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* HollywoodToneDeaf: The female singers who audition are intentionally bad, to make Phoenix look better by contrast. By the third audition scene, when Swan is seeking his "new sound," they're all pretty good, just bland.
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* RealityEnsues: Turns out that if you give your song to a music producer with no legal contract, you ''will'' be screwed over.
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* WeaponizedHeadgear: During the frenzied climax, Winslow stabs Swan to death with the feathered headdress he snatches off one of the dancers.
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* GroupieBrigade: Phoenix gains after her first performance at The Paradise. Winslow rescues her from it to have a private conversation with her on the roof. More bizarrely, Beef gains one after he dies: with the crowd enthusiastically chanting his name as his body is wheeled out to the ambulance.
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* FacialHorror: Winslow is permanently and hideously disfigured when his face is trapped in a record press at Swan's recording studio.

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* FacialHorror: Winslow is permanently and hideously disfigured when his face is trapped in a record press at Swan's recording studio. After the Phantom [[spoiler:destroys the videotapes and contracts keeping Swan, Phoenix and himself immortal, Swan’s face begins to rapidly putrefy before he is stabbed to death]].
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* FacialHorror: Winslow is permanently and hideously disfigured when his face is trapped in a record press at Swan's recording studio.
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* FollowThatCar: Winslow hails a cab and tells the driver this when he tails Swann from his office to his home.
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* GothicHorror: The film is a mid-'70s {{Homage}} to Gothic Horror, borrowing visual cues and motifs from the likes of ''Literature/{{Frankenstein}}'', ''Film/TheCabinetOfDrCaligari'', ''Literature/ThePhantomOfTheOpera'' and ''Myth/{{Faust}}''. The film itself is [[{{Troperiffic}} built on many tropes familiar to the genre]]; its protagonist is a [[TheGrotesque tragically deformed]], morally ambiguous TheatrePhantom-ByronicHero, the antagonist a SatanicArchetype who's industry reflects a DecadentCourt hosting DancesAndBalls, a waifish love-interest who is lusted after by both, [[ReligiousHorror religious overtones]], a {{Creepy Crow|s}} motif, a DealWithTheDevil (both metaphorical and literal), MalevolentArchitecture and a DownerEnding with an aftertaste of divine justice.

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* GothicHorror: The film is a mid-'70s {{Homage}} to Gothic Horror, borrowing visual cues and motifs from the likes of ''Literature/{{Frankenstein}}'', ''Film/TheCabinetOfDrCaligari'', ''Literature/ThePhantomOfTheOpera'' ''Literature/ThePhantomOfTheOpera'', ''Literature/ThePictureOfDorianGray'' and ''Myth/{{Faust}}''. The film itself is [[{{Troperiffic}} built on many tropes familiar to the genre]]; its protagonist is a [[TheGrotesque tragically deformed]], morally ambiguous TheatrePhantom-ByronicHero, the antagonist a SatanicArchetype who's industry reflects a DecadentCourt hosting DancesAndBalls, a waifish love-interest who is lusted after by both, [[ReligiousHorror religious overtones]], a {{Creepy Crow|s}} motif, a DealWithTheDevil (both metaphorical and literal), MalevolentArchitecture and a DownerEnding with an aftertaste of divine justice.
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* GothicHorror: The film is a mid-'70s {{Homage}} to Gothic Horror, borrowing visual cues and motifs from the likes of ''Literature/{{Frankenstein}}'', ''Film/TheCabinetOfDrCaligari'', ''Literature/ThePhantomOfTheOpera'' and ''Myth/{{Faust}}''. The film itself is [[{{Troperiffic}} built on many tropes familiar to the genre]]; its protagonist is a [[TheGrotesque tragically deformed]], morally ambiguous TheatrePhantom-ByronicHero, the antagonist a SatanicArchetype who's industry reflects a DecadentCourt hosting DancesAndBalls, a waifish love-interest who is lusted after by both, [[ReligiousHorror religious overtones]], a {{Creepy Crow|s}} motif, a DealWithTheDevil (both metaphorical and literal), MalevolentArchitecture and a DownerEnding with an aftertaste of divine justice.
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* AbominableAuditorium: Legendary record producer Swan creates a spectacular concert hall known as the Paradise as the crowning glory of his career. As such, it's his personal villain lair, complete with hidden passages, surveillance everywhere, regular mistreatment of performers, and even a private audio suite in which he essentially imprisons the Phantom - and seals him inside once his work is done. For good measure, Swan has no problem allowing his performers to be murdered on-stage for the sake of publicity.
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* SexFaceTurn: Towards the climax of the movie [[spoiler: Sawn seduces Pheonix and presumably has sex with her, as Winslow watches them laid in bed through a skylight, which prompts him to try to commit suicide.]]

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* SexFaceTurn: Inverted and downplayed. Towards the climax of the movie [[spoiler: Sawn seduces Pheonix and presumably has sex with her, as Winslow watches them laid in bed through a skylight, which prompts him to try to commit suicide.]]
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* ClumsyCopyrightCensorship: A rather unfortunate case. Swan's record label, [[{{Pun}} Swan Song]], was featured in many scenes, including long shots and panning shots. At about the same time they were filming, Music/LedZeppelin manager Peter Grant started a ''real'' [[http://en.wikipedia.org/wiki/Swan_Song_Records record label]] with the name, and beat Phantom by a couple months with their first album release. Grant threatened to block release of the film, so De Palma and his editor ''[[ClumsyCopyrightCensorship very poorly]]'' covered up the offending words with the new label name, Death Records. Even worse, several long take scenes with too much movement were reedited so as to not show the original name, wasting the long single take shots. That name was '''everywhere.''' [[http://www.swanarchives.org/Production_Fiasco.asp Luckily, the original takes survive in the hands of a fan]], though who knows if they'll ever be used in a future release.

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* ClumsyCopyrightCensorship: A rather unfortunate case. Swan's record label, [[{{Pun}} Swan Song]], was featured in many scenes, including long shots and panning shots. At about the same time they were filming, Music/LedZeppelin manager Peter Grant started a ''real'' [[http://en.wikipedia.org/wiki/Swan_Song_Records record label]] with the name, and beat Phantom by a couple months with their first album release. Grant threatened to block release of the film, so De Palma and his editor ''[[ClumsyCopyrightCensorship very poorly]]'' ''very poorly'' covered up the offending words with the new label name, Death Records. Even worse, several long take scenes with too much movement were reedited so as to not show the original name, wasting the long single take shots. That name was '''everywhere.''' [[http://www.swanarchives.org/Production_Fiasco.asp Luckily, the original takes survive in the hands of a fan]], though who knows if they'll ever be used in a future release.
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A musical CultClassic from 1974, directed by Creator/BrianDePalma. A sort of reimagining of ''Theatre/ThePhantomOfTheOpera'', but set in the '70s and is more of a rock opera than a traditional one.

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A musical CultClassic from 1974, directed by Creator/BrianDePalma. A It is essentially a sort of reimagining of ''Theatre/ThePhantomOfTheOpera'', but set in the '70s and is more of a rock opera than a traditional one.
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* DiegeticMusical: The plot is centered around a songwriter's operatic adaptation of Myth/{{Faust}}, the evil music mogul Swann stealing it and framing him for a crime and the opening of Swan's new concert hall "The Paradise". Every song in the film is presented as an InUniverse performance, whether it's a concert, audition or the live-showing of the eponymous opera.
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->that he tried to deposit them at Fort Knox.

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->that he once tried to deposit them at Fort Knox.

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[[caption-width-right:350:''"My music is for Phoenix. Only she can sing it. Anyone else who tries, dies!"'']]

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[[caption-width-right:350:''"My music is for Phoenix. Only she can sing it. Anyone else who tries, dies!"'']]
[[caption-width-right:350:''[[{{Tagline}} He Sold His Soul For Rock & Roll]]'']]



->Since then, he’s won so many that he tried to deposit them
->at Fort Knox. He brought the Blues to Britain. He
->brought Liverpool to America.

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->Since then, he’s won so many that many
->that
he tried to deposit them
->at
them at Fort Knox. He Knox.
->He
brought the Blues to Britain. He
->brought
Britain.
->He brought
Liverpool to America.

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->''"He sold his soul for rock n' roll!"''
-->-- Tagline

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->''"He sold ->''Swan . . .
->he has no other name.
->His past is a mystery, but
his soul work is a legend.
->He wrote and produced his first gold record at 14.
->Since then, he’s won so many that he tried to deposit them
->at Fort Knox. He brought the Blues to Britain. He
->brought Liverpool to America.
->He brought Folk and Rock together.
->His band, the Juicy Fruits, singlehandedly gave birth
->to the nostalgia wave in the 70s.
->Now he’s looking
for rock n' roll!"''
the new sound of the spheres
->to inaugurate his own Xanadu, his own Disneyland:
->the Paradise, the ultimate Rock Palace.
->This film is the story of that search . . .
->of that sound . . .
->of the man who made it . . .
->the girl who sang it . . .
->and the monster who stole it.''
-->-- Tagline
OpeningNarration[[note]]by Creator/RodSerling[[/note]]
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* CastingCouch: Exaggerated. Swan's process for selecting female singers is three of his bodyguards ushering an assembly line of applicants through a door, throwing them onto a waiting couch and pawing at them; those who make it to the next round have to cuddle with each other in a Sapphic orgy that Swan himself joins (one girl mentions that she's been called back a dozen times, just never to sing). And then, ''maybe'', you get to audition on-stage later.
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* DealWithTheDevil: [[spoiler: Swan made a deal with the Devil so that he wouldn't age. He also has his bands and singers sign contracts to him, not allowing them to die until he does. The catch is that he must film himself each day of his life and watch the results daily(in which he looks and sounds wretched), or the deal breaks; Winslow finds this out and destroys the reels, leaving Swan vulnerable.]] Also the story of Faust, as presented in-universe in Winslow's music.

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* DealWithTheDevil: [[spoiler: Swan made a deal with the Devil so that he wouldn't age. He also has his bands and singers sign contracts to him, not allowing them to die until he does. The catch is that he must film himself each day of his life and watch the results daily(in daily (in which he looks and sounds wretched), or the deal breaks; Winslow finds this out and destroys the reels, leaving Swan vulnerable.]] Also the story of Faust, as presented in-universe in Winslow's music.
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* {{Irony}}: The title and first line of the song that [[spoiler: gets Beef killed]] is titled "Life at Last".

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* {{Irony}}: The title and first line of the song that [[spoiler: gets Beef killed]] is titled "Life at Last".
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* SexFaceTurn: Towards the climax of the movie [[spoiler: Sawn seduces Pheonix and presumably has sex with her, as Winslow watches them laid in bed through a skylight, which prompts him to try to commit suicide.]]

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* BittersweetEnding: [[spoiler: Winslow manages to stop Swan and brings about his death but [[TheHeroDies his fatal wound reopens as he dies in Phoenix's arms]]. Before dying, however, he achieves recognition, Phoenix's love and saves both his and Phoenix's souls while ensuring Swan goes to his final damnation. ]]



* DownerEnding: [[spoiler: Winslow [[TheHeroDies dies after killing Swan]], leaving Phoenix heartbroken and alone.]]


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* PoliticallyIncorrectVillain: Swan is quite misogynist and rather homophobic as well.
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* Irony: The title and first line of the song that [[spoiler: gets Beef killed]] is titled "Life at Last".

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* Irony: {{Irony}}: The title and first line of the song that [[spoiler: gets Beef killed]] is titled "Life at Last".
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* Irony: The title and first line of the song that [[spoiler: gets Beef killed]] is titled "Life at Last".
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!!''Phantom of the Paradise'' provides examples of:

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!!''Phantom of !!"And now, the Paradise'' provides examples of:
tragic Tropes...":

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A musical CultClassic from 1974, directed by Creator/BrianDePalma. A sort of reimagining of ''Literature/ThePhantomOfTheOpera'', but set in the 70's and is more of a rock opera than a traditional one.

to:

A musical CultClassic from 1974, directed by Creator/BrianDePalma. A sort of reimagining of ''Literature/ThePhantomOfTheOpera'', ''Theatre/ThePhantomOfTheOpera'', but set in the 70's '70s and is more of a rock opera than a traditional one.






!!This film contains examples of:
* AChatWithSatan: [[spoiler:Satan talks to Swan when he attempts to kill himself in a bathtub.]]

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!!This film contains !!''Phantom of the Paradise'' provides examples of:
* AChatWithSatan: [[spoiler:Satan talks to Swan when he attempts to kill himself in a bathtub.]]



* AChatWithSatan: [[spoiler:Satan talks to Swan when he attempts to kill himself in a bathtub.]]



* DealWithTheDevil: [[spoiler: Swan made a deal with the Devil so that he wouldn't age. He also has his bands and singers sign contracts to him, not allowing them to die until he does. The catch is that he must film himself each day of his life and watch the results daily(in which he looks and sounds wretched), or the deal breaks; Winslow finds this out and destroys the reels, leaving Swan vulnerable.]]
** Also the story of Faust, as presented in-universe in Winslow's music.

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* DealWithTheDevil: [[spoiler: Swan made a deal with the Devil so that he wouldn't age. He also has his bands and singers sign contracts to him, not allowing them to die until he does. The catch is that he must film himself each day of his life and watch the results daily(in which he looks and sounds wretched), or the deal breaks; Winslow finds this out and destroys the reels, leaving Swan vulnerable.]]
**
]] Also the story of Faust, as presented in-universe in Winslow's music.



--> '''Beef:''' That was something trying to get out of its premature grave, and I don't wanna be here when it does.

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--> '''Beef:''' -->'''Beef:''' That was something trying to get out of its premature grave, and I don't wanna be here when it does.



* DramaticUnmask: Averted. [[spoiler: Winslow removes his mask as he approaches Phoenix, but she's the only one who cares. The crowd just thinks it's part of the show.]]
* FatalMethodActing: An In-Universe example when [[spoiler: Beef is murdered by electrocution onstage]] and the crowd cheers it on, thinking it's part of the show.

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* DramaticUnmask: Averted. [[spoiler: Winslow [[spoiler:Winslow removes his mask as he approaches Phoenix, but she's the only one who cares. The crowd just thinks it's part of the show.]]
* FatalMethodActing: An In-Universe example when [[spoiler: Beef [[spoiler:Beef is murdered by electrocution onstage]] and the crowd cheers it on, thinking it's part of the show. show.



* GenreShift: a mid-song example. As Swan attempts to find someone to perform Winslow's music, he watches several different artists perform sections of the song, each taking up exactly where the last one left off, and none of them for more than a line or two. You'll never think of genre the same way again after watching it.

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* GenreShift: a A mid-song example. As Swan attempts to find someone to perform Winslow's music, he watches several different artists perform sections of the song, each taking up exactly where the last one left off, and none of them for more than a line or two. You'll never think of genre the same way again after watching it.



* GovernmentDrugEnforcement:
** Death Records does this with all their musicians. For example, when one of The Beach Bums complains that he feels too bad to sing, Philbin just shoves some pills down his throat and pushes him back on stage. [[spoiler:He was right to not want to perform.]]
** Also happens later with Beef, when he doesn't want to perform because of the Phantom.
** In the scene where [[spoiler:Phoenix]] signs a contract, it's implied that it only happened because Swan [[spoiler:got her high.]]



* IncrediblyLamePun: Winslow is initially sent to ([[FridgeBrilliance the real-life]] prison of) '''Sing-Sing'''.



* GovernmentDrugEnforcement: Death Records does this with all their musicians. For example, when one of The Beach Bums complains that he feels too bad to sing, Philbin just shoves some pills down his throat and pushes him back on stage. [[spoiler:He was right to not want to perform.]]
** Also happens later with Beef, when he doesn't want to perform because of the Phantom.
** In the scene where [[spoiler:Phoenix]] signs a contract, it's implied that it only happened because Swan [[spoiler:got her high.]]

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* GovernmentDrugEnforcement: Death Records does this with all their musicians. For example, when one of The Beach Bums complains that he feels too bad {{Pun}}: Winslow is initially sent to sing, Philbin just shoves some pills down his throat and pushes him back on stage. [[spoiler:He was right to not want to perform.]]
** Also happens later with Beef, when he doesn't want to perform because of
([[FridgeBrilliance the Phantom.
** In the scene where [[spoiler:Phoenix]] signs a contract, it's implied that it only happened because Swan [[spoiler:got her high.]]
real-life]] prison of) '''Sing-Sing'''.
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Compare and contrast ''Film/TheRockyHorrorPictureShow'', another 1970s rock musical that tackles horror themes (albeit in a much spoofier manner) and was considered a failure when it first came out, but is now a cult classic. (Also, both films were by 20th Century Fox and Harper played Janet in ''Film/ShockTreatment'', leading some fans to see all three films as a loose trilogy.)

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Compare and contrast ''Film/TheRockyHorrorPictureShow'', another 1970s rock musical that tackles horror themes (albeit in a much spoofier manner) manner and sticking to more conventional themes like mad scientists, aliens, and haunted houses) and was considered a failure when it first came out, but is now a cult classic. (Also, both films were by 20th Century Fox and Harper played Janet in ''Film/ShockTreatment'', leading some fans to see all three films as a loose trilogy.)
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* DirtyCop: After one of Winslow's failed attempt's to get into see Swan, Swan has a couple of police officers plant heroin on him.
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A combination of ''Literature/ThePhantomOfTheOpera'', ''Literature/ThePictureOfDorianGray'', ''{{Faust}}'', ''Literature/TheHunchbackOfNotreDame'', and ''Film/TheCabinetOfDrCaligari'', ''Phantom of the Paradise'' is a rather polarizing film, having been a complete flop when it was first released (though at least receiving an Oscar nomination for its soundtrack). It's now considered a cult favorite.

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A combination of ''Literature/ThePhantomOfTheOpera'', ''Literature/ThePictureOfDorianGray'', ''{{Faust}}'', ''Myth/{{Faust}}'', ''Literature/TheHunchbackOfNotreDame'', and ''Film/TheCabinetOfDrCaligari'', ''Phantom of the Paradise'' is a rather polarizing film, having been a complete flop when it was first released (though at least receiving an Oscar nomination for its soundtrack). It's now considered a cult favorite.



** The "sold his soul" aspect of the plot is obviously based on ''Theatre/{{Faust}}'', just like Winslow's cantata (and ''Faust'' is the production in the climax of the original novel of ''Franchise/ThePhantomOfTheOpera'').

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** The "sold his soul" aspect of the plot is obviously based on ''Theatre/{{Faust}}'', ''Myth/{{Faust}}'', just like Winslow's cantata (and ''Faust'' is the production in the climax of the original novel of ''Franchise/ThePhantomOfTheOpera'').
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* FunnyBackgroundEvent: The Juicy Fruits/Beach Bums/Undead's songs all have some amusing little bits going on alongside the singing.

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