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* CantGetAwayWithNuthin: Sugar tells Josephine and Daphne that if she gets caught drinking, she'll be thrown off the train. All of the girls drink but she is the only one who gets punished for drinking.
-->'''Jerry:''' All the girls drink. It's just I'm the one who gets caught. Story of my life. I always get the fuzzy end of the lollipop.
-->'''Jerry:''' All the girls drink. It's just I'm the one who gets caught. Story of my life. I always get the fuzzy end of the lollipop.
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* AmbiguouslyBi: Jerry when disguised as "Daphne" seems to have developed genuine feelings towards Osgood. He also shows attraction to Sugar.
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* DoesThisRemindYouOfAnything: When Joe and Jerry are arguing about being disguised as women.
-->'''Jerry:''' I'm telling you, it's a whole different sex!
-->'''Joe:''' What are you afraid of? Nobody's asking you yo have a baby!
-->'''Jerry:''' I'm telling you, it's a whole different sex!
-->'''Joe:''' What are you afraid of? Nobody's asking you yo have a baby!
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* MaleGaze: The camera focuses on Sugar's behind as she walks by Joe/"Josephine" and Jerry/"Daphne" to the train.
-->'''Daphne:''' Look at the way she moves! Looks just like Jell-O on springs! Almost with like some sort of built-in motors...
-->'''Daphne:''' Look at the way she moves! Looks just like Jell-O on springs! Almost with like some sort of built-in motors...
Changed line(s) 133 (click to see context) from:
* {{Sexophone}}: Sugar has a thing for sax players.
to:
* {{Sexophone}}: Sugar has a thing for sax players. Also plays whenever Sugar appears onscreen.
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* SweetPollyOliver: Joe/"Josephine" and Jerry/"Daphne".
* SweetOnPollyOliver: Osgood romances Jerry/"Daphne".
* SweetOnPollyOliver: Osgood romances Jerry/"Daphne".
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* VisualPun: Hot smoke from the train almost hits Sugar's backside as she walks to board the train.
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Changed line(s) 134 (click to see context) from:
* SexyWalk: Josephine and Daphne are having trouble walking in their high-heels. Cue Marilyn showing us how it's done properly.
to:
* SexyWalk: Josephine and Daphne are having trouble walking in their high-heels. Cue Marilyn Sugar showing us how it's done properly.
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* SexyWalk: Josephine and Daphne are having trouble walking in their high-heels. Cue Marilyn showing us how it's done properly.
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* MoodWhiplash: At the beginning of the film an undercover cop arrives at a "mortuary", complete with somber organ music. After he says the password, a door opens to reveal...a hidden speakeasy with jumping music and a party in full swing!
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* NoGuyWantsAnAmazon: Inverted. A bellhop attempts to hit on Joe (as "Josephine") and he tells him off and the bellhop replied he likes large women with attitude.
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Changed line(s) 70 (click to see context) from:
-->'''Joe:''' Jerry, boy, why do you have to paint everything so black? Suppose you got hit by a truck? Suppose the stock market crashes? Suppose Mary Pickford divorces Creator/DouglasFairbanks? Suppose the Dodgers leave Brooklyn? Suppose Lake Michigan overflows?
to:
-->'''Joe:''' Jerry, boy, why do you have to paint everything so black? Suppose you got hit by a truck? Suppose the stock market crashes? Suppose Mary Pickford Creator/MaryPickford divorces Creator/DouglasFairbanks? Suppose the Dodgers leave Brooklyn? Suppose Lake Michigan overflows?
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moved to characters sheet
Deleted line(s) 30 (click to see context) :
* BigBad: Spats Columbo is the Chicago mafia boss responsible for gunning down a rival gang and hunting down Joe and Jerry as witnesses, forcing them to go undercover [[DisguisedInDrag as women]]. [[spoiler:[[DiscOneFinalBoss At least until]] he is killed by [[TheManBehindTheMan his boss]], Little Bonaparte, who takes over as main villain for the last part of the film.]]
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Changed line(s) 8,9 (click to see context) from:
UsefulNotes/{{Chicago}}, [[TheRoaringTwenties 1929]]: Joe (Creator/TonyCurtis) and Jerry (Creator/JackLemmon) are down-on-their-luck jazz musicians who become accidental witnesses to a shooting similar to the St. Valentine's Day Massacre. Unfortunately, being known to be a witness to a massacre is [[LeaveNoWitnesses something the mob will kill people over]], and Joe and Jerry have been spotted, so they need to get out of Chicago fast.
to:
UsefulNotes/{{Chicago}}, [[TheRoaringTwenties 1929]]: Joe (Creator/TonyCurtis) and Jerry (Creator/JackLemmon) are down-on-their-luck jazz musicians who become accidental witnesses to a shooting similar to the St. Valentine's Day Massacre.Massacre, perpetrated by mob leader [[BigBad Spats Columbo]]. Unfortunately, being known to be a witness to a massacre is [[LeaveNoWitnesses something the mob will kill people over]], and Joe and Jerry have been spotted, so they need to get out of Chicago fast.
Changed line(s) 27 (click to see context) from:
* ArsonMurderAndJaywalking: Sugar has some high demands in her potential partners... and then a mundane one.
to:
* ArsonMurderAndJaywalking: Sugar has some high demands in her potential partners... and then a mundane and rather odd one.
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* BigBad: Spats Columbo is the Chicago mafia boss responsible for gunning down a rival gang and hunting down Joe and Jerry as witnesses, forcing them to go undercover [[DisguisedInDrag as women]]. [[spoiler:[[DiscOneFinalBoss At least until]] he is killed by [[TheManBehindTheMan his boss]], Little Bonaparte, who takes over as main villain for the last part of the film.]]
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* CelebrationMiscalculation: Spats starts to become suspicious when the Friends of Italian Opera throw him a birthday party four months before his actual birthday. [[spoiler:For good reason, as there's a gunman hiding in the cake]].
Deleted line(s) 118 (click to see context) :
* NotTheirBirthday: Spats starts to become suspicious when the Friends of Italian Opera throw him a birthday party four months before his actual birthday. [[spoiler:For good reason, as there's a gunman hiding in the cake]].
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* GoshDangItToHeck: Joe's line [[ThisIsGonnaSuck "Something tells me the omelette is about to hit the fan."]]
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Deleted line(s) 62,64 (click to see context) :
* GettingCrapPastTheRadar:
** It's a movie about two guys dressed in drag and falling in love with Marilyn Monroe. There's bound to be plenty of this.
** Literally in the case of Joe's line [[ThisIsGonnaSuck "Something tells me the omelette is about to hit the fan."]]
** It's a movie about two guys dressed in drag and falling in love with Marilyn Monroe. There's bound to be plenty of this.
** Literally in the case of Joe's line [[ThisIsGonnaSuck "Something tells me the omelette is about to hit the fan."]]
Changed line(s) 73 (click to see context) from:
* HomoeroticSubtext: So very much, particularly for 1959. At one point Jerry-as-Daphne seems to be developing genuine romantic feelings for Osgood, much to Joe's consternation (and we later find out that [[spoiler:Osgood is completely unfazed by Jerry's real gender]]). Also, Sugar doesn't seem to initially mind getting a full-on kiss from [[spoiler:Josephine]]. On a side note, Joe and Jerry are HeterosexualLifePartners, Joe is very insistent that they do everything together and that what's Jerry's is his and while Jerry vocally objects, he goes along with it anyway. Though the last case may be more akin to them being like brothers, with Jerry being the little brother who gets bullied into doing things he doesn't want to. The makers of the movie had planned to [[WhatCouldHaveBeen take it even further]] before the censors intervened, Osgood's legendary final line ("Well, nobody's perfect") was originally written as "[[HoYay I know]]".
to:
* HomoeroticSubtext: So very much, particularly for 1959. At one point Jerry-as-Daphne seems to be developing genuine romantic feelings for Osgood, much to Joe's consternation (and we later find out that [[spoiler:Osgood is completely unfazed by Jerry's real gender]]). Also, Sugar doesn't seem to initially mind getting a full-on kiss from [[spoiler:Josephine]]. On a side note, Joe and Jerry are HeterosexualLifePartners, Joe is very insistent that they do everything together and that what's Jerry's is his and while Jerry vocally objects, he goes along with it anyway. Though the last case may be more akin to them being like brothers, with Jerry being the little brother who gets bullied into doing things he doesn't want to. The makers of the movie had planned to [[WhatCouldHaveBeen take it even further]] further before the censors intervened, Osgood's legendary final line ("Well, nobody's perfect") was originally written as "[[HoYay I know]]"."I know".
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moving to characters sheet
Deleted line(s) 29 (click to see context) :
* AttractiveBentGender: Osgood falling for "Daphne".
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* RaceForYourLove: Sugar comes running after "Josephine" and "Daphne" as they make their escape on Osgood's boat.
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fixed wrong trope
* AttractiveBentGender: Osgood falling for "Daphne".
Deleted line(s) 146 (click to see context) :
* SweetOnPollyOliver: Inverted in a hilarious manner with Osgood falling for "Daphne".
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moving to characters sheet
Deleted line(s) 53 (click to see context) :
* DumbBlonde: Sugar is either a FoolForLove, this, or a bit of both (though AlcoholInducedStupidity may also [[TheAlcoholic be a factor]]).
Deleted line(s) 134,135 (click to see context) :
* SexyBacklessOutfit: Sugar's gown for "I Wanna Be Loved By You".
* SexyWalk: Sugar. As Jerry comments: "Look how she moves. That's just like Jell-O on springs. She must have some sort of built-in motors."
* SexyWalk: Sugar. As Jerry comments: "Look how she moves. That's just like Jell-O on springs. She must have some sort of built-in motors."
Changed line(s) 144 (click to see context) from:
* [[StageNames Stage Name]]: Sugar Kane used to be Sugar Kowalczyk.
to:
* [[StageNames Stage Name]]: StageNames: Sugar Kane used to be Sugar Kowalczyk.
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* DumbBlonde: Sugar is either a FoolForLove, this, or a bit of both (though AlcoholInducedStupidity may also [[TheAlcoholic be a factor]]).
* EveryoneHasStandards: In a bit of a SkewedPriorities kind of way. Osgood takes every other bombshell "Daphne" drops on him (including the not-so-UnsettlingGenderReveal) in stride, but when "she" mentions she's been ''living with a saxophone player'', he's clearly swallowing his pride.
* EveryoneHasStandards: In a bit of a SkewedPriorities kind of way. Osgood takes every other bombshell "Daphne" drops on him (including the not-so-UnsettlingGenderReveal) in stride, but when "she" mentions she's been ''living with a saxophone player'', he's clearly swallowing his pride.
Changed line(s) 84 (click to see context) from:
'''Osgood:''' I forgive you.\\
to:
'''Osgood:''' ''[looking only momentarily distraught]'' ...I forgive you.\\
Changed line(s) 89 (click to see context) from:
%%* HypocriticalHumor: Lots of it.
to:
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Changed line(s) 27 (click to see context) from:
* ArsonMurderAndJaywalking:
to:
* ArsonMurderAndJaywalking:ArsonMurderAndJaywalking: Sugar has some high demands in her potential partners... and then a mundane one.
Changed line(s) 48 (click to see context) from:
* DisguisedInDrag:
to:
* DisguisedInDrag:DisguisedInDrag: This is the main element of the comedy of the film.
Changed line(s) 53 (click to see context) from:
* FamousLastWords: "Big joke." [[spoiler: Spats, after being machine-gunned.]]
to:
* FamousLastWords: "Big joke." [[spoiler: Spats, [[spoiler:Spats, after being machine-gunned.]]
Changed line(s) 70,72 (click to see context) from:
-->"Jerry, boy, why do you have to paint everything so black? Suppose you got hit by a truck? Suppose the stock market crashes? Suppose Mary Pickford divorces Creator/DouglasFairbanks? Suppose the Dodgers leave Brooklyn? Suppose Lake Michigan overflows?"
* HollywoodDarkness: The scenes when Sugar is running out to meet Joe after the concert are full of shadows and a bright sky...at one o'clock in the morning. In fairness, there ''was'' a full moon.
* HomoeroticSubtext: So very much, particularly for 1959. At one point Jerry-as-Daphne seems to be developing genuine romantic feelings for Osgood, much to Joe's consternation (and we later find out that [[spoiler: Osgood is completely unfazed by Jerry's real gender]]). Also, Sugar doesn't seem to initially mind getting a full-on kiss from [[spoiler: Josephine]]. On a side note, Joe and Jerry are HeterosexualLifePartners, Joe is very insistent that they do everything together and that what's Jerry's is his and while Jerry vocally objects, he goes along with it anyway. Though the last case may be more akin to them being like brothers, with Jerry being the little brother who gets bullied into doing things he doesn't want to. The makers of the movie had planned to [[WhatCouldHaveBeen take it even further]] before the censors intervened, Osgood's legendary final line ("Well, nobody's perfect") was originally written as "[[HoYay I know]]".
* HollywoodDarkness: The scenes when Sugar is running out to meet Joe after the concert are full of shadows and a bright sky...at one o'clock in the morning. In fairness, there ''was'' a full moon.
* HomoeroticSubtext: So very much, particularly for 1959. At one point Jerry-as-Daphne seems to be developing genuine romantic feelings for Osgood, much to Joe's consternation (and we later find out that [[spoiler: Osgood is completely unfazed by Jerry's real gender]]). Also, Sugar doesn't seem to initially mind getting a full-on kiss from [[spoiler: Josephine]]. On a side note, Joe and Jerry are HeterosexualLifePartners, Joe is very insistent that they do everything together and that what's Jerry's is his and while Jerry vocally objects, he goes along with it anyway. Though the last case may be more akin to them being like brothers, with Jerry being the little brother who gets bullied into doing things he doesn't want to. The makers of the movie had planned to [[WhatCouldHaveBeen take it even further]] before the censors intervened, Osgood's legendary final line ("Well, nobody's perfect") was originally written as "[[HoYay I know]]".
to:
* HollywoodDarkness: The scenes when Sugar is running out to meet Joe after the concert are full of shadows and a bright sky... at one o'clock in the morning. In fairness, there ''was'' a full moon.
* HomoeroticSubtext: So very much, particularly for 1959. At one point Jerry-as-Daphne seems to be developing genuine romantic feelings for Osgood, much to Joe's consternation (and we later find out that
Changed line(s) 89,90 (click to see context) from:
* HypocriticalHumor: Lots of it.
* ImADoctorNotAPlaceholder:
* ImADoctorNotAPlaceholder:
to:
*
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''(cue the door springing open)''\\
to:
Changed line(s) 102 (click to see context) from:
-->"I'm a girl. I'm a girl. ''I wish I was dead.'' I'm a girl."
to:
Changed line(s) 157 (click to see context) from:
-->'''Jerry:''' ''(seeing Spats and his gang in the hotel lobby)'' Joe... something tells me the omelette is about to hit the fan.
to:
-->'''Jerry:''' ''(seeing ''[seeing Spats and his gang in the hotel lobby)'' lobby]'' Joe... something tells me the omelette is about to hit the fan.
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Changed line(s) 12,13 (click to see context) from:
The lead singer of the band is called Sugar, and she is beautiful (Creator/MarilynMonroe!). She has a weakness for tenor saxophonists, which is why her current band is girls only (she thinks). She is attractive to the men, and they both have to remember that they're supposed to be girls.
to:
The lead singer of the band is called Sugar, and she is beautiful (Creator/MarilynMonroe!). She has a weakness for tenor saxophonists, which is why her current band is girls only (she thinks). She is attractive to Sugar takes the men, new "girls" into her confidence, and they Joe and Jerry both have to remember need reminding that they're supposed to be girls.
incognito and not looking for trouble.
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in the foreground
Changed line(s) 154 (click to see context) from:
* WhamLine: "Well, nobody's perfect." Cue flabbergasted look from Joe.
to:
* WhamLine: "Well, nobody's perfect." Cue flabbergasted look from Joe.Jerry.
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the riff is a brass instrument; Daphne
Changed line(s) 131 (click to see context) from:
* {{Sexophone}}: Sugar's first appearance is accompanied by a sax solo. The character also has a thing for sax players.
to:
* {{Sexophone}}: Sugar's first appearance is accompanied by a sax solo. The character also Sugar has a thing for sax players.
Changed line(s) 147 (click to see context) from:
* SweetOnPollyOliver: Inverted in a hilarious manner with Osgood falling for "Josephine".
to:
* SweetOnPollyOliver: Inverted in a hilarious manner with Osgood falling for "Josephine"."Daphne".
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* StockingFiller: Marylin Monroe's legs get some attention as she hides a flask in her stocking, then asks Daphne and Josephine if her seams are straight.
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* ViolenceDiscretionShot: The camera cuts away before anybody gets shot.
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* WhatTheHellIsThatAccent: Jerry calls out Joe's ridiculous accent as the "millionaire".
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* FootPopping: Joe does this in a rare male example, lifting one leg up as Sugar kisses him aboard the yacht.
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* HadTheSillyThingInReverse: Joe is unfamiliar Osgood's motorboat, and can only make it go in reverse.
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Changed line(s) 70 (click to see context) from:
* HomoeroticSubtext: So very much, particularly for 1959. At one point Jerry-as-Daphne seems to be developing genuine romantic feelings for Osgood, much to Joe's consternation (and we later find out that [[spoiler: Osgood is completely unfazed by Jerry's real gender]]). Also, Sugar doesn't seem to initially mind getting a full-on kiss from [[spoiler: Josephine]]. On a side note, Joe and Jerry are HeterosexualLifePartners, Joe is very insistent that they do everything together and that what's Jerry's is his and while Jerry vocally objects, he goes along with it anyway. Though the last case may be more akin to them being like brothers, with Jerry being the little brother who gets bullied into doing things he doesn't want to.
to:
* HomoeroticSubtext: So very much, particularly for 1959. At one point Jerry-as-Daphne seems to be developing genuine romantic feelings for Osgood, much to Joe's consternation (and we later find out that [[spoiler: Osgood is completely unfazed by Jerry's real gender]]). Also, Sugar doesn't seem to initially mind getting a full-on kiss from [[spoiler: Josephine]]. On a side note, Joe and Jerry are HeterosexualLifePartners, Joe is very insistent that they do everything together and that what's Jerry's is his and while Jerry vocally objects, he goes along with it anyway. Though the last case may be more akin to them being like brothers, with Jerry being the little brother who gets bullied into doing things he doesn't want to. The makers of the movie had planned to [[WhatCouldHaveBeen take it even further]] before the censors intervened, Osgood's legendary final line ("Well, nobody's perfect") was originally written as "[[HoYay I know]]".
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* ActorAllusion: George Raft passes a young hood who is flipping a coin in his hand and he asked him where he learned a "cheap trick" like that. That trick was one that Raft used in ''Film/Scarface1932''.
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this trope is not central to the movie
Deleted line(s) 64 (click to see context) :
* HasTwoMommies: The second-to-last reason the movie shows Daphne giving Osgood for trying to turn down his marriage proposal concerns Daphne's inability to have children. Osgood reminds Daphne that they could adopt some.
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moved to characters sheet
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moved to characters sheet
Deleted line(s) 63,65 (click to see context) :
* GoldDigger:
** Joe plans to marry Osgood and reveal his true identity immediately after in order to get alimony payments.
** Sugar, though this is played with; she only wants to marry a millionaire because she's sick of being used by sleazy men, rather than out of pure greed.
** Joe plans to marry Osgood and reveal his true identity immediately after in order to get alimony payments.
** Sugar, though this is played with; she only wants to marry a millionaire because she's sick of being used by sleazy men, rather than out of pure greed.
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Deleted line(s) 23 (click to see context) :
%%* AbhorrentAdmirer: see the movie's character sheet
Changed line(s) 28 (click to see context) from:
-->'''Sugar''': I don't care how rich he is, as long as he has a yacht, his own private railroad car, and [[BrickJoke his own toothpaste]].
to:
Changed line(s) 33 (click to see context) from:
* ChekhovsGun: The emergency brake.
to:
* ChekhovsGun: The emergency brake.row of bullet holes in Jerry's double bass allows Spats to confirm that he's found the two musicians who witnessed the shootout in Chicago.
Changed line(s) 35,36 (click to see context) from:
-->'''Joe''': What are you talking about? You can't marry Osgood.\\
'''Jerry''': Why, you think he's too old for me?
'''Jerry''': Why, you think he's too old for me?
to:
'''Joe:''' I'll say there is.\\
'''Jerry:''' His mother - we need her approval, but I'm not worried because I don't smoke.\\
'''Joe:''' Jerry. There's another problem, like what are you gonna do on your honeymoon?\\
'''Jerry:''' We've been discussing that. He wants to go to the Riviera but I'm kinda leaning toward Niagara Falls.
Changed line(s) 44,47 (click to see context) from:
* DisguisedInDrag
-->'''Sweet Sue''': Are you two from the Poliakoff Agency?\\
'''"Josephine"''': Yes, we're the new girls.\\
'''"Daphne"''': Brand new!
-->'''Sweet Sue''': Are you two from the Poliakoff Agency?\\
'''"Josephine"''': Yes, we're the new girls.\\
'''"Daphne"''': Brand new!
to:
* DisguisedInDrag
DisguisedInDrag:
-->'''SweetSue''': Sue:''' Are you two from the Poliakoff Agency?\\
'''"Josephine"''': '''"Josephine":''' Yes, we're the new girls.\\
'''"Daphne"''': '''"Daphne":''' Brand new!
-->'''Sweet
Changed line(s) 52 (click to see context) from:
* {{Gainaxing}}
to:
* {{Gainaxing}}{{Gainaxing}}:
Changed line(s) 60 (click to see context) from:
* GreaterScopeVillain: Little Bonaparte.
to:
* GoldDigger:
** Joe plans to marry Osgood and reveal his true identity immediately after in order to get alimony payments.
** Sugar, though this is played with; she only wants to marry a millionaire because she's sick of being used by sleazy men, rather than out of pure greed.
* GreaterScopeVillain: LittleBonaparte.Bonaparte, whom Spats answers to.
** Joe plans to marry Osgood and reveal his true identity immediately after in order to get alimony payments.
** Sugar, though this is played with; she only wants to marry a millionaire because she's sick of being used by sleazy men, rather than out of pure greed.
* GreaterScopeVillain: Little
Changed line(s) 64,66 (click to see context) from:
%%* HelloNurse: Guess.
%%* HilarityEnsues
* HistoricalInJoke: Joe makes a flurry of them (the last item didn't happen until 2008, making this even more HilariousInHindsight):
%%* HilarityEnsues
* HistoricalInJoke: Joe makes a flurry of them (the last item didn't happen until 2008, making this even more HilariousInHindsight):
to:
%%* HilarityEnsues
Changed line(s) 88,89 (click to see context) from:
-->'''Sweet Sue:''' Here we are, all packed, ready to leave for Miami, and what happens? The saxophone runs off with a Bible salesman, and the bass fiddle gets herself pregnant! Beinstock, I ought to fire you!
-->'''Beinstock:''' Me? I'm the manager of the band, not the night watchman.
-->'''Beinstock:''' Me? I'm the manager of the band, not the night watchman.
to:
-->'''Sweet Sue:''' Here we are, all packed, ready to leave for Miami, and what happens? The saxophone runs off with a Bible salesman, and the bass fiddle gets herself pregnant! Beinstock, I ought to fire you!
-->'''Beinstock:'''you!\\
'''Beinstock:''' Me? I'm the manager of the band, not the night watchman.
-->'''Beinstock:'''
'''Beinstock:''' Me? I'm the manager of the band, not the night watchman.
Changed line(s) 94 (click to see context) from:
-->'''Sugar''': Well, Daphne has a beau, I have a beau... if we could only find somebody for you [Josephine].\\
to:
Changed line(s) 103,104 (click to see context) from:
** Jerry's reaction to Joe's millionaire voice ("And where did you get that phony accent from? Nobody talks like that!"). It's actually Tony Curtis doing a Creator/CaryGrant impression.
*** A bit of a mistake - Cary Grant's accent, due to his mixed British/American upbringing, was a "natural" version of the affected [[https://en.wikipedia.org/wiki/Mid-Atlantic_accent Mid-Atlantic accent]] that was popular in the US up until WWII. Though the height of its popularity was in the 30's and 40's, it was not uncommon in 1929 and earlier, and no one at that time would have found it unusual.
*** A bit of a mistake - Cary Grant's accent, due to his mixed British/American upbringing, was a "natural" version of the affected [[https://en.wikipedia.org/wiki/Mid-Atlantic_accent Mid-Atlantic accent]] that was popular in the US up until WWII. Though the height of its popularity was in the 30's and 40's, it was not uncommon in 1929 and earlier, and no one at that time would have found it unusual.
to:
** Jerry's reaction to Joe's millionaire voice ("And where did you get that phony accent from? Nobody talks like that!"). It's actually Tony Curtis doing a Creator/CaryGrant impression.
*** A bit of a mistake - Cary Grant's accent, due to his mixed British/American upbringing, was a "natural" version of the affected [[https://en.wikipedia.org/wiki/Mid-Atlantic_accent Mid-Atlantic accent]] that was popular in the US up until WWII. Though the height of itsimpression, whose accent's popularity was in the 30's and 40's, it was not uncommon in 1929 and earlier, and no one at that time would have found it unusual.40's.
*** A bit of a mistake - Cary Grant's accent, due to his mixed British/American upbringing, was a "natural" version of the affected [[https://en.wikipedia.org/wiki/Mid-Atlantic_accent Mid-Atlantic accent]] that was popular in the US up until WWII. Though the height of its
Changed line(s) 107 (click to see context) from:
* LegitimateBusinessmensSocialClub: The Friends of Italian Opera.
to:
* LegitimateBusinessmensSocialClub: The Friends of Italian Opera.Opera, a front for the Cosa Nostra.
Changed line(s) 109 (click to see context) from:
* TheMafia
to:
* TheMafiaTheMafia: The antagonists of the film. Joe and Jerry's witnessing of a gang shooting (similar to the St. Valentine's Day Massacre) is what forces them to dress as women and hop on a train to Florida.
Changed line(s) 115 (click to see context) from:
* MistakenForGay: Sweet Sue witnesses what appears to be LesYay when "Josephine" kisses Sugar onstage.
to:
* MistakenForGay: Sweet Sue witnesses what appears to be LesYay when a lesbian kiss between "Josephine" kisses Sugar onstage.and Sugar.
Deleted line(s) 120 (click to see context) :
%%* OldFashionedRowboatDate: Spoofed, due to the twists already happening in the plot, like DisguisedInDrag. - ZCE, when does this happen?
Changed line(s) 123 (click to see context) from:
* PunnyName: Sugar Kane.
to:
* PunnyName: Sugar Kane. Sugar says from the get-go that it's a stage name, more easily pronounced than her Polish name, Kowalczyk.
Changed line(s) 125 (click to see context) from:
* TheRoaringTwenties
to:
* TheRoaringTwentiesReversePsychology: Joe, as "Junior", feigns disinterest in Sugar at first in order to make her more attracted to him.
* TheRoaringTwenties: The film takes place in Chicago and Florida in 1929 (before the stock market crash).
* TheRoaringTwenties: The film takes place in Chicago and Florida in 1929 (before the stock market crash).
Changed line(s) 143,144 (click to see context) from:
-->"If I were a girl...and I ''am''..."
* SweetOnPollyOliver: Inverted in a hilarious manner.
* SweetOnPollyOliver: Inverted in a hilarious manner.
to:
-->"If I were a girl... and I ''am''..."
* SweetOnPollyOliver: Inverted in a hilariousmanner.manner with Osgood falling for "Josephine".
* SweetOnPollyOliver: Inverted in a hilarious
Changed line(s) 146,149 (click to see context) from:
-->'''Joe:''' "Syncopators" -- does that mean you play that fast music? Jazz?
-->'''Sugar:''' Yeah. Real hot!
-->'''Joe:''' Oh. Well, I guess some like it hot. But I prefer classical music.
* TwistEnding / WhamLine: "Well, nobody's perfect."
-->'''Sugar:''' Yeah. Real hot!
-->'''Joe:''' Oh. Well, I guess some like it hot. But I prefer classical music.
* TwistEnding / WhamLine: "Well, nobody's perfect."
to:
-->'''Joe:''' "Syncopators" -- does that mean you play that fast music? Jazz?
-->'''Sugar:'''Jazz?\\
'''Sugar:''' Yeah. Realhot!
-->'''Joe:'''hot!\\
'''Joe:''' Oh. Well, I guess some like it hot. But I prefer classicalmusic.
* TwistEnding / WhamLine: "Well, nobody's perfect."music.
-->'''Sugar:'''
'''Sugar:''' Yeah. Real
-->'''Joe:'''
'''Joe:''' Oh. Well, I guess some like it hot. But I prefer classical
* TwistEnding / WhamLine: "Well, nobody's perfect."
Changed line(s) 151,152 (click to see context) from:
* YouCantMakeAnOmelette: Joe says this at one point, when Jerry expresses qualms about their deceptions.
-->'''Jerry:''' (seeing Spats and his gang in the hotel lobby) Joe... something tells me the omelette is about to hit the fan.
-->'''Jerry:''' (seeing Spats and his gang in the hotel lobby) Joe... something tells me the omelette is about to hit the fan.
to:
* WhamLine: "Well, nobody's perfect." Cue flabbergasted look from Joe.
* YouCantMakeAnOmelette: Joe says this at one point, when Jerry expresses qualms about theirdeceptions.
deceptions. This becomes a BrickJoke much later:
-->'''Jerry:'''(seeing ''(seeing Spats and his gang in the hotel lobby) lobby)'' Joe... something tells me the omelette is about to hit the fan.
* YouCantMakeAnOmelette: Joe says this at one point, when Jerry expresses qualms about their
-->'''Jerry:'''