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* BittersweetEnding: [[spoiler:Unable to reconcile their differences, Katie and Hubbell divorce. Years later, Katie and Hubbell meet by chance in front of the Plaza Hotel in New York City. Katie has since remarried and is continuing her activist work, while Hubbell is now seeing another woman and writing for a television show. After a brief, friendly reunion, Katie and Hubbell share a tender, bittersweet hug and farewell before parting ways forever, with only the memories of the way they were...]]
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* RedScare: Katie's political views are met with disdain -- and eventually Hubbell is at risk of getting [[UsefulNotes/TheHollywoodBlacklist blacklisted]] due to his relationship with her. Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis fascism]].
to:
* RedScare: Katie's political views are met with disdain -- – and eventually Hubbell is at risk of getting [[UsefulNotes/TheHollywoodBlacklist blacklisted]] due to his relationship with her. Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis fascism]].
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[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/the_way_we_were.jpg]]
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The film spans several years, starting prior to UsefulNotes/WorldWarII and ending in the late [[TheFifties 1950s]], and tells the doomed love story of Katie Morosky (Streisand) and Hubbell Gardiner (Redford). It has love, tears, and communism -- what more could one want?
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* MatzoFever: Hubbell, the WASP, falls for the very Jewish Katie.
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* RedScare: Katie's political views are met with disdain -- and eventually Hubbell is at risk of getting [[UsefulNotes/TheHollywoodBlacklist blacklisted]]. Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis fascism]].
to:
* RedScare: Katie's political views are met with disdain -- and eventually Hubbell is at risk of getting [[UsefulNotes/TheHollywoodBlacklist blacklisted]].blacklisted]] due to his relationship with her. Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis fascism]].
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* SoapboxSadie: Katie is viewed as this (including by Hubbell at first), but the trope is mostly subverted, as Katie is an ardent Marxist and doesn't arbitrarily pick her causes. (She even has a picture of [[UsefulNotes/JosefStalin Stalin]] on the wall at one point!) However, she does enjoy shocking people and is quick to pick up the banner for a just cause.
to:
* SoapboxSadie: Katie is viewed as this (including by Hubbell at first), but the trope is mostly subverted, as Katie is an ardent Marxist and doesn't arbitrarily pick her causes. (She even has a picture of [[UsefulNotes/JosefStalin Stalin]] on the wall at one point!) However, she She does enjoy shocking people people, however, and is she's quick to pick up the banner for a just cause.
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* SoapboxSadie: Katie is viewed as this (including by Hubbell at first), but the trope is mostly subverted. Katie is an ardent Marxist and doesn't arbitrarily pick her causes. (She even has a picture of [[UsefulNotes/JosefStalin Stalin]] on the wall at one point!) However, she does enjoy shocking people and is quick to pick up the banner for a just cause.
to:
* SoapboxSadie: Katie is viewed as this (including by Hubbell at first), but the trope is mostly subverted. subverted, as Katie is an ardent Marxist and doesn't arbitrarily pick her causes. (She even has a picture of [[UsefulNotes/JosefStalin Stalin]] on the wall at one point!) However, she does enjoy shocking people and is quick to pick up the banner for a just cause.
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* UsefulNotes/TheHollywoodBlacklist: Katie's activism comes under scrutiny and becomes a threat to Hubbell's lucrative screenwriting career, putting another strain on their relationship.
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* TheHollywoodBlacklist: Katie's activism comes under scrutiny and becomes a threat to Hubbell's lucrative screenwriting career, putting another strain on their relationship.
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* TheHollywoodBlacklist: UsefulNotes/TheHollywoodBlacklist: Katie's activism comes under scrutiny and becomes a threat to Hubbell's lucrative screenwriting career, putting another strain on their relationship.
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* TheHollywoodBlacklist: Katie's activism comes under scrutiny and becomes a threat to Hubbell's lucrative screenwriting career, putting another strain on their relationship.
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* ManicPixieDreamGirl: Eventually subverted. Katie pulls Hubbell from his complacence and encourages his creativity. however, she has many, many of her own goals [[spoiler: one of the many reasons they eventually don't work out. Hubbell ends up with a woman who doesn't push him the same way and seems very happy about it.]]
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* ManicPixieDreamGirl: Eventually subverted. Katie pulls Hubbell from his complacence and encourages his creativity. however, However, she has many, many goals of her own goals [[spoiler: one own, [[spoiler:one of the many reasons they eventually don't work out. Hubbell ends up with a woman who doesn't push him the same way and seems very happy about it.]]
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The film spans several years, starting prior to UsefulNotes/WorldWarII and ending in the late [[TheFifties '50s]], and tells the doomed love story of Katie Morosky (Streisand) and Hubbell Gardiner (Redford). It has love, tears, and communism -- what more could one want?
to:
The film spans several years, starting prior to UsefulNotes/WorldWarII and ending in the late [[TheFifties '50s]], 1950s]], and tells the doomed love story of Katie Morosky (Streisand) and Hubbell Gardiner (Redford). It has love, tears, and communism -- what more could one want?
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* {{Tsundere}}: Katie might be the OG one. She and Hubbell share a great deal of vitriol - and sexual tension.
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* {{Tsundere}}: Katie might be the OG one. She and Hubbell share a great deal of vitriol - vitriol... and sexual tension.
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* MatzoFever: Hubbell, the WASP, falls for the very Jewish Katie.
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''The Way We Were'' is a 1973 historical romantic drama starring Music/BarbraStreisand and Creator/RobertRedford, based on a novel by the same name and directed by Creator/SydneyPollack. The film spans several years, starting pre-WWII and ending in the late 1950s, and tells the doomed love story of Katie (Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
A big box-office hit, this film also won two UsefulNotes/{{Academy Award}}s for its soundtrack, and the leading song (aptly titled "The Way We Were"), performed by Streisand, was a huge success as well.
A big box-office hit, this film also won two UsefulNotes/{{Academy Award}}s for its soundtrack, and the leading song (aptly titled "The Way We Were"), performed by Streisand, was a huge success as well.
to:
[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/the_way_we_were.jpg]]
''The Way We Were'' is a 1973historical romantic drama film directed by Creator/SydneyPollack and starring Music/BarbraStreisand and Creator/RobertRedford, based on a novel by Creator/RobertRedford. Screenwriter Arthur Laurents [[TheFilmOfTheBook adapted his own novel]] of the same name and directed by Creator/SydneyPollack. title.
The film spans several years, startingpre-WWII prior to UsefulNotes/WorldWarII and ending in the late 1950s, [[TheFifties '50s]], and tells the doomed love story of Katie Morosky (Streisand) and Hubbell Gardiner (Redford). It has love, tears tears, and communism - -- what more could one want?
A big box-office hit,this the film also won two earned UsefulNotes/{{Academy Award}}s for Music/MarvinHamlisch's music score and for its soundtrack, and the leading song (aptly titled "The Way We Were"), TitleThemeTune performed by Streisand, was Streisand (which became a huge success as well. ''Billboard'' #1 hit).
''The Way We Were'' is a 1973
The film spans several years, starting
A big box-office hit,
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* RedScare: Katie's political views are met with disdain - and eventually Hubbell is at risk of being [[UsefulNotes/JosephMcCarthy blacklisted]]. Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis fascism]].
to:
* RedScare: Katie's political views are met with disdain - -- and eventually Hubbell is at risk of being [[UsefulNotes/JosephMcCarthy getting [[UsefulNotes/TheHollywoodBlacklist blacklisted]]. Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis fascism]].
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* SoapboxSadie: Katie is viewed as this (including by Hubbell at first), but the trope is mostly subverted. Katie is an ardent Marxist and doesn't arbitrarily pick her causes.(she even has a picture of [[UsefulNotes/JosefStalin Stalin]] on the wall at one point!). However, she does enjoy shocking people and is quick to pick up the banner for a just cause.
to:
* SoapboxSadie: Katie is viewed as this (including by Hubbell at first), but the trope is mostly subverted. Katie is an ardent Marxist and doesn't arbitrarily pick her causes.(she (She even has a picture of [[UsefulNotes/JosefStalin Stalin]] on the wall at one point!). point!) However, she does enjoy shocking people and is quick to pick up the banner for a just cause.
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'''''The Way We Were''''' is a 1973 historical romantic drama starring Music/BarbraStreisand and Creator/RobertRedford, based on a novel by the same name and directed by Creator/SydneyPollack. The film spans several years, starting pre-WWII and ending in the late 1950s, and tells the doomed love story of Katie (Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
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* BettyAndVeronica: With Hubbell as Archie, Katie as Betty (though there is a [[BettyAndVeronicaSwitch switch]] at some point), and [[Creator/LoisChiles Carol Ann]] as Veronica.
** This dynamic in the film was discussed at length in ''Series/SexAndTheCity'', with Carrie comparing herself to Katie, "the strange girl", and Natasha, Big's wife, to "the regular girl".
* DidNotGetTheGirl: [[spoiler:They don't end up together.]]
* JewsLoveToArgue: Katie is nothing if not hot headed.
** This dynamic in the film was discussed at length in ''Series/SexAndTheCity'', with Carrie comparing herself to Katie, "the strange girl", and Natasha, Big's wife, to "the regular girl".
* DidNotGetTheGirl: [[spoiler:They don't end up together.]]
* JewsLoveToArgue: Katie is nothing if not hot headed.
to:
* BettyAndVeronica: With Hubbell as Archie, Katie as Betty (though there is a [[BettyAndVeronicaSwitch switch]] at some point), and [[Creator/LoisChiles Carol Ann]] Ann (Creator/LoisChiles) as Veronica.Veronica. This dynamic in the film was discussed at length in ''Series/SexAndTheCity'', with Carrie comparing herself to Katie, "the strange girl", and Natasha, Big's wife, to "the regular girl".
** This dynamic in the film was discussed at length in ''Series/SexAndTheCity'', with Carrie comparing herself to Katie, "the strange girl", and Natasha, Big's wife, to "the regular girl".
* DidNotGetTheGirl: [[spoiler:They [[spoiler:Katie and Hubbell don't end up together.]]
* JewsLoveToArgue: The Jewish Katie is nothing if not hot headed.
* JewsLoveToArgue: The Jewish Katie is nothing if not hot headed.
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* RedScare: Katie's political views are met with disdain - and eventually Hubbell is at risk of being [[UsefulNotes/JosephMcCarthy blacklisted]].
** Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis fascism]].
* SignatureLine: [[spoiler:Your girl is lovely, Hubbell.]]
** Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis fascism]].
* SignatureLine: [[spoiler:Your girl is lovely, Hubbell.]]
to:
* RedScare: Katie's political views are met with disdain - and eventually Hubbell is at risk of being [[UsefulNotes/JosephMcCarthy blacklisted]].
**blacklisted]]. Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis fascism]].
* SignatureLine:[[spoiler:Your [[spoiler:"Your girl is lovely, Hubbell.]]"]]
**
* SignatureLine:
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"1950s", not "50's"
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'''''The Way We Were''''' is a 1973 historical romantic drama starring Music/BarbraStreisand and Creator/RobertRedford, based on a novel by the same name and directed by Creator/SydneyPollack. The film spans several years, starting pre-WWII and ending in the late 50's, and tells the doomed love story of Katie (Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
A big box-office hit, this film also won two UsefulNotes/{{Academy Award}}s for its soundtrack, and the leading song (aptly titled The Way We Were), performed by Streisand, was a huge success as well.
A big box-office hit, this film also won two UsefulNotes/{{Academy Award}}s for its soundtrack, and the leading song (aptly titled The Way We Were), performed by Streisand, was a huge success as well.
to:
'''''The Way We Were''''' is a 1973 historical romantic drama starring Music/BarbraStreisand and Creator/RobertRedford, based on a novel by the same name and directed by Creator/SydneyPollack. The film spans several years, starting pre-WWII and ending in the late 50's, 1950s, and tells the doomed love story of Katie (Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
A big box-office hit, this film also won two UsefulNotes/{{Academy Award}}s for its soundtrack, and the leading song (aptly titledThe "The Way We Were), Were"), performed by Streisand, was a huge success as well.
A big box-office hit, this film also won two UsefulNotes/{{Academy Award}}s for its soundtrack, and the leading song (aptly titled
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* DidNotGetTheGirl:[[spoiler: They don't end up together.]]
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* DidNotGetTheGirl:[[spoiler: They DidNotGetTheGirl: [[spoiler:They don't end up together.]]
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** Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis Fascism]].
* SignatureLine: [[spoiler: your girl is lovely Hubbell]].
* SignatureLine: [[spoiler: your girl is lovely Hubbell]].
to:
** Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis Fascism]].fascism]].
* SignatureLine:[[spoiler: your [[spoiler:Your girl is lovely Hubbell]]. lovely, Hubbell.]]
* SignatureLine:
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* StarcrossedLovers: Katie and Hubbell.
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* StarcrossedLovers: StarCrossedLovers: Katie and Hubbell.
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'''''The Way We Were''''' is a 1973 historical romantic drama starring Music/BarbraStreisand and Creator/RobertRedford, based on a novel by the same name and directed by Creator/SydneyPollack.
The film spans several years, starting pre-WWII and ending in the late 50's, and tells the doomed love story of Katie (Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
The film spans several years, starting pre-WWII and ending in the late 50's, and tells the doomed love story of Katie (Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
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'''''The Way We Were''''' is a 1973 historical romantic drama starring Music/BarbraStreisand and Creator/RobertRedford, based on a novel by the same name and directed by Creator/SydneyPollack. \n The film spans several years, starting pre-WWII and ending in the late 50's, and tells the doomed love story of Katie (Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
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The Way We Were is a 1973 historical romantic drama starring Music/BarbraStreisand and Creator/RobertRedford, based on a novel by the same name.
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The film spans several years, starting pre-WWII and ending in the late 50's, and tells the doomed love story of Katie(Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
to:
The film spans several years, starting pre-WWII and ending in the late 50's, and tells the doomed love story of Katie(Streisand) Katie (Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
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* DawsonCasting: The film starts with the leads in college, however both actors were in their 30's while filming.
* [[spoiler: DidNotGetTheGirl Did Not Get The Guy]][[spoiler:: They don't end up together.]]
* [[spoiler: DidNotGetTheGirl Did Not Get The Guy]][[spoiler:: They don't end up together.]]
to:
* DawsonCasting: The film starts with the leads in college, however both actors were in their 30's while filming.
* [[spoiler: DidNotGetTheGirl Did Not Get The Guy]][[spoiler::DidNotGetTheGirl:[[spoiler: They don't end up together.]]
* [[spoiler: DidNotGetTheGirl Did Not Get The Guy]][[spoiler::
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* [[spoiler: StarcrossedLovers]]: Katie and Hubbell.
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* [[spoiler: StarcrossedLovers]]: StarcrossedLovers: Katie and Hubbell.
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The Way We Were is a 1973 historical romantic drama starring ''Music/BarbraStreisand'' and ''Creator/RobertRedford'', based on a novel by the same name.
The film spans several years, starting pre WWII and ending in the late 50's, and tells the [[spoiler: doomed]] love story of Katie(Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
The film spans several years, starting pre WWII and ending in the late 50's, and tells the [[spoiler: doomed]] love story of Katie(Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
to:
The Way We Were is a 1973 historical romantic drama starring ''Music/BarbraStreisand'' Music/BarbraStreisand and ''Creator/RobertRedford'', Creator/RobertRedford, based on a novel by the same name.
The film spans several years, startingpre WWII pre-WWII and ending in the late 50's, and tells the [[spoiler: doomed]] doomed love story of Katie(Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
The film spans several years, starting
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Added DiffLines:
The Way We Were is a 1973 historical romantic drama starring ''Music/BarbraStreisand'' and ''Creator/RobertRedford'', based on a novel by the same name.
The film spans several years, starting pre WWII and ending in the late 50's, and tells the [[spoiler: doomed]] love story of Katie(Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
A big box-office hit, this film also won two UsefulNotes/{{Academy Award}}s for its soundtrack, and the leading song (aptly titled The Way We Were), performed by Streisand, was a huge success as well.
----
!!This film provides examples of:
* BettyAndVeronica: With Hubbell as Archie, Katie as Betty (though there is a [[BettyAndVeronicaSwitch switch]] at some point), and [[Creator/LoisChiles Carol Ann]] as Veronica.
** This dynamic in the film was discussed at length in ''Series/SexAndTheCity'', with Carrie comparing herself to Katie, "the strange girl", and Natasha, Big's wife, to "the regular girl".
* DawsonCasting: The film starts with the leads in college, however both actors were in their 30's while filming.
* [[spoiler: DidNotGetTheGirl Did Not Get The Guy]][[spoiler:: They don't end up together.]]
* JewsLoveToArgue: Katie is nothing if not hot headed.
* ManicPixieDreamGirl: Eventually subverted. Katie pulls Hubbell from his complacence and encourages his creativity. however, she has many, many of her own goals [[spoiler: one of the many reasons they eventually don't work out. Hubbell ends up with a woman who doesn't push him the same way and seems very happy about it.]]
* PrincelyYoungMan: Hubbell, to a great extent.
* RedScare: Katie's political views are met with disdain - and eventually Hubbell is at risk of being [[UsefulNotes/JosephMcCarthy blacklisted]].
** Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis Fascism]].
* SignatureLine: [[spoiler: your girl is lovely Hubbell]].
* SlidingScaleOfIdealismVersusCynicism: Hubbell spends most of the film going up and down this scale, whereas Katie is a hardcore [[TheIdealist idealist]].
* StepfordSmiler: Hubbell. It drives Katie mad.
* SoapboxSadie: Katie is viewed as this (including by Hubbell at first), but the trope is mostly subverted. Katie is an ardent Marxist and doesn't arbitrarily pick her causes.(she even has a picture of [[UsefulNotes/JosefStalin Stalin]] on the wall at one point!). However, she does enjoy shocking people and is quick to pick up the banner for a just cause.
* [[spoiler: StarcrossedLovers]]: Katie and Hubbell.
* {{Tsundere}}: Katie might be the OG one. She and Hubbell share a great deal of vitriol - and sexual tension.
* WhiteAngloSaxonProtestant: Hubbell is as WASP-y as they come, and is surrounded by a multitude of [[WealthyYachtOwner boating]] [[SpoiledBrat rich kids]] and other country club crowds.
----
The film spans several years, starting pre WWII and ending in the late 50's, and tells the [[spoiler: doomed]] love story of Katie(Streisand) and Hubbell (Redford). It has love, tears and communism - what more could one want?
A big box-office hit, this film also won two UsefulNotes/{{Academy Award}}s for its soundtrack, and the leading song (aptly titled The Way We Were), performed by Streisand, was a huge success as well.
----
!!This film provides examples of:
* BettyAndVeronica: With Hubbell as Archie, Katie as Betty (though there is a [[BettyAndVeronicaSwitch switch]] at some point), and [[Creator/LoisChiles Carol Ann]] as Veronica.
** This dynamic in the film was discussed at length in ''Series/SexAndTheCity'', with Carrie comparing herself to Katie, "the strange girl", and Natasha, Big's wife, to "the regular girl".
* DawsonCasting: The film starts with the leads in college, however both actors were in their 30's while filming.
* [[spoiler: DidNotGetTheGirl Did Not Get The Guy]][[spoiler:: They don't end up together.]]
* JewsLoveToArgue: Katie is nothing if not hot headed.
* ManicPixieDreamGirl: Eventually subverted. Katie pulls Hubbell from his complacence and encourages his creativity. however, she has many, many of her own goals [[spoiler: one of the many reasons they eventually don't work out. Hubbell ends up with a woman who doesn't push him the same way and seems very happy about it.]]
* PrincelyYoungMan: Hubbell, to a great extent.
* RedScare: Katie's political views are met with disdain - and eventually Hubbell is at risk of being [[UsefulNotes/JosephMcCarthy blacklisted]].
** Katie invokes this in her big speech, asking the agitated students why they are so afraid of the USSR when the real threat is [[ThoseWackyNazis Fascism]].
* SignatureLine: [[spoiler: your girl is lovely Hubbell]].
* SlidingScaleOfIdealismVersusCynicism: Hubbell spends most of the film going up and down this scale, whereas Katie is a hardcore [[TheIdealist idealist]].
* StepfordSmiler: Hubbell. It drives Katie mad.
* SoapboxSadie: Katie is viewed as this (including by Hubbell at first), but the trope is mostly subverted. Katie is an ardent Marxist and doesn't arbitrarily pick her causes.(she even has a picture of [[UsefulNotes/JosefStalin Stalin]] on the wall at one point!). However, she does enjoy shocking people and is quick to pick up the banner for a just cause.
* [[spoiler: StarcrossedLovers]]: Katie and Hubbell.
* {{Tsundere}}: Katie might be the OG one. She and Hubbell share a great deal of vitriol - and sexual tension.
* WhiteAngloSaxonProtestant: Hubbell is as WASP-y as they come, and is surrounded by a multitude of [[WealthyYachtOwner boating]] [[SpoiledBrat rich kids]] and other country club crowds.
----