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Changed line(s) 12 (click to see context) from:
* Sam singing "Henry the VIII, I Am." No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown out his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and no one since Oda Mae can hear him.
to:
* Sam singing "Henry the VIII, I Am." No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown out his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and since no one since but Oda Mae can hear him.
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Changed line(s) 12,13 (click to see context) from:
* Sam singing "Henry the VIII, I Am". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown out his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and no one since Oda Mae can hear him.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to leave, only for Sam to quickly, and loudly, start singing "99 Bottles of Beer on the Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to leave, only for Sam to quickly, and loudly, start singing "99 Bottles of Beer on the Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
to:
* Sam singing "Henry the VIII, I Am". Am." No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown out his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and no one since Oda Mae can hear him.
** There is a CallBack to thisscene later in the movie, very next scene, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to leave, only for Sam to quickly, and loudly, start singing "99 Bottles of Beer on the Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
** There is a CallBack to this
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Changed line(s) 12,13 (click to see context) from:
* Sam singing "Henry the VIII, I Am". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown out his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and no one but Oda Mae can hear him.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to leave, only for Sam to quickly, and loudly, start singing "Ninety Nine Bottles of Beer on the Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to leave, only for Sam to quickly, and loudly, start singing "Ninety Nine Bottles of Beer on the Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
to:
* Sam singing "Henry the VIII, I Am". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown out his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and no one but since Oda Mae can hear him.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to leave, only for Sam to quickly, and loudly, start singing"Ninety Nine "99 Bottles of Beer on the Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to leave, only for Sam to quickly, and loudly, start singing
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Changed line(s) 12 (click to see context) from:
* Sam singing "Henry VIII". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown out his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and no one but Oda Mae can hear him.
to:
* Sam singing "Henry VIII".the VIII, I Am". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown out his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and no one but Oda Mae can hear him.
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** Once they're in the depths of the bank, Sam starts quietly telling Oda Mae the next stage of the plan. Since he's InvisibleToNormals, she asks "Why are you ''whispering?''" Sam [[StunnedSilence has no reply]] and takes a few seconds to recover.
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** In the same scene, Sam tries appealing to Oda Mae's better nature:
--->'''Sam''': Just think of it this way--you'll go to Heaven.
--->'''Oda Mae''': I don't WANNA go to Heaven! I wanna go to the BANK and ''cash the goddamn check!''
--->'''Sam''': Just think of it this way--you'll go to Heaven.
--->'''Oda Mae''': I don't WANNA go to Heaven! I wanna go to the BANK and ''cash the goddamn check!''
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Changed line(s) 35 (click to see context) from:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your starting to make me dizzy! I'll just tell her in my own way! ''[to Molly]'' Molly...[[SassyBlackWoman you in danger, girl.]]
to:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your you're starting to make me dizzy! I'll just tell her in my own way! ''[to Molly]'' Molly...[[SassyBlackWoman you in danger, girl.]]
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'''WARNING:''' Spoilers are unmarked.
----
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash.
-->'''Sam:''' On the genitals again?
----
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash.
-->'''Sam:''' On the genitals again?
Changed line(s) 2,4 (click to see context) from:
-->'''Oda Mae:''' ''(Locking herself in a closet)'' I swear no more cheating. I promise. I'll do anything I'll do penance give me penance but make that guy go away.
-->'''Sam:''' ''(appearing beside her)'' No way.
-->'''Oda Mae:''' AAAAAAAAHHHH-- ''(runs toward the door and breaks it down, falling on it)''
-->'''Sam:''' ''(appearing beside her)'' No way.
-->'''Oda Mae:''' AAAAAAAAHHHH-- ''(runs toward the door and breaks it down, falling on it)''
to:
-->'''Oda Mae:''' ''(Locking ''[locking herself in a closet)'' closet]'' I swear swear, no more cheating. I promise. I'll do anything anything. I'll do penance give penance. Give me penance penance, but make that guy go away.
-->'''Sam:'''''(appearing ''[appearing beside her)'' her]'' No way.
-->'''Oda Mae:''' AAAAAAAAHHHH--''(runs ''[runs toward the door and breaks it down, falling on it)''it]''
-->'''Sam:'''
-->'''Oda Mae:''' AAAAAAAAHHHH--
Changed line(s) 6 (click to see context) from:
-->''(customer runs like hell out of the room)''
to:
Changed line(s) 8,11 (click to see context) from:
* Sam singing "Henry the Eighth". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and no one but Oda Mae can hear him.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to leave only for Sam to quickly (and loudly) start singing "Ninety Nine Bottles of Beer on the Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth Onetwothree]]!" ''(rolls her eyes and scoffs)''
-->'''Oda Mae:''' ''(to Molly)'' HEY, DO YOU HEAR ME TALKING TO YOU??\\
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to leave only for Sam to quickly (and loudly) start singing "Ninety Nine Bottles of Beer on the Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth Onetwothree]]!" ''(rolls her eyes and scoffs)''
-->'''Oda Mae:''' ''(to Molly)'' HEY, DO YOU HEAR ME TALKING TO YOU??\\
to:
* Sam singing "Henry the Eighth". VIII". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown out his voice. It's more funny when you realize that Sam can sing as loudly as he wants, and no one but Oda Mae can hear him.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries toleave leave, only for Sam to quickly (and loudly) quickly, and loudly, start singing "Ninety Nine Bottles of Beer on the Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth Onetwothree]]!"''(rolls ''[rolls her eyes and scoffs)''
scoffs]''
-->'''Oda Mae:'''''(to Molly)'' ''[to Molly]'' HEY, DO YOU HEAR ME TALKING TO YOU??\\
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and thinking that no one is home, tries to
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth Onetwothree]]!"
-->'''Oda Mae:'''
Changed line(s) 15 (click to see context) from:
'''Oda Mae:''' Wanna kiss my butt?! ''(to Molly)'' I'm not gonna stay down here all day.\\
to:
'''Oda Mae:''' Wanna kiss my butt?! ''(to Molly)'' ''[to Molly]'' I'm not gonna stay down here all day.\\
Changed line(s) 20,21 (click to see context) from:
-->'''Sam:''' Give her the check!
-->'''Oda Mae:''' ''(through clenched teeth)'' I WILL!!!!!! ''(turns clenching into smile)''
-->'''Oda Mae:''' ''(through clenched teeth)'' I WILL!!!!!! ''(turns clenching into smile)''
to:
Changed line(s) 23,25 (click to see context) from:
-->'''"Rita Miller":''' Will you quit poking me?!\\
'''Sam:''' Well don't overdo it!
** ''[[LargeHam FOUR MILLION DOLLARS?!?!]]''
'''Sam:''' Well don't overdo it!
** ''[[LargeHam FOUR MILLION DOLLARS?!?!]]''
to:
'''Sam:'''
**
Changed line(s) 28,29 (click to see context) from:
-->'''Oda Mae:''' Yes. ''(to Molly)'' He wants me to tell you what he's saying, word for word.
-->''([[{{Beat}} beat]])''
-->''([[{{Beat}} beat]])''
to:
-->'''Oda Mae:''' Yes. ''(to Molly)'' ''[to Molly]'' He wants me to tell you what he's saying, word for word.
-->''([[{{Beat}} beat]])''-->''[{{Beat}}]''
Changed line(s) 31,33 (click to see context) from:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your starting to make me dizzy! I'll just tell her in my own way! ''(to Molly)'' Molly...[[{{SassyBlackWoman}} you in danger, girl.]]
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash.
-->'''Sam:''' On the genitals again?
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash.
-->'''Sam:''' On the genitals again?
to:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your starting to make me dizzy! I'll just tell her in my own way! ''(to Molly)'' ''[to Molly]'' Molly...[[{{SassyBlackWoman}} [[SassyBlackWoman you in danger, girl.]]
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash.
-->'''Sam:''' On the genitals again?]]
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash.
-->'''Sam:''' On the genitals again?
Changed line(s) 35,39 (click to see context) from:
-->"What am I doing downtown? I ''hate'' downtown! Where are you? Oh."
* Compare Oda Mae's theatrics when she's ''faking'' psychic powers to her complete exasperated boredom once she's turned out to be a NotSoPhonyPsychic:
-->'''Oda Mae:''' ''(deadpan)'' Orlando, Orlando, is there an Orlando here?
* The ghost Orlando taking over Oda Mae's body to communicate with his wife.
-->'''Oda Mae (Possessed by Orlando):''' Ortisha?\\
* Compare Oda Mae's theatrics when she's ''faking'' psychic powers to her complete exasperated boredom once she's turned out to be a NotSoPhonyPsychic:
-->'''Oda Mae:''' ''(deadpan)'' Orlando, Orlando, is there an Orlando here?
* The ghost Orlando taking over Oda Mae's body to communicate with his wife.
-->'''Oda Mae (Possessed by Orlando):''' Ortisha?\\
to:
* Compare Oda Mae's theatrics when she's ''faking''
-->'''Oda Mae:'''
Changed line(s) 41 (click to see context) from:
'''Oda Mae (Possessed by Orlando):''' Ortisha, where you at? I can hardly see ya.\\
to:
'''Oda Mae (Possessed by Orlando):''' Mae/Orlando:''' Ortisha, where you at? I can hardly see ya.\\
Changed line(s) 45 (click to see context) from:
'''Oda Mae (Possessed by Orlando):''' ''DAMN'', baby, wha'd you do to your hair?!\\
to:
'''Oda Mae (Possessed by Orlando):''' Mae/Orlando:''' ''DAMN'', baby, wha'd you do to your hair?!\\
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Changed line(s) 7 (click to see context) from:
* Oda Mae's reaction upon learning form Sam that he's white. Especially her associates, who are further convinced she's losing it.
to:
* Oda Mae's reaction upon learning form from Sam that he's white. Especially her associates, who are further convinced she's losing it.
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Changed line(s) 25 (click to see context) from:
* ''[[LargeHam FOUR MILLION DOLLARS?!?!]]''
to:
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Changed line(s) 7 (click to see context) from:
* Oda Mae's reaction upon learning that Sam is white. Especially her associates, who are further convinced she's losing it.
to:
* Oda Mae's reaction upon learning form Sam that Sam is he's white. Especially her associates, who are further convinced she's losing it.
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Added DiffLines:
* Oda Mae's reaction upon learning that Sam is white. Especially her associates, who are further convinced she's losing it.
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The Willie Lopez slide
Added DiffLines:
* In a scene that is otherwise rather scary, Willie Lopez, blindly running for his life, somehow manages to slide down an entire staircase in a single second while staying completely upright.
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Changed line(s) 9 (click to see context) from:
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth Onetwothree]]!" ''(scoffs and rolls her eyes)''
to:
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth Onetwothree]]!" ''(scoffs ''(rolls her eyes and rolls her eyes)''scoffs)''
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Changed line(s) 9 (click to see context) from:
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth OneTwoThree]]!"
to:
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth OneTwoThree]]!"Onetwothree]]!" ''(scoffs and rolls her eyes)''
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Changed line(s) 30 (click to see context) from:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your starting to make me dizzy! I'll just tell her in my own way! ''(to Molly)'' Molly... [[{{SassyBlackWoman}}you in danger, girl.]]
to:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your starting to make me dizzy! I'll just tell her in my own way! ''(to Molly)'' Molly... [[{{SassyBlackWoman}}you [[{{SassyBlackWoman}} you in danger, girl.]]
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Changed line(s) 30 (click to see context) from:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your starting to make me dizzy! I'll just tell her in my own way! ''(to Molly)'' Molly... you in danger, girl.
to:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your starting to make me dizzy! I'll just tell her in my own way! ''(to Molly)'' Molly... you [[{{SassyBlackWoman}}you in danger, girl.]]
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Added DiffLines:
-->"What am I doing downtown? I ''hate'' downtown! Where are you? Oh."
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Changed line(s) 11 (click to see context) from:
'''Workman in loft:''' I hear you!\\
to:
'''Workman in loft:''' I ''I'' hear you!\\
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Changed line(s) 34 (click to see context) from:
* The exasperated boredom Oda Mae's con-artist job becomes when she discovers she's a NotSoPhonyPsychic.
to:
* The Compare Oda Mae's theatrics when she's ''faking'' psychic powers to her complete exasperated boredom Oda Mae's con-artist job becomes when she discovers once she's turned out to be a NotSoPhonyPsychic.NotSoPhonyPsychic:
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Changed line(s) 40 (click to see context) from:
'''Ortisha's Male Companion:''' Here! She's here!\\
to:
'''Ortisha's Male Companion:''' Friend:''' Here! She's here!\\
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-->''([[{{Beat}} beat]])''
Changed line(s) 29 (click to see context) from:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your starting to make me dizzy! I just tell her in my own way! ''(to Molly)'' Molly... you in danger, girl.
to:
-->'''Oda Mae:''' Now, you can't just blurt it out like that! And quit moving around, will you? 'Cause your starting to make me dizzy! I I'll just tell her in my own way! ''(to Molly)'' Molly... you in danger, girl.
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Changed line(s) 35,36 (click to see context) from:
** The ghost Orlando taking over Oda Mae's body to communicate with his wife.
--->'''Oda Mae (Possessed by Orlando):''' Ortisha?\\
--->'''Oda Mae (Possessed by Orlando):''' Ortisha?\\
to:
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Changed line(s) 14 (click to see context) from:
'''Oda Mae:''' Wanna kiss my butt?! (to Molly) I'm not gonna stay down here all day.\\
to:
'''Oda Mae:''' Wanna kiss my butt?! (to Molly) ''(to Molly)'' I'm not gonna stay down here all day.\\
Changed line(s) 35,36 (click to see context) from:
* One of the ghosts taking over Oda Mae's body to communicate with his wife.
-->'''Oda Mae (Possessed by Orlando):''' Ortisha?\\
-->'''Oda Mae (Possessed by Orlando):''' Ortisha?\\
to:
Changed line(s) 38 (click to see context) from:
'''Oda Mae (Possessed by Orlando:''' Ortisha, where you at? I can hardly see ya.\\
to:
'''Oda Mae (Possessed by Orlando:''' Orlando):''' Ortisha, where you at? I can hardly see ya.\\
Changed line(s) 42 (click to see context) from:
'''Oda Mae (Possessed by Orlando:''' ''DAMN'', baby, wha'd you do to your hair?!\\
to:
'''Oda Mae (Possessed by Orlando:''' Orlando):''' ''DAMN'', baby, wha'd you do to your hair?!\\
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Changed line(s) 13 (click to see context) from:
'''Workman in loft:''' Didn't you ever heard of a phone?\\
to:
'''Workman in loft:''' Didn't you ever heard hear of a phone?\\
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Changed line(s) 3,4 (click to see context) from:
-->'''Sam:''' ''(Sam just pushes his head through the door)'' No way.
-->'''Oda Mae:''' AAAAAAAAHHHH-- ''(breaks the door down and falls)''
-->'''Oda Mae:''' AAAAAAAAHHHH-- ''(breaks the door down and falls)''
to:
-->'''Sam:''' ''(Sam just pushes his head through the door)'' ''(appearing beside her)'' No way.
-->'''Oda Mae:''' AAAAAAAAHHHH--''(breaks ''(runs toward the door down and falls)''breaks it down, falling on it)''
-->'''Oda Mae:''' AAAAAAAAHHHH--
Changed line(s) 6 (click to see context) from:
-->(customer runs like hell out of the room)
to:
Changed line(s) 42 (click to see context) from:
'''Oda Mae (Possessed by Orlando:''' ''DAMN'', baby, whadja do to your hair?!\\
to:
'''Oda Mae (Possessed by Orlando:''' ''DAMN'', baby, whadja wha'd you do to your hair?!\\
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Quote corrections.
Changed line(s) 2 (click to see context) from:
-->'''Oda Mae:''' ''(Locking herself in a closet)'' I swear to God no more lies, but please, please make that guy go away.
to:
-->'''Oda Mae:''' ''(Locking herself in a closet)'' I swear to God no more lies, cheating. I promise. I'll do anything I'll do penance give me penance but please, please make that guy go away.
Changed line(s) 7,8 (click to see context) from:
* Sam singing "Henry the Eighth". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown his voice. Its more funny when you realize that Sam can sing as loudly as he wants, and no one but Oda Mae can hear him.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and finding that no one is home, tries to leave only for Sam to quickly (and loudly) start singing Ninety Nine Bottles of Beer on the Wall. She quickly turns back around, agreeing to stay as long as Sam stops singing.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and finding that no one is home, tries to leave only for Sam to quickly (and loudly) start singing Ninety Nine Bottles of Beer on the Wall. She quickly turns back around, agreeing to stay as long as Sam stops singing.
to:
* Sam singing "Henry the Eighth". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown his voice. Its It's more funny when you realize that Sam can sing as loudly as he wants, and no one but Oda Mae can hear him.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment andfinding thinking that no one is home, tries to leave only for Sam to quickly (and loudly) start singing Ninety "Ninety Nine Bottles of Beer on the Wall.Wall". She quickly turns back around, agreeing to stay as long as Sam stops singing.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and
Changed line(s) 10 (click to see context) from:
-->'''Oda Mae:''' ''(to Molly)'' DO YOU HEAR ME TALKING TO YOU??\\
to:
-->'''Oda Mae:''' ''(to Molly)'' HEY, DO YOU HEAR ME TALKING TO YOU??\\
Changed line(s) 12,14 (click to see context) from:
'''Oda Mae:''' Aw,shut up. Nobody's talking to you!\\
'''Workman in loft:''' Ever heard of a phone?\\
'''Oda Mae:''' You wanna kiss my butt?! (to Molly) Listen, I'm not gonna stand here all day.\\
'''Workman in loft:''' Ever heard of a phone?\\
'''Oda Mae:''' You wanna kiss my butt?! (to Molly) Listen, I'm not gonna stand here all day.\\
to:
'''Oda Mae:''' Aw,shut Aw, shut up. Nobody's talking to you!\\
'''Workman in loft:'''Ever Didn't you ever heard of a phone?\\
'''Oda Mae:'''You wanna Wanna kiss my butt?! (to Molly) Listen, I'm not gonna stand stay down here all day.\\
'''Workman in loft:'''
'''Oda Mae:'''
Changed line(s) 16,20 (click to see context) from:
'''Oda Mae''': Oh, man, shut up!
* The part where Sam and Oda Mae give the four million dollars they stole from Carl to a church, with the nuns nearly having a heart attack when they see the check.
** Oda Mae reluctantly and briefly refusing to give up the check, holding onto it with a death grip and arguing with Sam in front of the perplexed nuns
-->'''Sam''': Give it to them!
-->'''Oda Mae (through clenched teeth)''': I WILL!!!!!! (turns clenching into smile)
* The part where Sam and Oda Mae give the four million dollars they stole from Carl to a church, with the nuns nearly having a heart attack when they see the check.
** Oda Mae reluctantly and briefly refusing to give up the check, holding onto it with a death grip and arguing with Sam in front of the perplexed nuns
-->'''Sam''': Give it to them!
-->'''Oda Mae (through clenched teeth)''': I WILL!!!!!! (turns clenching into smile)
to:
'''Oda Mae''': Oh, Mae:''' Aw man, shut up!
* The part where Sam and Oda Mae give the four million dollars they stole from Carl to a church, with one of the nuns nearly having a heart attack whenthey see she sees the check.
** Oda Mae reluctantly and briefly refusing to give up the check, holding onto it with a death grip and arguing with Sam in front of the perplexednuns
-->'''Sam''':nuns.
-->'''Sam:''' Giveit to them!
her the check!
-->'''OdaMae (through Mae:''' ''(through clenched teeth)''': teeth)'' I WILL!!!!!! (turns ''(turns clenching into smile)smile)''
* The part where Sam and Oda Mae give the four million dollars they stole from Carl to a church, with one of the nuns nearly having a heart attack when
** Oda Mae reluctantly and briefly refusing to give up the check, holding onto it with a death grip and arguing with Sam in front of the perplexed
-->'''Sam''':
-->'''Sam:''' Give
-->'''Oda
Changed line(s) 22,23 (click to see context) from:
-->'''"Rita Miller":''' Will you quit poking me?\\
'''Sam:''' Don't overdo it!
'''Sam:''' Don't overdo it!
to:
-->'''"Rita Miller":''' Will you quit poking me?\\
me?!\\
'''Sam:'''Don't Well don't overdo it!
'''Sam:'''
Changed line(s) 26,27 (click to see context) from:
-->'''Sam:''' I want you to repeat what I'm saying, word for word. You got that?
-->'''Oda Mae:''' Yes. ''(to Molly)'' He wants me to repeat what he's saying, word for word.
-->'''Oda Mae:''' Yes. ''(to Molly)'' He wants me to repeat what he's saying, word for word.
to:
-->'''Sam:''' I want need you to repeat tell Molly what I'm saying, but you have to tell her word for word. You got that?
word, all right? Word for word!
-->'''Oda Mae:''' Yes. ''(to Molly)'' He wants me torepeat tell you what he's saying, word for word.
-->'''Oda Mae:''' Yes. ''(to Molly)'' He wants me to
Changed line(s) 29,30 (click to see context) from:
-->'''Oda Mae:''' You can't just blurt it out like that! I'm gonna tell it in my own way. ''(to Molly)'' Molly... you in danger, girl.
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash ("On the genitals?").
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash ("On the genitals?").
to:
-->'''Oda Mae:''' You Now, you can't just blurt it out like that! I'm gonna And quit moving around, will you? 'Cause your starting to make me dizzy! I just tell it her in my own way. way! ''(to Molly)'' Molly... you in danger, girl.
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness andrash ("On rash.
-->'''Sam:''' On thegenitals?").genitals again?
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and
-->'''Sam:''' On the
Changed line(s) 32,33 (click to see context) from:
* The exasperated boredom Oda Mae's con-artist job becomes when she discovers she's a NotSoPhonyPsychic;
-->'''Oda Mae''': (deadpan) ''Orlando, Orlando, is there an Orlando here?''
-->'''Oda Mae''': (deadpan) ''Orlando, Orlando, is there an Orlando here?''
to:
* The exasperated boredom Oda Mae's con-artist job becomes when she discovers she's a NotSoPhonyPsychic;
NotSoPhonyPsychic.
-->'''OdaMae''': (deadpan) ''Orlando, Mae:''' ''(deadpan)'' Orlando, Orlando, is there an Orlando here?''here?
-->'''Oda
Changed line(s) 35,36 (click to see context) from:
-->'''Oda Mae (Possessed by Orlando)''': Ortisha? Is that you? ''(beat)'' ''DAMN'', baby, whadja do to your hair?!
-->'''Ortisha''': Orlando, you like it? It's autumn sunrise.
-->'''Ortisha''': Orlando, you like it? It's autumn sunrise.
to:
-->'''Oda Mae (Possessed by Orlando)''': Ortisha? Orlando):''' Ortisha?\\
'''Ortisha:''' Orlando! Is thatyou? ''(beat)'' you?\\
'''Oda Mae (Possessed by Orlando:''' Ortisha, where you at? I can hardly see ya.\\
'''Ortisha's Male Companion:''' Here! She's here!\\
'''Ortisha:''' In front of you! I'm right here!\\
''(Oda Mae/Orlando looks at Ortisha with wide eyes)''\\
'''Oda Mae (Possessed by Orlando:''' ''DAMN'', baby, whadja do to yourhair?!
-->'''Ortisha''':hair?!\\
'''Ortisha:''' Orlando, you like it? It's autumn sunrise.
'''Ortisha:''' Orlando! Is that
'''Oda Mae (Possessed by Orlando:''' Ortisha, where you at? I can hardly see ya.\\
'''Ortisha's Male Companion:''' Here! She's here!\\
'''Ortisha:''' In front of you! I'm right here!\\
''(Oda Mae/Orlando looks at Ortisha with wide eyes)''\\
'''Oda Mae (Possessed by Orlando:''' ''DAMN'', baby, whadja do to your
-->'''Ortisha''':
'''Ortisha:''' Orlando, you like it? It's autumn sunrise.
Is there an issue? Send a MessageReason:
None
Changed line(s) 20 (click to see context) from:
-->'''Oda Mae (through clenched teeth)''': IWILL!!!!!! (turns clenching into smile)
to:
-->'''Oda Mae (through clenched teeth)''': IWILL!!!!!! I WILL!!!!!! (turns clenching into smile)
Changed line(s) 22 (click to see context) from:
-->'''"Rita Miller":''' Will you stop hitting me?\\
to:
-->'''"Rita Miller":''' Will you stop hitting quit poking me?\\
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* The exasperated boredom Oda Mae's con-artist job becomes when she discovers she's a NotSoPhonyPsychic;
-->'''Oda Mae''': (deadpan) ''Orlando, Orlando, is there an Orlando here?''
-->'''Oda Mae''': (deadpan) ''Orlando, Orlando, is there an Orlando here?''
Is there an issue? Send a MessageReason:
Moved to proper disambiguated work title.
Added DiffLines:
* Sam and Oda Mae's first encounter.
-->'''Oda Mae:''' ''(Locking herself in a closet)'' I swear to God no more lies, but please, please make that guy go away.
-->'''Sam:''' ''(Sam just pushes his head through the door)'' No way.
-->'''Oda Mae:''' AAAAAAAAHHHH-- ''(breaks the door down and falls)''
-->'''Everyone in the room:''' AAAAAAAAHHHHHHH!!!!
-->(customer runs like hell out of the room)
* Sam singing "Henry the Eighth". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown his voice. Its more funny when you realize that Sam can sing as loudly as he wants, and no one but Oda Mae can hear him.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and finding that no one is home, tries to leave only for Sam to quickly (and loudly) start singing Ninety Nine Bottles of Beer on the Wall. She quickly turns back around, agreeing to stay as long as Sam stops singing.
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth OneTwoThree]]!"
-->'''Oda Mae:''' ''(to Molly)'' DO YOU HEAR ME TALKING TO YOU??\\
'''Workman in loft:''' I hear you!\\
'''Oda Mae:''' Aw,shut up. Nobody's talking to you!\\
'''Workman in loft:''' Ever heard of a phone?\\
'''Oda Mae:''' You wanna kiss my butt?! (to Molly) Listen, I'm not gonna stand here all day.\\
'''Workman in loft:''' Thank God!\\
'''Oda Mae''': Oh, man, shut up!
* The part where Sam and Oda Mae give the four million dollars they stole from Carl to a church, with the nuns nearly having a heart attack when they see the check.
** Oda Mae reluctantly and briefly refusing to give up the check, holding onto it with a death grip and arguing with Sam in front of the perplexed nuns
-->'''Sam''': Give it to them!
-->'''Oda Mae (through clenched teeth)''': IWILL!!!!!! (turns clenching into smile)
** The entire scene with "Rita Miller", in which Oda Mae's MotorMouth pulls off the con while also annoying Sam at every turn.
-->'''"Rita Miller":''' Will you stop hitting me?\\
'''Sam:''' Don't overdo it!
* ''[[LargeHam FOUR MILLION DOLLARS?!?!]]''
* Sam trying to communicate with Molly via Oda Mae:
-->'''Sam:''' I want you to repeat what I'm saying, word for word. You got that?
-->'''Oda Mae:''' Yes. ''(to Molly)'' He wants me to repeat what he's saying, word for word.
-->'''Sam:''' Molly, you're in danger.
-->'''Oda Mae:''' You can't just blurt it out like that! I'm gonna tell it in my own way. ''(to Molly)'' Molly... you in danger, girl.
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash ("On the genitals?").
* Oda Mae arguing with Sam in front of Molly, who looks like she's seeing someone going nuts.
* One of the ghosts taking over Oda Mae's body to communicate with his wife.
-->'''Oda Mae (Possessed by Orlando)''': Ortisha? Is that you? ''(beat)'' ''DAMN'', baby, whadja do to your hair?!
-->'''Ortisha''': Orlando, you like it? It's autumn sunrise.
----
-->'''Oda Mae:''' ''(Locking herself in a closet)'' I swear to God no more lies, but please, please make that guy go away.
-->'''Sam:''' ''(Sam just pushes his head through the door)'' No way.
-->'''Oda Mae:''' AAAAAAAAHHHH-- ''(breaks the door down and falls)''
-->'''Everyone in the room:''' AAAAAAAAHHHHHHH!!!!
-->(customer runs like hell out of the room)
* Sam singing "Henry the Eighth". No matter how hard Oda Mae press the pillows into her ears, she can't seem to drown his voice. Its more funny when you realize that Sam can sing as loudly as he wants, and no one but Oda Mae can hear him.
** There is a CallBack to this scene later in the movie, which is almost as funny. Oda Mae, after ringing Molly's apartment and finding that no one is home, tries to leave only for Sam to quickly (and loudly) start singing Ninety Nine Bottles of Beer on the Wall. She quickly turns back around, agreeing to stay as long as Sam stops singing.
* "Molly! I'm gonna count to three and I'm outta here! [[MotorMouth OneTwoThree]]!"
-->'''Oda Mae:''' ''(to Molly)'' DO YOU HEAR ME TALKING TO YOU??\\
'''Workman in loft:''' I hear you!\\
'''Oda Mae:''' Aw,shut up. Nobody's talking to you!\\
'''Workman in loft:''' Ever heard of a phone?\\
'''Oda Mae:''' You wanna kiss my butt?! (to Molly) Listen, I'm not gonna stand here all day.\\
'''Workman in loft:''' Thank God!\\
'''Oda Mae''': Oh, man, shut up!
* The part where Sam and Oda Mae give the four million dollars they stole from Carl to a church, with the nuns nearly having a heart attack when they see the check.
** Oda Mae reluctantly and briefly refusing to give up the check, holding onto it with a death grip and arguing with Sam in front of the perplexed nuns
-->'''Sam''': Give it to them!
-->'''Oda Mae (through clenched teeth)''': IWILL!!!!!! (turns clenching into smile)
** The entire scene with "Rita Miller", in which Oda Mae's MotorMouth pulls off the con while also annoying Sam at every turn.
-->'''"Rita Miller":''' Will you stop hitting me?\\
'''Sam:''' Don't overdo it!
* ''[[LargeHam FOUR MILLION DOLLARS?!?!]]''
* Sam trying to communicate with Molly via Oda Mae:
-->'''Sam:''' I want you to repeat what I'm saying, word for word. You got that?
-->'''Oda Mae:''' Yes. ''(to Molly)'' He wants me to repeat what he's saying, word for word.
-->'''Sam:''' Molly, you're in danger.
-->'''Oda Mae:''' You can't just blurt it out like that! I'm gonna tell it in my own way. ''(to Molly)'' Molly... you in danger, girl.
* Carl and Sam pranking a crowded elevator by making everyone think Carl has a contagious illness and rash ("On the genitals?").
* Oda Mae arguing with Sam in front of Molly, who looks like she's seeing someone going nuts.
* One of the ghosts taking over Oda Mae's body to communicate with his wife.
-->'''Oda Mae (Possessed by Orlando)''': Ortisha? Is that you? ''(beat)'' ''DAMN'', baby, whadja do to your hair?!
-->'''Ortisha''': Orlando, you like it? It's autumn sunrise.
----