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** The hallways of Koopa's tower are lined with these as a shout-out to the walls in ''VideoGame/SuperMarioBros3''.

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** The hallways of Koopa's tower are lined with these as a shout-out to the dungeon walls in ''VideoGame/SuperMarioBros3''.
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Decades after the film was released, Nintendo announced a new film based on the ''Mario'' franchise, which will be starring Chris Pratt as the red plumber himself. It will feature an unrelated story, however, and be an AnimatedAdaptation courtesy of Creator/IlluminationEntertainment, and is rumored to be released at some point in 2022.

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Decades after the film was released, Nintendo announced a new film based on the ''Mario'' franchise, which will be starring Chris Pratt as the red plumber himself. franchise. It will feature an unrelated story, however, and be an AnimatedAdaptation courtesy of Creator/IlluminationEntertainment, and is rumored set to be released at some point in 2022.
on December 21, 2022, starring Creator/ChrisPratt as Mario, Creator/CharlieDay as Luigi, Creator/AnyaTaylorJoy as Princess Peach, Creator/JackBlack as Bowser, Creator/KeeganMichaelKey as Toad, and Creator/SethRogen as Donkey Kong.
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Decades after the film was released, Nintendo announced a new film based on the ''Mario'' franchise. It will feature an unrelated story, however, and be an AnimatedAdaptation courtesy of Creator/IlluminationEntertainment, and is rumored to be released at some point in 2022.

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Decades after the film was released, Nintendo announced a new film based on the ''Mario'' franchise.franchise, which will be starring Chris Pratt as the red plumber himself. It will feature an unrelated story, however, and be an AnimatedAdaptation courtesy of Creator/IlluminationEntertainment, and is rumored to be released at some point in 2022.
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This film is notable for two major firsts. The big one is that is was the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation. The other groundbreaker is that the movie was the first to be edited with computer software, utilizing a digital intermediate and a beta version of Autodesk Flame that allowed the filmmakers to composite over 700 shots of complex effects, surpassing the capabilities of earlier optical counterparts. The results would be cited as pivotal in the film industry's transition from practical effects to CGI, alongside the similarly dinosaur-themed ''Film/JurassicPark'' the followin gmonth.

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This film is notable for two major firsts. The big one is that is was the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation. The other groundbreaker is that the movie was the first to be edited with computer software, utilizing a digital intermediate and a beta version of Autodesk Flame that allowed the filmmakers to composite over 700 shots of complex effects, surpassing the capabilities of earlier optical counterparts. The results would be cited as pivotal in the film industry's transition from practical effects to CGI, alongside the similarly dinosaur-themed ''Film/JurassicPark'' the followin gmonth.
following month.



* BrooklynRage: Mario has a temperamental personality and, appropriately enough, sports a Brooklyn accent. Luigi is considerably more mellow.

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* BrooklynRage: Mario has a temperamental personality and, appropriately enough, sports a Brooklyn accent. Luigi is considerably more mellow.mellow in both personality and voice.



* ShoutOut: Two to ''Film/TheWizardOfOz''.

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* ShoutOut: Two to ''Film/TheWizardOfOz''.''Film/TheWizardOfOz'', a hallmark of the TrappedInAnotherWorld plot that this movie uses.
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This film is notable for two major firsts. The big one is that is was the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation. The other groundbreaker is that the movie was the first to be edited with computer software, utilizing a digital intermediate and a beta version of Autodesk Flame that allowed the filmmakers to composite over 700 shots of complex effects, surpassing the capabilities of earlier optical counterparts. The results would be cited as pivotal in the film industry's transition from practical effects to CGI, alongside the similarly dinosaur-themed ''Film/JurassicPark'' that same year.

to:

This film is notable for two major firsts. The big one is that is was the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation. The other groundbreaker is that the movie was the first to be edited with computer software, utilizing a digital intermediate and a beta version of Autodesk Flame that allowed the filmmakers to composite over 700 shots of complex effects, surpassing the capabilities of earlier optical counterparts. The results would be cited as pivotal in the film industry's transition from practical effects to CGI, alongside the similarly dinosaur-themed ''Film/JurassicPark'' that same year.
the followin gmonth.
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This film is notable for many firsts. The biggest is that is was the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation. In addition, the movie was the first to be edited with computer software, utilizing a digital intermediate and a beta version of Autodesk Flame that allowed the filmmakers to composite over 700 shots of complex effects, surpassing the capabilities of earlier optical counterparts. The results would be cited as pivotal in the film industry's transition from practical effects to CGI, alongside the similarly dinosaur-themed ''Film/JurassicPark'' that same year.

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This film is notable for many two major firsts. The biggest big one is that is was the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation. In addition, The other groundbreaker is that the movie was the first to be edited with computer software, utilizing a digital intermediate and a beta version of Autodesk Flame that allowed the filmmakers to composite over 700 shots of complex effects, surpassing the capabilities of earlier optical counterparts. The results would be cited as pivotal in the film industry's transition from practical effects to CGI, alongside the similarly dinosaur-themed ''Film/JurassicPark'' that same year.
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This film is notable for being the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation. Another big first from the movie was its status as the first film to use Autodesk Flame, a digital editing workstation that was still in beta during the time of production. The movie's thorough use of the software would be cited as pivotal in the film industry's transition from practical effects to CGI, alongside the similarly dinosaur-themed ''Film/JurassicPark'' that same year.

to:

This film is notable for being many firsts. The biggest is that is was the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation. Another big first from In addition, the movie was its status as the first film to use Autodesk Flame, be edited with computer software, utilizing a digital editing workstation intermediate and a beta version of Autodesk Flame that was still in beta during allowed the time filmmakers to composite over 700 shots of production. complex effects, surpassing the capabilities of earlier optical counterparts. The movie's thorough use of the software results would be cited as pivotal in the film industry's transition from practical effects to CGI, alongside the similarly dinosaur-themed ''Film/JurassicPark'' that same year.
Is there an issue? Send a MessageReason:
None


This film is notable for being the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation.

to:

This film is notable for being the first ever full-length, theatrical, live-action motion picture to be based on a video game, though it is ''not'' the first feature-length theatrical production based on a video game in general; that title goes to the obscure 1986 Japanese animated film ''Anime/TheGreatMissionToSavePrincessPeach'', which was also a Mario movie adaptation.
adaptation. Another big first from the movie was its status as the first film to use Autodesk Flame, a digital editing workstation that was still in beta during the time of production. The movie's thorough use of the software would be cited as pivotal in the film industry's transition from practical effects to CGI, alongside the similarly dinosaur-themed ''Film/JurassicPark'' that same year.
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** In the manga adaptation, Spike and Iggy take Toad's role as victims of the devolution process and Lena's role as victims of the meteorite energy.
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* DeathByAdaptation: In the manga adaptation, due to Spike and Iggy taking Lena's role, they're killed by the meteroite energy instead of surviving as in the film.

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* DeathByAdaptation: In the manga adaptation, due to Spike and Iggy taking Lena's role, they're killed by the meteroite meteorite energy instead of surviving as in the film.
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Added DiffLines:

* DeathByAdaptation: In the manga adaptation, due to Spike and Iggy taking Lena's role, they're killed by the meteroite energy instead of surviving as in the film.
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* NowOrNeverKiss: A familial variant occurs when Luigi is about to leap into the unknown to go after Daisy across a chasm that would kill him otherwise; he gives Mario a kiss before taking the leap.
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* CompressedAdaptation: The manga adaptation heavily compreses the movie and combines several character roles.

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* CompressedAdaptation: The manga adaptation heavily compreses compresses the movie and combines several character roles.

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* AdaptationalUgliness: The Goombas are [[TinyHeadedBehemoth Tiny-Headed Behemoths]] and definitely not as [[AdorableEvilMinions cute]] as their video game counterparts.

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* AdaptationalUgliness: AdaptationalUgliness:
**
The Goombas are [[TinyHeadedBehemoth Tiny-Headed Behemoths]] and definitely not as [[AdorableEvilMinions cute]] as their video game counterparts.counterparts.
** In the film Koopa is good-looking, while in the manga adaptation he has a scaly head and big lips, looking closer to his semi-devolved form from the film's climax.
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* AdaptedOut: The ''Magazine/CoroCoro'' manga adaptation left out Lena and Toad, with their roles being combined for Iggy and Spike and Lena's design being used for Daisy's mother. Scapelli, Bertha, and Sergeant Simon are also adapted out.


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* CompressedAdaptation: The manga adaptation heavily compreses the movie and combines several character roles.
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* MagicMeteor: One sent the dinosaurs to AnotherDimension and serves as a portal.


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* MarsNeedsWater: Koopa tries to merge his world with ours so he can access our water supply.

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* ZeroPercentApprovalRating: Despite being the ruler of Dinohattan, Koopa gets no love from its citizens, [[spoiler:who all celebrate when he dies]]. Toad [[LampshadeHanging lampshades]] this during his TheVillainSucksSong. Justified as Koopa is an evil, sadistic despot who turned their once thriving kingdom into a dystopian, fascistic hellscape.


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* HatedByAll: Despite being the ruler of Dinohattan, Koopa gets no love from its citizens, [[spoiler:who all celebrate when he dies]]. Toad [[LampshadeHanging lampshades]] this during his TheVillainSucksSong. Justified as Koopa is an evil, sadistic despot who turned their once thriving kingdom into a dystopian, fascistic hellscape.
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** The devolved Toad, who Daisy saves while on fire, gives both her and Luigi Devolution rifles to defeat Koopa.

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** The devolved Toad, who Daisy saves while on fire, gives both her and Luigi Devolution rifles to defeat Koopa.Koopa and plays his harmonica to distract the other Goombas.
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In 1993, Lightmotive made a LiveActionAdaptation out of ''Franchise/SuperMarioBros'', which was later bought by Creator/{{Disney}} (or, more specifically, its banner Creator/HollywoodPictures) under Jeffrey Katzenberg's (now of Creator/{{Dreamworks}}) direction. That's right, an attempt was actually made to make a coherent narrative out of plumbers, killer turtles, and mushrooms -- and it did so by reimagining the franchise in a {{cyberpunk}} fashion.

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In 1993, Lightmotive made a LiveActionAdaptation out of ''Franchise/SuperMarioBros'', which was later bought by Creator/{{Disney}} (or, more specifically, its banner Creator/HollywoodPictures) under Jeffrey Katzenberg's (now (later of Creator/{{Dreamworks}}) direction. That's right, an attempt was actually made to make a coherent narrative out of plumbers, killer turtles, and mushrooms -- and it did so by reimagining the franchise in a {{cyberpunk}} fashion.
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* PsychoStrings: A comical variation is used as the leitmotif for Iggy and Spike.
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** In the climatic battle against Koopa, Mario and Luigi lose their caps due to the strong beams from their devo guns.

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** In the climatic climactic battle against Koopa, Mario and Luigi lose their caps due to the strong beams from their devo guns.

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* LosingAShoeInTheStruggle: In the climatic battle against Koopa, Mario and Luigi lose their caps due to the strong beams from their devo guns.

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* LosingAShoeInTheStruggle: LosingAShoeInTheStruggle:
** Daisy struggling against Iggy and Spike's kidnapping leads to her pendant necklace breaking and Luigi retrieving the rock.
**
In the climatic battle against Koopa, Mario and Luigi lose their caps due to the strong beams from their devo guns.

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* BadassLongcoat: All the Goombas wear them.

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* BadassLongcoat: All the Goombas wear them.long brown trench coats, making them even more intimidating.



* DamselInDistress: Daisy, Daniella, and other girls from Brooklyn were all captured.

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* DamselInDistress: Daisy, Daniella, and other girls from Brooklyn were all captured.captured and must be rescued by the Mario Bros.


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* SinisterSurveillance: Koopa's tower includes an audio-visual communication system, letting him keep tabs on prisoners, issue propaganda to the city, and order pizza.


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* ThwartedEscape: Daisy is able to escape her cell with help from Yoshi, but is recaptured when Koopa uses surveillance cameras and microphones to find her location.

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* ImMelting: [[spoiler: Koopa]] is de-evolved all the way back to primordial ooze. Barely subverted with the King who, while de-evolved into fungus, remained sentient and active enough to help the Mario Bros.

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* ImMelting: ImMelting:
**
[[spoiler: Koopa]] is de-evolved all the way back to primordial ooze. Barely subverted with the King who, while de-evolved into fungus, remained sentient and active enough to help the Mario Bros.

Added: 125

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* NoOntologicalInertia: The King suddenly turns back to normal without the need of re-evolution as soon as Koopa is defeated.



* NoOntologicalInertia: The King suddenly turns back to normal without the need of re-evolution as soon as Koopa is defeated.

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* NoOntologicalInertia: The King suddenly turns back to normal NotSoHarmlessVillain: Iggy and Spike are as dumb as a sack of rocks but are surprisingly good at kidnapping people, successfully kidnapping the Brooklyn girls, Daniella, and Daisy without the need of re-evolution as soon as Koopa is defeated.anyone noticing.
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* TrashTheSet: Koopa Square ends up getting wrecked between Koopa's flamethrower and various car crashes.
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* PetTheDog: Even after Lena betrays him, Koopa cares enough about her to release her from arrest once he gets the rock back.
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Mario Mario (Creator/BobHoskins) and his younger brother Luigi Mario (Creator/JohnLeguizamo) are Italian-American plumbers trying hard to earn a living in Brooklyn. A run-in with Daisy, a paleontology student in her 20s, has Luigi very interested and the two quickly bond. However, all their lives are turned upside-down when Daisy, as well as Mario's girlfriend Daniella, are kidnapped and taken through a mysterious portal in Daisy's dig site after it's sabotaged by rival plumbers from the Scapelli corporation, which is looking to build there.

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Mario Mario (Creator/BobHoskins) and his younger brother Luigi Mario (Creator/JohnLeguizamo) are Italian-American plumbers trying hard to earn a living in Brooklyn. A run-in with Daisy, Daisy (Samantha Mathis), a paleontology student in her 20s, has Luigi very interested and the two quickly bond. However, all their lives are turned upside-down when Daisy, as well as Mario's girlfriend Daniella, Daniella (Dana Kaminski), are kidnapped and taken through a mysterious portal in Daisy's dig site after it's sabotaged by rival plumbers from the Scapelli corporation, which is looking to build there.
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While it failed at the box office, the movie developed a cult following and has a [[http://www.smbmovie.com/ dedicated fansite]] that archived various versions of the movie, restored many deleted scenes and trailers, and released a Region 2 Blu-ray with many extras. In June 2021, the people behind the site pooled their resources with filmmaker Garret Gilchrist (of WesternAnimation/TheThiefAndTheCobbler Recobbled Cut and early WebVideo/RedLetterMedia fame) to create a FanEdit combining over 20 minutes of deleted scenes with a re-edited version of the final film. It was released through [[https://archive.org/details/super-mario-bros-1993-the-morton-jankel-cut-extended-vhs Archive.org]].

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While it failed at the box office, the movie developed a cult following and has a [[http://www.smbmovie.com/ dedicated fansite]] that archived various versions of the movie, restored many deleted scenes and trailers, and released a Region 2 Blu-ray with many extras. In June 2021, the people behind the site pooled their resources with filmmaker Garret Gilchrist (of WesternAnimation/TheThiefAndTheCobbler ''WesternAnimation/TheThiefAndTheCobbler: Recobbled Cut Cut'' and early WebVideo/RedLetterMedia fame) to create a FanEdit combining over 20 minutes of deleted scenes with a re-edited version of the final film. It was released through [[https://archive.org/details/super-mario-bros-1993-the-morton-jankel-cut-extended-vhs Archive.org]].
Is there an issue? Send a MessageReason:
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While it failed at the box office, the movie developed a cult following and has a [[http://www.smbmovie.com/ dedicated fansite]] that archived various versions of the movie, restored many deleted scenes and trailers, and released a Region 2 Blu-ray with many extras. In June 2021, the people behind the site pooled their resources with filmmaker Garret Gilchrist (of WesternAnimation/TheThiefAndTheCobbler Recobbled Cut and early WebVideo/RedLetterMedia fame) to create a FanEdit combining over 20 minutes of deleted scenes with a re-edited version of the final film, was released through [[https://archive.org/details/super-mario-bros-1993-the-morton-jankel-cut-extended-vhs Archive.org]].

to:

While it failed at the box office, the movie developed a cult following and has a [[http://www.smbmovie.com/ dedicated fansite]] that archived various versions of the movie, restored many deleted scenes and trailers, and released a Region 2 Blu-ray with many extras. In June 2021, the people behind the site pooled their resources with filmmaker Garret Gilchrist (of WesternAnimation/TheThiefAndTheCobbler Recobbled Cut and early WebVideo/RedLetterMedia fame) to create a FanEdit combining over 20 minutes of deleted scenes with a re-edited version of the final film, film. It was released through [[https://archive.org/details/super-mario-bros-1993-the-morton-jankel-cut-extended-vhs Archive.org]].

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