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Badass Beard and Badass Mustache are being merged into Manly Facial Hair. Wicks that don't fit or are zero-context are removed.


* BadassMustache: Bob Lasalle is clean-shaven in 1959, but sports one of these in 1975.
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* IdenticalGrandson: [[spoiler: Sandra looks exactly like her mother Elizabeth did at the same age.]]
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In present day (1975) New Orleans, Michael Courtland (Cliff Robertson) is a land developer who is deeply haunted by the past. In 1959, his wife Elizabeth (Geneviève Bujold) and their 9-year-old daughter Amy (Wanda Blackman) were abducted and held for ransom. The police bungled an attempt to rescue them, including a plan involving a briefcase full of blank paper instead of money. In the ensuing chaos, Elizabeth and Amy died. Michael has mourned their loss ever since, even erecting a memorial to them on the land where he'd intended to build a housing subdivision.

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In present day (1975) New Orleans, Michael Courtland (Cliff Robertson) is a land developer who is deeply haunted by the past. In 1959, his wife Elizabeth (Geneviève Bujold) (Creator/GenevieveBujold) and their 9-year-old daughter Amy (Wanda Blackman) were abducted and held for ransom. The police bungled an attempt to rescue them, including a plan involving a briefcase full of blank paper instead of money. In the ensuing chaos, Elizabeth and Amy died. Michael has mourned their loss ever since, even erecting a memorial to them on the land where he'd intended to build a housing subdivision.
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* YouKilledMyFather: The reason why [[spoiler:Amy/Sandra was eager to go along with Lasalle's scheme, since Lasalle had convinced her that Michael didn't love her anymore and let Elizabeth die on purpose, so she was eager to get revenge on her father]].

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* YouKilledMyFather: The reason why [[spoiler:Amy/Sandra was eager to go went along with Lasalle's scheme, since Lasalle had convinced her that Michael didn't love her anymore and let Elizabeth die on purpose, so she was eager to get revenge on her father]].
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* BadassMustache: Bob Lasalle is clean-shaven in 1959, but sports one of these in 1975.


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* TheOner: Several important shots like this, most memorably when the camera pans back-and-forth between Michael and Bob while they have a conversation over coffee.

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* EiffelTowerEffect: A brief scene in the French Quarter, and some shots of the still-under-construction Superdome.

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* EiffelTowerEffect: A EiffelTowerEffect:
** For New Orleans, a
brief scene in the French Quarter, and some shots of the still-under-construction Superdome.Superdome.
** For Florence, the exterior of San Miniato al Monte (they weren't allowed to film inside), plus the Ponte Vecchio and other landmarks.
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* SurpriseIncest: [[spoiler:Slightly averted in regards to the Sandra/Amy connection. In the original script, it is made explicit that father (Michael) and long-lost daughter (Sandra) consummate their love affair, but nervous studio executives [[ExecutiveMeddling tried to downplay it]] by making their wedding into a dream sequence and [=LaSalle=] telling Sandra "at least you didn't go to bed with him" as the two board the plane to Rome with the stolen money.]]

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* SurpriseIncest: [[spoiler:Slightly averted in regards to the Sandra/Amy connection. In the original script, it is made explicit that father (Michael) and long-lost daughter (Sandra) consummate their love affair, but nervous studio executives [[ExecutiveMeddling tried to downplay it]] it by making their wedding into a dream sequence and [=LaSalle=] telling Sandra "at least you didn't go to bed with him" as the two board the plane to Rome with the stolen money.]]
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* SurpriseIncest: [[spoiler:Slightly averted in regards to the Sandra/Amy connection. In the original script, it is made explicit that father (Michael) and long-lost daughter (Sandra) consummate their love affair, but nervous studio executives [[ExecutiveMeddling tried to downplay it]] by making their wedding into a dream sequence and [=LaSalle=] telling Sandra "at least you didn't go to bed with him" as the two board the plane to Rome with the stolen money.]]
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* RewatchBonus: On rewatch, it really becomes an entirely different film. The first time, it's all about Michael mourning for TheLostLenore and finding a DoppelgangerReplacementLoveInterest in Sandra. On rewatch, it turns into [[spoiler:the story of Amy reuniting with her father and returning to her long-lost home, and there's added IncestSubtext to Michael's actions]].

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* {{Expy}}: On a basic level as a ''Vertigo'' homage, you have Michael/Scottie, Elizabeth & Sandra/Madeleine & Judy, and Elster/Lasalle. There's also a fair amount of [[Film/{{Marnie}} Mark Rutland]] in Michael too, since they have similar names and are both grieving widowers who start an unsettling relationship with a woman he barely knows, to the confusion of his associates.

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* {{Expy}}: On a basic level as a ''Vertigo'' homage, you have Michael/Scottie, Elizabeth & Sandra/Madeleine & Judy, and Elster/Lasalle.Lasalle/Elster. There's also a fair amount of [[Film/{{Marnie}} Mark Rutland]] in Michael too, since they have similar names and are both grieving widowers who start an unsettling relationship with a woman he barely knows, to the confusion of his associates.


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* MayDecemberRomance: Michael, approaching 50, falls for Sandra, who's 25.
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* BigBadFriend: Michael never even suspects that [[spoiler:his trusted partner Bob Lasalle was behind the kidnapping]].
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* {{Expy}}: On a basic level as a ''Vertigo'' homage, you have Michael/Scottie, Elizabeth & Sandra/Madeleine & Judy, and Elster/Lasalle. There's also a fair amount of [[Film/{{Marnie}} Mark Rutland]] in Michael too, as a grieving widower who starts an unsettling relationship with a woman he barely knows, to the confusion of his associates.

to:

* {{Expy}}: On a basic level as a ''Vertigo'' homage, you have Michael/Scottie, Elizabeth & Sandra/Madeleine & Judy, and Elster/Lasalle. There's also a fair amount of [[Film/{{Marnie}} Mark Rutland]] in Michael too, as a since they have similar names and are both grieving widower widowers who starts start an unsettling relationship with a woman he barely knows, to the confusion of his associates.



* OrbitalKiss: No kiss involved, but the final scene uses this.

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* OrbitalKiss: No kiss involved, There's no actual kiss, but otherwise the final scene uses this.is a perfect example.



* WholePlotReference: Not as slavish a copy of ''Vertigo'' as its reputation suggests, but still follows the main outline. ''Film/{{Marnie}}'' also gets referenced. And of course, the "kidnapped daughter" angle is Creator/PaulSchrader doing another ShoutOut to ''Film/TheSearchers''.

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* WholePlotReference: Not as slavish a copy of ''Vertigo'' as its reputation suggests, but still follows the main outline. outline, with one key scene being a direct lift: [[spoiler:the DoppelgangerReplacementLoveInterest writes a confessional letter, then throws it away]]. ''Film/{{Marnie}}'' also gets referenced.referenced, particularly the flashback montage. And of course, the "kidnapped daughter" angle is Creator/PaulSchrader doing another ShoutOut to ''Film/TheSearchers''.
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* YouFool: Used verbatim by Lasalle during his final altercation with Michael.

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* YouFool: Used verbatim by Lasalle during his final altercation with Michael.Michael.
* YouKilledMyFather: The reason why [[spoiler:Amy/Sandra was eager to go along with Lasalle's scheme, since Lasalle had convinced her that Michael didn't love her anymore and let Elizabeth die on purpose, so she was eager to get revenge on her father]].
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* InternalReveal: Flashbacks reveal [[spoiler:that while Elizabeth died in the car accident, the kidnappers kept Amy at the house. Bob paid her ransom, then sent her to Italy, where she assumed the identity of Sandra]], but Michael doesn't learn it until the final scene.

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* InternalReveal: Flashbacks reveal [[spoiler:that while Elizabeth died As we see in flashbacks, [[spoiler:the lead kidnapper kept Amy in the house, but the others tricked the cops into thinking they'd taken her in the car accident, the kidnappers kept Amy at the house. along with Elizabeth. Bob paid her ransom, off the surviving kidnapper, then sent her Amy to Italy, where she was adopted by Mrs. Portinari and assumed the identity of Sandra]], but Michael doesn't learn it until the final scene.
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* YouFool!: Used verbatim by Lasalle during his final altercation with Michael.

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* YouFool!: YouFool: Used verbatim by Lasalle during his final altercation with Michael.
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* WholePlotReference: Not as slavish a copy of ''Vertigo'' as its reputation suggests, but still follows the main outline. ''Film/{{Marnie}}'' also gets referenced. And of course, the "kidnapped daughter" angle is Creator/PaulSchrader doing another ShoutOut to ''Film/TheSearchers''.

to:

* WholePlotReference: Not as slavish a copy of ''Vertigo'' as its reputation suggests, but still follows the main outline. ''Film/{{Marnie}}'' also gets referenced. And of course, the "kidnapped daughter" angle is Creator/PaulSchrader doing another ShoutOut to ''Film/TheSearchers''.''Film/TheSearchers''.
* YouFool!: Used verbatim by Lasalle during his final altercation with Michael.
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None


* WholePlotReference: Not as slavish a copy of ''Vertigo'' as its reputation suggests, but still follows the main outline. ''Film/{{Marnie}}'' also gets referenced. And of course, the "lost daughter" angle is Creator/PaulSchrader doing another ShoutOut to ''Film/TheSearchers''.

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* WholePlotReference: Not as slavish a copy of ''Vertigo'' as its reputation suggests, but still follows the main outline. ''Film/{{Marnie}}'' also gets referenced. And of course, the "lost "kidnapped daughter" angle is Creator/PaulSchrader doing another ShoutOut to ''Film/TheSearchers''.
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** The ransom plot was actually a failed attempt at this. [[spoiler:Knowing how much he loved his wife and daughter, Lasalle expected Michael to pay the ransom, which would force him to give up his share of the partnership. Instead, the police convinced Michael to go along with a phony payment sting operation, which ruined the plan and forced Lasalle to pay the kidnappers off himself]].

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** The ransom plot was actually a failed attempt at this. [[spoiler:Knowing [[spoiler:Lasalle organized the abduction. Knowing how much he loved his wife and daughter, Lasalle expected Michael to pay the ransom, which would force him to give up his share of the partnership. Instead, the police convinced Michael to go along with a phony payment sting operation, which ruined the plan and forced Lasalle to pay the kidnappers off himself]].



* BittersweetEnding: Having [[spoiler:killed Bob]], Michael thinks [[spoiler:he'll get the chance to take revenge out on Sandra, but instead learns that she's actually his daughter]].

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* BittersweetEnding: Having [[spoiler:killed Bob]], Michael thinks [[spoiler:he'll get the chance [[spoiler:goes off to take revenge out on kill Sandra, but instead finds out that she tried to kill herself, then learns that she's actually his daughter]].daughter Amy, who didn't really die in 1959]].



* InternalReveal: Flashbacks reveal [[spoiler:that while Elizabeth died in the car accident, Amy stayed at the house, Bob paid her ransom, then sent her to Italy, where she assumed the identity of Sandra]], but Michael doesn't learn it until the final scene.

to:

* InternalReveal: Flashbacks reveal [[spoiler:that while Elizabeth died in the car accident, the kidnappers kept Amy stayed at the house, house. Bob paid her ransom, then sent her to Italy, where she assumed the identity of Sandra]], but Michael doesn't learn it until the final scene.
Is there an issue? Send a MessageReason:
None


In present day (1975) New Orleans, Michael Courtland (Cliff Robertson) is a land developer who is deeply haunted by the past. In 1959, his wife Elizabeth (Geneviève Bujold) and their 9-year-old daughter Amy (Wanda Blackman) were abducted and held for ransom. The police bungled an attempt to rescue them, including a plan involving a briefcase full of blank paper instead of money. In the ensuing chaos, Elizabeth and Amy died. Michael has mourned their loss ever since, including erecting a memorial to them on the land where he'd intended to build a housing subdivision.

to:

In present day (1975) New Orleans, Michael Courtland (Cliff Robertson) is a land developer who is deeply haunted by the past. In 1959, his wife Elizabeth (Geneviève Bujold) and their 9-year-old daughter Amy (Wanda Blackman) were abducted and held for ransom. The police bungled an attempt to rescue them, including a plan involving a briefcase full of blank paper instead of money. In the ensuing chaos, Elizabeth and Amy died. Michael has mourned their loss ever since, including even erecting a memorial to them on the land where he'd intended to build a housing subdivision.
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* DejaVu: This was the film's working title, and reliving past experiences is major theme for all the main characters.

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* DejaVu: This was the film's working title, WorkingTitle, and reliving past experiences is major theme for all the main characters.
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* DejaVu: This was the film's working title, and reliving past experiences is major theme for all the main characters.

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* ChekhovsGun: A literal gun carried concealed by a waiter at the Courtlands' party, and used for the abduction.



* ChekhovsGun: A literal gun carried concealed by a waiter at the Courtlands' party, and used for the abduction.

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* BatmanGambit: It's a complicated scheme, but [[spoiler:Lasalle is using Sandra/Amy to manipulate Michael into giving up his money and land. He even comments on how completely Michael fell for the scam and how it made things so easy]].

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* BatmanGambit: BatmanGambit:
**
It's a complicated scheme, but [[spoiler:Lasalle is using Sandra/Amy to manipulate Michael into giving up his money and land. He even comments on how completely Michael fell for the scam and how it made things so easy]].easy]].
** The ransom plot was actually a failed attempt at this. [[spoiler:Knowing how much he loved his wife and daughter, Lasalle expected Michael to pay the ransom, which would force him to give up his share of the partnership. Instead, the police convinced Michael to go along with a phony payment sting operation, which ruined the plan and forced Lasalle to pay the kidnappers off himself]].



* WholePlotReference: Not as slavish a copy of ''Vertigo'' as its reputation suggests, but still follows the main outline. ''Film/{{Marnie}}'' also gets referenced.

to:

* WholePlotReference: Not as slavish a copy of ''Vertigo'' as its reputation suggests, but still follows the main outline. ''Film/{{Marnie}}'' also gets referenced. And of course, the "lost daughter" angle is Creator/PaulSchrader doing another ShoutOut to ''Film/TheSearchers''.
Is there an issue? Send a MessageReason:
None


On a trip to Italy with his business partner Bob Lasalle (Creator/JohnLithgow), Michael revisits the San Miniato al Monte basilica in Florence, where he'd met Elizabeth. There, he encounters Sandra Portinari (also Geneviève Bujold), a local young woman (who speaks perfect English) helping out with the restoration of a painting. She looks exactly like Elizabeth.

to:

On a trip to Italy with his business partner Bob Lasalle (Creator/JohnLithgow), (Creator/JohnLithgow, in his first major film role), Michael revisits the San Miniato al Monte basilica in Florence, where he'd met Elizabeth. There, he encounters Sandra Portinari (also Geneviève Bujold), a local young woman (who speaks perfect English) helping out with the restoration of a painting. She looks exactly like Elizabeth.
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None


* BatmanGambit: It's a complicated scheme, but [[spoiler:Lasalle even comments on how completely Michael was duped by Sandra and how it made things go like he wanted]].

to:

* BatmanGambit: It's a complicated scheme, but [[spoiler:Lasalle is using Sandra/Amy to manipulate Michael into giving up his money and land. He even comments on how completely Michael was duped by Sandra fell for the scam and how it made things go like he wanted]].so easy]].
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None


Any similarities to ''Film/{{Vertigo}}'' in that plot are strictly intentional, as De Palma once again indulged in his admiration for the work of Creator/AlfredHitchcock, including having Music/BernardHerrmann to write the score. Bouncing back from the failure of ''Film/PhantomOfTheParadise'', ''Obsession'' became a SleeperHit that helped set the stage for the success of his BreakthroughHit ''[[Film/Carrie1976 Carrie]]''.

to:

Any similarities to ''Film/{{Vertigo}}'' in that plot are strictly intentional, as De Palma once again indulged in his admiration for the work of Creator/AlfredHitchcock, including having Music/BernardHerrmann to write the score. Bouncing back from the failure of ''Film/PhantomOfTheParadise'', ''Obsession'' became a SleeperHit that helped set the stage for the success of his BreakthroughHit ''[[Film/Carrie1976 Carrie]]''.
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* SmugSnake: Even we he just seems like Michael's loyal business partner, Bob has an off-putting, arrogant manner. Turns out [[spoiler:he's a BitchInSheepsClothing who's trying to swindle the land away from Michael]].

to:

* SmugSnake: Even we when he just seems like Michael's loyal business partner, Bob has an off-putting, arrogant manner. Turns out [[spoiler:he's a BitchInSheepsClothing who's trying to swindle the land away from Michael]].
Is there an issue? Send a MessageReason:
None


Any similarities to ''Film/{{Vertigo}}'' in that plot are strictly intentional, as De Palma once again indulged in his admiration for the work of Creator/AlfredHitchcock, including having Music/BernardHerrmann to write the score. Bouncing back from the failure of ''Film/PhantomOfTheParadise'', ''Obsession'' became a SleeperHit that helped set the stage for the success of his BreakthroughHit ''Film/Carrie1976''.

to:

Any similarities to ''Film/{{Vertigo}}'' in that plot are strictly intentional, as De Palma once again indulged in his admiration for the work of Creator/AlfredHitchcock, including having Music/BernardHerrmann to write the score. Bouncing back from the failure of ''Film/PhantomOfTheParadise'', ''Obsession'' became a SleeperHit that helped set the stage for the success of his BreakthroughHit ''Film/Carrie1976''.
''[[Film/Carrie1976 Carrie]]''.



* Expy: On a basic level as a ''Vertigo'' homage, you have Michael/Scottie, Elizabeth & Sandra/Madeleine & Judy, and Elster/Lasalle. There's also a fair amount of [[Film/{{Marnie}} Mark Rutland]] in Michael too, as a grieving widower who starts an unsettling relationship with a woman he barely knows, to the confusion of his associates.

to:

* Expy: {{Expy}}: On a basic level as a ''Vertigo'' homage, you have Michael/Scottie, Elizabeth & Sandra/Madeleine & Judy, and Elster/Lasalle. There's also a fair amount of [[Film/{{Marnie}} Mark Rutland]] in Michael too, as a grieving widower who starts an unsettling relationship with a woman he barely knows, to the confusion of his associates.
Is there an issue? Send a MessageReason:
None


In present day (1975) New Orleans, Michael Courtland is a land developer who is deeply haunted by the past. In 1959, his wife Elizabeth (Geneviève Bujold) and their 9-year-old daughter Amy (Wanda Blackman) were abducted and held for ransom. The police bungled an attempt to rescue them, including a plan involving a briefcase full of blank paper instead of money. In the ensuing chaos, Elizabeth and Amy died. Michael has mourned their loss ever since, including erecting a memorial to them on the land where he'd intended to build a housing subdivision.

to:

In present day (1975) New Orleans, Michael Courtland (Cliff Robertson) is a land developer who is deeply haunted by the past. In 1959, his wife Elizabeth (Geneviève Bujold) and their 9-year-old daughter Amy (Wanda Blackman) were abducted and held for ransom. The police bungled an attempt to rescue them, including a plan involving a briefcase full of blank paper instead of money. In the ensuing chaos, Elizabeth and Amy died. Michael has mourned their loss ever since, including erecting a memorial to them on the land where he'd intended to build a housing subdivision.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/genevieve_bujold_cliff_robertson_obsession_1976_1400x601.jpg]]
''Obsession'' is a 1976 PsychologicalThriller directed by Creator/BrianDePalma, with a screenplay by Creator/PaulSchrader.

In present day (1975) New Orleans, Michael Courtland is a land developer who is deeply haunted by the past. In 1959, his wife Elizabeth (Geneviève Bujold) and their 9-year-old daughter Amy (Wanda Blackman) were abducted and held for ransom. The police bungled an attempt to rescue them, including a plan involving a briefcase full of blank paper instead of money. In the ensuing chaos, Elizabeth and Amy died. Michael has mourned their loss ever since, including erecting a memorial to them on the land where he'd intended to build a housing subdivision.

On a trip to Italy with his business partner Bob Lasalle (Creator/JohnLithgow), Michael revisits the San Miniato al Monte basilica in Florence, where he'd met Elizabeth. There, he encounters Sandra Portinari (also Geneviève Bujold), a local young woman (who speaks perfect English) helping out with the restoration of a painting. She looks exactly like Elizabeth.

Besides looks, Sandra is also similar in personality to Elizabeth, and Michael goes from being intrigued with her to being fixated. He not only falls in love with her, but sees her as a way to redeem himself. He even entertains the thought that Sandra is a reincarnated Elizabeth. Bob and his other associates become deeply concerned when he brings her back to New Orleans with the intention of marrying her. But the reverberations of the past will shake up Michael in a way he never thought was possible.

Any similarities to ''Film/{{Vertigo}}'' in that plot are strictly intentional, as De Palma once again indulged in his admiration for the work of Creator/AlfredHitchcock, including having Music/BernardHerrmann to write the score. Bouncing back from the failure of ''Film/PhantomOfTheParadise'', ''Obsession'' became a SleeperHit that helped set the stage for the success of his BreakthroughHit ''Film/Carrie1976''.

No relation to the Franchise/{{Pokemon}} [[Fanfic/{{Obsession}} fanfic]].


!!This film contains examples of:


* AltarTheSpeed: Once he becomes convinced that marrying Sandra is the path to renew his love for Elizabeth, he can't wait to do it.
* AntiHero: Michael becomes less sympathetic once Sandra starts bringing out his {{Necromantic}} side.
* BatmanGambit: It's a complicated scheme, but [[spoiler:Lasalle even comments on how completely Michael was duped by Sandra and how it made things go like he wanted]].
* TheBigEasy: Set in New Orleans, with focus on the SouthernGothic side of the city.
* BittersweetEnding: Having [[spoiler:killed Bob]], Michael thinks [[spoiler:he'll get the chance to take revenge out on Sandra, but instead learns that she's actually his daughter]].
* BriefcaseFullOfMoney: Subject of the RansomDrop, from a riverboat on the Mississippi to a dock.
* ChekhovsHobby: Bob Lasalle's fondness for Italy and his many acquaintances there [[spoiler:gives him a place to stash Amy until he can use her in his plot against Michael]].
* ChekhovsGun: A literal gun carried concealed by a waiter at the Courtlands' party, and used for the abduction.
* CutAndPasteNote: From the kidnappers.
* DoppelgangerReplacementLoveInterest: Sandra looks so much like Elizabeth, it even shocks Bob. Michael falls for her immediately.
* DreamSequence: Michael dreams about his upcoming wedding to Sandra, where she confirms his notion that he was destined to marry her as a second chance to prove his love for Elizabeth.
* EiffelTowerEffect: A brief scene in the French Quarter, and some shots of the still-under-construction Superdome.
* EveryCarIsAPinto: Elizabeth and Amy die in a car explosion. [[spoiler:Well, Elizabeth does anyway.]]
* Expy: On a basic level as a ''Vertigo'' homage, you have Michael/Scottie, Elizabeth & Sandra/Madeleine & Judy, and Elster/Lasalle. There's also a fair amount of [[Film/{{Marnie}} Mark Rutland]] in Michael too, as a grieving widower who starts an unsettling relationship with a woman he barely knows, to the confusion of his associates.
* InternalReveal: Flashbacks reveal [[spoiler:that while Elizabeth died in the car accident, Amy stayed at the house, Bob paid her ransom, then sent her to Italy, where she assumed the identity of Sandra]], but Michael doesn't learn it until the final scene.
* TheLostLenore: Michael is despondent over Elizabeth, even after 16 years.
* ManicPixieDreamGirl: How Sandra comes across at first, but Michael's obsession with her makes her nervous and more serious.
* NiceHat: Sandra's red beret.
* NoIndoorVoice: Bob, as fitting his blowhard character.
* OneWordTitle: In the Hitch tradition.
* OrbitalKiss: No kiss involved, but the final scene uses this.
* PoliceAreUseless: The detective's plan to give the kidnappers fake money fails miserably, since they didn't seem to consider that the criminals might actually want to open the briefcase and count the money.
* RedOniBlueOni: Michael is Blue, Bob is Red.
* SceneryPorn: Much more for Florence than New Orleans.
* SmugSnake: Even we he just seems like Michael's loyal business partner, Bob has an off-putting, arrogant manner. Turns out [[spoiler:he's a BitchInSheepsClothing who's trying to swindle the land away from Michael]].
* StalkerWithACrush: Michael starts following Sandra around Florence.
* StalkingIsLove: In Michael's case, love for your dead wife even.
* TimeSkip: The first 20 minutes take place in 1959, then the action cuts to 1975.
* WhatTheHellIsThatAccent: Creator/JohnLithgow was apparently trying for Cajun with Bob Lasalle's accent, but it's not very convincing and goes from a WesternAnimation/FoghornLeghorn drawl to almost vaguely Boston-sounding at times.
* WholePlotReference: Not as slavish a copy of ''Vertigo'' as its reputation suggests, but still follows the main outline. ''Film/{{Marnie}}'' also gets referenced.

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