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* {{Foreshadowing}}: Arguably counts as a RewatchBonus - the supporting cast are credited [[spoiler:in the order that their characters die.]]

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* {{Foreshadowing}}: Arguably counts as a RewatchBonus - -- the supporting cast are credited [[spoiler:in the order that their characters die.]]die]].
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** Pearl early on uses the pitchfork to kill a goose and feed it to the alligator. [[spoiler: We almost forget about that same pitchfork as we follow Pearl pursuing her dreams and The Projectionist at the same time. We don't see it again until The Projectionist, after getting freaked out by Pearl, attempts to start his car and drive away. She promptly [[ImpaledWithExtremePrejudice stabs him with it]].]]

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** Pearl early on uses the pitchfork to kill a goose and feed it to the alligator. [[spoiler: We almost forget about that same pitchfork as we follow Pearl pursuing her dreams and The the Projectionist at the same time. We don't see it again until The the Projectionist, after getting freaked out by Pearl, attempts to start his car and drive away. She promptly [[ImpaledWithExtremePrejudice stabs him with it]].]]



* EndsWithASmile: [[spoiler:Pearl ends the movie by going on a rant to Howard (who has just returned from war) about her own lost dreams and how she never wanted to have children. Because Pearl still has delusions of being a star, she finishes the monologue by breaking into an enormous smile, which she then holds as the credits roll. Her smile therefore becomes increasingly strained and painful as tears start to come through...but she still doesn't lose it.]]

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* EndsWithASmile: [[spoiler:Pearl ends the movie by going on a rant to Howard (who has just returned greeting Howard's return from war) about her own lost dreams and how she never wanted to have children. Because Pearl still has delusions of being a star, she finishes the monologue by breaking into war with an enormous smile, BrokenSmile, which she then holds as the credits roll. Her smile therefore becomes increasingly strained and painful as tears start to come through...but she still doesn't lose it.]]



* NatureVersusNurture: [[spoiler:Does Ruth (Pearl's mother) correctly identify that there's something intrinsically wrong with Pearl, thereby necessitating her keeping Pearl within the boundaries of the farm as much as possible? Do Ruth's constant put-downs of Pearl's dreams, which at least partially stems from the former's bitterness over her own unrealised full and vibrant life, manage to infect the latter with GenerationalTrauma[=/=]ill thoughts, only fatal to others on top? Or is Pearl's transformation from a slightly odd young woman to a full-blown unrepentant serial killer a result of both inputs?]]

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* NatureVersusNurture: [[spoiler:Does Ruth (Pearl's mother) correctly identify that there's something intrinsically wrong with Pearl, thereby necessitating her keeping Pearl within the boundaries of the farm as much as possible? Do Ruth's constant put-downs of Pearl's dreams, which at least partially stems from the former's bitterness over her own unrealised full and vibrant life, manage to infect the latter with GenerationalTrauma[=/=]ill thoughts, only fatal to others on top? Or is Pearl's transformation from a slightly odd young woman to a full-blown unrepentant serial killer a result of both inputs?]]
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* HollywoodHomely: In her final monologue, when listing out the ways in which she feels she's suffered unfairly, Pearl outright says [[IAmNotPretty she's not pretty and resents girls who are]], which may win some eye-rolls from the audience given she's played by Creator/MiaGoth, this time sans age prosthetics. [[JustifiedTrope Justified]] somewhat in that this may be only how Pearl perceives herself, as a result of the dramatic insecurities common to narcissists, the way [[AbusiveParents Ruth]] has repeatedly cut her down verbally, and [[spoiler: the rejection of the judges being specifically based on her looks; even then, the latter isn't because she's 'ugly', just that they wanted an all-American blonde.]]
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* HollywoodHomely: In her final monologue, when listing out the ways in which she feels she's suffered unfairly, Pearl outright says [[IAmNotPretty she's not pretty and resents girls who are]], which may win some eye-rolls from the audience given she's played by Creator/MiaGoth, this time sans age prosthetics. [[JustifiedTrope Justified]] somewhat in that this may be only how Pearl perceives herself, as a result of the dramatic insecurities common to narcissists, the way [[AbusiveParents Ruth]] has repeatedly cut her down verbally, and [[spoiler: the rejection of the judges being specifically based on her looks; even then, the latter isn't because she's 'ugly', just that they wanted an all-American blonde.]]

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* TheMentallyDisturbed: [[spoiler:From the very beginning, the film establishes that something is seriously wrong with Pearl as she has no compunction murdering small animals, and this is before she graduates to people roughly halfway through. Pearl's mother is more aware of this than she lets on and states it's one of the reasons she refuses to allow Pearl to leave the farm, as she knows ''exactly'' what her daughter is capable of.]]
** In addition to her more severe symptoms, Pearl acts like a child instead of the married adult she is, and loses herself in fantasy to the point of hallucination.

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* TheMentallyDisturbed: [[spoiler:From the very beginning, the film establishes that something is seriously wrong with Pearl as she has no compunction murdering small animals, and this is before she graduates to people roughly halfway through. Pearl's mother is more aware of this than she lets on and states it's one of the reasons she refuses to allow Pearl to leave the farm, as she knows ''exactly'' what her daughter is capable of.]]
**
]] In addition to her more severe symptoms, Pearl acts like a child instead of the married adult she is, and loses herself in fantasy to the point of hallucination.
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Definitely '''NOT''' to be confused with [[WesternAnimation/{{Pearl}} the animated film of the same name]].

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Definitely '''NOT''' to be confused with [[WesternAnimation/{{Pearl}} [[WesternAnimation/Pearl2016 the animated film of the same name]].
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*** The film ends with a twisted take on "There's no place like home," as [[spoiler:Pearl's first audition fails and she takes it as the permanent death of her dream, resigned to returning to the farm she didn't then ''or'' by the end want to live on]].

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*** The film ends with a twisted take on "There's no place like home," home", as [[spoiler:Pearl's first audition fails and she takes it as the permanent death of her dream, resigned to returning to the farm she didn't then ''or'' by the end want to live on]].



* MortonsFork: Mitzy is presented with one at the end of the film. [[spoiler:After Pearl confesses to her murders in front of Mitzy, she suspects her of having won the part in the dance troupe. Mitzy initially denies it, angering Pearl, who thinks that it's CondescendingCompassion and demands to hear the "truth." At this point, Mitzy is in a no-win situation. If she says she's telling the truth, it will only enrage Pearl further for "lying". If she says she won the part, it confirms Pearl's preconceived notions that Mitzy always gets what she wants. Either way, Pearl ''will'' kill her.]]

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* MortonsFork: Mitzy is presented with one at the end of the film. [[spoiler:After Pearl confesses to her murders in front of Mitzy, she suspects her of having won the part in the dance troupe. Mitzy initially denies it, angering Pearl, who thinks that it's CondescendingCompassion and demands to hear the "truth." "truth". At this point, Mitzy is in a no-win situation. If she says she's telling the truth, it will only enrage Pearl further for "lying". If she says she won the part, it confirms Pearl's preconceived notions that Mitzy always gets what she wants. Either way, Pearl ''will'' kill her.]]



* TheDiseaseThatShallNotBeNamed: While Pearl's father initially seems to have suffered a stroke, her mother later references his catatonia being due to a "sickness," though whether it's advanced polio, MS, or something else entirely is never made clear.

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* TheDiseaseThatShallNotBeNamed: While Pearl's father initially seems to have suffered a stroke, her mother later references his catatonia being due to a "sickness," "sickness", though whether it's advanced polio, MS, or something else entirely is never made clear.
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Crosswicking

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* EndsWithASmile: [[spoiler:Pearl ends the movie by going on a rant to Howard (who has just returned from war) about her own lost dreams and how she never wanted to have children. Because Pearl still has delusions of being a star, she finishes the monologue by breaking into an enormous smile, which she then holds as the credits roll. Her smile therefore becomes increasingly strained and painful as tears start to come through...but she still doesn't lose it.]]
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Page was movedfrom Film.Pearl to Film.Pearl 2022. Null edit to update page.

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* ArmorPiercingResponse: Ruth gives Pearl a truly epic TheReasonYouSuckSpeech, lasting several minutes and ending with her demanding to know why Pearl thinks she's so above her parents and the life they've worked so hard to build. Pearl destroys her with a single-sentence response, and the confrontation turns physical immediately thereafter.

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* ArmorPiercingResponse: Ruth gives Pearl a truly epic TheReasonYouSuckSpeech, lasting TheReasonYouSuckSpeech which lasts several minutes and ending ends with her demanding to know why Pearl thinks she's so above her parents and the life they've worked so hard to build. Pearl destroys her with a single-sentence response, and the confrontation turns physical immediately thereafter.



* InformedPoverty: Pearl and her family are supposed to be impoverished farmers, but their home contains beautiful wallpaper and furniture more appropriate for a millionaire's home. This may be an indication of [[RichesToRags how far the family has fallen]] with the father's sickness.
** Similarly, it makes no sense for a theater projectionist in 1918 to have his own car (it may be that he is "borrowing" a car that belongs to someone else.)

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* InformedPoverty: InformedPoverty:
**
Pearl and her family are supposed to be impoverished farmers, but their home contains beautiful wallpaper and furniture more appropriate for a millionaire's home. This may be an indication of [[RichesToRags how far the family has fallen]] with the father's sickness.
** Similarly, it makes no sense for a theater projectionist in 1918 to have his own car (it may be that he is "borrowing" a car that belongs to someone else.)else).



* KickTheDog: [[spoiler:The Judges turn Pearl down after she dances her heart out. What makes this an example is that they have her do the audition, only to admit that they had no intention of hiring her no matter how good her dancing was because she isn't "young and blonde".]]

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* KickTheDog: [[spoiler:The Judges turn Pearl down after she dances her heart out. out at her audition. What makes this an example is that they have her do the audition, audition in full, only to admit that they had no intention of hiring her no matter how good her dancing was because she isn't "young and blonde".]]



** Pearl wears a bright red dress when she auditions for the troupe, [[spoiler:kills her father beforehand, and later kills Mitzy.]]

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** Pearl wears a bright red dress when she auditions for the troupe, [[spoiler:kills her father beforehand, and later kills Mitzy.]]Mitzy]].

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* InformedPoverty: Pearl and her family are supposed to be impoverished farmers, but their home contains beautiful wallpaper and furniture more appropriate for a millionaire's home. Similarly, it makes no sense for a theater projectionist in 1918 to have his own car (it may be that he is "borrowing" a car that belongs to someone else.)

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* InformedPoverty: Pearl and her family are supposed to be impoverished farmers, but their home contains beautiful wallpaper and furniture more appropriate for a millionaire's home. Similarly, This may be an indication of [[RichesToRags how far the family has fallen]] with the father's sickness.
**Similarly,
it makes no sense for a theater projectionist in 1918 to have his own car (it may be that he is "borrowing" a car that belongs to someone else.)
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Though X is a slasher film, Pearl's not


''Pearl'' (also marketed as ''Pearl: An X-traordinary Origin Story'') is a 2022 drama [[SlasherMovie slasher film]] co-written and directed by Ti West. It is a {{prequel}} to West's previous film ''Film/{{X|2022}}'', released earlier in the same year, and was shot in secret [[MovieMultipack directly after that film wrapped production]]. ''Pearl'' provides an origin story for the namesake character from ''X'', the female half of that film's EvilOldFolks [[BigBadDuumvirate duo]], who is again played by Creator/MiaGoth, who co-wrote this film and collaborated with West on its original story.

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''Pearl'' (also marketed as ''Pearl: An X-traordinary Origin Story'') is a 2022 drama [[SlasherMovie slasher film]] {{psychological thriller}} film co-written and directed by Ti West. It is a {{prequel}} to West's previous film ''Film/{{X|2022}}'', released earlier in the same year, and was shot in secret [[MovieMultipack directly after that film wrapped production]]. ''Pearl'' provides an origin story for the namesake character from ''X'', the female half of that film's EvilOldFolks [[BigBadDuumvirate duo]], who is again played by Creator/MiaGoth, who co-wrote this film and collaborated with West on its original story.
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*InformedPoverty: Pearl and her family are supposed to be impoverished farmers, but their home contains beautiful wallpaper and furniture more appropriate for a millionaire's home. Similarly, it makes no sense for a theater projectionist in 1918 to have his own car (it may be that he is "borrowing" a car that belongs to someone else.)

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* AlasPoorVillain:
** [[VillainProtagonist Pearl]]'s inevitable SanitySlippage is treated as a genuine [[TragicVillain tragedy]], and the final shot of her BrokenSmile as she [[spoiler:welcomes Howard back home with the corpses of her dead family]] is as horrifying as it is heartbreaking.
** Ruth is abusive, controlling, and unnecessarily cruel towards her daughter, but even Pearl is horrified and remorseful after [[spoiler:she burns her alive during a physical altercation, with her even cuddling her corpse in a moment of despair]].



* TranquilFury: [[spoiler:After Pearl gets Mitzy to [[AmbiguousSituaiton (dubiously)]] confess to having been selected to the dancing troupe after her own effort failed, she maintains enough composure to play it off as if it weren't a big deal, but her dialogue makes it clear that she's ''very'' resentful. It's partly the reason she chases her down and slaughters her with an axe mere moments after.]]

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* TragicVillain:
** Building off of their portrayals in ''X'', this film reveals exactly how and why Pearl and Howard ended up [[SerialKiller the way they did]]. Pearl suffered from an impoverished home life, an emotionally abusive mother, a sickly father that she and her mother struggled to take care of, and a myriad of mental health issues that only worsened due to the above factors, eventually causing her to snap. Howard, meanwhile, was away fighting in one of mankind's most horrific wars, and came back home to find that his beloved wife [[spoiler:had murdered his sister and parents-in-law during an extended psychotic break. Not wanting Pearl to suffer any more than she already had, Howard never turned her into the police and began to enable her murderous behavior]], leading to the UnholyMatrimony seen in ''X''.
** Ruth's abuse of Pearl stems from her being ProperlyParanoid of the flu pandemic during the 1910s, the stresses of having to care for her paralyzed husband, and her desire to protect the world from Pearl's dangerously unstable behavior. Unfortunately, said abuse only makes Pearl worse, which inevitably leads her daughter to snap and [[spoiler:kill her during a physical altercation]].
* TranquilFury: [[spoiler:After Pearl gets Mitzy to [[AmbiguousSituaiton [[AmbiguousSituation (dubiously)]] confess to having been selected to the dancing troupe after her own effort failed, she maintains enough composure to play it off as if it weren't a big deal, but her dialogue makes it clear that she's ''very'' resentful. It's partly the reason she chases her down and slaughters her with an axe mere moments after.]]

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Daylight Horror is no longer a trope, don't link it anywhere.


* DaylightHorror: Several of the film's kills not only happen in broad daylight, but one soaked in a bright Technicolor style.


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* SceneryDissonance: Several of the film's gruesome kills not only happen in broad daylight, but one soaked in a bright Technicolor style.
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* CorruptedCharacterCopy: In addition to the old, bitter version of Maxine that ''X'' depicted her as, Pearl is also this to two other famous characters.

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* CorruptedCharacterCopy: In addition to the old, bitter version of Maxine old woman that ''X'' depicted her as, Pearl is also this to two other famous characters.



** Second is Carrie White from ''Film/Carrie1976''.[[note]]Not so much the version of Carrie from [[Literature/{{Carrie}} the original novel]], who didn't have the heart of gold that she had in the movies but was depicted as having long fantasized about killing her classmates. Creator/StephenKing even later compared her to the UsefulNotes/{{Columbine}} killers.[[/note]] Both are the beautiful titular main characters of their respective stories who live under the thumb of [[MyBelovedSmother their oppressive mothers]] and dream of breaking free, a dream that ends in tragedy. Creator/MiaGoth does an excellent imitation of Creator/SissySpacek's Texas accent, and both films even have a pivotal scene where [[spoiler:the main character hits her RageBreakingPoint after she's humiliated on stage while dressed in a rosy color (red for Pearl, pink for Carrie) during what she hoped would be the happiest moment of her life]]. However, Carrie was presented as a good girl whose suffering was largely the fault of those around her, from her mother to her school's AlphaBitch, and could've been accepted by her peers if not for them. Pearl, meanwhile, is presented as a psychotic, [[TheMentallyDisturbed mentally disturbed]] young woman with an ego the size of Texas and not nearly as much of a severe FreudianExcuse who kills animals for fun [[spoiler:and later moves up to people]], making her a far more malicious villain.
** Pearl's mother Ruth, therefore, becomes a [[InvertedTrope Virtuous]] Character Copy of Carrie's mother Margaret. While she's still presented as a jerk who's responsible for a lot of Pearl's suffering, she has a very good reason to resent her daughter, knowing that she's violently insane, kills things for fun, and is willing to do anything to achieve her dream of stardom.

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** Second is Carrie White from ''Film/Carrie1976''.[[note]]Not so much the version of Carrie from [[Literature/{{Carrie}} the original novel]], who didn't have the heart of gold that she had in the movies but was depicted as having long fantasized about killing her classmates. Creator/StephenKing even later compared her to the UsefulNotes/{{Columbine}} killers.[[/note]] Both are the beautiful titular main characters of their respective stories who live under the thumb of [[MyBelovedSmother their oppressive mothers]] and dream of breaking free, a dream that ends in tragedy. Creator/MiaGoth does an excellent imitation of Creator/SissySpacek's Texas accent, and both films even have a pivotal scene where [[spoiler:the main character hits her RageBreakingPoint after she's humiliated on stage while dressed in a rosy color (red for Pearl, pink for Carrie) during what she hoped would be the happiest moment of her life]]. However, Carrie was presented as a good girl whose suffering was largely the fault of those around her, from her mother to her school's resident AlphaBitch, and could've been accepted by her peers if not for them. Pearl, meanwhile, is presented as a psychotic, [[TheMentallyDisturbed mentally disturbed]] young woman with an ego the size of Texas and not nearly as much of a severe FreudianExcuse who kills animals for fun [[spoiler:and later moves up to people]], making her a far more malicious villain.
** *** Pearl's mother Ruth, therefore, becomes a [[InvertedTrope Virtuous]] Character Copy of Carrie's mother Margaret. While she's still presented as a jerk who's responsible for a lot of Pearl's suffering, she has a very good reason to resent her daughter, knowing that she's violently insane, kills things for fun, and is willing to do anything to achieve her dream of stardom.

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* GoryDiscretionShot: When [[spoiler:Pearl smothers her father to death with a pillowcase]], the shot zooms past [[spoiler:the two of them]] and instead focuses on a birdcage in the room, at most giving us the sounds of [[spoiler:her father struggling as he's suffocated]].



** The end credits include an agonizing 30-second long iris, focusing solely on Pearl's face until it fades to black.

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** The end credits include an agonizing 30-second long 30-second-long iris, focusing solely on Pearl's face until it fades to black.



** [[spoiler:When Howard returns home, Pearl smiles to greet him and continues to do so for around three minutes while the credits roll, through which we see her face straining and tears starting to run as she struggles to maintain the smile. Her gaze, very slowly, drifts from facing Howard to [[LeaningOnTheFourthWall staring into the audience]] over the two minute shot.]]
* LettingTheAirOutOfTheBand: Used to horrific ends in the final shot of the film.

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** [[spoiler:When Howard returns home, Pearl smiles to greet him and continues to do so for around three minutes while the credits roll, through which we see her face straining and tears starting to run as she struggles to maintain the smile. Her gaze, very slowly, drifts from facing Howard to [[LeaningOnTheFourthWall staring into the audience]] over the two minute shot.]]
* LettingTheAirOutOfTheBand: Used to horrific ends in the final shot of the film.film, with the strings of its orchestral music cue progressively getting drawn out and strained over time to a very tense, unsettling effect.



* MortonsFork: Mitzy is presented with one at the end of the film. [[spoiler:After Pearl confesses to her murders, she suspects Mitzy of having won the part in the dance troupe. Mitzy initially denies it, angering Pearl, who thinks that it's CondescendingCompassion and demands to hear the "truth." At this point, Mitzy is in a no-win situation. If she says she's telling the truth, it will only enrage Pearl further for "lying". If she says she won the part, it confirms Pearl's preconceived notions that Mitzy always gets what she wants. Either way, Pearl ''will'' kill her.]]

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* MortonsFork: Mitzy is presented with one at the end of the film. [[spoiler:After Pearl confesses to her murders, murders in front of Mitzy, she suspects Mitzy her of having won the part in the dance troupe. Mitzy initially denies it, angering Pearl, who thinks that it's CondescendingCompassion and demands to hear the "truth." At this point, Mitzy is in a no-win situation. If she says she's telling the truth, it will only enrage Pearl further for "lying". If she says she won the part, it confirms Pearl's preconceived notions that Mitzy always gets what she wants. Either way, Pearl ''will'' kill her.]]
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Pearl is actually given plenty of Freudian excuses for why she is the way she is.


** Second is Carrie White from ''Film/Carrie1976''.[[note]]Not so much the version of Carrie from [[Literature/{{Carrie}} the original novel]], who didn't have the heart of gold that she had in the movies but was depicted as having long fantasized about killing her classmates. Creator/StephenKing even later compared her to the UsefulNotes/{{Columbine}} killers.[[/note]] Both are the beautiful titular main characters of their respective stories who live under the thumb of [[MyBelovedSmother their oppressive mothers]] and dream of breaking free, a dream that ends in tragedy. Creator/MiaGoth does an excellent imitation of Creator/SissySpacek's Texas accent, and both films even have a pivotal scene where [[spoiler:the main character hits her RageBreakingPoint after she's humiliated on stage while dressed in a rosy color (red for Pearl, pink for Carrie) during what she hoped would be the happiest moment of her life]]. However, Carrie was presented as a good girl whose suffering was largely the fault of those around her, from her mother to her school's AlphaBitch, and could've been accepted by her peers if not for them. Pearl, meanwhile, is presented as a psychotic, [[TheMentallyDisturbed mentally disturbed]] young woman with an ego the size of Texas and no such FreudianExcuse who kills animals for fun [[spoiler:and later moves up to people]], making her a far more malicious villain.

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** Second is Carrie White from ''Film/Carrie1976''.[[note]]Not so much the version of Carrie from [[Literature/{{Carrie}} the original novel]], who didn't have the heart of gold that she had in the movies but was depicted as having long fantasized about killing her classmates. Creator/StephenKing even later compared her to the UsefulNotes/{{Columbine}} killers.[[/note]] Both are the beautiful titular main characters of their respective stories who live under the thumb of [[MyBelovedSmother their oppressive mothers]] and dream of breaking free, a dream that ends in tragedy. Creator/MiaGoth does an excellent imitation of Creator/SissySpacek's Texas accent, and both films even have a pivotal scene where [[spoiler:the main character hits her RageBreakingPoint after she's humiliated on stage while dressed in a rosy color (red for Pearl, pink for Carrie) during what she hoped would be the happiest moment of her life]]. However, Carrie was presented as a good girl whose suffering was largely the fault of those around her, from her mother to her school's AlphaBitch, and could've been accepted by her peers if not for them. Pearl, meanwhile, is presented as a psychotic, [[TheMentallyDisturbed mentally disturbed]] young woman with an ego the size of Texas and no such not nearly as much of a severe FreudianExcuse who kills animals for fun [[spoiler:and later moves up to people]], making her a far more malicious villain.
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Nothing specifically, but this page is filled with entries that should really be under YMMV

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TRS cleanup: not enough context (no mention of if there's a fire going)


* ManOnFire: [[spoiler:Pearl does this to her mother by pushing her into the fireplace.]]
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* RuleOfSymbolism: Mitzy's mother brings Ruth and Pearl a roast pig from their farm as an act of community between them, but Ruth is too stubborn to accept it and leaves it on the porch. As the film goes on, the pig rots and gets covered in maggots, representing the family's descent into murder and madness.
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* Foreshadowing: Arguably counts as a RewatchBonus - the supporting cast are credited [[spoiler:in the order that their characters die.]]

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* Foreshadowing: {{Foreshadowing}}: Arguably counts as a RewatchBonus - the supporting cast are credited [[spoiler:in the order that their characters die.]]
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* KickTheDog: [[spoiler:The Judges turn Pearl down after she dances her heart out. What makes this an example is that they have her do the audition, only to admit that they had no intention of hiring her no matter how good her dancing was because she isn't "young and blonde".]]
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* Foreshadowing: Arguably counts as a RewatchBonus - the supporting cast are credited [[spoiler:in the order that their characters die.]]
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* BothSidesHaveAPoint: The central thematic argument of what Pearl should do with her life gives credence to and exposes flaws within both main sides brought up -- whether she should listen to the Projectionist and pursue her dreams, as you only get one shot at life and it's better to do what you want than conform with the rest of society;f or heed her mother's advice and accept her life at home, since life isn't about getting what you want but rather making the most out of what you're given.

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* BothSidesHaveAPoint: The central thematic argument of what Pearl should do with her life gives credence to and exposes flaws within both main sides brought up -- whether she should listen to the Projectionist and pursue her dreams, as you only get one shot at life and it's better to do what you want than conform with the rest of society;f society, or heed her mother's advice and accept her life at home, since life isn't about getting what you want but rather making the most out of what you're given.

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* BothSidesHaveAPoint: The central thematic argument of what Pearl should do with her life gives credence to and exposes flaws within both main sides brought up -- whether she should listen to the Projectionist and pursue her dreams, as you only get one shot at life and it's better to do what you want than conform with the rest of society, or heed her mother's advice and accept her life at home, since life isn't about getting what you want but rather making the most out of what you're given.

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* BothSidesHaveAPoint: The central thematic argument of what Pearl should do with her life gives credence to and exposes flaws within both main sides brought up -- whether she should listen to the Projectionist and pursue her dreams, as you only get one shot at life and it's better to do what you want than conform with the rest of society, society;f or heed her mother's advice and accept her life at home, since life isn't about getting what you want but rather making the most out of what you're given.



** The end credits finish by irising out the rest of the frame, focusing solely on Pearl's face until it fades to black.

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** The end credits finish by irising out the rest of the frame, include an agonizing 30-second long iris, focusing solely on Pearl's face until it fades to black.



** [[spoiler:Pearl's confession to Mitzy about her resentment toward Howard, miscarrying his child, harboring feelings of alienation and loneliness, and having a history of murdering animals and people]] unfolds in one unbroken close-up that totals at around seven minutes in length.
** [[spoiler:When Howard returns home, Pearl smiles to greet him, and continues to do so for around three minutes while the credits roll, through which we see her face straining and her eyes watering as she struggles to maintain the smile.]]

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** [[spoiler:Pearl's confession Pearl's [[spoiler:confession to Mitzy about her resentment toward Howard, miscarrying his child, harboring feelings of alienation and loneliness, and having a history of murdering animals and people]] unfolds in one unbroken close-up that totals at around seven minutes in length.
** [[spoiler:When Howard returns home, Pearl smiles to greet him, him and continues to do so for around three minutes while the credits roll, through which we see her face straining and her eyes watering tears starting to run as she struggles to maintain the smile.]]smile. Her gaze, very slowly, drifts from facing Howard to [[LeaningOnTheFourthWall staring into the audience]] over the two minute shot.]]
* LettingTheAirOutOfTheBand: Used to horrific ends in the final shot of the film.
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* MasturbationMeansSexualFrustration: Because her husband is away at war, Pearl uses a scarecrow as a masturbatory aid while fantasizing about the Projectionist.

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