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* During the first club meeting, the game makes a point of mentioning how there are two empty seats, one next to Sayori, and one next to Monika. It appears to be setting up a choice, but the main character automatically sits next to Sayori. As it turns out, the game won't let you choose Monika.

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* In the poem writing minigame, some of the depressing word choices like "death", "hopeless", "defeat", and "alone" impress Sayori, of all characters, which gives away her chronic depression and suicidal tendencies. In the second act, these same words count as points toward Yuri, as her unravelling is the focus of that act.

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* In Some of the poem writing minigame, some girls' preferred words hint at the [[DysfunctionJunction various issues]] they're revealed to have:
** Some
of the depressing word choices like "death", "hopeless", "defeat", and "alone" impress Sayori, of all characters, which gives away her chronic depression and suicidal tendencies. In the second act, these same words count as points toward Yuri, as her unravelling is the focus of that act.
** Yuri also has words like [[CovertPervert "pleasure," "lust," "climax,"]] [[StalkerWithACrush "desire," "covet,"]] [[NervousWreck "breathe," "anxiety," "unstable,"]] and [[DrivenToSuicide "suicide"]].
** Much of Natsuki's has something to do with food, which makes sense if you remember she likes to cook. However, she also has words like "papa," "anger," and "jumpy." All this gets ominous after knowing that her father [[AbusiveParents is abusive]] and doesn't give her a lot to eat.
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* During the second poetry reading session, Sayori says "Writing's the best! I'm gonna keep writing until I die!" And, well...
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* During the second poetry reading session, Sayori says "Writing's the best! I'm gonna keep writing until I die!" And, well...
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** Natsuki's second poem is ''Amy Likes Spiders'', which is about the narrator judging someone she otherwise admires because she, well, likes spiders, ending on "And I'm going to tell everyone." It's also shown on the same day as the aforementioned ''Raccoon'' poem, which the MC points out. While in context the poem is about people who judge others for their harmless interests, it gets a dark echo in Act 2. Natsuki is forced to watch Yuri, someone who she had argued with over differing tastes but otherwise admired, undergo SanitySlippage (including SelfHarm, which ''The Raccoon'' is heavily implied to be about). She is then compelled to ''tell'' someone, namely the player character, what's happening to her.
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*** Furthermore, when she does this to tell the player to step outside after Yuri and Natsuki's fight, unlike other times she steps in front of the dialog box, the text doesn't just run beside her - instead, her dialogue automatically has multiple line-breaks that make her whole line visible, fitting to the left of her sprite.
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** For that matter, after the happy fuzzy description on both the website and the Steam store entry, you have the [[MoodWhiplash jarring disclaimer]]: '''This game is not suitable for children or those who are easily disturbed.'''
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*** If the player reads '''Save Me''' in Act II, they will notice a lot of letters missing from many words, [[NoIndoorVoice and some words that are still intact are capitalized for emphasis]], and when the player scrolls down to the last line, instead of "Load Me", it now says, "Delete Her", a fine clue as to how Monika deletes her friends, and a very fine foreshadowing on how to get rid of her in Act III.

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*** If the player reads '''Save Me''' ''Save Me'' in Act II, they will notice a lot of letters missing from many words, [[NoIndoorVoice and some words that are still intact are capitalized for emphasis]], and when the player scrolls down to the last line, instead of "Load Me", it now says, "Delete Her", a fine clue as to how Monika deletes her friends, and a very fine foreshadowing on how to get rid of her in Act III.

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* The game's logo. Both instances of "Doki" are placed extremely close together. which merges the two letter Os together, turning them into [[GroundhogDayLoop the infinity symbol.]]

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* The game's logo. Both instances of "Doki" are placed extremely close together. which merges the two letter Os together, turning them into [[GroundhogDayLoop the infinity symbol.]]symbol]].


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*** If the player reads '''Save Me''' in Act II, they will notice a lot of letters missing from many words, [[NoIndoorVoice and some words that are still intact are capitalized for emphasis]], and when the player scrolls down to the last line, instead of "Load Me", it now says, "Delete Her", a fine clue as to how Monika deletes her friends, and a very fine foreshadowing on how to get rid of her in Act III.
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** After Yuri describes the plot of ''The Eye of Markov'', the PC notes that she made it sound like it was going to be a nice story at first until it took a dark turn. This, of course, foreshadows the SurpriseCreepy that comes later. It may also be ProductionForeshadowing for a later game.

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** After Yuri describes the plot of ''The Eye Portrait of Markov'', the PC notes that she made it sound like it was going to be a nice story at first until it took a dark turn. This, of course, foreshadows the SurpriseCreepy that comes later. It may also be ProductionForeshadowing for a later game.
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** Similarly, After Yuri hesitantly agrees to do the poem performance during the school festival, she dejectedly says "This club is seriously going to be the death of me..."

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** Similarly, After Yuri hesitantly agrees to do the poem performance during the school festival, she dejectedly says "This club is seriously going to be the death of me..."" to which Monika replies that Yuri would be fine, while averting her eyes.
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** Similarly, After Yuri hesitantly agrees to do the poem performance during the school festival, she dejectedly says "This club is seriously going to be the death of me..."
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** ''Parfait Girls'', Natsuki's manga, has four girls in animated poses on the cover, much like the game's title screen. She describes it as starting as a comedy with a chapter about the girls obsessing over a boy in an ice cream shop, before turning to the dramatic later on once it delves into the character's backstories. She also mentions a character named Minori, who is "unlucky" but still likable, that apparently goes through [[BreakTheCutie something bad]]. This seems to reference the events of Act 1, the reveal of Sayori's depression, and her ultimate fate by the end of the Act.

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** ''Parfait Girls'', Natsuki's manga, has four girls in animated poses on the cover, much like the game's title screen. She describes it as starting as a comedy with a chapter about the girls obsessing over a boy in an ice cream shop, before turning to the dramatic later on once it delves into the character's characters' backstories. She also mentions a character named Minori, who is "unlucky" but still likable, that apparently goes through [[BreakTheCutie something bad]]. This seems to reference the events of Act 1, the reveal of Sayori's depression, and her ultimate fate by the end of the Act.
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* Both Yuri's book and Natsuki's manga foreshadow the plot of the game:
** After Yuri describes the plot of ''The Eye of Markov'', the PC notes that she made it sound like it was going to be a nice story at first until it took a dark turn. This, of course, foreshadows the SurpriseCreepy that comes later. It may also be ProductionForeshadowing for a later game.
** ''Parfait Girls'', Natsuki's manga, has four girls in animated poses on the cover, much like the game's title screen. She describes it as starting as a comedy with a chapter about the girls obsessing over a boy in an ice cream shop, before turning to the dramatic later on once it delves into the character's backstories. She also mentions a character named Minori, who is "unlucky" but still likable, that apparently goes through [[BreakTheCutie something bad]]. This seems to reference the events of Act 1, the reveal of Sayori's depression, and her ultimate fate by the end of the Act.
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** Monika posts several images of the club members leading up to Valentine's Day 2018. Her own picture is much more detailed and elaborate ([[FunnyBackgroundEvent with the other girls relegated to the background]]) and posted on February 14 to boot.
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False. Monika is most noticeable, but the others move as well. They move less because they're farther away- it's a parallax effect.


* Team Salvato has the game's soundtrack uploaded on their official Youtube account. Monika is notably the only character moving around in the otherwise still background image. Some songs, such as "Sayo-nara" and "Just Monika," also have characters removed from the image, hinting at their eventual removal within the game.

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* Team Salvato has the game's soundtrack uploaded on their official Youtube account. Monika is notably the only character moving around in the otherwise still background image. Some songs, such as "Sayo-nara" and "Just Monika," also have characters removed from the image, hinting at their eventual removal within the game.
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* Team Salvato has the game's soundtrack uploaded on their official Youtube account. Monika is notably the only character moving around in the otherwise still background image. Some songs, such as "Sayo-Nara" and "Just Monika," also have characters removed from the image, hinting at their eventual removal within the game.

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* Team Salvato has the game's soundtrack uploaded on their official Youtube account. Monika is notably the only character moving around in the otherwise still background image. Some songs, such as "Sayo-Nara" "Sayo-nara" and "Just Monika," also have characters removed from the image, hinting at their eventual removal within the game.
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* Team Salvato has the game's soundtrack uploaded on their official Youtube account. Monika is notably the only character moving around in the otherwise still background image. Some songs, such as "Sayo-Nara" and "Just Monika," also have characters removed from the image, hinting at their eventual removal within the game.
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* After sharing ''Bottles'', a poem that is itself foreshadowing, Sayori cheerfully exclaims that she'll write poems until the day she dies. This is a hint towards Sayori's depression and suicidal ideation. Her suicide note is also, of course, a poem.
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** When the protagonist is supposed to be greeted in the morning by Sayori, she is replaced by a distorted sprite alternating between Monika and Yuri before the scene resets to remove Sayori altogether. The sprite pauses on Monika just before it disappears.
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* A few time, Sayori will mention an unnamed, unspecified "her" or "she" that says some things that seriously upset Sayori, such as "Get out of my head before I listen to everything she said to me" (from her final poem, %). It isn't clear at first who this "she" is, but it's abundantly clear who it is by the end of Act 2.
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** Monika's "Okay, Everyone!" is a solo piano piece. If you listen closely and compare hers to the other themes, you can hear the pianist make mistakes. They hit a note that's too high and fumble 9 seconds in. The pianist fumbles a little 35 seconds in, too. Hers is the only one that uses only one instrument and due to that, lacks the tinkling sounds the others all have (where the tinkling sound is in the other 4 themes, it is played on the higher registers of the piano). The piano in the main "Okay Everyone!" theme is also omnipresent. When you factor in that you can hear the cellos from Yuri's theme in it, but do not hear anything unique to Natsuki or Sayori's themes, it alludes to the second act of the game, where you are forced onto Yuri's route despite Monika's intense meddling. The piano you are hearing in both her own theme (as she would not have one of her own originally) and the main theme (where she likely replaces Sayori and Natsuki's parts) is Monika playing the piano.
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** Yuri's second poem, ''The Raccoon'' is about Yuri's unusual hobbies, and depicts a woman who feeds hand sliced bread to a raccoon, despite knowing that it will always come back for more. She eventually takes a dark thrill in feeding the raccoon, being prepared to feed it wherever she goes. Throughout the poem, Yuri is unusually fixated on the knife she uses to slice the bread, describing the raccoon's hunger and her desire to feed it in terms of an addiction, and even mentioning a"rush of blood" in the final stanza. All of this takes on a sinister light when her propensity for self-harm is revealed in Act 2.

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** Yuri's second poem, ''The Raccoon'' is about Yuri's unusual hobbies, and depicts a woman who feeds hand sliced bread to a raccoon, despite knowing that it will always come back for more. She eventually takes a dark thrill in feeding the raccoon, being prepared to feed it wherever she goes. Throughout the poem, Yuri is unusually fixated on the knife she uses to slice the bread, describing the raccoon's hunger and her desire to feed it in terms of an addiction, and even mentioning a"rush a "rush of blood" in the final stanza. All of this takes on a sinister light when her propensity for self-harm is revealed in Act 2.
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* At the end of the third day, if you spend enough time with Yuri or Natsuki, Monika will allude to the flaws they possess, particularly the ones that are exaggerated in Act 2.

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* At the end of the third day, day of Act 1, if you spend enough time with Yuri or Natsuki, Monika will allude to the flaws they possess, particularly the ones that are exaggerated in Act 2.
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the quote is "that's just how she is when she's around you". Can still mean the same thing, but not definitive and could be referring to Sayori actually being happier around the mc


** At one point during Act 1, Monika makes the protagonist ponder a question where she states that he only sees the cheerful side of Sayori, because that is how Sayori ''acts'' when she is around him.
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* When questioned about knowing about the player's private conversation with Sayori, Monika smiles & says "Of course I do. I'm the club president", which foreshadows the revelation that being club president gives people some kind of psychic abilities.

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* When questioned about knowing about the player's private conversation with Sayori, Monika smiles & says "Of course I do. I'm the club president", which foreshadows the revelation seems like another of her hand waves until you learn that being club president gives people some kind of psychic abilities.
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* When questioned about knowing about the player's private conversation with Sayori, Monika smiles & says "Of course I do. I'm the club president", which foreshadows the revelation that being club president gives people some kind of psychic abilities.
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Adding on to the Yuri foreshadowing section by Monika.


** If the player spends more time with Yuri than the other members, Monika will warn the protagonist that Yuri has a hard time opening up to others and that she could accidentally hurt herself. In Act 2, Yuri stabs herself to death after confessing her love the protagonist.

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** If the player spends more time with Yuri than the other members, Monika will warn the protagonist that Yuri has a hard time opening up to others and that she could accidentally hurt herself. In Act 2, Yuri stabs herself to death after confessing her love the protagonist. This goes even further as Monika will explain that Yuri can sometimes get "overexcited". If the player accepts Yuri's heinously creepy proposal in Act 2, she stabs herself to death because because she gets overexcited and can't handle the fact that you like her.
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* When Sayori leaves the class in a funk (the same day that it's revealed she has depression,) the club has an awkward moment capped off by Yuri commenting that "Stagnant air is common foreshadowing that something bad is going to happen." She later repeats this line in the second loop, on the same day that she stabs herself to death.
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* In poem writing minigame, all the depressing word choices like "death", "hopeless", "defeat", and "alone" impress Sayori, of all characters, which gives away her chronic depression and suicidal tendencies. In the second act, these same words count as points toward Yuri, as her unravelling is the focus of that act.

to:

* In the poem writing minigame, all some of the depressing word choices like "death", "hopeless", "defeat", and "alone" impress Sayori, of all characters, which gives away her chronic depression and suicidal tendencies. In the second act, these same words count as points toward Yuri, as her unravelling is the focus of that act.

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