Mortimer''': We can remove the head, but we can't do the rendering, we're not equipped.
-->'''Geoffrey''': I see. And where would you suppose a fellow would go for such a service?
-->'''Reg Mortimer''': A taxidermist.
-->'''Sal Mortimer''': I would begin with the less reputable firms.
-->'''Geoffrey''': Thank you. Let's do this thing.
to:
-->'''Reg Mortimer''': How can we help you?
-->'''Geoffrey''':you?\\
'''Geoffrey''': Well, I wonder if you could do me the favour of removing Oliver's head from his body and setting the head aside prior to the cremation, saving the head. O.K., let me explain that I'm notcrazy.
-->'''Salcrazy.\\
'''Sal Mortimer''': With all due respect, we have heardotherwise.
-->'''Geoffrey''':otherwise.\\
'''Geoffrey''': That was a temporary condition and I assure you, I don't want to do anything weird with the head. As a matter of fact, it was Oliver himself who requested that his flesh be removed and that his skull be used in all future productions of Hamlet. So, you see, it's not weird and in fact it isnotarized.
-->'''Regnotarized.\\
'''Reg Mortimer''': We've never removed ahead.
-->'''Salhead.\\
'''Sal Mortimer''': We've sewn them backon.
-->'''Geoffrey''':on.\\
'''Geoffrey''': Well, I imagine it's the same thing but inreverse.
-->'''Regreverse.\\
'''Reg Mortimer''': And there are legalimplications.
-->'''Geoffrey''':implications.\\
'''Geoffrey''': You see, I would have thought that the ethical implications of not respecting a man's last wish would outweigh the legal implications. Furthermore, I believe that the state has no place in the nation's bedrooms and by extension, theirgraves.
-->'''Reggraves.\\
'''Reg Mortimer''': We can remove the head, but we can't do the rendering, we're notequipped.
-->'''Geoffrey''':equipped.\\
'''Geoffrey''': I see. And where would you suppose a fellow would go for such aservice?
-->'''Regservice?\\
'''Reg Mortimer''': Ataxidermist.
-->'''Saltaxidermist.\\
'''Sal Mortimer''': I would begin with the less reputablefirms.
-->'''Geoffrey''':firms.\\
'''Geoffrey''': Thank you. Let's do this thing.
-->'''Geoffrey''':
'''Geoffrey''': Well, I wonder if you could do me the favour of removing Oliver's head from his body and setting the head aside prior to the cremation, saving the head. O.K., let me explain that I'm not
-->'''Sal
'''Sal Mortimer''': With all due respect, we have heard
-->'''Geoffrey''':
'''Geoffrey''': That was a temporary condition and I assure you, I don't want to do anything weird with the head. As a matter of fact, it was Oliver himself who requested that his flesh be removed and that his skull be used in all future productions of Hamlet. So, you see, it's not weird and in fact it is
-->'''Reg
'''Reg Mortimer''': We've never removed a
-->'''Sal
'''Sal Mortimer''': We've sewn them back
-->'''Geoffrey''':
'''Geoffrey''': Well, I imagine it's the same thing but in
-->'''Reg
'''Reg Mortimer''': And there are legal
-->'''Geoffrey''':
'''Geoffrey''': You see, I would have thought that the ethical implications of not respecting a man's last wish would outweigh the legal implications. Furthermore, I believe that the state has no place in the nation's bedrooms and by extension, their
-->'''Reg
'''Reg Mortimer''': We can remove the head, but we can't do the rendering, we're not
-->'''Geoffrey''':
'''Geoffrey''': I see. And where would you suppose a fellow would go for such a
-->'''Reg
'''Reg Mortimer''': A
-->'''Sal
'''Sal Mortimer''': I would begin with the less reputable
-->'''Geoffrey''':
'''Geoffrey''': Thank you. Let's do this thing.
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Changed line(s) 135 (click to see context) from:
* Nearly any scene with [[TrueArtIsIncomprehensible Darren Nichols]], although [[http://www.youtube.com/watch?v=axD-nU9QNzs the duel]] and [[http://www.youtube.com/watch?v=pBdhWebZQX0 "No horses, no fire, no flinging flaming horses at the audience."]] probably top out the list.
to:
* Nearly any scene with [[TrueArtIsIncomprehensible Darren Nichols]], although [[http://www.youtube.com/watch?v=axD-nU9QNzs the duel]] and [[http://www.youtube.com/watch?v=pBdhWebZQX0 "No horses, no fire, no flinging flaming horses at the audience."]] probably top out the list.list.
* The blooper reel for season 2 contains a gem that will make enthusiasts of Early Modern theatre chuckle.
-->'''Rachel [=McAdams=]:''' They want me to play Ju-- ''*forgets her line*''\\
'''Luke Kirby:''' Ju? ...''Theatre/TheJewOfMalta''?
* The blooper reel for season 2 contains a gem that will make enthusiasts of Early Modern theatre chuckle.
-->'''Rachel [=McAdams=]:''' They want me to play Ju-- ''*forgets her line*''\\
'''Luke Kirby:''' Ju? ...''Theatre/TheJewOfMalta''?
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Added DiffLines:
* Just the fact that Oliver is knocked down and killed by a [[LargeHam ham]] truck is GallowsHumour at its finest.
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Added namespaces.
Changed line(s) 36,37 (click to see context) from:
* Geoffrey and his attempt to encourage the insufferable Darren Nichols to put the life back into his [[http://www.youtube.com/watch?v=U-b4gxIoHYY&feature=related "dull, anti-romantic, vaguely condescending"]] production of ''RomeoAndJuliet''. "Go- go break your legs!"
* In the first episode of season 2, episode 1, when Geoffrey is telling Ellen that they’ll be producing Macbeth instead of AntonyAndCleopatra:
* In the first episode of season 2, episode 1, when Geoffrey is telling Ellen that they’ll be producing Macbeth instead of AntonyAndCleopatra:
to:
* Geoffrey and his attempt to encourage the insufferable Darren Nichols to put the life back into his [[http://www.youtube.com/watch?v=U-b4gxIoHYY&feature=related "dull, anti-romantic, vaguely condescending"]] production of ''RomeoAndJuliet''.''Theatre/RomeoAndJuliet''. "Go- go break your legs!"
* In the first episode of season 2, episode 1, when Geoffrey is telling Ellen that they’ll be producing Macbeth instead ofAntonyAndCleopatra:Theatre/AntonyAndCleopatra:
* In the first episode of season 2, episode 1, when Geoffrey is telling Ellen that they’ll be producing Macbeth instead of
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double post
Changed line(s) 134,135 (click to see context) from:
* Nearly any scene with [[TrueArtIsIncomprehensible Darren Nichols]], although [[http://www.youtube.com/watch?v=axD-nU9QNzs the duel]] and [[http://www.youtube.com/watch?v=pBdhWebZQX0 "No horses, no fire, no flinging flaming horses at the audience."]] probably top out the list.
** "Do you mean... ''Macbeth?"
** "Do you mean... ''Macbeth?"
to:
* Nearly any scene with [[TrueArtIsIncomprehensible Darren Nichols]], although [[http://www.youtube.com/watch?v=axD-nU9QNzs the duel]] and [[http://www.youtube.com/watch?v=pBdhWebZQX0 "No horses, no fire, no flinging flaming horses at the audience."]] probably top out the list.
** "Do you mean... ''Macbeth?"list.
** "Do you mean... ''Macbeth?"
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Changed line(s) 101 (click to see context) from:
--> '''Cyril:''' Oh, why not? ''[Dramatically]'' It was the play that drove him m-mad!
to:
--> '''Cyril:''' Oh, why not? ''[Dramatically]'' It was the play that drove him m-mad!mad!
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Changed line(s) 47 (click to see context) from:
--> '''Oliver:''' The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but only The ''Scotsman'' goes on a killing spree.
to:
--> '''Oliver:''' The Scotsman is evil. Both he and Banquil Banquo encounter the witches, both their futures are foretold, but only The ''Scotsman'' goes on a killing spree.
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Changed line(s) 25 (click to see context) from:
* [[http://www.youtube.com/watch?v=yBOI7U3FDJA Geoffrey and Darren's sword fight]]. Full stop.
to:
* [[http://www.youtube.com/watch?v=yBOI7U3FDJA Geoffrey and Darren's sword fight]]. Full stop.
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Changed namespace stuff, yeah
Changed line(s) 17 (click to see context) from:
---> '''Anna:''' [holding Oliver's skull] It's not that heavy at all!
to:
---> '''Anna:''' [holding Oliver's skull] It's not that heavy at all! all!
Changed line(s) 22 (click to see context) from:
-->'''Darren''': I must say, I've fallen in love with the musical genre. It's the art form of the common man. If you want to communicate something to the proletariat, cover it in sequins and make it sing. It's noisy, vulgar and utterly meaningless. I love it.
to:
-->'''Darren''': I must say, I've fallen in love with the musical genre. It's the art form of the common man. If you want to communicate something to the proletariat, cover it in sequins and make it sing. It's noisy, vulgar and utterly meaningless. I love it.
Changed line(s) 30 (click to see context) from:
---> '''Richard:''' ''Darren'', everyone cries when they're stabbed! There's no shame in that!
to:
---> '''Richard:''' ''Darren'', everyone cries when they're stabbed! There's no shame in that! that!
Changed line(s) 36 (click to see context) from:
* Geoffrey and his attempt to encourage the insufferable Darren Nichols to put the life back into his [[http://www.youtube.com/watch?v=U-b4gxIoHYY&feature=related "dull, anti-romantic, vaguely condescending"]] production of ''RomeoAndJuliet''. "Go- go break your legs!"
to:
* Geoffrey and his attempt to encourage the insufferable Darren Nichols to put the life back into his [[http://www.youtube.com/watch?v=U-b4gxIoHYY&feature=related "dull, anti-romantic, vaguely condescending"]] production of ''RomeoAndJuliet''. "Go- go break your legs!" legs!"
Changed line(s) 45 (click to see context) from:
--> '''Geoffrey:''' I don’t ''believe'' this! Oliver Wells is ''dead''! I poured him in the river and swans ''ate'' him! What do I have to do to get this man ''OUTTA MY LIFE?!''
to:
--> '''Geoffrey:''' I don’t ''believe'' this! Oliver Wells is ''dead''! I poured him in the river and swans ''ate'' him! What do I have to do to get this man ''OUTTA MY LIFE?!'' LIFE?!''
Changed line(s) 54 (click to see context) from:
--> '''Geoffrey:''' Well, we are rehearsing a play called ''Mac-beeeth''. It’s gonna be a little awkward if I can’t say the title character’s ''name''.
to:
--> '''Geoffrey:''' Well, we are rehearsing a play called ''Mac-beeeth''. It’s gonna be a little awkward if I can’t say the title character’s ''name''.
Changed line(s) 56 (click to see context) from:
--> '''Geoffrey:''' Oh I'm so sorry, Oliver, I ''forgot''- you believe in the ''curse''.
to:
--> '''Geoffrey:''' Oh I'm so sorry, Oliver, I ''forgot''- you believe in the ''curse''.
Changed line(s) 58 (click to see context) from:
--> '''Geoffrey:''' No. The only thing ''cursed'' about this play is that it is ''extraordinarily'' difficult to stage effectively.
to:
--> '''Geoffrey:''' No. The only thing ''cursed'' about this play is that it is ''extraordinarily'' difficult to stage effectively.
Changed line(s) 61 (click to see context) from:
--> '''Oliver:''' You're talking to a '''''ghost!''''' Wake up and smell the coffin!
to:
--> '''Oliver:''' You're talking to a '''''ghost!''''' Wake up and smell the coffin! coffin!
Changed line(s) 67,68 (click to see context) from:
--> '''Richard:''' It’s not just ''me''. It’s our customers! They think we have gone ''crazy!''
--> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[CatchPhrase Richard Nixon said that.]] We will ''know'' this is working, when the very people who are the most invested in the old festival- people like you!- are ''burning'' with fury. ''[Grabbing Richard by his shirt]'' C’mon Richard! Show me fury!
--> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[CatchPhrase Richard Nixon said that.]] We will ''know'' this is working, when the very people who are the most invested in the old festival- people like you!- are ''burning'' with fury. ''[Grabbing Richard by his shirt]'' C’mon Richard! Show me fury!
to:
--> '''Richard:''' It’s not just ''me''. It’s our customers! They think we have gone ''crazy!''
''crazy!''
--> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[CatchPhrase Richard Nixon said that.]] We will ''know'' this is working, when the very people who are the most invested in the old festival- people like you!- are ''burning'' with fury. ''[Grabbing Richard by his shirt]'' C’mon Richard! Show mefury! fury!
--> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[CatchPhrase Richard Nixon said that.]] We will ''know'' this is working, when the very people who are the most invested in the old festival- people like you!- are ''burning'' with fury. ''[Grabbing Richard by his shirt]'' C’mon Richard! Show me
Changed line(s) 74 (click to see context) from:
--> '''Sanjay:''' AHHH!
to:
--> '''Sanjay:''' AHHH! AHHH!
Changed line(s) 82 (click to see context) from:
--> '''Oliver:''' My father was a brute. And ''absolute brute''.... That's why mother and I drank.
to:
--> '''Oliver:''' My father was a brute. And ''absolute brute''.... That's why mother and I drank.
Changed line(s) 88 (click to see context) from:
--> '''Megan:''' Yeah! Have you ever heard of it?
to:
--> '''Megan:''' Yeah! Have you ever heard of it? it?
Changed line(s) 96,97 (click to see context) from:
--> '''Megan:''' Yeah! Well, then you just play the colors you decided on!
--> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doing KingLear!
--> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doing KingLear!
to:
--> '''Megan:''' Yeah! Well, then you just play the colors you decided on!
on!
--> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doingKingLear!Theatre/KingLear!
--> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doing
Changed line(s) 116,117 (click to see context) from:
--> '''Geoffrey:''' Could I get a coffee, black?
--> '''Anna:''' Sure. Cream and sugar?
--> '''Anna:''' Sure. Cream and sugar?
to:
--> '''Geoffrey:''' Could I get a coffee, black?
black?
--> '''Anna:''' Sure. Cream andsugar? sugar?
--> '''Anna:''' Sure. Cream and
Changed line(s) 129,131 (click to see context) from:
--> '''Ellen:''' You- this is some kind of... perverted, personal vendetta and I will not be a part of it.
--> '''Geoffrey:''' Look at me- ''look at me''. Between me and the ape pacing the wings [Henry], who is ''actually thinking about this play''? Honestly?
--> '''Ellen:''' ....Damn you.
--> '''Geoffrey:''' Look at me- ''look at me''. Between me and the ape pacing the wings [Henry], who is ''actually thinking about this play''? Honestly?
--> '''Ellen:''' ....Damn you.
to:
--> '''Ellen:''' You- this is some kind of... perverted, personal vendetta and I will not be a part of it.
it.
--> '''Geoffrey:''' Look at me- ''look at me''. Between me and the ape pacing the wings [Henry], who is ''actually thinking about this play''?Honestly?
Honestly?
--> '''Ellen:''' ....Damn you.
--> '''Geoffrey:''' Look at me- ''look at me''. Between me and the ape pacing the wings [Henry], who is ''actually thinking about this play''?
--> '''Ellen:''' ....Damn you.
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Moved from General Live Action TV Funny.
Changed line(s) 133 (click to see context) from:
--> '''Frank:''' Well I hope to hell she does!
to:
--> '''Frank:''' Well I hope to hell she does!does!
* Nearly any scene with [[TrueArtIsIncomprehensible Darren Nichols]], although [[http://www.youtube.com/watch?v=axD-nU9QNzs the duel]] and [[http://www.youtube.com/watch?v=pBdhWebZQX0 "No horses, no fire, no flinging flaming horses at the audience."]] probably top out the list.
** "Do you mean... ''Macbeth?"
* Nearly any scene with [[TrueArtIsIncomprehensible Darren Nichols]], although [[http://www.youtube.com/watch?v=axD-nU9QNzs the duel]] and [[http://www.youtube.com/watch?v=pBdhWebZQX0 "No horses, no fire, no flinging flaming horses at the audience."]] probably top out the list.
** "Do you mean... ''Macbeth?"
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Changed line(s) 123 (click to see context) from:
---
to:
Changed line(s) 126 (click to see context) from:
---
to:
Is there an issue? Send a MessageReason:
Fixing formatting (indentation), misspelling of Geoffrey\'s name, and whatever other little things I could find.
Changed line(s) 37,61 (click to see context) from:
* In the first episode of season 2, episode 1, when Geoffery is telling Ellen that they’ll be producing Macbeth instead of AntonyAndCleopatra:
---> '''Ellen:''' Geoffery that is thrilling! And it’s a better play than Antony and Cleopatra-
---> '''Geoffery:''' No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s an extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
---> '''Ellen:''' It would be a nice gesture in Oliver’s memory, you know-
---> '''Geoffery:''' Oh, God, Ellen, you too.
---> '''Ellen:''' It would be good karma.
---> '''Geoffery:''' ”Karma", you just wanna play Lady Macbeth.
---> '''Ellen:''' ''God'', yes!
---> '''Geoffery:''' I don’t ''believe'' this! Oliver Wells is ''dead''! I poured him in the river and swans ''ate'' him! What do I have to do to get this man ''OUTTA MY LIFE?!''
* Oliver and Geoffery collaborating on Macbeth together:
---> '''Oliver:''' The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but only The ''Scotsman'' goes on a killing spree.
---> '''Geoffery:''' “The Scotsman”? Oh, do you mean- ''Mac-beeeth?''
---> '''Oliver:''' Geoffery, please.
---> '''Geoffery:''' What?
---> '''Oliver:''' Don’t say his name aloud!
---> '''Geoffery:''' Who? ''Mac-beeeeth?''
---> '''Oliver:''' You’re just asking for trouble.
---> '''Geoffery:''' Well, we are rehearsing a play called ''Mac-beeeth''. It’s gonna be a little awkward if I can’t say the title character’s ''name''.
---> '''Oliver:''' This isn't actually rehearsal. This is a meeting after rehearsal.
---> '''Geoffery:''' Oh I'm so sorry, Oliver, I ''forgot''- you believe in the ''curse''.
---> '''Oliver:''' And you don't?
---> '''Geoffery:''' No. The only thing ''cursed'' about this play is that it is ''extraordinarily'' difficult to stage effectively.
---> '''Oliver:''' So you think you're ''above'' this kind of superstitious prattle?
---> '''Geoffery:''' As a matter of fact I do, yes.
---> '''Oliver:''' You're talking to a '''''ghost!''''' Wake up and smell the coffin!
---> '''Ellen:''' Geoffery that is thrilling! And it’s a better play than Antony and Cleopatra-
---> '''Geoffery:''' No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s an extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
---> '''Ellen:''' It would be a nice gesture in Oliver’s memory, you know-
---> '''Geoffery:''' Oh, God, Ellen, you too.
---> '''Ellen:''' It would be good karma.
---> '''Geoffery:''' ”Karma", you just wanna play Lady Macbeth.
---> '''Ellen:''' ''God'', yes!
---> '''Geoffery:''' I don’t ''believe'' this! Oliver Wells is ''dead''! I poured him in the river and swans ''ate'' him! What do I have to do to get this man ''OUTTA MY LIFE?!''
* Oliver and Geoffery collaborating on Macbeth together:
---> '''Oliver:''' The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but only The ''Scotsman'' goes on a killing spree.
---> '''Geoffery:''' “The Scotsman”? Oh, do you mean- ''Mac-beeeth?''
---> '''Oliver:''' Geoffery, please.
---> '''Geoffery:''' What?
---> '''Oliver:''' Don’t say his name aloud!
---> '''Geoffery:''' Who? ''Mac-beeeeth?''
---> '''Oliver:''' You’re just asking for trouble.
---> '''Geoffery:''' Well, we are rehearsing a play called ''Mac-beeeth''. It’s gonna be a little awkward if I can’t say the title character’s ''name''.
---> '''Oliver:''' This isn't actually rehearsal. This is a meeting after rehearsal.
---> '''Geoffery:''' Oh I'm so sorry, Oliver, I ''forgot''- you believe in the ''curse''.
---> '''Oliver:''' And you don't?
---> '''Geoffery:''' No. The only thing ''cursed'' about this play is that it is ''extraordinarily'' difficult to stage effectively.
---> '''Oliver:''' So you think you're ''above'' this kind of superstitious prattle?
---> '''Geoffery:''' As a matter of fact I do, yes.
---> '''Oliver:''' You're talking to a '''''ghost!''''' Wake up and smell the coffin!
to:
* In the first episode of season 2, episode 1, when Geoffery Geoffrey is telling Ellen that they’ll be producing Macbeth instead of AntonyAndCleopatra:
---> --> '''Ellen:''' Geoffery Geoffrey that is thrilling! And it’s a better play than Antony and Cleopatra-
---> '''Geoffery:''' --> '''Geoffrey:''' No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s an extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
---> --> '''Ellen:''' It would be a nice gesture in Oliver’s memory, you know-
---> '''Geoffery:''' --> '''Geoffrey:''' Oh, God, Ellen, you too.
---> --> '''Ellen:''' It would be good karma.
---> '''Geoffery:''' --> '''Geoffrey:''' ”Karma", you just wanna play Lady Macbeth.
---> --> '''Ellen:''' ''God'', yes!
---> '''Geoffery:''' --> '''Geoffrey:''' I don’t ''believe'' this! Oliver Wells is ''dead''! I poured him in the river and swans ''ate'' him! What do I have to do to get this man ''OUTTA MY LIFE?!''
* Oliver andGeoffery Geoffrey collaborating on Macbeth together:
---> --> '''Oliver:''' The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but only The ''Scotsman'' goes on a killing spree.
---> '''Geoffery:''' --> '''Geoffrey:''' “The Scotsman”? Oh, do you mean- ''Mac-beeeth?''
---> --> '''Oliver:''' Geoffery, Geoffrey, please.
---> '''Geoffery:''' --> '''Geoffrey:''' What?
---> --> '''Oliver:''' Don’t say his name aloud!
---> '''Geoffery:''' --> '''Geoffrey:''' Who? ''Mac-beeeeth?''
---> --> '''Oliver:''' You’re just asking for trouble.
---> '''Geoffery:''' --> '''Geoffrey:''' Well, we are rehearsing a play called ''Mac-beeeth''. It’s gonna be a little awkward if I can’t say the title character’s ''name''.
---> --> '''Oliver:''' This isn't actually rehearsal. This is a meeting after rehearsal.
---> '''Geoffery:''' --> '''Geoffrey:''' Oh I'm so sorry, Oliver, I ''forgot''- you believe in the ''curse''.
---> --> '''Oliver:''' And you don't?
---> '''Geoffery:''' --> '''Geoffrey:''' No. The only thing ''cursed'' about this play is that it is ''extraordinarily'' difficult to stage effectively.
---> --> '''Oliver:''' So you think you're ''above'' this kind of superstitious prattle?
---> '''Geoffery:''' --> '''Geoffrey:''' As a matter of fact I do, yes.
---> --> '''Oliver:''' You're talking to a '''''ghost!''''' Wake up and smell the coffin!
* Oliver and
Changed line(s) 63,82 (click to see context) from:
---> '''Richard:''' Old people dying?? ''What'' is that supposed to ''communicate?''
---> '''Sanjay:''' That we know how they feel! It’s a connection, it’s brilliant! You know who thought this up? An ideablast team composed of a puppeteer, a professional figure skater and a nine-year-old child!
---> '''Richard:''' *Beat* [[SarcasmMode Oh, good!]]
---> '''Sanjay:''' ....You don’t like it.
---> '''Richard:''' It’s not just ''me''. It’s our customers! They think we have gone ''crazy!''
---> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[CatchPhrase Richard Nixon said that.]] We will ''know'' this is working, when the very people who are the most invested in the old festival- people like you!- are ''burning'' with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
---> '''Richard:''' Oh, stop this shi-
---> '''Sanjay:''' Ahh!
---> '''Richard:''' What?
---> '''Sanjay:''' Show me fury, Richard! AHHH!
---> '''Richard:''' Bahh!
---> '''Sanjay:''' AHHH!
---> '''Richard:''' Ahhhh!
---> '''Sanjay:''' AHHHHH!
---> '''Richard:''' AHHH!
---> '''Sanjay:''' AHHH!
---> '''Richard:''' AHHHHHHH!!!!!
---> '''Sanjay:''' There, you see? It’s working! *Hugs a confused-looking Richard*
* Geoffery and Oliver's "couples' therapy" sessions. [[http://www.youtube.com/watch?v=BneJwaaG_s0 There's this clip.]] And also:
---> '''Oliver:''' My father was a brute. And ''absolute brute''.... That's why mother and I drank.
---> '''Sanjay:''' That we know how they feel! It’s a connection, it’s brilliant! You know who thought this up? An ideablast team composed of a puppeteer, a professional figure skater and a nine-year-old child!
---> '''Richard:''' *Beat* [[SarcasmMode Oh, good!]]
---> '''Sanjay:''' ....You don’t like it.
---> '''Richard:''' It’s not just ''me''. It’s our customers! They think we have gone ''crazy!''
---> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[CatchPhrase Richard Nixon said that.]] We will ''know'' this is working, when the very people who are the most invested in the old festival- people like you!- are ''burning'' with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
---> '''Richard:''' Oh, stop this shi-
---> '''Sanjay:''' Ahh!
---> '''Richard:''' What?
---> '''Sanjay:''' Show me fury, Richard! AHHH!
---> '''Richard:''' Bahh!
---> '''Sanjay:''' AHHH!
---> '''Richard:''' Ahhhh!
---> '''Sanjay:''' AHHHHH!
---> '''Richard:''' AHHH!
---> '''Sanjay:''' AHHH!
---> '''Richard:''' AHHHHHHH!!!!!
---> '''Sanjay:''' There, you see? It’s working! *Hugs a confused-looking Richard*
* Geoffery and Oliver's "couples' therapy" sessions. [[http://www.youtube.com/watch?v=BneJwaaG_s0 There's this clip.]] And also:
---> '''Oliver:''' My father was a brute. And ''absolute brute''.... That's why mother and I drank.
to:
*
Changed line(s) 84,114 (click to see context) from:
---> '''Megan:''' I took a two-week workshop with Laurie Turbit at The Actor's Incubator. Do you know her?
---> '''Sophie:''' No, I- I don't know of her at all.
---> '''Megan:''' Oh, she's fantastic! She has this way of teaching, it's called "The Chroma Technique".
---> '''Sophie:''' Chroma.
---> '''Megan:''' Yeah! Have you ever heard of it?
---> '''Sophie:''' I'm... sure I haven't.
---> '''Megan:''' The main idea... is that all emotions are like colors. So, before you start rehearsing, you look at your script, and decide what main emotions your character is having and what colors they are.
---> '''Sophie:''' So before you start rehearsal, so you can sort of ''attack'' the colors-
---> '''Megan:''' Right! So, like, "anger", might be ''red'', right? And ''sadness'' is like-
---> '''Sophie:''' Blue?
---> '''Megan:''' No- it's ''green'', actually!
---> '''Sophie:''' That's surprising!
---> '''Megan:''' Yeah! Well, then you just play the colors you decided on!
---> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doing KingLear!
* Cyril regailing Frank ("Ducky") with the infamous incident of Geoffery's nervous breakdown on stage:
---> '''Cyril:''' God knows what he'll do with Oliver's Hamlet. ''Play the lead himself?''
---> '''Frank:''' You think?
---> '''Cyril:''' Oh, why not? *Dramatically* It was the play that drove him m-mad!
---> '''Frank:''' Oh, really?
---> '''Cyril:''' Seven years ago... *Conspiratorially* I saw it all with me own eyes. 'Alfway through the gravedigger scene, he went all quiet an pale.
---> '''Frank:''' He went off?
---> '''Cyril:''' Off his nut. Then he leaped.
---> '''Frank:''' ''Leaped?''
---> '''Cyril:''' Into the ''grave'', Ducky, into Ophelia's bloody ''grave''! Leaving Horatio and Laertes staring down into the 'ole as if they'd just made a wish!
---> '''Frank:''' ''Crikey!''
---> '''Cyril:''' Crikey, indeed! Then he went ''screaming'' out into the night- mad as a hatter.
---> '''Frank:''' ...Well, he's... been to 'ospitals, maybe he's better.
---> '''Cyril:''' Maybe he's worse! Oh- here he comes.
---> '''Geoffery:''' *Enters bar, sets down the skull of Oliver onto the table* Carlsburg. *Looks down at skull* Two Carlsburgs.
---> '''Frank:''' Cr-''ikey''.
---> '''Cyril:''' Bloody 'ell!
---> '''Sophie:''' No, I- I don't know of her at all.
---> '''Megan:''' Oh, she's fantastic! She has this way of teaching, it's called "The Chroma Technique".
---> '''Sophie:''' Chroma.
---> '''Megan:''' Yeah! Have you ever heard of it?
---> '''Sophie:''' I'm... sure I haven't.
---> '''Megan:''' The main idea... is that all emotions are like colors. So, before you start rehearsing, you look at your script, and decide what main emotions your character is having and what colors they are.
---> '''Sophie:''' So before you start rehearsal, so you can sort of ''attack'' the colors-
---> '''Megan:''' Right! So, like, "anger", might be ''red'', right? And ''sadness'' is like-
---> '''Sophie:''' Blue?
---> '''Megan:''' No- it's ''green'', actually!
---> '''Sophie:''' That's surprising!
---> '''Megan:''' Yeah! Well, then you just play the colors you decided on!
---> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doing KingLear!
* Cyril regailing Frank ("Ducky") with the infamous incident of Geoffery's nervous breakdown on stage:
---> '''Cyril:''' God knows what he'll do with Oliver's Hamlet. ''Play the lead himself?''
---> '''Frank:''' You think?
---> '''Cyril:''' Oh, why not? *Dramatically* It was the play that drove him m-mad!
---> '''Frank:''' Oh, really?
---> '''Cyril:''' Seven years ago... *Conspiratorially* I saw it all with me own eyes. 'Alfway through the gravedigger scene, he went all quiet an pale.
---> '''Frank:''' He went off?
---> '''Cyril:''' Off his nut. Then he leaped.
---> '''Frank:''' ''Leaped?''
---> '''Cyril:''' Into the ''grave'', Ducky, into Ophelia's bloody ''grave''! Leaving Horatio and Laertes staring down into the 'ole as if they'd just made a wish!
---> '''Frank:''' ''Crikey!''
---> '''Cyril:''' Crikey, indeed! Then he went ''screaming'' out into the night- mad as a hatter.
---> '''Frank:''' ...Well, he's... been to 'ospitals, maybe he's better.
---> '''Cyril:''' Maybe he's worse! Oh- here he comes.
---> '''Geoffery:''' *Enters bar, sets down the skull of Oliver onto the table* Carlsburg. *Looks down at skull* Two Carlsburgs.
---> '''Frank:''' Cr-''ikey''.
---> '''Cyril:''' Bloody 'ell!
to:
* Cyril regailing Frank ("Ducky") with the infamous incident of
Changed line(s) 116,133 (click to see context) from:
---> '''Geoffery:''' Could I get a coffee, black?
---> '''Anna:''' Sure. Cream and sugar?
---> '''Geoffery:''' Yeah. Black.
* The Macbeth when Geoffery messes with Henry Breedlove (in an attempt to get a more honest performance out of him), is, if you'll pardon the overused expression, made of win:
---> '''Henry:''' *Furiously* I cannot function like this. This isn't theater, this is.... improvisation!
---> '''Geoffery:''' Well that's a ''kind'' of theater, isn't it, very alive! Very exciting!
---> '''Henry:''' Fuck off!
---> '''Ellen:''' *Tumbling out of closet, as Nahum releases her* Nahum- how could you?
---> '''Nahum:''' I must confess- I love drama!
---> '''Ellen:''' *Backstage with Geoffery* You ''bastard''.
---> '''Geoffery:''' Ellen you have to give focus here, this is your director speaking, it's not Geoffery, it's the director of this play. You ''know'' what you have to do.
---> '''Ellen:''' You- this is some kind of... perverted, personal vendetta and I will not be a part of it.
---> '''Geoffery:''' Look at me- ''look at me''. Between me and the ape pacing the wings [Henry], who is ''actually thinking about this play''? Honestly?
---> '''Ellen:''' ....Damn you.
---> '''Cyril:''' *Backstage with Frank* Do you think she will?
---> '''Frank:''' Well I hope to hell she does!
---> '''Anna:''' Sure. Cream and sugar?
---> '''Geoffery:''' Yeah. Black.
* The Macbeth when Geoffery messes with Henry Breedlove (in an attempt to get a more honest performance out of him), is, if you'll pardon the overused expression, made of win:
---> '''Henry:''' *Furiously* I cannot function like this. This isn't theater, this is.... improvisation!
---> '''Geoffery:''' Well that's a ''kind'' of theater, isn't it, very alive! Very exciting!
---> '''Henry:''' Fuck off!
---> '''Ellen:''' *Tumbling out of closet, as Nahum releases her* Nahum- how could you?
---> '''Nahum:''' I must confess- I love drama!
---> '''Ellen:''' *Backstage with Geoffery* You ''bastard''.
---> '''Geoffery:''' Ellen you have to give focus here, this is your director speaking, it's not Geoffery, it's the director of this play. You ''know'' what you have to do.
---> '''Ellen:''' You- this is some kind of... perverted, personal vendetta and I will not be a part of it.
---> '''Geoffery:''' Look at me- ''look at me''. Between me and the ape pacing the wings [Henry], who is ''actually thinking about this play''? Honestly?
---> '''Ellen:''' ....Damn you.
---> '''Cyril:''' *Backstage with Frank* Do you think she will?
---> '''Frank:''' Well I hope to hell she does!
to:
* The Macbeth when
--->
---
--> '''Ellen:'''
--->
---
--> '''Ellen:'''
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Changed line(s) 64,65 (click to see context) from:
---> '''Sanjay:''' That we know how they feel! It’s a connection, it’s brilliant! You know who thought this up? And ideablast team composed of a puppeteer, a professional figure skater and a nine-year-old child!
---> '''Richard:''' *Beat* Oh, good!
---> '''Richard:''' *Beat* Oh, good!
to:
---> '''Sanjay:''' That we know how they feel! It’s a connection, it’s brilliant! You know who thought this up? And An ideablast team composed of a puppeteer, a professional figure skater and a nine-year-old child!
---> '''Richard:''' *Beat* [[SarcasmMode Oh,good!good!]]
---> '''Richard:''' *Beat* [[SarcasmMode Oh,
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Changed line(s) 123 (click to see context) from:
---
to:
Changed line(s) 126 (click to see context) from:
---
to:
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** And then later, in the next episode:
---> '''Anna:''' [holding Oliver's skull] It's not that heavy at all!
---> '''Geoffrey Tennant:''' It's much lighter without the ego.
---> '''Anna:''' [holding Oliver's skull] It's not that heavy at all!
---> '''Geoffrey Tennant:''' It's much lighter without the ego.
Changed line(s) 111 (click to see context) from:
---> '''Cyril:''' Bloody 'ell!
to:
---> '''Cyril:''' Bloody 'ell!'ell!
* This:
---> '''Geoffery:''' Could I get a coffee, black?
---> '''Anna:''' Sure. Cream and sugar?
---> '''Geoffery:''' Yeah. Black.
* The Macbeth when Geoffery messes with Henry Breedlove (in an attempt to get a more honest performance out of him), is, if you'll pardon the overused expression, made of win:
---> '''Henry:''' *Furiously* I cannot function like this. This isn't theater, this is.... improvisation!
---> '''Geoffery:''' Well that's a ''kind'' of theater, isn't it, very alive! Very exciting!
---> '''Henry:''' Fuck off!
---
---> '''Ellen:''' *Tumbling out of closet, as Nahum releases her* Nahum- how could you?
---> '''Nahum:''' I must confess- I love drama!
---
---> '''Ellen:''' *Backstage with Geoffery* You ''bastard''.
---> '''Geoffery:''' Ellen you have to give focus here, this is your director speaking, it's not Geoffery, it's the director of this play. You ''know'' what you have to do.
---> '''Ellen:''' You- this is some kind of... perverted, personal vendetta and I will not be a part of it.
---> '''Geoffery:''' Look at me- ''look at me''. Between me and the ape pacing the wings [Henry], who is ''actually thinking about this play''? Honestly?
---> '''Ellen:''' ....Damn you.
---> '''Cyril:''' *Backstage with Frank* Do you think she will?
---> '''Frank:''' Well I hope to hell she does!
* This:
---> '''Geoffery:''' Could I get a coffee, black?
---> '''Anna:''' Sure. Cream and sugar?
---> '''Geoffery:''' Yeah. Black.
* The Macbeth when Geoffery messes with Henry Breedlove (in an attempt to get a more honest performance out of him), is, if you'll pardon the overused expression, made of win:
---> '''Henry:''' *Furiously* I cannot function like this. This isn't theater, this is.... improvisation!
---> '''Geoffery:''' Well that's a ''kind'' of theater, isn't it, very alive! Very exciting!
---> '''Henry:''' Fuck off!
---
---> '''Ellen:''' *Tumbling out of closet, as Nahum releases her* Nahum- how could you?
---> '''Nahum:''' I must confess- I love drama!
---
---> '''Ellen:''' *Backstage with Geoffery* You ''bastard''.
---> '''Geoffery:''' Ellen you have to give focus here, this is your director speaking, it's not Geoffery, it's the director of this play. You ''know'' what you have to do.
---> '''Ellen:''' You- this is some kind of... perverted, personal vendetta and I will not be a part of it.
---> '''Geoffery:''' Look at me- ''look at me''. Between me and the ape pacing the wings [Henry], who is ''actually thinking about this play''? Honestly?
---> '''Ellen:''' ....Damn you.
---> '''Cyril:''' *Backstage with Frank* Do you think she will?
---> '''Frank:''' Well I hope to hell she does!
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Changed line(s) 109 (click to see context) from:
---> '''Geoffery:''' *Enters bar, sets down the skull of Oliver onto the table* Carlsburg. *Looks down at skull* ''Two'' Carlsburgs.
to:
---> '''Geoffery:''' *Enters bar, sets down the skull of Oliver onto the table* Carlsburg. *Looks down at skull* ''Two'' Two Carlsburgs.
Is there an issue? Send a MessageReason:
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Changed line(s) 109 (click to see context) from:
---> '''Geoffery:''' *Sets down the skull of Oliver onto the table* Carlsburg. *Looks down at skull* ''Two'' Carlsburgs.
to:
---> '''Geoffery:''' *Sets *Enters bar, sets down the skull of Oliver onto the table* Carlsburg. *Looks down at skull* ''Two'' Carlsburgs.
Is there an issue? Send a MessageReason:
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Changed line(s) 94 (click to see context) from:
---> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doing KingLear!
to:
---> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doing KingLear!KingLear!
* Cyril regailing Frank ("Ducky") with the infamous incident of Geoffery's nervous breakdown on stage:
---> '''Cyril:''' God knows what he'll do with Oliver's Hamlet. ''Play the lead himself?''
---> '''Frank:''' You think?
---> '''Cyril:''' Oh, why not? *Dramatically* It was the play that drove him m-mad!
---> '''Frank:''' Oh, really?
---> '''Cyril:''' Seven years ago... *Conspiratorially* I saw it all with me own eyes. 'Alfway through the gravedigger scene, he went all quiet an pale.
---> '''Frank:''' He went off?
---> '''Cyril:''' Off his nut. Then he leaped.
---> '''Frank:''' ''Leaped?''
---> '''Cyril:''' Into the ''grave'', Ducky, into Ophelia's bloody ''grave''! Leaving Horatio and Laertes staring down into the 'ole as if they'd just made a wish!
---> '''Frank:''' ''Crikey!''
---> '''Cyril:''' Crikey, indeed! Then he went ''screaming'' out into the night- mad as a hatter.
---> '''Frank:''' ...Well, he's... been to 'ospitals, maybe he's better.
---> '''Cyril:''' Maybe he's worse! Oh- here he comes.
---> '''Geoffery:''' *Sets down the skull of Oliver onto the table* Carlsburg. *Looks down at skull* ''Two'' Carlsburgs.
---> '''Frank:''' Cr-''ikey''.
---> '''Cyril:''' Bloody 'ell!
* Cyril regailing Frank ("Ducky") with the infamous incident of Geoffery's nervous breakdown on stage:
---> '''Cyril:''' God knows what he'll do with Oliver's Hamlet. ''Play the lead himself?''
---> '''Frank:''' You think?
---> '''Cyril:''' Oh, why not? *Dramatically* It was the play that drove him m-mad!
---> '''Frank:''' Oh, really?
---> '''Cyril:''' Seven years ago... *Conspiratorially* I saw it all with me own eyes. 'Alfway through the gravedigger scene, he went all quiet an pale.
---> '''Frank:''' He went off?
---> '''Cyril:''' Off his nut. Then he leaped.
---> '''Frank:''' ''Leaped?''
---> '''Cyril:''' Into the ''grave'', Ducky, into Ophelia's bloody ''grave''! Leaving Horatio and Laertes staring down into the 'ole as if they'd just made a wish!
---> '''Frank:''' ''Crikey!''
---> '''Cyril:''' Crikey, indeed! Then he went ''screaming'' out into the night- mad as a hatter.
---> '''Frank:''' ...Well, he's... been to 'ospitals, maybe he's better.
---> '''Cyril:''' Maybe he's worse! Oh- here he comes.
---> '''Geoffery:''' *Sets down the skull of Oliver onto the table* Carlsburg. *Looks down at skull* ''Two'' Carlsburgs.
---> '''Frank:''' Cr-''ikey''.
---> '''Cyril:''' Bloody 'ell!
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Geoffery and Oliver's "couples' therapy" sessions. [[http://www.youtube.com/watch?v=BneJwaaG_s0 There's this clip.]] And also:
---> '''Oliver:''' My father was a brute. And ''absolute brute''.... That's why mother and I drank.
* When Sophie gives her airheaded roommate Megan the benefit of the doubt, and offers to go out with her and Michael to the bar:
---> '''Megan:''' I took a two-week workshop with Laurie Turbit at The Actor's Incubator. Do you know her?
---> '''Sophie:''' No, I- I don't know of her at all.
---> '''Megan:''' Oh, she's fantastic! She has this way of teaching, it's called "The Chroma Technique".
---> '''Sophie:''' Chroma.
---> '''Megan:''' Yeah! Have you ever heard of it?
---> '''Sophie:''' I'm... sure I haven't.
---> '''Megan:''' The main idea... is that all emotions are like colors. So, before you start rehearsing, you look at your script, and decide what main emotions your character is having and what colors they are.
---> '''Sophie:''' So before you start rehearsal, so you can sort of ''attack'' the colors-
---> '''Megan:''' Right! So, like, "anger", might be ''red'', right? And ''sadness'' is like-
---> '''Sophie:''' Blue?
---> '''Megan:''' No- it's ''green'', actually!
---> '''Sophie:''' That's surprising!
---> '''Megan:''' Yeah! Well, then you just play the colors you decided on!
---> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doing KingLear!
---> '''Oliver:''' My father was a brute. And ''absolute brute''.... That's why mother and I drank.
* When Sophie gives her airheaded roommate Megan the benefit of the doubt, and offers to go out with her and Michael to the bar:
---> '''Megan:''' I took a two-week workshop with Laurie Turbit at The Actor's Incubator. Do you know her?
---> '''Sophie:''' No, I- I don't know of her at all.
---> '''Megan:''' Oh, she's fantastic! She has this way of teaching, it's called "The Chroma Technique".
---> '''Sophie:''' Chroma.
---> '''Megan:''' Yeah! Have you ever heard of it?
---> '''Sophie:''' I'm... sure I haven't.
---> '''Megan:''' The main idea... is that all emotions are like colors. So, before you start rehearsing, you look at your script, and decide what main emotions your character is having and what colors they are.
---> '''Sophie:''' So before you start rehearsal, so you can sort of ''attack'' the colors-
---> '''Megan:''' Right! So, like, "anger", might be ''red'', right? And ''sadness'' is like-
---> '''Sophie:''' Blue?
---> '''Megan:''' No- it's ''green'', actually!
---> '''Sophie:''' That's surprising!
---> '''Megan:''' Yeah! Well, then you just play the colors you decided on!
---> '''Sophie:''' Wow. That's... so, kinda straightforward- I wish we'd known this when we started doing KingLear!
Is there an issue? Send a MessageReason:
None
Changed line(s) 51 (click to see context) from:
---> '''Geoffery:''' Well, we are rehearsing a play called ‘’Mac-beeeth’’. It’s gonna be a little awkward if I can’t say the title character’s ''name''.
to:
---> '''Geoffery:''' Well, we are rehearsing a play called ‘’Mac-beeeth’’.''Mac-beeeth''. It’s gonna be a little awkward if I can’t say the title character’s ''name''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 65 (click to see context) from:
---> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[CatchPhrase Richard Nixon said that.]] We will ‘’know’’ this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
to:
---> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[CatchPhrase Richard Nixon said that.]] We will ‘’know’’ ''know'' this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ ''burning'' with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
Is there an issue? Send a MessageReason:
None
Changed line(s) 64,65 (click to see context) from:
---> '''Richard:''' It’s not just ‘’me’’. It’s our customers! They think we have gone ‘’crazy!’’
---> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[Catchphrase: Richard Nixon said that.]] We will ‘’know’’ this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
---> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[Catchphrase: Richard Nixon said that.]] We will ‘’know’’ this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
to:
---> '''Richard:''' It’s not just ‘’me’’. ''me''. It’s our customers! They think we have gone ‘’crazy!’’
''crazy!''
---> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist.[[Catchphrase: [[CatchPhrase Richard Nixon said that.]] We will ‘’know’’ this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
---> '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist.
Is there an issue? Send a MessageReason:
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Changed line(s) 40 (click to see context) from:
---> '''Geoffery:''' ''”Karma”'', you just wanna play Lady Macbeth.
to:
---> '''Geoffery:''' ''”Karma”'', ”Karma", you just wanna play Lady Macbeth.
Changed line(s) 44,45 (click to see context) from:
---> '''Oliver:''' The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but on The ''Scotsman'' goes on a killing spree.
---> '''Geoffery:''' “The Scotsman”? Oh, do you mean- ‘’Mac-beeeth?’’
---> '''Geoffery:''' “The Scotsman”? Oh, do you mean- ‘’Mac-beeeth?’’
to:
---> '''Oliver:''' The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but on only The ''Scotsman'' goes on a killing spree.
---> '''Geoffery:''' “The Scotsman”? Oh, do you mean-‘’Mac-beeeth?’’''Mac-beeeth?''
---> '''Geoffery:''' “The Scotsman”? Oh, do you mean-
Is there an issue? Send a MessageReason:
None
Changed line(s) 35,36 (click to see context) from:
---> '''Ellen:''' Geoffery that is thrilling! [...] And it’s a better play than Antony and Cleopatra-
---> '''Geoffery:''' No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
---> '''Geoffery:''' No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
to:
---> '''Ellen:''' Geoffery that is thrilling! [...] And it’s a better play than Antony and Cleopatra-
---> '''Geoffery:''' No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s an extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
---> '''Geoffery:''' No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s an extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
Is there an issue? Send a MessageReason:
None
Changed line(s) 35,42 (click to see context) from:
---> ‘’’Ellen:’’’ Geoffery that is thrilling! [...] And it’s a better play than Antony and Cleopatra-
---> ‘’’Geoffery:’’’ No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
---> ‘’’Ellen:’’’ It would be a nice gesture in Oliver’s memory, you know-
---> ‘’’Geoffery:’’’ Oh, God, Ellen, you too.
---> ‘’’Ellen:’’’ It would be good karma.
---> ‘’’Geoffery:’’’ ‘’”Karma”’’, you just wanna play Lady Macbeth.
---> ‘’’Ellen:’’’ ‘’God’’, yes!
---> ‘’’Geoffery:’’’ I don’t ‘’believe’’ this! Oliver Wells is ‘’dead’’! I poured him in the river and swans ‘’ate’’ him. What do I have to do to get this man OUTTA MY LIFE?!"
---> ‘’’Geoffery:’’’ No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
---> ‘’’Ellen:’’’ It would be a nice gesture in Oliver’s memory, you know-
---> ‘’’Geoffery:’’’ Oh, God, Ellen, you too.
---> ‘’’Ellen:’’’ It would be good karma.
---> ‘’’Geoffery:’’’ ‘’”Karma”’’, you just wanna play Lady Macbeth.
---> ‘’’Ellen:’’’ ‘’God’’, yes!
---> ‘’’Geoffery:’’’ I don’t ‘’believe’’ this! Oliver Wells is ‘’dead’’! I poured him in the river and swans ‘’ate’’ him. What do I have to do to get this man OUTTA MY LIFE?!"
to:
---> ‘’’Ellen:’’’ '''Ellen:''' Geoffery that is thrilling! [...] And it’s a better play than Antony and Cleopatra-
--->‘’’Geoffery:’’’ '''Geoffery:''' No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
--->‘’’Ellen:’’’ '''Ellen:''' It would be a nice gesture in Oliver’s memory, you know-
--->‘’’Geoffery:’’’ '''Geoffery:''' Oh, God, Ellen, you too.
--->‘’’Ellen:’’’ '''Ellen:''' It would be good karma.
--->‘’’Geoffery:’’’ ‘’”Karma”’’, '''Geoffery:''' ''”Karma”'', you just wanna play Lady Macbeth.
--->‘’’Ellen:’’’ ‘’God’’, '''Ellen:''' ''God'', yes!
--->‘’’Geoffery:’’’ '''Geoffery:''' I don’t ‘’believe’’ ''believe'' this! Oliver Wells is ‘’dead’’! ''dead''! I poured him in the river and swans ‘’ate’’ him. ''ate'' him! What do I have to do to get this man OUTTA ''OUTTA MY LIFE?!" LIFE?!''
--->
--->
--->
--->
--->
--->
--->
Changed line(s) 44,51 (click to see context) from:
---> ‘’’Oliver:’’’ The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but on The ‘’Scotsman’’ goes on a killing spree.
---> ‘’’Geoffery:’’’ “The Scotsman”? Oh, do you mean- ‘’Mac-beeeth?’’
---> ‘’’Oliver:’’’ Geoffery, please.
---> ‘’’Geoffery:’’’ What?
---> ‘’’Oliver:’’’ Don’t say his name aloud!
---> ‘’’Geoffery:’’’ Who? ‘’Mac-beeeeth?’’'
---> ‘’’Oliver:’’’ You’re just asking for trouble.
---> ‘’’Geoffery:’’’ Well, we are rehearsing a play called ‘’Mac-beeeth’’. It’s gonna be a little awkward if I can’t say the title character’s ‘’name’’.
---> ‘’’Geoffery:’’’ “The Scotsman”? Oh, do you mean- ‘’Mac-beeeth?’’
---> ‘’’Oliver:’’’ Geoffery, please.
---> ‘’’Geoffery:’’’ What?
---> ‘’’Oliver:’’’ Don’t say his name aloud!
---> ‘’’Geoffery:’’’ Who? ‘’Mac-beeeeth?’’'
---> ‘’’Oliver:’’’ You’re just asking for trouble.
---> ‘’’Geoffery:’’’ Well, we are rehearsing a play called ‘’Mac-beeeth’’. It’s gonna be a little awkward if I can’t say the title character’s ‘’name’’.
to:
---> ‘’’Oliver:’’’ '''Oliver:''' The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but on The ‘’Scotsman’’ ''Scotsman'' goes on a killing spree.
--->‘’’Geoffery:’’’ '''Geoffery:''' “The Scotsman”? Oh, do you mean- ‘’Mac-beeeth?’’
--->‘’’Oliver:’’’ '''Oliver:''' Geoffery, please.
--->‘’’Geoffery:’’’ '''Geoffery:''' What?
--->‘’’Oliver:’’’ '''Oliver:''' Don’t say his name aloud!
--->‘’’Geoffery:’’’ '''Geoffery:''' Who? ‘’Mac-beeeeth?’’'
''Mac-beeeeth?''
--->‘’’Oliver:’’’ '''Oliver:''' You’re just asking for trouble.
--->‘’’Geoffery:’’’ '''Geoffery:''' Well, we are rehearsing a play called ‘’Mac-beeeth’’. It’s gonna be a little awkward if I can’t say the title character’s ‘’name’’. ''name''.
---> '''Oliver:''' This isn't actually rehearsal. This is a meeting after rehearsal.
---> '''Geoffery:''' Oh I'm so sorry, Oliver, I ''forgot''- you believe in the ''curse''.
---> '''Oliver:''' And you don't?
---> '''Geoffery:''' No. The only thing ''cursed'' about this play is that it is ''extraordinarily'' difficult to stage effectively.
---> '''Oliver:''' So you think you're ''above'' this kind of superstitious prattle?
---> '''Geoffery:''' As a matter of fact I do, yes.
---> '''Oliver:''' You're talking to a '''''ghost!''''' Wake up and smell the coffin!
--->
--->
--->
--->
--->
--->
--->
---> '''Oliver:''' This isn't actually rehearsal. This is a meeting after rehearsal.
---> '''Geoffery:''' Oh I'm so sorry, Oliver, I ''forgot''- you believe in the ''curse''.
---> '''Oliver:''' And you don't?
---> '''Geoffery:''' No. The only thing ''cursed'' about this play is that it is ''extraordinarily'' difficult to stage effectively.
---> '''Oliver:''' So you think you're ''above'' this kind of superstitious prattle?
---> '''Geoffery:''' As a matter of fact I do, yes.
---> '''Oliver:''' You're talking to a '''''ghost!''''' Wake up and smell the coffin!
Changed line(s) 53,70 (click to see context) from:
---> ‘’’Richard:’’’ Old people dying?? What is that supposed to communicate?
---> ‘’’Sanjay:’’’ That we know how they feel! It’s a connection, it’s brilliant! You know who thought this up? And ideablast team composed of a puppeteer, a professional figure skater and a nine-year-old child!
---> ‘’’Richard:’’’ *Beat* Oh, good!
---> ‘’’Sanjay:’’’ ....You don’t like it.
---> ‘’’Richard:’’’ It’s not just ‘’me’’. It’s our customers! They think we have gone ‘’crazy!’’
---> ‘’’Sanjay:’’’ YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[Catchphrase: Richard Nixon said that.]] We will ‘’know’’ this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
---> ‘’’Richard:’’’ Oh, stop this-
---> ‘’’Sanjay:’’’ Ahh!
---> ‘’’Richard:’’’ What?
---> ‘’’Sanjay:’’’ Show me fury, Richard! AHHH!
---> ‘’’Richard:’’’ Bahh!
---> ‘’’Sanjay:’’’ AHHH!
---> ‘’’Richard:’’’ Ahhhh!
---> ‘’’Sanjay:’’’ AHHHHH!
---> ‘’’Richard:’’’ AHHH!
---> ‘’’Sanjay:’’’ AHHH!
---> ‘’’Richard:’’’ AHHHHHHH!!!!!
---> ‘’’Sanjay:’’’ There, you see! It’s working! *Hugs a confused-looking Richard*
---> ‘’’Sanjay:’’’ That we know how they feel! It’s a connection, it’s brilliant! You know who thought this up? And ideablast team composed of a puppeteer, a professional figure skater and a nine-year-old child!
---> ‘’’Richard:’’’ *Beat* Oh, good!
---> ‘’’Sanjay:’’’ ....You don’t like it.
---> ‘’’Richard:’’’ It’s not just ‘’me’’. It’s our customers! They think we have gone ‘’crazy!’’
---> ‘’’Sanjay:’’’ YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[Catchphrase: Richard Nixon said that.]] We will ‘’know’’ this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
---> ‘’’Richard:’’’ Oh, stop this-
---> ‘’’Sanjay:’’’ Ahh!
---> ‘’’Richard:’’’ What?
---> ‘’’Sanjay:’’’ Show me fury, Richard! AHHH!
---> ‘’’Richard:’’’ Bahh!
---> ‘’’Sanjay:’’’ AHHH!
---> ‘’’Richard:’’’ Ahhhh!
---> ‘’’Sanjay:’’’ AHHHHH!
---> ‘’’Richard:’’’ AHHH!
---> ‘’’Sanjay:’’’ AHHH!
---> ‘’’Richard:’’’ AHHHHHHH!!!!!
---> ‘’’Sanjay:’’’ There, you see! It’s working! *Hugs a confused-looking Richard*
to:
---> ‘’’Richard:’’’ '''Richard:''' Old people dying?? What ''What'' is that supposed to communicate?
''communicate?''
--->‘’’Sanjay:’’’ '''Sanjay:''' That we know how they feel! It’s a connection, it’s brilliant! You know who thought this up? And ideablast team composed of a puppeteer, a professional figure skater and a nine-year-old child!
--->‘’’Richard:’’’ '''Richard:''' *Beat* Oh, good!
--->‘’’Sanjay:’’’ ....'''Sanjay:''' ....You don’t like it.
--->‘’’Richard:’’’ '''Richard:''' It’s not just ‘’me’’. It’s our customers! They think we have gone ‘’crazy!’’
--->‘’’Sanjay:’’’ '''Sanjay:''' YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[Catchphrase: Richard Nixon said that.]] We will ‘’know’’ this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
--->‘’’Richard:’’’ '''Richard:''' Oh, stop this-
this shi-
--->‘’’Sanjay:’’’ '''Sanjay:''' Ahh!
--->‘’’Richard:’’’ '''Richard:''' What?
--->‘’’Sanjay:’’’ '''Sanjay:''' Show me fury, Richard! AHHH!
--->‘’’Richard:’’’ '''Richard:''' Bahh!
--->‘’’Sanjay:’’’ '''Sanjay:''' AHHH!
--->‘’’Richard:’’’ '''Richard:''' Ahhhh!
--->‘’’Sanjay:’’’ '''Sanjay:''' AHHHHH!
--->‘’’Richard:’’’ '''Richard:''' AHHH!
--->‘’’Sanjay:’’’ '''Sanjay:''' AHHH!
--->‘’’Richard:’’’ '''Richard:''' AHHHHHHH!!!!!
--->‘’’Sanjay:’’’ '''Sanjay:''' There, you see! see? It’s working! *Hugs a confused-looking Richard*
--->
--->
--->
--->
--->
--->
--->
--->
--->
--->
--->
--->
--->
--->
--->
--->
--->
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* In the first episode of season 2, episode 1, when Geoffery is telling Ellen that they’ll be producing Macbeth instead of AntonyAndCleopatra:
---> ‘’’Ellen:’’’ Geoffery that is thrilling! [...] And it’s a better play than Antony and Cleopatra-
---> ‘’’Geoffery:’’’ No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
---> ‘’’Ellen:’’’ It would be a nice gesture in Oliver’s memory, you know-
---> ‘’’Geoffery:’’’ Oh, God, Ellen, you too.
---> ‘’’Ellen:’’’ It would be good karma.
---> ‘’’Geoffery:’’’ ‘’”Karma”’’, you just wanna play Lady Macbeth.
---> ‘’’Ellen:’’’ ‘’God’’, yes!
---> ‘’’Geoffery:’’’ I don’t ‘’believe’’ this! Oliver Wells is ‘’dead’’! I poured him in the river and swans ‘’ate’’ him. What do I have to do to get this man OUTTA MY LIFE?!"
* Oliver and Geoffery collaborating on Macbeth together:
---> ‘’’Oliver:’’’ The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but on The ‘’Scotsman’’ goes on a killing spree.
---> ‘’’Geoffery:’’’ “The Scotsman”? Oh, do you mean- ‘’Mac-beeeth?’’
---> ‘’’Oliver:’’’ Geoffery, please.
---> ‘’’Geoffery:’’’ What?
---> ‘’’Oliver:’’’ Don’t say his name aloud!
---> ‘’’Geoffery:’’’ Who? ‘’Mac-beeeeth?’’'
---> ‘’’Oliver:’’’ You’re just asking for trouble.
---> ‘’’Geoffery:’’’ Well, we are rehearsing a play called ‘’Mac-beeeth’’. It’s gonna be a little awkward if I can’t say the title character’s ‘’name’’.
* Richard confronting Sanjay on his seemingly suicidal ad campaign for the festival:
---> ‘’’Richard:’’’ Old people dying?? What is that supposed to communicate?
---> ‘’’Sanjay:’’’ That we know how they feel! It’s a connection, it’s brilliant! You know who thought this up? And ideablast team composed of a puppeteer, a professional figure skater and a nine-year-old child!
---> ‘’’Richard:’’’ *Beat* Oh, good!
---> ‘’’Sanjay:’’’ ....You don’t like it.
---> ‘’’Richard:’’’ It’s not just ‘’me’’. It’s our customers! They think we have gone ‘’crazy!’’
---> ‘’’Sanjay:’’’ YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[Catchphrase: Richard Nixon said that.]] We will ‘’know’’ this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
---> ‘’’Richard:’’’ Oh, stop this-
---> ‘’’Sanjay:’’’ Ahh!
---> ‘’’Richard:’’’ What?
---> ‘’’Sanjay:’’’ Show me fury, Richard! AHHH!
---> ‘’’Richard:’’’ Bahh!
---> ‘’’Sanjay:’’’ AHHH!
---> ‘’’Richard:’’’ Ahhhh!
---> ‘’’Sanjay:’’’ AHHHHH!
---> ‘’’Richard:’’’ AHHH!
---> ‘’’Sanjay:’’’ AHHH!
---> ‘’’Richard:’’’ AHHHHHHH!!!!!
---> ‘’’Sanjay:’’’ There, you see! It’s working! *Hugs a confused-looking Richard*
---> ‘’’Ellen:’’’ Geoffery that is thrilling! [...] And it’s a better play than Antony and Cleopatra-
---> ‘’’Geoffery:’’’ No no no no no, arguably it is not a better play, it’s actually quite flawed, it’s extraordinarily difficult play to stage effectively, it’s blood, blood, blood, and more blood, and- I don’t wanna do it! This was Oliver’s thing!
---> ‘’’Ellen:’’’ It would be a nice gesture in Oliver’s memory, you know-
---> ‘’’Geoffery:’’’ Oh, God, Ellen, you too.
---> ‘’’Ellen:’’’ It would be good karma.
---> ‘’’Geoffery:’’’ ‘’”Karma”’’, you just wanna play Lady Macbeth.
---> ‘’’Ellen:’’’ ‘’God’’, yes!
---> ‘’’Geoffery:’’’ I don’t ‘’believe’’ this! Oliver Wells is ‘’dead’’! I poured him in the river and swans ‘’ate’’ him. What do I have to do to get this man OUTTA MY LIFE?!"
* Oliver and Geoffery collaborating on Macbeth together:
---> ‘’’Oliver:’’’ The Scotsman is evil. Both he and Banquil encounter the witches, both their futures are foretold, but on The ‘’Scotsman’’ goes on a killing spree.
---> ‘’’Geoffery:’’’ “The Scotsman”? Oh, do you mean- ‘’Mac-beeeth?’’
---> ‘’’Oliver:’’’ Geoffery, please.
---> ‘’’Geoffery:’’’ What?
---> ‘’’Oliver:’’’ Don’t say his name aloud!
---> ‘’’Geoffery:’’’ Who? ‘’Mac-beeeeth?’’'
---> ‘’’Oliver:’’’ You’re just asking for trouble.
---> ‘’’Geoffery:’’’ Well, we are rehearsing a play called ‘’Mac-beeeth’’. It’s gonna be a little awkward if I can’t say the title character’s ‘’name’’.
* Richard confronting Sanjay on his seemingly suicidal ad campaign for the festival:
---> ‘’’Richard:’’’ Old people dying?? What is that supposed to communicate?
---> ‘’’Sanjay:’’’ That we know how they feel! It’s a connection, it’s brilliant! You know who thought this up? And ideablast team composed of a puppeteer, a professional figure skater and a nine-year-old child!
---> ‘’’Richard:’’’ *Beat* Oh, good!
---> ‘’’Sanjay:’’’ ....You don’t like it.
---> ‘’’Richard:’’’ It’s not just ‘’me’’. It’s our customers! They think we have gone ‘’crazy!’’
---> ‘’’Sanjay:’’’ YES! And when they think we are all crazy, that is the moment when we get to decide the new message. There’ll be hostility- lots of hostility! Any change is resisted- because bureaucrats have a vested interest in the chaos in which they exist. [[Catchphrase: Richard Nixon said that.]] We will ‘’know’’ this is working, when the very people who are the most invested in the old festival- people like you!- are ‘’burning’’ with fury. *Grabbing Richard by his shirt* C’mon Richard! Show me fury!
---> ‘’’Richard:’’’ Oh, stop this-
---> ‘’’Sanjay:’’’ Ahh!
---> ‘’’Richard:’’’ What?
---> ‘’’Sanjay:’’’ Show me fury, Richard! AHHH!
---> ‘’’Richard:’’’ Bahh!
---> ‘’’Sanjay:’’’ AHHH!
---> ‘’’Richard:’’’ Ahhhh!
---> ‘’’Sanjay:’’’ AHHHHH!
---> ‘’’Richard:’’’ AHHH!
---> ‘’’Sanjay:’’’ AHHH!
---> ‘’’Richard:’’’ AHHHHHHH!!!!!
---> ‘’’Sanjay:’’’ There, you see! It’s working! *Hugs a confused-looking Richard*
Is there an issue? Send a MessageReason:
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Changed line(s) 5 (click to see context) from:
-->'''Geoffrey''': That was a temporary condition and I assure you, I don't wanna do anything weird with the head. As a matter of fact, it was Oliver himself who requested that his flesh be removed and that his skull be used in all future productions of Hamlet. So, you see, it's not weird and in fact it is notarized.
to:
-->'''Geoffrey''': That was a temporary condition and I assure you, I don't wanna want to do anything weird with the head. As a matter of fact, it was Oliver himself who requested that his flesh be removed and that his skull be used in all future productions of Hamlet. So, you see, it's not weird and in fact it is notarized.
Changed line(s) 23,24 (click to see context) from:
** And then afterwards, when an outraged (not upset, outraged) Darren confronts Richard and demands "everyone be fired". And then [[[http://www.youtube.com/watch?v=70V4TmJuiRw
this]]:
this]]:
to:
** And then afterwards, when an outraged (not upset, outraged) Darren confronts Richard and demands "everyone be fired". And then [[[http://www.[[http://www.youtube.com/watch?v=70V4TmJuiRw
com/watch?v=70V4TmJuiRw this]]:
Changed line(s) 32 (click to see context) from:
* "I was trying to throttle a swan ... it seemed like a sensible thing to do at the time"
to:
* "I was trying to throttle a swan ... it seemed like a sensible thing to do at the time"time."
Changed line(s) 34 (click to see context) from:
* Geoffery, and his attempt to encourage the insufferable Darren Nichols to put the life back into his [[http://www.youtube.com/watch?v=U-b4gxIoHYY&feature=related "dull, anti-romantic, vaguely condescening"]] production of ''RomeoAndJuliet''. "Go- go break your legs!"
to:
* Geoffery, Geoffrey and his attempt to encourage the insufferable Darren Nichols to put the life back into his [[http://www.youtube.com/watch?v=U-b4gxIoHYY&feature=related "dull, anti-romantic, vaguely condescening"]] condescending"]] production of ''RomeoAndJuliet''. "Go- go break your legs!"
Is there an issue? Send a MessageReason:
None
** And then afterwards, when an outraged (not upset, outraged) Darren confronts Richard and demands "everyone be fired". And then [[[http://www.youtube.com/watch?v=70V4TmJuiRw
this]]:
---> '''Darren:''' I'm used to being hated. ''That's'' my ''thing.'' But I can't function as a director unless that hatred is kept in check by a thin, calculated veneer of invulnerability.
---> '''Richard:''' Darren, please, we have-
---> '''Darren:''' And another thing.... I may have cried... when I was stabbed. They may have seen me cry.
---> '''Richard:''' ''Darren'', everyone cries when they're stabbed! There's no shame in that!
this]]:
---> '''Darren:''' I'm used to being hated. ''That's'' my ''thing.'' But I can't function as a director unless that hatred is kept in check by a thin, calculated veneer of invulnerability.
---> '''Richard:''' Darren, please, we have-
---> '''Darren:''' And another thing.... I may have cried... when I was stabbed. They may have seen me cry.
---> '''Richard:''' ''Darren'', everyone cries when they're stabbed! There's no shame in that!
Changed line(s) 26 (click to see context) from:
* "I was trying to throttle a swan ... it seemed like a sensible thing to do at the time"
to:
* "I was trying to throttle a swan ... it seemed like a sensible thing to do at the time"time"
* Especially for those very familiar with Shakespeare, the [[http://www.youtube.com/watch?v=BvmMt_xG1tI three]] [[http://www.youtube.com/watch?v=dPpTR1hXekQ&NR=1 different]] [[http://www.youtube.com/watch?v=o1M2GukPthU&feature=related theme songs]] (1 for each season) are hilarious.
* Geoffery, and his attempt to encourage the insufferable Darren Nichols to put the life back into his [[http://www.youtube.com/watch?v=U-b4gxIoHYY&feature=related "dull, anti-romantic, vaguely condescening"]] production of ''RomeoAndJuliet''. "Go- go break your legs!"
* Especially for those very familiar with Shakespeare, the [[http://www.youtube.com/watch?v=BvmMt_xG1tI three]] [[http://www.youtube.com/watch?v=dPpTR1hXekQ&NR=1 different]] [[http://www.youtube.com/watch?v=o1M2GukPthU&feature=related theme songs]] (1 for each season) are hilarious.
* Geoffery, and his attempt to encourage the insufferable Darren Nichols to put the life back into his [[http://www.youtube.com/watch?v=U-b4gxIoHYY&feature=related "dull, anti-romantic, vaguely condescening"]] production of ''RomeoAndJuliet''. "Go- go break your legs!"
