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Lincoln heavily implies that the "fictional" monsters he sculpted were actually real, so the same would apply to the Marquis de Sade.
* AllMythsAreTrue: Or rather, all horror villains are real. When Mark is traveling through time in the second movie, he encounters Mr. Hyde, Dr. Frankenstein and his monster, Count Orlok, and others.
-->'''David Lincoln:''' They made a ''movie'' about the Phantom of the Opera?
-->'''David Lincoln:''' They made a ''movie'' about the Phantom of the Opera?
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** Could be FridgeBrilliance, as the waxworks represent fictional villains, possibly including a ''fictionalized'' version of de Sade.
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* KnightOfCerebus: The Marquis de Sade. His abuse of Sarah is most certainly ''[[DudeNotFunny not]]'' PlayedForLaughs, nor are his promises to turn her over to the Prince of England so that she can be used "like the whore she [is]".
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* KnightOfCerebus: The Marquis de Sade. His abuse of Sarah is most certainly ''[[DudeNotFunny not]]'' ''not'' PlayedForLaughs, nor are his promises to turn her over to the Prince of England so that she can to be used "like the whore she [is]".and further abused. Sarah's fascination with him that ultimately leads to him nearly breaking her is a major source of serious drama in what's an otherwise light-hearted movie.
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Page has been moved to disambiguate.
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Despite its name and setting, the video game ''VideoGame/WaxWorks'' has nothing to do with the films.
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Despite its name and setting, the video game ''VideoGame/WaxWorks'' ''VideoGame/Waxworks1992'' has nothing to do with the films.films, nor does this film have anything to do with ''Film/{{Waxworks}}''.
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''Waxwork'' is a horror comedy released in 1988.
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''Waxwork'' is a horror comedy released in 1988.
1988 starring Zach Gallifan, Creator/DavidWarner, Creator/PatrickMacnee, Deborah Foreman, Creator/DanaAshbrook, J. Kenneth Campbell, and Creator/JohnRhysDavies.
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''Waxwork'' is a horror-comedy released in 1988.
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''Waxwork'' is a
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* AssholeVictim: [[spoiler:UsefulNotes/JackTheRipper is killed offscreen by [[{{Nosferatu}} Orlok]].]]
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* AssholeVictim: [[spoiler:UsefulNotes/JackTheRipper is killed offscreen by [[{{Nosferatu}} [[Film/{{Nosferatu}} Orlok]].]]
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No spoilers in the description
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A mysterious wax museum shows up in a suburban neighborhood one night. Mark and his friends are naturally curious about it, but they soon find out the owner's true intentions. It turns out anyone who enters the museum dies after being sucked into one of the displays [[spoiler: (unless they can convince themselves that [[YourMindMakesItReal it's not real]])]]. When the right amount of people die in the museum, all of the waxworks will come to life and help the owner take over the world.
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A mysterious wax museum shows up in a suburban neighborhood one night. Mark and his friends are naturally curious about it, but they soon find out the owner's true intentions. It turns out anyone who enters the museum dies after being sucked into one of the displays [[spoiler: (unless they can convince themselves that [[YourMindMakesItReal it's not real]])]].displays. When the right amount of people die in the museum, all of the waxworks will come to life and help the owner take over the world.
* ActorAllusion: [[Film/{{Gremlins}} "What the hell am I gonna feed him at this hour?"]]
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** In the sequel, the ''Haunting of Hill House'' sequence is in black and white, the ''Nosferatu'' sequence is black-and-white ''and silent'' (complete with written dialogue-cards), and characters who are passing through the {{Kaiju}} setting [[Main/HongKongDub speak in Japanese, but have bad overdubbing in English.]]
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** In the sequel, the ''Haunting of Hill House'' sequence is in black and white, the ''Nosferatu'' sequence is black-and-white ''and silent'' (complete with written dialogue-cards), and characters who are passing through the {{Kaiju}} setting [[Main/HongKongDub [[HongKongDub speak in Japanese, but have bad overdubbing in English.]]
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* CastingGag: The speaker for the jury in ''Waxwork II'' is played by Stanley Sheff, who directed this film's director Anthony Hickox in ''Lobster Man from Mars'' a few years earlier. A clip can be seen playing on the TV in the Brightman household when Sarah returns home at the start of the film.
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead1968''. In the sequel, the ''Haunting of Hill House''-setting is in black and white, the ''Nosferatu''-setting is black-and-white ''and silent'' (complete with written dialogue-cards), and characters who are passing through the {{Kaiju}} setting [[Main/HongKongDub speak in Japanese, but have bad overdubbing in English.]]
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead1968''.
** In the sequel, the ''Haunting of HillHouse''-setting House'' sequence is in black and white, the ''Nosferatu''-setting ''Nosferatu'' sequence is black-and-white ''and silent'' (complete with written dialogue-cards), and characters who are passing through the {{Kaiju}} setting [[Main/HongKongDub speak in Japanese, but have bad overdubbing in English.]]
** In the sequel, the ''Haunting of Hill
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead1968''. In the sequel, the haunted-house setting is in black and white, the ''Nosferatu''-setting is black-and-white ''and silent'' (complete with written dialogue-cards), and characters who are passing through the {{Kaiju}} setting speak Japanese.
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead1968''. In the sequel, the haunted-house setting ''Haunting of Hill House''-setting is in black and white, the ''Nosferatu''-setting is black-and-white ''and silent'' (complete with written dialogue-cards), and characters who are passing through the {{Kaiju}} setting [[Main/HongKongDub speak Japanese.in Japanese, but have bad overdubbing in English.]]
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* AssholeVictim: [[spoiler:JackTheRipper is killed offscreen by [[{{Nosferatu}} Orlok]].]]
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* AssholeVictim: [[spoiler:JackTheRipper [[spoiler:UsefulNotes/JackTheRipper is killed offscreen by [[{{Nosferatu}} Orlok]].]]
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* PetTheDog: Lincoln flips out at his bodyguard for [[spoiler:killing the cop,]] and promptly apologizes and comforts him when he sees that he's visibly upset.
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* AssholeVictim: [[spoiler:JackTheRipper is killed offscreen by [[{{Nosferatu}} Orlok]].]]
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* KnightOfCerebus: The Marquis de Sade. His abuse of Sarah is most certainly [[DudeNotFunny ''not'']] PlayedForLaughs, nor are his threats to turn her over to the Prince of England so that she can be used "like the whore she [is]".
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* KnightOfCerebus: The Marquis de Sade. His abuse of Sarah is most certainly [[DudeNotFunny ''not'']] ''[[DudeNotFunny not]]'' PlayedForLaughs, nor are his threats promises to turn her over to the Prince of England so that she can be used "like the whore she [is]".
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* KnightOfCerebus: The Marquis de Sade. His abuse of Sarah is most certainly [[DudeNotFunny ''not'']] PlayedForLaughs, nor are his threats to turn her over to the Prince of England so that she can be used "like the whore she [is]".
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A sequel, ''Waxwork II: Lost in Time'', was released in 1992. It takes place immediately after the first film, with Sarah's father being murdered by a wax hand that escaped destruction hours before. Sarah's case for her innocence looks bad, thanks to no one believing her and Mark's claims about the wax museum. When they go to Mark's grandfather's mansion, they find a magic compass that allows them to travel through time. Believing it can be used to get evidence for the trial, the two of them start going through time and space while ending up in sci-fi and horror film parodies along the way.
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A sequel, ''Waxwork II: Lost in Time'', was released in 1992. It takes place immediately after the first film, with Sarah's father being murdered by a wax hand that escaped destruction hours before. Sarah's case for her innocence looks bad, thanks to no one believing her and Mark's claims about the wax museum. museum or disembodied hands. When they go to Mark's grandfather's Sir Wilfred's mansion, they find a magic compass that allows them to travel through time. Believing it can be used to get evidence for the trial, the two of them start going through time and space while ending up in sci-fi and horror film parodies along the way.
* AndTheAdventureContinues: [[spoiler: The second movie ends this way, with Sarah using the compass to return to Mark in the past after being exonerated.]]
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* CleverCrows: Mark's grandfather appears as a raven to him in his times of need in the sequel.
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* CleverCrows: Mark's grandfather In the sequel, Sir Wilfred appears as a raven to him in his times of need in the sequel.Mark when he needs a helping hand (or beak).
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* SuperWheelchair: One of TheCavalry has an armored one with a bulldozer-like front in the first movie's big battle scene. (It's an obvious very cheap cardboard shell around a normal motorized wheelchair, but that actually makes it funnier.)
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* SuperWheelchair: One of TheCavalry Sir Wilfred has an armored one with a bulldozer-like front in the first movie's big battle scene. (It's an obvious very cheap cardboard shell around a normal motorized wheelchair, but that actually makes it funnier.)
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** Mark thinks this rule is in effect in the sequel and gets clobbered in the face. Turns out he's not in the Kansas wax museum anymore.
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** WrongGenreSavvy: Mark thinks this rule is in effect in the sequel and gets clobbered in the face. Turns out he's not in the Kansas wax museum anymore.
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* HistoricalVillainUpgrade: Marquis de Sade, who is now one of the most evil men ever existed.
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* HistoricalVillainUpgrade: Marquis de Sade, Done to UsefulNotes/MarquisDeSade, who is now one of the most evil men ever existed.
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[[quoteright:346:http://static.tvtropes.org/pmwiki/pub/images/WaxworkDVD_3242.jpg]]
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Moved to the Trivia tab.
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* ActorAllusion: [[{{Gremlins}} "What the hell am I gonna feed him at this hour?"]]
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* TheDanza: Creator/DavidWarner as David Lincoln
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TheOtherDarrin: Sarah is played by Deborah Foreman in ''Waxwork'' and Monika Schnarre in ''Waxwork II''. Particularly noticeable because ''Waxwork II'' replays some footage of the first movie's climax.
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TheOtherDarrin: Sarah is played by Deborah Foreman in ''Waxwork'' and Monika Schnarre in ''Waxwork II''. Particularly noticeable because ''Waxwork II'' replays some footage of the first movie's climax.
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* EverythingsDeaderWithZombies: Zombies are included in the exhibits of the first movie. Zombies appear again in the second movie in one of the alternate timelines reminiscient of ''Film/DawnOfTheDead''.
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* EverythingsDeaderWithZombies: Zombies are included in the exhibits of the first movie. Zombies appear again in the second movie in one of the alternate timelines reminiscient of ''Film/DawnOfTheDead''.''Film/DawnOfTheDead1978''.
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead''. In the sequel, the haunted-house setting is in black and white, the ''Nosferatu''-setting is black-and-white ''and silent'' (complete with written dialogue-cards), and characters who are passing through the {{Kaiju}} setting speak Japanese.
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead''.''Film/NightOfTheLivingDead1968''. In the sequel, the haunted-house setting is in black and white, the ''Nosferatu''-setting is black-and-white ''and silent'' (complete with written dialogue-cards), and characters who are passing through the {{Kaiju}} setting speak Japanese.
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* BigBad: David Lincoln in the first film.
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* BigBad: David Lincoln in the first film.film, Scarabis in the sequel.
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* NoMoreForMe: When Mark and Scarabis pass through his dimension, ''Mr. Hyde'' looks suspiciously at the bottle of elixir that had just transformed him from Dr. Jekyll.
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* WholeCostumeReference: Although not necessarily matching any specific film, Mark's and Scarabis's outfits during their duel-across-dimensions always shift to suit their surroundings, and ''exactly'' conform to what a hero and a villain, respectively, would wear in the film genre that particular reality represents (e.g. white Travolta disco suit vs denim-clad biker in the '70s zombie mall, proper tuxedo vs seedy longcoat and eyepatch in JackTheRipper London, etc).
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* WholeCostumeReference: Although not necessarily matching any specific film, Mark's and Scarabis's outfits during their duel-across-dimensions always shift to suit their surroundings, and ''exactly'' conform to what a hero and a villain, respectively, would wear in the film genre that particular reality represents (e.g. white Travolta disco suit vs denim-clad biker in the '70s zombie mall, proper tuxedo vs seedy longcoat and eyepatch in JackTheRipper UsefulNotes/JackTheRipper London, etc).
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead''. In the sequel, the haunted-house setting is in black and white, the ''Nosferatu''-setting is colorless ''and silent'', and characters who are passing through the {{Kaiju}} setting speak Japanese.
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead''. In the sequel, the haunted-house setting is in black and white, the ''Nosferatu''-setting is colorless black-and-white ''and silent'', silent'' (complete with written dialogue-cards), and characters who are passing through the {{Kaiju}} setting speak Japanese.
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead''.
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* ArtShift: The first film's zombie sequence is in black and white, in homage to ''Film/NightOfTheLivingDead''. In the sequel, the haunted-house setting is in black and white, the ''Nosferatu''-setting is colorless ''and silent'', and characters who are passing through the {{Kaiju}} setting speak Japanese.
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* WholeCostumeReference: Although not necessarily matching any specific film, Mark's and Scarabis's outfits during their duel-across-dimensions always shift to suit their surroundings, and ''exactly'' conform to what a hero and a villain, respectively, would wear in the film genre that particular reality represents (e.g. white Travolta disco suit vs denim biker in the '70s zombie mall, proper tuxedo vs seedy longcoat and eyepatch in JackTheRipper London, etc).
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* WholeCostumeReference: Although not necessarily matching any specific film, Mark's and Scarabis's outfits during their duel-across-dimensions always shift to suit their surroundings, and ''exactly'' conform to what a hero and a villain, respectively, would wear in the film genre that particular reality represents (e.g. white Travolta disco suit vs denim denim-clad biker in the '70s zombie mall, proper tuxedo vs seedy longcoat and eyepatch in JackTheRipper London, etc).
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* WholeCostumeReference: Although not necessarily a perfect match, Mark's and Scarabis's outfits during their duel-across-dimensions always shift to suit their surroundings, and ''exactly'' conform to what a hero and a villain, respectively, would wear in the film genre that particular reality represents (e.g. white Travolta disco suit vs denim biker in the '70s zombie mall, proper tuxedo vs seedy longcoat and eyepatch in JackTheRipper London, etc).
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* WholeCostumeReference: Although not necessarily a perfect match, matching any specific film, Mark's and Scarabis's outfits during their duel-across-dimensions always shift to suit their surroundings, and ''exactly'' conform to what a hero and a villain, respectively, would wear in the film genre that particular reality represents (e.g. white Travolta disco suit vs denim biker in the '70s zombie mall, proper tuxedo vs seedy longcoat and eyepatch in JackTheRipper London, etc).
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* WholeCostumeReference: Although not necessarily a perfect match, Mark's and Scarabis's outfits during their duel-across-dimensions always shift to suit their surroundings, and ''exactly'' conform to what a hero and a villain, respectively, would wear in the film genre that particular reality represents (e.g. white Travolta disco suit vs denim biker in the '70s zombie mall, proper tuxedo vs seedy longcoat and eyepatch in JackTheRipper London, etc).
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* FaceRevealingTurn: In the Dracula exhibit when China finishes staking the last of Dracula's brides to save her character's lover. However, because she knocked one of the girls onto him, when China pulls her off. The bride has finished draining the lover's blood and the previously helpeful lover bears his fangs and hisses at her.
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* FaceRevealingTurn: In the Dracula exhibit when China finishes staking the last of Dracula's brides to save her character's lover. However, because she knocked knocks one of the girls onto him, when him. When China pulls her off. The off, the bride has finished draining the lover's blood and the previously helpeful previously-helpful lover bears his fangs and hisses at her.
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* SuperWheelchair: One of TheCavalry has an armored one with a bulldozer-like front in the first movie's big battle scene. (It's an obvious very cheap cardboard prop, but that makes it funnier.)
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* SuperWheelchair: One of TheCavalry has an armored one with a bulldozer-like front in the first movie's big battle scene. (It's an obvious very cheap cardboard prop, shell around a normal motorized wheelchair, but that actually makes it funnier.)