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* BigNo: Claudia sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you") to Sandro making a stress on the first NO. [[spoiler : She indeed doesn't leave him in the end when he betrays her with an actress.]]
to:
* BigNo: Claudia sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you") to Sandro making a stress on the first NO. [[spoiler : [[spoiler: She indeed doesn't leave him in the end when he betrays her with an actress.]]
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* CaptainObvious: Claudia exits the room and stands in the corridor, Giula faces her from the room, doorway is between them. Giulia asks what she should do to remain alone [[with Goffredo]]. Claudia replies that it is enough to close the door.
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* DeadpanSnarker: Almost every secondary character in the movie, Claudio and Sandro both are not. Sandro might be evil at times but he doesn't make snarky remarks. Patrizia and Raimundo as well as Corrado are all this.
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* DeadpanSnarker: Almost every secondary character in the movie, Claudio and Sandro both are not. Sandro might be evil at times but he doesn't make snarky remarks. Patrizia and Raimundo as well as Corrado are all this. Also a drugstore assistant and his wife.
* DullSurprise: Claudia reacys apathetically when Giulia and Goffredo passionally make out in front of her.
* Little Black Dress: Claudia sports it during her stay at Corrado's Villa Montaldo in Palermo
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* YourCheatingHeart: A wife cheats her wealthy husband with a young painter.
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* YourCheatingHeart: A wife YourCheatingHeart:
** Giulia cheats her snarky wealthy husband Corrado with a youngpainter.painter Goffredo.
** In the end Sandro cheats Claudia with Gloria Perkins.
** Giulia cheats her snarky wealthy husband Corrado with a young
** In the end Sandro cheats Claudia with Gloria Perkins.
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* DeadpanSnarker: Almost every secondary character in the movie, Claudio and Sandro both are not. Sandro might be evil at times but he doesn't make snarky remarks.
* DesertedIsland: Actually it is populated by a sole old man who lives in a hut.
* DesertedIsland: Actually it is populated by a sole old man who lives in a hut.
to:
* DeadpanSnarker: Almost every secondary character in the movie, Claudio and Sandro both are not. Sandro might be evil at times but he doesn't make snarky remarks.
remarks. Patrizia and Raimundo as well as Corrado are all this.
* DesertedIsland: Actually it is populated by asole solitary old man who lives in a hut.
* DesertedIsland: Actually it is populated by a
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* Foreshadowing: The blonde Claudia
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* LeaveMeAlone: Giulia
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* PleaseDontLeaveMe: Giulia says exactly that to Claudia when Giulia is going to the room of the young artist passionately in love with her. Claudia only reluctantly agrees. [[spoiler: Soon after they arrive to the room Giulia says {{LeaveMeAlone}} as the passion of the artist ignites her too.]]
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* DeadpanSnaker: Almost every secondary character in the movie, Claudio and Sandro both are not. Sandro might be evil at times but he doesn't make snarky remarks.
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* DeadpanSnaker: DeadpanSnarker: Almost every secondary character in the movie, Claudio and Sandro both are not. Sandro might be evil at times but he doesn't make snarky remarks.
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* EveryoneLooksSexierIfFrench: Claudia is taken for a Frenchwoman in the conservative Italian south
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* MoodWhiplash Claudia makes a dance singing a song full of passion for Sandro in an hotel. [[He already looks bored]]
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* MistakenNationality: People in the small south Italian town think that Claudia is French because she looks too modern and elegant for their tastes.
* MoodWhiplash Claudia makes a dance singing a song full of passion for Sandro in an hotel.[[He He already looks bored]]bored.
* MoodWhiplash Claudia makes a dance singing a song full of passion for Sandro in an hotel.
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* DeadPanSnaker: Almost every secondary character in the movie, Claudio and Sandro both are not. Sandro might be evil at times but he doesn't make snarky remarks.
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* DeadPanSnaker: DeadpanSnaker: Almost every secondary character in the movie, Claudio and Sandro both are not. Sandro might be evil at times but he doesn't make snarky remarks.
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Changed line(s) 27 (click to see context) from:
* BigNo: Claudia sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you") to Sandro making a stress on the first NO. [[spoiler : She indeed doesn't leave him in the end when he betrays her with a hooker.]]
to:
* BigNo: Claudia sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you") to Sandro making a stress on the first NO. [[spoiler : She indeed doesn't leave him in the end when he betrays her with a hooker.an actress.]]
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* DesertedIsland: Actually it is populated by a sole old man who lives in a hut.
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* EveryoneCallsHimBarkeep: Old Man on the Island is credited in this way. Might be die to [[ValuesDissonance]] because in the movie dedicated to the upper-class characters a poor islander couldn't receive a name.
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* OnlyOneName: Every character has only a name in the credits, no surnames are mentioned. Well, with the exception of the Anna's father who is only referred to as such.
** Subverted in the case of Gloria Perkins, an aspiring actress who arrived from USA. {{That proves to be a bad sign as she seduces Sandro}}
** Subverted in the case of Gloria Perkins, an aspiring actress who arrived from USA. {{That proves to be a bad sign as she seduces Sandro}}
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* UnnamedParent: Anna's father
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* BigNo: Claudia sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you") to Sandro making a stress on the first NO. [[She indeed doesn't leave him in the end when he betrays her with a hooker.]]
to:
* BigNo: Claudia sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you") to Sandro making a stress on the first NO. [[She [[spoiler : She indeed doesn't leave him in the end when he betrays her with a hooker.]]
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* BelligerentSexualTension: In the scene where Claudia walks on the street of the Sicilian town alone the males gather in numbers and silently watch her. They don't make any advances then Sandro joins her.
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* DeadpanSnaker: Almost every secondary character in the movie, Claudio and Sandro both are not.
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* DeadpanSnaker: DeadPanSnaker: Almost every secondary character in the movie, Claudio and Sandro both are not.not. Sandro might be evil at times but he doesn't make snarky remarks.
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* BigNo: Claudia sings 'NO, no, non ti lascero' (Meaning "No, no, I won't leave you") to Sandro making a stress on the first NO. [[She indeed doesn't leave him in the end when he betrays her with a hooker.]]
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* All Girls Want Bad Boys: Both Anna and later Claudia are attracted to Sandro. Also the young artist qualifies for a bad buy what with his painting of exclusively nude women.
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* All Girls Want Bad Boys: AllGirlsWantBadBoys: Both Anna and later Claudia are attracted to Sandro. Also the young artist qualifies for a bad buy what with his painting of exclusively nude women.
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* MoodWhiplash Claudia makes a dance singing a song full of passion for Sandro in an hotel. [[He already looks bored]]
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* BrokenBird:
** Anna in the beginning of the film to an extent, She denies to dicuss with her father that Sandro is not going to marry her.
** Subverted by Vittoria in the end when she learns of Sandro's infidelity. While he breaks into tears she has the strength to forgive him.
** Anna in the beginning of the film to an extent, She denies to dicuss with her father that Sandro is not going to marry her.
** Subverted by Vittoria in the end when she learns of Sandro's infidelity. While he breaks into tears she has the strength to forgive him.
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* All Girls Want Bad Boys: Both Anna and later Claudia are attracted to Sandro. Also the young artist qualifies for a bad buy what with his painting of exclusively nude women.
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* DeadPanSnaker: Almost every secondary character in the movie,
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* DeadPanSnaker: DeadpanSnaker: Almost every secondary character in the movie,movie, Claudio and Sandro both are not.
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* YourCheatingHeart: A wife cheats her wealthy husband with a young painter.
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* DeadPanSnaker: Almost every secondary character in the movie,
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''L’Avventura'' is a 1960 film of director Creator/MichelangeloAntonioni.
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L'avventura is the first installment in Antonioni's tetralogy of alienation that includes * ''[[Film/{{Lanotte}} La notte]]'' (The Night, 1961), ''[[Film/{{Leclisse}} L'eclisse]]'' (''The Eclipse'', 1962) and ''Film/IlDesertoRosso'' (The Red Desert, 1964). These films are made in a similar manner characteristic for the "slow cinema". They research the condition of the contemporary middle-class educated European. Also Creator/MonicaVitti stars in all of them, playing main characters in three films and a {{tritagonist}} in La notte.
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* BettyAndVeronica: Anna is Veronica in that she is clearly darker edgier than the sweet and tender Claudia who is Betty.
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* BettyAndVeronica: Anna Anna, the brunette, is Veronica in that she Veronica. She is clearly darker edgier than the sweet and tender Claudia Claudia, the blonde, who is Betty.
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* BettyAndVeronica: Anna is Veronica in that she is clearly darker edgier than the sweet and tender Claudia who is Betty.
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So… The movie has almost no plot. Yeah. That means it's not for everyone. The movie replaces plot with beautiful sceneries, an interesting CharacterDevelopment and of course, playing with the viewers' expectations.
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So… The movie has almost no plot. Yeah. That means it's not for everyone. The movie replaces plot with the beautiful sceneries, an interesting CharacterDevelopment and of course, playing with the viewers' expectations.
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''L’Avventura'' is a film of director Creator/MichelangeloAntonioni.
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''L’Avventura'' is a 1960 film of director Creator/MichelangeloAntonioni.
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* RichBoredom: Many characters here are indeed rich (or, at least, affluent) and bored, also boring to one another.
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* MocksteryTale: The movie centers around the disappearance of a young woman, but the said disappearance is never resolved, and the real focus of the plot is the relationship between two other characters.
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''L’Avventura'' is a film of director Michelangelo Antonioni.
to:
''L’Avventura'' is a film of director Michelangelo Antonioni.
Creator/MichelangeloAntonioni.
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Two friends, Anna and Claudia, meet with Anna’s boyfriend Sandro and go with other friends on a trip to a rocky island. While they were there, Anna disappears, leaving no trace of her behind. The others start looking for her, but with exception of Claudia and Sandro, the others show no particular interest in finding her…
If you were seeing any other movie, its plot would deal with Anna’s disappearance and the effects this has on the characters. If that’s what you’re looking for, don’t even bother with this movie.
Halfway through the movie, Anna is completely forgotten by everyone, including her friend and her boyfriend, and is only mentioned once in a while, in case you forgot how the film began. The movie deals mainly with Sandro and Claudia’s relationship (''avventura'', beside an adventure, [[DoubleMeaningTitle means a fling in English]]).
So… the movie has almost no plot. Yeah. That means it’s not for everyone. The movie replaces plot with beautiful sceneries, an interesting CharacterDevelopment and of course, playing with the viewers’ expectations.
As an aside note, the movie had one of the most incredible instances of VindicatedByHistory: when it was released, the public founded it so slow and boring that they '''booed it in Cannes'''. It was after a second screening, and a bunch of essays written by critics defending the movie, when they started to admire it more.
!!This movie provides examples of:
If you were seeing any other movie, its plot would deal with Anna’s disappearance and the effects this has on the characters. If that’s what you’re looking for, don’t even bother with this movie.
Halfway through the movie, Anna is completely forgotten by everyone, including her friend and her boyfriend, and is only mentioned once in a while, in case you forgot how the film began. The movie deals mainly with Sandro and Claudia’s relationship (''avventura'', beside an adventure, [[DoubleMeaningTitle means a fling in English]]).
So… the movie has almost no plot. Yeah. That means it’s not for everyone. The movie replaces plot with beautiful sceneries, an interesting CharacterDevelopment and of course, playing with the viewers’ expectations.
As an aside note, the movie had one of the most incredible instances of VindicatedByHistory: when it was released, the public founded it so slow and boring that they '''booed it in Cannes'''. It was after a second screening, and a bunch of essays written by critics defending the movie, when they started to admire it more.
!!This movie provides examples of:
to:
Two friends, Anna and Claudia, meet with Anna’s Anna's boyfriend Sandro and go with other friends on a trip to a rocky island. While they were there, Anna disappears, leaving no trace of her behind. The others start looking for her, but with exception of Claudia and Sandro, the others show no particular interest in finding her…
If you were seeing any other movie, its plot would deal withAnna’s Anna's disappearance and the effects this has on the characters. If that’s that's what you’re you're looking for, don’t don't even bother with this movie.
Halfway through the movie, Anna is completely forgotten by everyone, including her friend and her boyfriend, and is only mentioned once in a while, in case you forgot how the film began. The movie deals mainly with Sandro andClaudia’s Claudia's relationship (''avventura'', (''avventura,'' beside an adventure, [[DoubleMeaningTitle means a fling in English]]).
English.]])
So…the The movie has almost no plot. Yeah. That means it’s it's not for everyone. The movie replaces plot with beautiful sceneries, an interesting CharacterDevelopment and of course, playing with the viewers’ viewers' expectations.
As an aside note, the movie had one of the most incredible instances of VindicatedByHistory:when When it was released, the public founded it so slow and boring that they '''booed it in Cannes'''. Cannes.''' It was after a second screening, and a bunch of essays written by critics defending the movie, when they started to admire it more.
!!Thismore.
----
!! This movie provides examples of:
If you were seeing any other movie, its plot would deal with
Halfway through the movie, Anna is completely forgotten by everyone, including her friend and her boyfriend, and is only mentioned once in a while, in case you forgot how the film began. The movie deals mainly with Sandro and
So…
As an aside note, the movie had one of the most incredible instances of VindicatedByHistory:
!!This
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!! This movie provides examples of:
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* FanNickname: “Antonioniennui.”
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* FanNickname: “Antonioniennui.”"Antonioniennui."
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* {{MST}}: At its infamous showing in Cannes, the scene of Claudia running down a corridor prompted shouts of [[LeaveTheCameraRunning "Cut"]] on part of the audience.
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* {{MST}}: At its infamous showing in Cannes, the scene of Claudia running down a corridor prompted shouts of [[LeaveTheCameraRunning "Cut"]] "[[LeaveTheCameraRunning Cut]]" on part of the audience.
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''L’Avventura'' is a film of director Michelangelo Antonioni (''BlowUp'').
to:
''L’Avventura'' is a film of director Michelangelo Antonioni (''BlowUp'').
Antonioni.
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Red link. Also needs elaboration.
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* MSTing: Really, that’s what they did in Cannes.
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* MSTing: Really, that’s what they did {{MST}}: At its infamous showing in Cannes.Cannes, the scene of Claudia running down a corridor prompted shouts of [[LeaveTheCameraRunning "Cut"]] on part of the audience.
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* TrueArtIsIncomprehensible: Antonioni was a big believer in this.
* VindicatedByHistory
* VindicatedByHistory
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* VindicatedByHistory
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/Avventura19_1325.jpg]]
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* {{PWP}}: A non-pornographic version.
