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Changed line(s) 112 (click to see context) from:
* UnresolvedSexualTension: It emerges between Claudia and Sandro after Anna disappears while they search for her or simply aimlessly roam the island. [[It is resolved VERY soon by their kiss.]]
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* UnresolvedSexualTension: It emerges between Claudia and Sandro after Anna disappears while they search for her or simply aimlessly roam the island. [[It [[spoiler: It is resolved VERY soon by their kiss.]]
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* UnresolvedSexualTension: It emerges between Claudia and Sandro after Anna disappears while they search for her or simply aimlessly roam the island. [[It is resolved VERY soon by their kiss.]]
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* FirstKiss: Between Claudia and Sandro happens too soon after the disappearance of Anna.
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* ClothingSwitch: Claudia puts on a blouse belonging to Anna.
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Changed line(s) 60 (click to see context) from:
* HumansAreDiplomats: Subverted by Anna's father who also lampshades this subversion. He reports that when he was a career diplomat for many years he was oblidged to never tell what he thinks but now this obligation no longer exists.
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* HumansAreDiplomats: Subverted by Anna's father who also lampshades this subversion. He reports that when he was a career diplomat so for many years he was oblidged to never tell what he thinks thought but now this obligation no longer exists.
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* SeductionProofMarriage: That of Patriza and Ettore as the wife is too bored and lacking in desire to commit adultery.
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Changed line(s) 113,114 (click to see context) from:
** Subverted with Patrizia who travels with Raimondo but in fact remains faithful to her husband Ettore, the chief of Sandro.
** In the end Sandro [[spoiler: cheats on Claudia with Gloria Perkins.]]
** In the end Sandro [[spoiler: cheats on Claudia with Gloria Perkins.]]
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** Subverted with Patrizia who travels with Raimondo but in fact remains faithful to her husband Ettore, the chief of Sandro.
Sandro. More out of lack of desire than because of fidelity as she does not sleep in one bad with her husband.
** In the endSandro [[spoiler: Sandro cheats on Claudia with Gloria Perkins.]]
** In the end
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Changed line(s) 87,88 (click to see context) from:
* OverlyNarrowSuperlative: Patrizia says that Raimundo is the funniest person
* PassiveAggressiveKombat: What goes on between Patrizia and Raimundo who некфмуд together but are not lovers.
* PassiveAggressiveKombat: What goes on between Patrizia and Raimundo who некфмуд together but are not lovers.
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** Also subverted by Giulia responding to the constant attempts of her husband to put her down [[spoiiler: with adultery.]]
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* DeadpanSnarker: Almost every secondary character in the movie, Claudio and Sandro both are not. Sandro might be evil at times but he doesn't make snarky remarks. Patrizia and Raimondo as well as Corrado are all this. Also a drugstore assistant and his wife.
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* DeadpanSnarker: Almost every secondary character in the movie, Claudio and is not, curiously Sandro both are not. is also not the best example of that. Sandro might be evil at times but he doesn't often make snarky remarks. Patrizia and Raimondo as well as Corrado are all frequently this. Also a drugstore assistant and his wife.
* LiteralistSnarking: When Anna says that she does not feel Sandro any more he asks whetheк she did not feel him the previous day at his home. Anna is indignant.
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** Giulia cheats her snarky wealthy husband Corrado with a young painter Goffredo.
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** Giulia cheats her snarky wealthy husband Corrado with a young painter Goffredo. Lampshaded as she remarks that her little heart beats like crazy [[spoiler: as she is about to cheat on Corrado with the painter Goffredo]].
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** Patrizia in her turn shows that when Raimondo touches her breast. She only asks coldly whether he is disappointed with what he felt.
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* OverlyNarrowSuperlative: Patrizia says that Raimundo is the funniest person
* PassiveAggressiveKombat: What goes on between Patrizia and Raimundo who некфмуд together but are not lovers.
** Also Giulia and Corrado revel in this trope.
* PassiveAggressiveKombat: What goes on between Patrizia and Raimundo who некфмуд together but are not lovers.
** Also Giulia and Corrado revel in this trope.
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* AsYouKnow: The first dialogue of the film between Anna and her father is this. The father even lampshades it telling her "you know", later explaining what.
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* HumansAreDiplomats: Subverted by Anna's father who also lampshades this subversion. He reports that when he was a career diplomat for many years he was oblidged to never tell what he thinks but now this obligation no longer exists.
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* UnkemptBeauty: Monica Vitti is at times this.
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Changed line(s) 106 (click to see context) from:
** In the end Sandro cheats on Claudia with Gloria Perkins.
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** In the end Sandro [[spoiler: cheats on Claudia with Gloria Perkins.]]
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* EasilyForgiven: Played with. While Claudia makes the fogiving gesture in the very ending [[spiler: very soon after she sees him making out with Gloria Perkins]], it is implied that Sandro is visibly shocked after she discovers his infidelity. A debatable case as in description it appears that Sandro is easily forgiven but it does not read like that in the movie.
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Changed line(s) 17,18 (click to see context) from:
AboutElly by Creator/AsgarFarhadi was clearly influenced by this film while not qualifying for a remake.
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AboutElly by Creator/AsgarFarhadi Creator/AsgharFarhadi was clearly influenced by this film while not qualifying for a remake.
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AboutElly by Creator/AsgarFarhadi was clearly influenced by this film while not qualifying for a remake.
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Changed line(s) 61 (click to see context) from:
* ManChild: Sandro. He gets better at the end, though.
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* LoveHurts: Vittoria learns it nearly immediately after falling in love with Sandro.
* ManChild: Sandro.He gets better at the end, though.
* ManChild: Sandro.
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* DownerBeginning: A weaker example because no-one dies however the first scene is very intense and exhausting.
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* DownerBeginning: A weaker example because no-one dies however the first scene is very intense and exhausting.
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* GreyAndGrayMorality: Claudia appears the most sympathetic character however she confesses once that while previously she would like to find Anna and was horrified that she would not be found now she is horrified that Anna would be found. Other characters are visibly more cynical. [[spoiler: some of them even suppose that Sandro might have knocked off Anna.]]
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* RayOfHopeEnding: Several last shots of the last scene are that.
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* MaybeEverAfter: It is unclear whether Claudia and Sandro will go on with their romance.
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Changed line(s) 40 (click to see context) from:
* DecoyProtagonist: Anna who then gives way to Claudia. Played with. {[spoiler: In the runtime preceeding Anna's disappearance both Anna and Victoria receive enough screen time. Anna still is the main character of that part and the interest in her drama is reinforced in her final scene with Sandro before she goes missing.}}
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* DecoyProtagonist: Anna who then gives way to Claudia. Played with. {[spoiler: [[spoiler: In the runtime preceeding Anna's disappearance both Anna and Victoria receive enough a fair share of the screen time. Anna still is the main character of that part and the interest in her drama is reinforced in her final scene with Sandro before she goes missing.}}}]
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Deleted line(s) 28 (click to see context) :
* BreakthroughHit: For Creator/MichelangeloAntonini
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* BreakthroughHit: For Creator/MichelangeloAntonini
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Changed line(s) 98 (click to see context) from:
** In the end Sandro cheats Claudia with Gloria Perkins.
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** In the end Sandro cheats on Claudia with Gloria Perkins.
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Changed line(s) 32 (click to see context) from:
* CaptainObvious: Claudia exits the room and stands in the corridor, Giula faces her from the room, the doorway is between them. Giulia asks what she should do to remain alone [[spoiler: with Goffredo the artist who passionately lusts after her]]. Claudia replies that it is enough to close the door.
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* CaptainObvious: Claudia exits the room and stands in the corridor, Giula Giulia faces her from the room, the doorway is between them. Giulia asks what she should do to remain alone [[spoiler: with Goffredo the artist who passionately lusts after her]]. Claudia replies that it is enough to close the door.
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Changed line(s) 71 (click to see context) from:
** In the case of Patrizia it is her husband, Ettore who earns. He is the chief of Sandro the architect.
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** In the case of Patrizia it is her husband, Ettore Ettore, who earns.earns the money. He is the chief of Sandro the architect.
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** Subverted in the sole case of Gloria Perkins, an aspiring actress who arrived from USA. {{spoiler: That proves to be a bad sign as she seduces Sandro}}
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** Subverted in the sole case of Gloria Perkins, an aspiring actress who arrived from the USA. {{spoiler: [[spoiler: That proves to be a bad sign as she seduces Sandro}}Sandro]]
