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* KubrickStare: Max gives one right at the end of the film [[spoiler:just before he trepans himself]].
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[[quoteright:230:https://static.tvtropes.org/pmwiki/pub/images/pimoviepic.jpg]]
[[caption-width-right:230: A mad genius at work.]]
[[caption-width-right:230: A mad genius at work.]]
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[[caption-width-right:230: A mad
[[caption-width-right:350:''[[{{Tagline}} faith in chaos]]'']]
->''When I was a little kid, my mother told me not to stare into the sun.\\
So once, when I was six, I did.\\
The doctors didn't know if my eyes would ever heal.\\
I was terrified. Alone in that darkness.\\
Slowly daylight crept in through the bandages, and I could see.\\
But something else had changed inside me.\\
That day, I had my first headache.''
-->-- Opening monologue of '''Maximillian Cohen'''
'''9:13. Personal note: [[DescribeTopicHere describe]] ''[[DescribeTopicHere π]]'' [[DescribeTopicHere here.]]'''
''π'' (pronounced "pi"), best described as a [[{{Surrealism}} surrealist]] PsychologicalThriller, is the directorial debut of Creator/DarrenAronofsky, who also wrote the film. It was made for a mere $60,000 and won the 1998 Sundance Film Festival award for Best Director. In his first film-score work, the movie's electronic soundtrack was assembled by Music/ClintMansell of later [[Film/RequiemForADream "Lux Aeterna"]] fame, who contributed the frenetic drum-and-bass theme.
The film revolves around Max Cohen, a reclusive, paranoid, migraine-afflicted math genius
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-->-- '''Maximillian Cohen'''
''π'' is the directorial debut of Creator/DarrenAronofsky, who also wrote the film. It was made for a mere $60,000 and won the 1998 Sundance Film Festival award for Best Director. In his first film-score work, the movie's soundtrack was assembled by Music/ClintMansell of later [[Film/RequiemForADream "Lux Aeterna"]] fame, who contributed the frenetic drum-and-bass theme.
Max Cohen is a reclusive, paranoid, migraine-afflicted math genius driven by the unshakable belief that the universe can be explained entirely through math, which he investigates with his home-built supercomputer Euclid.
Chased by agents of a Wall Street firm interested in profiting from his work as well as a sect of Hasidic Jews who want him to help find patterns in the Torah, Max stumbles upon a 216-digit number that seems to hold some universal secret. As he continues his research, his headaches worsen and he begins experiencing vivid hallucinations. Though he pushes on, determined to puzzle out the number's meaning, his mind might not be ready to comprehend it.
Shot in minimalist black and white, the film is mostly atmosphere, with relatively little dialogue. At its core, it's a MindScrew with a GainaxEnding, but an intriguing one indeed. The whole experience is often compared to ''Film/{{Eraserhead}}.''
''π'' is the directorial debut of Creator/DarrenAronofsky, who also wrote the film. It was made for a mere $60,000 and won the 1998 Sundance Film Festival award for Best Director. In his first film-score work, the movie's soundtrack was assembled by Music/ClintMansell of later [[Film/RequiemForADream "Lux Aeterna"]] fame, who contributed the frenetic drum-and-bass theme.
Max Cohen is a reclusive, paranoid, migraine-afflicted math genius driven by the unshakable belief that the universe can be explained entirely through math, which he investigates with his home-built supercomputer Euclid.
Chased by agents of a Wall Street firm interested in profiting from his work as well as a sect of Hasidic Jews who want him to help find patterns in the Torah, Max stumbles upon a 216-digit number that seems to hold some universal secret. As he continues his research, his headaches worsen and he begins experiencing vivid hallucinations. Though he pushes on, determined to puzzle out the number's meaning, his mind might not be ready to comprehend it.
Shot in minimalist black and white, the film is mostly atmosphere, with relatively little dialogue. At its core, it's a MindScrew with a GainaxEnding, but an intriguing one indeed. The whole experience is often compared to ''Film/{{Eraserhead}}.''
to:
''π'' is the directorial debut of Creator/DarrenAronofsky, who also wrote the film. It was made for a mere $60,000 and won the 1998 Sundance Film Festival award for Best Director. In
Through his
Max Cohen is a reclusive, paranoid, migraine-afflicted math genius driven by the unshakable belief that the universe can be explained entirely through math, which he investigates with his home-built supercomputer Euclid.
Chased by agents of a Wall Street firm interested in profiting from his work as well as a sect of Hasidic Jews who want him to help find patterns in the Torah,
Shot in minimalist black and white, the film is mostly atmosphere, with relatively little dialogue. At its core, it's a
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* AmenBreak: Used frequently in Clint Mansell's drum n' bass score.
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* AmenBreak: Used frequently in Clint Mansell's drum n' 'n' bass score.
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* {{Bookends}}: Max says the same line at the beginning and end of the film, [[ArcWords as well as throughout]].
-->"When I was a little kid my mother told me not to stare into the sun. So once when I was six, I did."
-->"When I was a little kid my mother told me not to stare into the sun. So once when I was six, I did."
to:
* {{Bookends}}: Max says the same line at towards the beginning and end of the film, [[ArcWords as well as throughout]].
film.
-->"When I was a littlekid kid, my mother told me not to stare into the sun. So once when I was six, I did."
-->"When I was a little
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-> '''3.''' If you graph these numbers, patterns emerge. Therefore: There are patterns everywhere in nature.
to:
-> '''3.''' If you graph these numbers, patterns emerge. emerge.
-> Therefore: There are patterns everywhere in nature.
-> Therefore: There are patterns everywhere in nature.
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A brilliant mathematician and his home-built supercomputer Euclid search for the underlying patterns of the universe.
Max Cohen is a reclusive, paranoid, migraine afflicted genius driven by the unshakable belief that the universe can be explained entirely through math. Chased by agents of a Wall Street firm interested in profiting from his work as well as a sect of Hasidic Jews who want him to help find patterns in the Torah, Max stumbles upon a 216-digit number that seems to hold some universal secret. As he continues his research, his headaches worsen and he begins experiencing vivid hallucinations. Though he pushes on, determined to puzzle out the number's meaning, his mind might not be ready to comprehend it.
Max Cohen is a reclusive, paranoid, migraine afflicted genius driven by the unshakable belief that the universe can be explained entirely through math. Chased by agents of a Wall Street firm interested in profiting from his work as well as a sect of Hasidic Jews who want him to help find patterns in the Torah, Max stumbles upon a 216-digit number that seems to hold some universal secret. As he continues his research, his headaches worsen and he begins experiencing vivid hallucinations. Though he pushes on, determined to puzzle out the number's meaning, his mind might not be ready to comprehend it.
to:
Max Cohen is a reclusive, paranoid,
Chased by agents of a Wall Street firm interested in profiting from his work as well as a sect of Hasidic Jews who want him to help find patterns in the Torah, Max stumbles upon a 216-digit number that seems to hold some universal secret. As he continues his research, his headaches worsen and he begins experiencing vivid hallucinations. Though he pushes on, determined to puzzle out the number's meaning, his mind might not be ready to comprehend it.
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''π'' is the directorial debut of Creator/DarrenAronofsky, who also wrote the film. It was made for a mere $60,000 and won the 1998 Sundance Film Festival award for Best Director. In his first film-score work, the movie's soundtrack was assembled by Music/ClintMansell of "Lux Aeterna" fame, who contributed the frenetic drum-and-bass theme.
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* {{Bookends}}: "When I was a little kid my mother told me not to stare into the sun. So once when I was six, I did" is said at the beginning and end of the film.
to:
* {{Bookends}}: "When Max says the same line at the beginning and end of the film, [[ArcWords as well as throughout]].
-->"When I was a little kid my mother told me not to stare into the sun. So once when I was six, Idid" is said at the beginning and end of the film.did."
-->"When I was a little kid my mother told me not to stare into the sun. So once when I was six, I
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* DrivenToSuicide: Not "kill" suicide, but the results of the number on Max's life and body drive him to destroy the part of him that matters to him the most-a symbolic suicide. Before that, there is a lot of "computer melting down" and "self destruct" symbology (such as Euclid's literal self destruction because of the number [[DoesThisRemindYouOfAnything and Max putting his injector gun up to his head (to deliver an injection directly to the lump) while screaming obscenities (to his neighbours having sex next door, which he can hear and is driving him nuts, on top of his migraine's pain)]]).
to:
* DrivenToSuicide: Not "kill" suicide, but the results effects of the number on Max's life and body drive him to destroy the part of him that matters to him the most-a most -- a symbolic suicide. Before that, there is a lot of "computer melting down" and "self destruct" symbology (such as Euclid's literal self destruction because of the number [[DoesThisRemindYouOfAnything and Max putting his injector gun up to his head (to deliver an injection directly to the lump) while screaming obscenities (to his neighbours having sex next door, which he can hear and is driving him nuts, on top of his migraine's pain)]]).
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* FaceCam: One of the more famous uses of the [=SnorriCam=]. The DVD contains some footage of a test run with Max in a convenience store.
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* FaceCam: One of the more famous uses of the [=SnorriCam=].[=SnorriCam=], an Aronofsky trademark. The DVD contains some footage of a test run with Max in a convenience store.
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* MouthfulOfPi: Not strictly pi, but Max can do rather complicated arithmetic in his head. The opening credits do show Pi itself counted out to thousands of numbers, but only the first 8 digits after the decimal point are correct.
to:
* MouthfulOfPi: Not strictly pi, but Max can do rather complicated arithmetic in his head. The opening credits do show Pi pi itself counted out to thousands of numbers, but only the first 8 digits after the decimal point are correct.
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* AppliedPhlebotinum: The "Ming Mecca" computer chip that Dawson uses to bait Max, and provides Euclid the processing power to fully realise the number. Max is disbelieving that the firm can even provide it (because they're classified technology), but Dawson simply says [[ScrewTheRulesIHaveConnections that the firm has plenty of connections.]]
to:
* AppliedPhlebotinum: The "Ming Mecca" computer chip that Dawson uses to bait Max, and provides Euclid the processing power to fully realise realize the number. Max is disbelieving that the firm can even provide it (because they're classified technology), but Dawson simply says [[ScrewTheRulesIHaveConnections that the firm has plenty of connections.]]
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* [[DoggedNiceGuy Dogged Nice Girl]]: One of his neighbors is an attractive young woman who obviously has her eye on Max. He seems to realize this to some extent but isn't interested.
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-->'''Sol''': (intense) What is it? A hundred and fifty, a thousand? [[{{Beat}} Uh,]] [[SayingTooMuch two hundred and sixteen?!]] How '''''many?'''''
to:
-->'''Sol''': (intense) What is it? A hundred and fifty, a thousand? [[{{Beat}} Uh,]] [[SayingTooMuch two hundred and sixteen?!]] How '''''many?'''''''many?''
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* MessyHair: Max, the [[MadMathematician reclusive math genius]]. His neighbor tries to adjust it, but he brusques her off.
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* MessyHair: Max, the [[MadMathematician reclusive math genius]]. His neighbor tries to adjust it, but he brusques her off.squirms away.
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He clearly has a crush on her, but he is shy and she is in a relationship
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* {{Asexual}}: Max isn't interested when his pretty neighbor constantly hits on him and doesn't seem interested in men, either. Due to his anti-social behavior, he is likely asexual. There are hints during one of his last hallucinations that he does yearn for a romantic connection to his neighbor, though. So perhaps social anxiety instead.
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* {{Lobotomy}}: In a SignatureScene, [[spoiler:Max lobotomizes himself with a power drill.]]
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* SniffSniffNom: Max tastes a suspicious melted computer part.
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* SniffSniffNom: Max tastes a suspicious melted computer part.examines some primordial goo that has built up in Euclid's electronics by looking at it, smelling it and then tasting it.
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* TheseAreThingsManWasNotMeantToKnow: [[spoiler:The 216-digit number repeatedly crashes Euclid and drives Max insane. It's also implied that [[SignificantName Sol]]'s second stroke came about because he started researching the number again. Just a ''partial'' number brings along an epic stock market crash. It's repeatedly linked with the sun, which fried Max's optic nerves when he gazed at it and killed Icarus when he flew too close to it.]]
* ThroughTheEyesOfMadness: There is ''one'' scene which is clearly a hallucination:[[spoiler: Max finding an human brain in the subway]]. The rest? Who knows?
* ThroughTheEyesOfMadness: There is ''one'' scene which is clearly a hallucination:[[spoiler: Max finding an human brain in the subway]]. The rest? Who knows?
to:
* TheseAreThingsManWasNotMeantToKnow: [[spoiler:The The 216-digit number repeatedly crashes Euclid and drives threatens to drive Max insane. It's also implied that [[SignificantName Sol]]'s second stroke came about because he started researching the number again. Just a ''partial'' number brings along an epic stock market crash. It's repeatedly linked with the sun, which fried Max's optic nerves when he gazed at it and killed Icarus when he flew too close to it.]]
it.
* ThroughTheEyesOfMadness: There is ''one'' scene which is clearly a hallucination:[[spoiler: Max finding an human brain inthe subway]].a subway bathroom]]. The rest? Who knows?
* ThroughTheEyesOfMadness: There is ''one'' scene which is clearly a hallucination:[[spoiler: Max finding an human brain in
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** Several mathematical facts get mixed up (for example, the golden ratio is usually phi, not theta), but it doesn't detract too much from the plot.
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** Several mathematical facts get mixed up (for example, the golden ratio is usually phi, not theta), but it doesn't detract too much from the plot.theta).
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* BittersweetEnding: [[spoiler:We can only guess whether or not Max's self-trepanation was done for real, but the closing scene definitely shows him having become a happier man.]]
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* CreatorThumbprint: The first of various Aronofsky films with an underlying theme of "obsession leading to destruction."
to:
* CreatorThumbprint: The first of various Aronofsky films with an underlying theme of "obsession leading to destruction."" It also says a lot about Aronofsky's films that this one, [[spoiler:in which the protagonist willfully (although ambiguously) ''drills a chunk of his brain off'', is the one with the most unambiguously happy ending so far.]]
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* GainaxEnding: [[spoiler: Max is shown to trepan himself at the end of the movie, voiding himself of his mathematical genius. Whether this is literal or symbolic is left up to the viewer.]]
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* GainaxEnding: [[spoiler: Max [[spoiler:Max is shown to trepan himself at the end of the movie, voiding himself of his mathematical genius. Whether this is literal or symbolic is left up to the viewer.]]
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Tropes Are Flexible — there's examples in "I Call It Vera" that are not weapons. Although I guess we should send that to Trope Repair... what do we label it as? "Named Gadgetry"?
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* ICallItVera: "Euclid", Max's home-made supercomputer -- most probably after the Greek mathematician.
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* {{Asexual}}: Max isn't interested when his pretty neighbor constantly hits on him and doesn't seem interested in men, either. Due to his anti-social behavior, he is likely asexual. There are hints during one of his last hallucinations that he does yearn for a romantic connection to his neighbor, though.
to:
* {{Asexual}}: Max isn't interested when his pretty neighbor constantly hits on him and doesn't seem interested in men, either. Due to his anti-social behavior, he is likely asexual. There are hints during one of his last hallucinations that he does yearn for a romantic connection to his neighbor, though. So perhaps social anxiety instead.
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This should fix it
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* CoolOldGuy: Sol, Max's former teacher, mentor, and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work, and coaching him in [[TabletopGame/Go]] . [[spoiler: It's all but stated outright that Sol discovered the number long before Max did.]]
to:
* CoolOldGuy: Sol, Max's former teacher, mentor, and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work, and coaching him in [[TabletopGame/Go]] .Go (Japanese pebble game). [[spoiler: It's all but stated outright that Sol discovered the number long before Max did.]]
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This should fix it
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* CoolOldGuy: Sol, Max's former teacher, mentor, and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work, and coaching him in [[TabletopGame/Go]]. [[spoiler: It's all but stated outright that Sol discovered the number long before Max did.]]
to:
* CoolOldGuy: Sol, Max's former teacher, mentor, and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work, and coaching him in [[TabletopGame/Go]].[[TabletopGame/Go]] . [[spoiler: It's all but stated outright that Sol discovered the number long before Max did.]]
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This should fix it
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* CoolOldGuy: Sol, Max's former teacher, mentor, and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work, and coaching him in TabletopGame/Go. [[spoiler: It's all but stated outright that Sol discovered the number long before Max did.]]
to:
* CoolOldGuy: Sol, Max's former teacher, mentor, and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work, and coaching him in TabletopGame/Go.[[TabletopGame/Go]]. [[spoiler: It's all but stated outright that Sol discovered the number long before Max did.]]
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* WritersCannotDoMath:
to:
* WritersCannotDoMath: Ironically, for a film that's about a mathematician and even titled after a mathematical constant, you would think this trope would be averted. Alas, even this film isn't safe from that trope.
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* BlasphemousBoast: The slogan of stock brokerage firm Lancet-Percy, boasting their 86% accuracy, is "only God is perfect". [[CorruptCorporateExecutive And they spend the film trying to obtain a number that will allow them to manipulate the market at will (making it an even hundred).]]
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Changed line(s) 46,53 (click to see context) from:
--> Max:
--> Just a long string of digits—
--> Sol:
--> How ''many?''
--> Max:
--> [shrugs] I don't know...
--> Sol (intense):
--> What is it? A hundred and fifty, a thousand? [[{{Beat}} Uh]]—— [[SayingTooMuch Two-hundred and sixteen!?]] How '''''many?'''''
--> Just a long string of digits—
--> Sol:
--> How ''many?''
--> Max:
--> [shrugs] I don't know...
--> Sol (intense):
--> What is it? A hundred and fifty, a thousand? [[{{Beat}} Uh]]—— [[SayingTooMuch Two-hundred and sixteen!?]] How '''''many?'''''
to:
-->
--> Sol:
-->
-->'''Sol''': How ''many?''
--> [shrugs]
-->
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moving to trivia
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* AllThereIsToKnowAboutTheCryingGame: The infamous "drill" scene.
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misuse, this trope is about weapons
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-->--'''Maximillian Cohen'''
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* ICallItVera: "Euclid", Max's home-made super-computer.
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* SciFiWritersHaveNoSenseOfScale: Examining all possible numbers with 216 decimal digits, one per second, would take a time that's unconceivably larger than the estimated age of the Universe.
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* BlankWhiteVoid: In one of his visions, Max finds himself in exactly that setting. It's implied that he's standing on the border of life and death as he calmly starts to recite the universal number, which has previously been noted to possibly be God's true name. [[spoiler:He wakes up from this state, only to realize that he was probably hallucinating.]]
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* WhiteVoidRoom: In one of his visions, Max finds himself in exactly that setting. It's implied that he's standing on the border of life and death as he calmly starts to recite the universal number, which has previously been noted to possibly be God's true name. [[spoiler:He wakes up from this state, only to realize that he was probably hallucinating.]]
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* AmenBreak: Used frequently in Clint Mansell's drum n' bass score.
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* MouthfulOfPi: Not strictly pi, but Max can do rather complicated arithmetic in his head. The opening credits do show Pi itself counted out to thousands of numbers.
to:
* MouthfulOfPi: Not strictly pi, but Max can do rather complicated arithmetic in his head. The opening credits do show Pi itself counted out to thousands of numbers.numbers, but only the first 8 digits after the decimal point are correct.
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Changed line(s) 35 (click to see context) from:
* CoolOldGuy: Saul, Max's former teacher, mentor, and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work, and coaching him in [[SmartPeoplePlayChess Go.]] [[spoiler: It's all but stated outright that Saul discovered the number long before Max did.]]
to:
* CoolOldGuy: Saul, Sol, Max's former teacher, mentor, and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work, and coaching him in [[SmartPeoplePlayChess Go.]] TabletopGame/Go. [[spoiler: It's all but stated outright that Saul Sol discovered the number long before Max did.]]
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None
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-->-- '''Maximillian Cohen'''
to:
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Max Cohen is a reclusive, paranoid, migraine-afflicted genius driven by the unshakable belief that the universe can be explained entirely through math. Chased by agents of a Wall Street firm interested in profiting from his work as well as a sect of Hasidic Jews who want him to help find patterns in the Torah, Max stumbles upon a 216-digit number that seems to hold some universal secret. As he continues his research, his headaches worsen and he begins experiencing vivid hallucinations. Though he pushes on, determined to puzzle out the number's meaning, his mind might not be ready to comprehend it.
Shot in minimalist black and white, the film is mostly atmosphere, with relatively little dialogue. At its core, it's a MindScrew with a GainaxEnding, but an intriguing one indeed. The whole experience is often compared to ''Film/{{Eraserhead}}''.
Shot in minimalist black and white, the film is mostly atmosphere, with relatively little dialogue. At its core, it's a MindScrew with a GainaxEnding, but an intriguing one indeed. The whole experience is often compared to ''Film/{{Eraserhead}}''.
to:
Max Cohen is a reclusive, paranoid, migraine-afflicted migraine afflicted genius driven by the unshakable belief that the universe can be explained entirely through math. Chased by agents of a Wall Street firm interested in profiting from his work as well as a sect of Hasidic Jews who want him to help find patterns in the Torah, Max stumbles upon a 216-digit number that seems to hold some universal secret. As he continues his research, his headaches worsen and he begins experiencing vivid hallucinations. Though he pushes on, determined to puzzle out the number's meaning, his mind might not be ready to comprehend it.
Shot in minimalist black and white, the film is mostly atmosphere, with relatively little dialogue. At its core, it's a MindScrew with a GainaxEnding, but an intriguing one indeed. The whole experience is often compared to''Film/{{Eraserhead}}''.
''Film/{{Eraserhead}}.''
Shot in minimalist black and white, the film is mostly atmosphere, with relatively little dialogue. At its core, it's a MindScrew with a GainaxEnding, but an intriguing one indeed. The whole experience is often compared to
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!!This film provides examples of:
to:
!! This film provides examples of:
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** Marcy Dawson, who tries to swindle Max to help her stock prediction firm with regular sweet-talking, up to her last scene, where she's putting a gun to Max's head to ''force'' him to comply.
to:
** Marcy Dawson, who tries to swindle Max to help her stock prediction firm with regular sweet-talking, sweet talking, up to her last scene, where she's putting a gun to Max's head to ''force'' him to comply.
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* AnimalMotifs: Max finds ants as well as goo infesting his apartment after he loads it into his computer Euclid. A possible interpretation is that the number, [[spoiler:which is the blueprint for all creation,]] causes Euclid to begin creating simple organic matter. The goo and ants also fit into the themes of madness and decay that increasingly plague Max.
* AppliedPhlebotinum: The "Ming Mecca" computer chip that Dawson uses to bait Max, and provides Euclid the processing power to fully realise the number. Max is disbelieving that the firm can even provide it (because they're classified technology), but Dawson simply says [[ScrewTheRulesIHaveConnections that the firm has plenty of connections]].
* AppliedPhlebotinum: The "Ming Mecca" computer chip that Dawson uses to bait Max, and provides Euclid the processing power to fully realise the number. Max is disbelieving that the firm can even provide it (because they're classified technology), but Dawson simply says [[ScrewTheRulesIHaveConnections that the firm has plenty of connections]].
to:
* AnimalMotifs: Max finds ants as well as goo infesting his apartment after he loads it into his computer Euclid. A possible interpretation is that the number, [[spoiler:which [[spoiler: which is the blueprint for all creation,]] causes Euclid to begin creating simple organic matter. The goo and ants also fit into the themes of madness and decay that increasingly plague Max.
* AppliedPhlebotinum: The "Ming Mecca" computer chip that Dawson uses to bait Max, and provides Euclid the processing power to fully realise the number. Max is disbelieving that the firm can even provide it (because they're classified technology), but Dawson simply says [[ScrewTheRulesIHaveConnections that the firm has plenty ofconnections]].connections.]]
* AppliedPhlebotinum: The "Ming Mecca" computer chip that Dawson uses to bait Max, and provides Euclid the processing power to fully realise the number. Max is disbelieving that the firm can even provide it (because they're classified technology), but Dawson simply says [[ScrewTheRulesIHaveConnections that the firm has plenty of
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* BodyHorror: Subtle. A small, hebrew-letter shaped lump appears in Max's head. This, and his headaches getting worse,[[spoiler: and Sol's two strokes,]] all imply that the number can literally mess with your head.
* BookEnds: "When I was a little kid my mother told me not to stare into the sun. So once when I was six, I did" is said at the beginning and end of the film.
* BookEnds: "When I was a little kid my mother told me not to stare into the sun. So once when I was six, I did" is said at the beginning and end of the film.
to:
* BodyHorror: Subtle. A small, hebrew-letter Hebrew-letter shaped lump appears in Max's head. This, and his headaches getting worse,[[spoiler: worse, [[spoiler: and Sol's two strokes,]] all imply that the number can literally mess with your head.
*BookEnds: {{Bookends}}: "When I was a little kid my mother told me not to stare into the sun. So once when I was six, I did" is said at the beginning and end of the film.
*
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* CreatorThumbprint: The first of various Aronofsky films with an underlying theme of "obsession leading to destruction".
to:
* CreatorThumbprint: The first of various Aronofsky films with an underlying theme of "obsession leading to destruction".destruction."
Changed line(s) 34,39 (click to see context) from:
* CoolOldGuy: Saul, Max's former teacher, mentor and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work and coaching him in [[SmartPeoplePlayChess Go]] [[spoiler:it's all but stated outright that Saul discovered the number long before Max did]].
* CyberPunk: Max's apartment is taken up by a super-computer so every scene at home has a ton of wires and machinery everywhere. The evil stock firm further tips it into this genre.
* CyberpunkIsTechno: By Music/ClintMansell (such as the film's theme-slash-LeitMotif for Max) with contributions from other groups like Music/MassiveAttack. Their song "Angel" from ''Music/{{Mezzanine}}'' is used on the soundtrack.
* DeliberatelyMonochrome: And filmed in ultra-high-contrast for added creepiness.
* [[DoggedNiceGuy Dogged Nice Girl:]] One of his neighbors is an attractive young woman who obviously has her eye on Max. He seems to realize this to some extent but isn't interested.
* DrivenToSuicide: Not "kill" suicide, but the results of the number on Max's life and body drive him to destroy the part of him that matters to him the most-a symbolic suicide. Before that, there is a lot of "computer melting down" and "self-destruct" symbology (such as Euclid's literal self-destruction because of the number [[DoesThisRemindYouOfAnything and Max putting his injector gun up to his head (to deliver an injection directly to the lump) while screaming obscenities (to his neighbours having sex next door, which he can hear and is driving him nuts, on top of his migraine's pain)]]).
* CyberPunk: Max's apartment is taken up by a super-computer so every scene at home has a ton of wires and machinery everywhere. The evil stock firm further tips it into this genre.
* CyberpunkIsTechno: By Music/ClintMansell (such as the film's theme-slash-LeitMotif for Max) with contributions from other groups like Music/MassiveAttack. Their song "Angel" from ''Music/{{Mezzanine}}'' is used on the soundtrack.
* DeliberatelyMonochrome: And filmed in ultra-high-contrast for added creepiness.
* [[DoggedNiceGuy Dogged Nice Girl:]] One of his neighbors is an attractive young woman who obviously has her eye on Max. He seems to realize this to some extent but isn't interested.
* DrivenToSuicide: Not "kill" suicide, but the results of the number on Max's life and body drive him to destroy the part of him that matters to him the most-a symbolic suicide. Before that, there is a lot of "computer melting down" and "self-destruct" symbology (such as Euclid's literal self-destruction because of the number [[DoesThisRemindYouOfAnything and Max putting his injector gun up to his head (to deliver an injection directly to the lump) while screaming obscenities (to his neighbours having sex next door, which he can hear and is driving him nuts, on top of his migraine's pain)]]).
to:
* CoolOldGuy: Saul, Max's former teacher, mentor mentor, and friend. As well as giving Max sage advice on getting on with life, not becoming obsessed with his work work, and coaching him in [[SmartPeoplePlayChess Go]] [[spoiler:it's Go.]] [[spoiler: It's all but stated outright that Saul discovered the number long before Max did]].
did.]]
* CyberPunk: Max's apartment is taken up by asuper-computer super computer so every scene at home has a ton of wires and machinery everywhere. The evil stock firm further tips it into this genre.
* CyberpunkIsTechno: By Music/ClintMansell (such as the film'stheme-slash-LeitMotif theme / LeitMotif for Max) with contributions from other groups like Music/MassiveAttack. Their song "Angel" from ''Music/{{Mezzanine}}'' is used on the soundtrack.
* DeliberatelyMonochrome: And filmed inultra-high-contrast ultra-high contrast for added creepiness.
* [[DoggedNiceGuy Dogged NiceGirl:]] Girl]]: One of his neighbors is an attractive young woman who obviously has her eye on Max. He seems to realize this to some extent but isn't interested.
* DrivenToSuicide: Not "kill" suicide, but the results of the number on Max's life and body drive him to destroy the part of him that matters to him the most-a symbolic suicide. Before that, there is a lot of "computer melting down" and"self-destruct" "self destruct" symbology (such as Euclid's literal self-destruction self destruction because of the number [[DoesThisRemindYouOfAnything and Max putting his injector gun up to his head (to deliver an injection directly to the lump) while screaming obscenities (to his neighbours having sex next door, which he can hear and is driving him nuts, on top of his migraine's pain)]]).
* CyberPunk: Max's apartment is taken up by a
* CyberpunkIsTechno: By Music/ClintMansell (such as the film's
* DeliberatelyMonochrome: And filmed in
* [[DoggedNiceGuy Dogged Nice
* DrivenToSuicide: Not "kill" suicide, but the results of the number on Max's life and body drive him to destroy the part of him that matters to him the most-a symbolic suicide. Before that, there is a lot of "computer melting down" and
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* {{Foreshadowing}}: If asked why he stopped searching for patterns within the digits of pi, Sol (in most instances) reacts dismissively. After mentioning Euclid's "crash," Max begins to suspect this nonchalance has been [[DarkSecret deliberately misleading]]:
-->Max:
-->Just a long string of digits—
-->Sol:
-->How ''many''?
-->Max:
-->[shrugs] I don't know...
-->Sol (intense):
-->What is it? A hundred and fifty, a thousand? [[{{Beat}} Uh]]—— [[SayingTooMuch Two-hundred and sixteen]]!? How '''''many'''''?
%%COMMENTISONLYFORA"BREAK"
* FormulaicMagic: Max's dogmatic treatment of math as "the language of nature" seems to push past "math is capable of explaining everything in existence" into "math ''determines'' our existence." [[spoiler:The effects of the number point to the latter.]]
-->Max:
-->Just a long string of digits—
-->Sol:
-->How ''many''?
-->Max:
-->[shrugs] I don't know...
-->Sol (intense):
-->What is it? A hundred and fifty, a thousand? [[{{Beat}} Uh]]—— [[SayingTooMuch Two-hundred and sixteen]]!? How '''''many'''''?
%%COMMENTISONLYFORA"BREAK"
* FormulaicMagic: Max's dogmatic treatment of math as "the language of nature" seems to push past "math is capable of explaining everything in existence" into "math ''determines'' our existence." [[spoiler:The effects of the number point to the latter.]]
to:
* {{Foreshadowing}}: If asked why he stopped searching for patterns within the digits of pi, Sol (in most instances) reacts dismissively. After mentioning Euclid's "crash," Max begins to suspect this nonchalance has been [[DarkSecret deliberately misleading]]:
-->Max:
-->Justmisleading:]]
--> Max:
--> Just a long string of digits—
-->Sol:
-->How ''many''?
-->Max:
-->[shrugs]--> Sol:
--> How ''many?''
--> Max:
--> [shrugs] I don't know...
-->Sol --> Sol (intense):
-->What --> What is it? A hundred and fifty, a thousand? [[{{Beat}} Uh]]—— [[SayingTooMuch Two-hundred and sixteen]]!? sixteen!?]] How '''''many'''''?
%%COMMENTISONLYFORA"BREAK"
'''''many?'''''
* FormulaicMagic: Max's dogmatic treatment of math as "the language of nature" seems to push past "math is capable of explaining everything in existence" into "math ''determines'' our existence."[[spoiler:The [[spoiler: The effects of the number point to the latter.]]
-->Max:
-->Just
--> Max:
--> Just a long string of digits—
-->How ''many''?
-->Max:
-->[shrugs]
--> How ''many?''
--> Max:
--> [shrugs] I don't know...
%%COMMENTISONLYFORA"BREAK"
* FormulaicMagic: Max's dogmatic treatment of math as "the language of nature" seems to push past "math is capable of explaining everything in existence" into "math ''determines'' our existence."
Changed line(s) 55 (click to see context) from:
* GainaxEnding: [[spoiler:Max is shown to trepan himself at the end of the movie, voiding himself of his mathematical genius. Whether this is literal or symbolic is left up to the viewer.]]
to:
* GainaxEnding: [[spoiler:Max [[spoiler: Max is shown to trepan himself at the end of the movie, voiding himself of his mathematical genius. Whether this is literal or symbolic is left up to the viewer.]]
Changed line(s) 59 (click to see context) from:
* HatesBeingTouched: Max winces everytime someone touches him or even looks like they are about to touch him.
to:
* HatesBeingTouched: Max winces everytime every time someone touches him or even looks like they are about to touch him.
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Changed line(s) 4,8 (click to see context) from:
-> 1. Mathematics is the language of nature.
-> 2. Everything around us can be represented and understood through numbers.
-> 3. If you graph these numbers, patterns emerge. Therefore: There are patterns everywhere in nature.
-->--'''Maximillian Cohen'''
-> 2. Everything around us can be represented and understood through numbers.
-> 3. If you graph these numbers, patterns emerge. Therefore: There are patterns everywhere in nature.
-->--'''Maximillian Cohen'''
to:
-> 1. '''1.''' Mathematics is the language of nature.
->2. '''2.''' Everything around us can be represented and understood through numbers.
->3. '''3.''' If you graph these numbers, patterns emerge. Therefore: There are patterns everywhere in nature.
-->--'''Maximillian -->-- '''Maximillian Cohen'''
->
->
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:230:A mad genius at work]]
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Changed line(s) 15 (click to see context) from:
''π'' is the directorial debut of Creator/DarrenAronofsky, who also wrote the film. It was made for a mere $60,000 and won the 1998 Sundance Film Festival award for Best Director. In his first film-score work, the movie's soundtrack was assembled by ClintMansell of "Lux Aeterna" fame, who contributed the frenetic drum-and-bass theme.
to:
''π'' is the directorial debut of Creator/DarrenAronofsky, who also wrote the film. It was made for a mere $60,000 and won the 1998 Sundance Film Festival award for Best Director. In his first film-score work, the movie's soundtrack was assembled by ClintMansell Music/ClintMansell of "Lux Aeterna" fame, who contributed the frenetic drum-and-bass theme.
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Changed line(s) 89 (click to see context) from:
* TheseAreThingsManWasNotMeantToKnow: [[spoiler:The 216-digit number repeatedly crashes Euclid and drives Max insane. It's also implied that [[SignificantName Sol]]'s second stroke came about because he started researching the number again. It's repeatedly linked with the sun, which fried Max's optic nerves when he gazed at it and killed Icarus when he flew too close to it.]]
to:
* TheseAreThingsManWasNotMeantToKnow: [[spoiler:The 216-digit number repeatedly crashes Euclid and drives Max insane. It's also implied that [[SignificantName Sol]]'s second stroke came about because he started researching the number again. Just a ''partial'' number brings along an epic stock market crash. It's repeatedly linked with the sun, which fried Max's optic nerves when he gazed at it and killed Icarus when he flew too close to it.]]
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Added DiffLines:
* WeaponsGradeVocabulary: Knowing THE number, among other things, is a true name of God, so knowing it has bad effects on body and sanity. Heck, a computer calculating it created slime and ants as side-effect. Pretty large effect for a mere 216 digit number.