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From Aldous Huxley's intriguing Creator/OrsonWelles/Creator/JoanFontaine 1943 film, through Zelah Clarke and Creator/TimothyDalton's [[https://www.youtube.com/watch?v=6SJYxamq-3g 1983 BBC miniseries]], Creator/CharlotteBronte's ''Literature/JaneEyre'' has [[AdaptationOverdosed never been short of adaptations]]. This doesn't even count the approximately 64 billion [[http://eyreguide.awardspace.co.uk/radio.html Jane Eyre radio plays]]. A consistent trait of all the adaptations is the conversion of Jane and Rochester from plain or unhandsome to good-looking or downright stunning -- a clear case of AdaptationalAttractiveness.

to:

From Aldous Huxley's Creator/AldousHuxley's intriguing Creator/OrsonWelles/Creator/JoanFontaine 1943 film, through Zelah Clarke and Creator/TimothyDalton's [[https://www.youtube.com/watch?v=6SJYxamq-3g 1983 BBC miniseries]], Creator/CharlotteBronte's ''Literature/JaneEyre'' has [[AdaptationOverdosed never been short of adaptations]]. This doesn't even count the approximately 64 billion [[http://eyreguide.awardspace.co.uk/radio.html Jane Eyre radio plays]]. A consistent trait of all the adaptations is the conversion of Jane and Rochester from plain or unhandsome to good-looking or downright stunning -- a clear case of AdaptationalAttractiveness.

Changed: 172

Removed: 24865

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Moving each adaptation to its own page.


The list of film and TV adaptation tropes are as follows:
* The 1943 film directed by Robert Stevenson, co-adapted by Aldous Huxley and John Houseman, starring Creator/JoanFontaine and Creator/OrsonWelles.
* The 1970 TV film directed by Delbert Mann, starting Creator/SusannahYork and Creator/GeorgeCScott.
* The [[Series/JaneEyre1973 1973 BBC serial]] directed by Joan Craft, starring Sorcha Cusack and Creator/MichaelJayston.
* The [[Series/JaneEyre1983 1983 BBC serial]] directed by Julian Amyes, starring Zelah Clarke and Creator/TimothyDalton.
* The 1996 film directed by Franco Zeffirelli, starring Creator/CharlotteGainsbourg and Creator/WilliamHurt.
* The 1997 ITV telefilm directed by Robert Young, starring Creator/SamanthaMorton and Creator/CiaranHinds.
* The [[Series/JaneEyre2006 2006 BBC miniseries]] directed by Susanna White, starring Creator/RuthWilson and Creator/TobyStephens.
* The 2011 film directed by Creator/CaryFukunaga, starring Creator/MiaWasikowska and Creator/MichaelFassbender

----
!!"Reader, I used these tropes":

[[foldercontrol]]

[[folder: 1943 film]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_1943.jpg]]

The classic film starring Creator/JoanFontaine as Jane and Orson Welles as Rochester. Co-adapted by Aldous Huxley, after his work on ''Film/PrideAndPrejudice1940''. Child actress Creator/ElizabethTaylor, a few years away from becoming a huge star, has a small part.

----
* AdaptationDyeJob: Blanche is blonde.
* CompositeCharacter: Helen Burns takes the place of Julia Severn, the girl at Lowood whose curly hair Mr. Brocklehurst orders cut.
* CallingTheOldManOut: When Jane's finished her education at Loxwood, Mr. Brockenhurst tries to browbeat her into becoming a teacher there, with half her wages withheld for room, board, and the privilege of being subjected to his "spiritual education". In response she refuses, and after being called ungrateful, says he never did anything to be grateful for, and upon being threatened with being barred from returning, simply says she's '' leaving''.
* DeathByAdaptation: Grace Poole. Bertha is said to have killed her in her sleep before she set fire to Thornfield.
* DontYouDarePityMe: Rochester has this reaction to Jane when she reunites with him at the end, believing she has only decided to stay with him out of pity.
* EarlyBirdCameo: St. John Rivers appears during Jane's childhood as the local doctor. This removes him from consideration as a romantic rival to Rochester when he reappears at the end (fortunately, given the age and power difference), and reformulates his obstacle to Jane's choice as a spiritual rather than emotional/marital one.
* {{Chiaroscuro}}: When Helen first approaches Jane, the lighting through the stair bannister splays out around them, creating the impression of captivity or prison.
* GutturalGrowler: Rochester.
* IceQueen: Blanche has a haughty personality, but she is allowed to make her exit with some dignity.
[[/folder]]

[[folder: 1970 film]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_1970.jpg]]

A British TV film directed by Delbert Mann, starting Creator/SusannahYork and Creator/GeorgeCScott. Notable for its Emmy-winning score by an [[RetroactiveRecognition up-and-coming young composer]] named Music/JohnWilliams.

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* AdaptationRelationshipOverhaul: In this version, Rochester states that he [[HappilyMarried truly loved Bertha]] before she went mad, unlike in the novel, where he barely knew her before marrying her [[LovingAShadow in naive infatuation]] and despised her long before she lost her mind.
* {{Bookends}}: The movie starts and ends with the scene showing the moors.
* DiegeticSoundtrackUsage: Jane plays part of the movie's theme music on the piano twice.
* GraveMarkingScene: Jane is shown offering flowers to Helen's grave before leaving Lowood.
* LonelyPianoPiece: The soundtrack prominently incorporates a soaring piano solo.
* {{Redubbing}}: A dubbed version of this film became [[GermansLoveDavidHasselhoff wildly popular in China]], of all places, with even an ''audiocassette release'' of the Mandarin dub becoming a top seller.
* TarotTroubles: Mr. Rochester does reading about himself to show his fortune telling abilities to his guests. When he pulls an Ace card, Jane tells him that Mr. Mason has arrived.

[[/folder]]

[[folder: 1973 serial]]

[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/screenshot_20211116_222334_chrome.jpg]]
A BBC TV serial in five parts directed by Joan Craft, starring Sorcha Cusack and Creator/MichaelJayston. This is one of the few adaptations where it follows novel closely.

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* AdaptationPersonalityChange: A lot of adaptations omit the parts where Diana is unlikable. In the novel, she expressed her disappointment after she found out that Jane refused to take St. John's proposal. In this version, she showed her sympathy to Jane instead.
* ChekhovsGun: The ring on Mr. Rochester's right hand, which made Jane figure out that Mr. Rochester disguised as a gypsy.
* CompositeCharacter: Jane mentioned about two female servants at Thornfield Hall in the book, Leah and Mary. In this version, only Leah is present and takes up the roles of both near the end of the last part.
* DoomedNewClothes: Jane receives an old wedding veil which was worn by Mr. Rochester's mother and grandmother. In the next scene, said wedding veil was torn by Bertha.
* FeetFirstIntroduction: The two gentlemen show up in Jane and Mr. Rochester's wedding are first seen on their feet. Later they are revealed to be Mr. Mason and Mr. Briggs who are attempting to stop the wedding.
* HopeSproutsEternal: As Jane leaves Lowood to work as a governess, a bunch of flowers are seen in the gardens of the school.
* GilliganCut: Adele complains to Jane that Mr. Rochester ignores her and says she doesn't want to be friends with him anymore. In the next scene, she happily accepts the gifts from Mr. Rochester.
* {{Guyliner}}: Mr. Rochester is seen wearing eyeliner in some scenes.
* IKissYourHand: Mr. Rochester does this to Jane three times after they reunited in the last part.
* LapPillow: In Part Four, Jane offers to let Mr. Rochester lie on her lap after their proposal.
* MirrorScare: Upon looking at the mirror in Mr. Reed's room, Jane sees a reflection of her dead uncle in the bed.
* NarratingTheObvious: This version has tendency to narrate the events viewers are already seeing a lot, with characters stopping for a moment until the narration is finished.
* NoisyShutUp: Mr. Rochester does this when his guests are wondering about the noise they heard on the third floor. After that, he makes an excuse about it calmly.
--->'''Mr. Rochester''': "LADIES KEEP OFF OR I SHALL WAX DANGEROUS!"\\
[everyone stops talking]
* OffIntoTheDistanceEnding:
** Near the end of Part Four, Jane walks on the road through the moors and then the credits roll over.
** The last scene of Part Five ends with Jane and Mr. Rochester leaving Ferndean in horse carriage, possibly going to church for their second wedding.
* PreviouslyOn: Part Two and Three opens some scenes from previous episodes featuring Jane and Mr. Rochester.
* PublicDomainSoundtrack: This version uses "Introduction and Allegro for Strings Op. 47" during the opening and ending sequence.
* TheReasonYouSuckSpeech: When the typhus fever was struck in Lowood, the two gentlemen told Mr. Brocklehurst that the poor conditions of his school made many students become ill and they should form a committee to help rebuild it. Mr. Brocklehurst showed his anger afterwards.
* RedIsHeroic: Jane wears a red outfit with light brown cloak when she travels in Ferndean and reunites with Mr. Rochester there.
* SayMyName: Mr. Rochester shouts "JAAANE!" as Jane decides to leave him from their failed marriage.
* SherlockScan: Jane managed to find out that Mr. Rochester is a gypsy easily through looking at his ring on the right hand and his voice.
* ShoutOut: In the first part, Miss Temple mentions the Sargasso Sea during her class. It was a reference to ''Wide Sargasso Sea'', a prequel of the novel written by Jean Rhys.
* ThrowTheBookAtThem: John Reed knocks young Jane by throwing a book on her head.
* TookALevelInCheerfulness: Jane herself started out as gloomy and miserable when she was a child. After the TimeSkip, she is often seen smiling and relaxed.
* TruerToTheText: This version follows the novel's plot with some minor changes.
* VerbalTic: Mr. Rochester in this version constantly utters "hmmm"'s and "hmph"'s whenever he is thinking or being uncertain.
* VisibleBoomMic: It shows up at least three times, like near the end of Part Three where Jane talks to dying Mrs. Reed.
* WalkAndTalk: Part Two shows Jane and Mr. Rochester having a conversation about Adele while walking outside Thornfield Hall.

[[/folder]]

[[folder: 1983 serial]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/images_69_8.jpeg]]

Another serial produced by BBC in the 80's directed by Julian Amyes. This version contains eleven episodes starring Zelah Clarke as Jane and Creator/TimothyDalton as Mr. Rochester. It is considered as the most faithful adaptation of the novel by many critics and fans.

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* AdaptationalEarlyAppearance: After the fire incident in Mr. Rochester's bedroom, Jane doesn't see Mr. Rochester until the house party starts. In this version, Jane encounters Mr. Rochester in the nick of time asking why he couldn't dismiss Grace Poole.
* AdaptationNameChange: In the novel, one the female servants in Thornfield Hall is named Mary but in this version it was changed to Maria to avoid OneSteveLimit.
* AdaptationalTimespanChange: In the novel, Jane discovered the inheritance and her new cousins before Christmas. In this version, it happened on the night of Christmas.
* AdrenalineTime: This happens when Jane leaves Mr. Rochester's room after interrogating Grace Poole.
* AscendedExtra: Bessie and Mr. Briggs stick around the story much longer.
* BitingTheHandkerchief: Mr. Mason does this when he sees his sister Bertha being tied by Mr. Rochester to stop her from attacking anyone.
* BehindTheBlack: While Mr. Rochester opens a hidden door behind the curtains on the third floor, Jane doesn't notice anything strange in the area she's standing. It's only after the camera pans slighty to the right where they discover Mr. Mason wounded on the chair.
* BewareTheNiceOnes: Jane is [[NiceGirl almost always kind and polite]], but she does have her own limits. She gave a [[DeathGlare nasty glare]] to Mr. Rochester after the latter admit he dislike his ward Adele for reminding her mother in Episode 4, and in Episode 10, she raised her voice after St. John told her that Mr. Rochester is a terrible person.
* BridalCarry: Mr. Rochester carries Jane this way across the drawing room after the latter fainted from stress in their failed wedding.
* {{Catchphrase}}: Mr. Rochester has "Damnation!" as his catchphrase.
* CanonForeigner: Miss Watts, a superintendent teacher at Lowood only shows up in this version.
* CompressedAdaptation: This version skips the part where young Jane sleeps with Helen on the night before the latter died.
* DontYouDarePityMe: Like the 1943 version, Mr. Rochester has this reaction after Jane reunites with him, thinking she wanted to take care of him out of pity.
* {{Flashback}}: As the innkeeper tells Jane, there are two flashbacks seen where Mr. Rochester saves the residents of Thornfield Hall including Bertha.
* FlyawayShot: The last scene in the final episode ends with a camera pulling away from Jane and Mr. Rochester to see a panorama shot of the forest.
* TheGlomp: Jane leaps into Mr. Rochester's arms on the day after their proposal.
* HugeGuyTinyGirl: Jane and Mr. Rochester borderline in this version. Jane seems to have an average height, but [[https://ibb.co/jH37jcQ she looks petite compare to Mr. Rochester who is very tall]].
* ICantLookGesture: Georgiana does this and forced herself to leave the room after she saw her mother died from stroke.
* MessyHair: Mr. Rochester messes up Jane's hair while they kiss on the night before they marry.
* MeanwhileScene: In episode 9, while Jane stays in the Moor House, the last scene then cuts to the Thornfield Hall where Mr. Rochester asks Mr. Briggs to search for Jane.
* NamedByTheAdaptation: The names of the female bread seller and one of her customers are never mentioned in the novel. In this version, they are named as Mrs. Drake and Miss Welling.
* ObjectTrackingShot: The camera pans around a set of Jane's contemporary things, including a sketch of herself and Mr. Rochester in the opening sequence.
* PermaStubble: Mr. Rochester gains one of these in the last episode.
* PrayerPose: Near the end of Episode 10, Jane does this in her bedroom after she heard Mr. Rochester's voice.
* SittingOnTheRoof: In the third episode, Jane stands on the roof in Thornfield Hall to enjoy the view twice but she stopped doing that due to [[LaughingMad strange noises coming from the third floor]].
* SuddenlyShouting:
** Mr. Rochester does this after Jane refused to stay with him and then turn back from their failed wedding:
--->'''Mr. Rochester''': "You will give me your love! You will, YOU WIIIIIILLLLL!!!"
** Jane begs St. John not to disturb her after she heard Mr. Rochester's voice faraway:
--->'''Jane''': "Leave me alone! LEAVE ME!"
* TruerToTheText: Like the 1973 version, this also follows the book's plot with some improvements in script and additional scenes.
[[/folder]]

[[folder: 1996 film]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_1996.jpg]]

Franco Zeffirelli's adaptation of the novel starring Creator/CharlotteGainsbourg as Jane and Creator/WilliamHurt as Rochester. Notably also includes Creator/AnnaPaquin as the young Jane.

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* AdaptationDyeJob: Rochester has reddish brown hair and Blanche is a blonde.
* AdaptedOut: Diana, St. John and Mary's older sister is not present in this version.
* AfterActionPatchUp: Mr. Rochester wipes a trickle of blood from Jane's right hand after they take out the fire in his bedroom. Jane got the wound from taking out the roses in the vase filled with water.
* AgeCut: Young Jane is seen putting some flowers on Helen's grave. When Miss Temple is calling Jane, it shows a grown-up Jane walking towards her.
* AgeLift: In the novel, Jane stayed at Lowood for 8 years and then left at 18. In this version, she was aged up to 20 and her time in Lowood was extended into 10 years.  Jane's actress, Creator/CharlotteGainsbourg was 25 at the time the film was shown.
* BookEnds: The movie begins with a still drawing of Gateshead Hall. The last scene then ends with a drawing of Jane and Mr. Rochester in the grassfields as a married couple, with the latter implied that his eyesight is recovered.
* CompositeCharacter: As in 1943, Helen Burns takes the place of Julia Severn and becomes the girl whose curly hair Mr. Brocklehurst orders cut off. Jane stands up for her and has her hair cut off as well.
* DarkIsNotEvil: "The shadows are just as important as the light."
* DeathByAdaptation: Grace Poole. Bertha throws her to her death before leaping to her own.
* DoubleTake: Mr. Rochester does one upon his first meeting with Jane on Hay Lane.
* EarlyBirdCameo: St. John and his family appear when Jane returns to her childhood rearing house to attend her aunt's final illness. While not on the level of either the 1943 or 2011 films in including him from the very beginning, it is still earlier than his final-quarter appearance in the novel.
* TheEnd: The last scene flashes the word "The End" between Jane and Mr. Rochester then the image becomes a still drawing.
* FaceNodAction: Jane and Helen looked at each other and nod before their hairs are cut off by Mr. Brocklehurst.
* FamilyPortraitOfCharacterization
** At Thornfield Hall, a portrait of Mr. Rochester's father is shown in the study room looking proud but the background behind him is dark. In Mr. Rochester's bedroom, a small portrait of himself as a young boy is shown looking happy. Mrs. Fairfax reveals that Mr. Rochester is an unhappy man and he doesn't get along with his father and elder brother.
** Later in the movie, Jane receives two small portraits of her family - one is her deceased uncle and another is her father.
* FlyawayShot: The last scene ends with the camera raising up to see the panorama view of Jane and Mr. Rochester standing in the grassfields.
* GraveMarkingScene: Jane goes to visit the grave of Helen and laid some flowers there, even before leaving Lowood to work as a governess.
* GoBackToTheSource: Jane travels back to Lowood school in order to relieve her past memories. There she hears Mr. Rochester's voice.
* IChooseToStay: Miss Temple is offered by Jane to leave Lowood together but she decides to stay there in order to continue taking care of the girls. In contrast to the novel where she left the school after she married.
* INeedAFreakingDrink: Shortly after taking out the fire in Mr. Rochester's bed, Mr. Rochester drinks a glass of brandy in his study. He even offers it to Jane.
* MementoMacGuffin: The unfinished sketch of Mr. Rochester drawn by Jane. Adele and Mr. Rochester spends some time staring at it while Jane is away in Gateshead Hall.
* PragmaticAdaptation: Though in general the film plays like an AdaptationDistillation, the final Rivers section is combined and manipulated quite a bit to fit it into a coherent, unified narrative. One especially notable change is that Bertha sets fire to Thornfield just as Jane is running away, rather than two months later as in the novel.
* SomethingAboutARose: Jane pulls out a boquet of roses in the vase in order to use the latter in taking out the fire in Mr. Rochester's bed. Her hand ended up having some cuts but [[AfterActionPatchUp Mr. Rochester tended it and then thanks her for saving his life]].
* TastesLikeFriendship: Helen gives some bread and cheese to Jane during bedtime as a gesture of their friendship.
* WalkAndTalk: Jane and Mr. Rochester talks about the importance of the shadows while walking towards a small, dark corridor to outside.
[[/folder]]

[[folder: 1997 telefilm]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_1997.jpg]]

ITV's telefilm starring Creator/SamanthaMorton (the 1996 ''Literature/{{Emma}}'') as Jane and Creator/CiaranHinds (Wentworth in the 1995 ''Literature/{{Persuasion}}'') as Rochester.

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* AdaptationDyeJob: Blanche is a blonde.
* AdaptedOut: Mary, St. John and Diana's younger sister is not present in this version.
* BigNo: [[spoiler:When Richard Mason reveals Rochester is already married.]]
* CompositeCharacter: The priest stands in for the innkeeper in telling Jane about Mr. Rochester after Thornfield Hall was destroyed from fire.
* CueTheSun: Jane and Mr. Rochester watch the sunrise together after Mr. Mason left Thornfield.
* DanceOfRomance: Jane and Rochester share a dance together to pacify the former from worrying about a ripped wedding veil.
* DeadpanSnarker:
--> '''Rochester:''' Perhaps you'll explain to me the concept of a twenty-eight day week...
* DoubleEntendre: Jane remarks that over her next fews weeks she likes her "stimulating" conversations with Mr. Rochester.
* GenderFlip: When the epilogue shows Jane and Rochester [[BabiesEverAfter with their children]], the firstborn is a girl rather than the novel's boy.
* GoodLuckCharm: Mrs. Fairfax gives her blue pin to married-to-be Jane as a charm.
[[/folder]]

[[folder: 2006 miniseries]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_2006.jpg]]

The BBC's return to the story in four episodes after the last miniseries in 1983. Starring Ruth Wilson as Jane and Creator/TobyStephens as Rochester, scripted by Sandy Welch (''Literature/OurMutualFriend'', ''Literature/NorthAndSouth'', the 2009 ''Literature/{{Emma}}''), and directed by the BBC's ''Series/BleakHouse'' co-director Susanna White.

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* AdaptationDyeJob: Blanche is again blonde.
* AdaptationalSkill: Mr. Rochester is given an interest in biology in this version. His study room shows that [[BoysLikeCreepyCritters he likes to collect insects and small animals as his hobby]].
* AgeCut: The first episode has a sequence where young Jane is seen drawing the epidemic using black crayon. When she turns the next page, it shows a grown-up Jane teaching her students to paint flowers.
* {{Bookends}}: The series begins and ends with the painting of a family portrait.
* CanonForeigner: The Dent twins and John Eshton, setting up the idea that twinned souls can call each other across distances and making the ending feel much less like a sudden fantastical DeusExMachina.
* CurtainCamouflage: Mr. Rochester hides in the curtains to overhear Jane's conversation with the gypsy fortune teller he hired.
* DaydreamSurprise: The show begins with young Jane exploring the desert. In the next scene, Jane opens her eyes and reads an adventure book.
* DestroyTheEvidence: Jane finds a trickle of blood that dropped from Mr. Rochester's hand and wipes it with her handkerchief after the guests returned to their bedrooms. In that way, no one except Jane and Mr. Rochester will suspect that someone is injured upstairs.
* FamilyPortraitOfCharacterization:
** The first episode of the miniseries starts with Jane's foster family (her aunt and cousins) being painted for a family portrait. Jane is excluded.
** The miniseries bookends with Jane's family sitting outside of their house being portrayed. Jane wants Adele who is her husband's ward in the picture.
* GilliganCut: Jane seemed not happy when Mrs. Fairfax discovered that the former only has a grey frock as her best attire for Mr. Rochester's first meeting in the hall. Cue to her wearing the grey frock and looks on her mirror later on.
* GroupPictureEnding: It ends up with Jane's family sitting outside of their house, being painted for a family portrait.
* PragmaticAdaptation: While it is one of the longer versions, the script makes a few choices to fit the serialized format of the series. A particular example of this is the structure of the fourth episode, which plays with the idea that Jane [[TraumaInducedAmnesia doesn't remember Thornfield.]]
* ThePrankster: According to Mrs. Fairfax, Mr. Rochester likes to crack practical jokes to anyone since he was a kid.
* PreviouslyOn: During its initial broadcast on TV and DVD, every episode except the first episode recap some scenes from previous episodes.
* ShutUpKiss: Rochester does this a number of times to Jane when begging her not to leave Thornfield to the point that one Youtube user said that it sounds like Toby Stephens is eating Ruth Wilson's face.
* WallBangHer: In one of Mr. Rochester's flashbacks, he found out that Bertha was having sex with a male stranger against the wall in their house.
[[/folder]]

[[folder: 2011 film]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_2011.jpg]]

Focus Features and BBC Films produced this film, directed by Cary Joji Fukunaga (''Film/BeastsOfNoNation'', the first season of ''Series/TrueDetective'') starring Creator/MiaWasikowska as Jane, Creator/MichaelFassbender as Rochester, Creator/JudiDench as Mrs. Fairfax, and Jamie Bell as St. John.

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* AdaptationalAttractiveness: Common in all adaptations of the book, but this is the most flagrant example yet, with two extremely attractive leading actors playing characters whose plainness is a plot-relevant trait.
* AdaptationDyeJob: Rochester is brown-haired and blue-eyed.
* AlmostKiss: When Rochester is "thanking" her for saving him from the fire. He tries to kiss her again, after their aborted wedding, but she won't let him.
* BeardOfSorrow: Rochester grows one after Jane leaves and [[spoiler:when Bertha sets the house on fire and commits suicide]].
* CatScare: Just before Jane encounters Rochester, she is startled by a bird.
* {{Chiaroscuro}}: The lighting is beautifully done. The trope is used very effectively to mimic the dramatic candlelight that would have been in use at the time of Jane Eyre.
* DiesWideOpen: Helen dies this way.
* DutchAngle: When Helen dies, the camera is tilted as Jane is taken away.
* EarlyBirdCameo: The positioning of the Rivers section as framing narrative means that all three of the Rivers siblings get these.
* EeriePaleSkinnedBrunette: Bertha.
* FallingInLoveMontage: To the film's credit, it's not overdone.
* ICantLookGesture: Jane turns her back when Mr. Rochester puts on his pants after they take out the fire in the latter's bedroom.
* IdenticalStranger: While not identical, there is a strong resemblance between Adèle and the younger Jane, highlighting how Jane identifies with Adèle.
* LikeBrotherAndSister: Invoked, and subverted.
--> '''Diana''': [[ShipperOnDeck "Isn't Jane our sister, too?"]]
--> '''St. John:''' [Hesitates, then kisses Jane on the lips]
* LongingLook: There are a ''lot'' of these.
* MessyHair: Bertha.
* OminousFog: The area where Jane and Mr. Rochester first met is filled with this.
* OopNorth: Jane's accent this time around has flavors of Yorkshire in it.
* PragmaticAdaptation: The restructuring of the film into using the Rivers sequence as a framing narrative, and the childhood and Rochester sections as semi-flashback material qualify as a clever attempt to reshape the story's unwieldy, commonly frustrating structure into a satisfying two hour film. The film might otherwise qualify for AdaptationDistillation, though many events and causes are finessed to fit a more "naturalistic" rather than Romantic tone.
* RelationshipCompression: Jane and Rochester seem to fall for each other rather quickly (to be fair, it's extremely hard to keep the relationship building sections while trying to include the full plot of the novel).
* SayMyName: Well, Say His Name.
* SpitefulSpit: Bertha ''casually'' spits at Jane.
* VertigoEffect: Twice. First during the Red Room scene, just before an ash cloud explodes from the fireplace, and second just before Jane meets Rochester for the first time (after being startled by the bird).
[[/folder]]

to:

The list of film and TV adaptation tropes are adaptations with a page on TV Tropes is as follows:
* The 1943 Film/JaneEyre1943: film directed by Robert Stevenson, co-adapted by Aldous Huxley and John Houseman, starring Creator/JoanFontaine and Creator/OrsonWelles.
* The 1970 Film/JaneEyre1970: TV film directed by Delbert Mann, starting Creator/SusannahYork and Creator/GeorgeCScott.
* The [[Series/JaneEyre1973 1973 BBC serial]] Series/JaneEyre1973: Creator/{{BBC}} serial directed by Joan Craft, starring Sorcha Cusack and Creator/MichaelJayston.
* The [[Series/JaneEyre1983 1983 Series/JaneEyre1983: BBC serial]] serial directed by Julian Amyes, starring Zelah Clarke and Creator/TimothyDalton.
* The 1996 Film/JaneEyre1996: film directed by Franco Zeffirelli, starring Creator/CharlotteGainsbourg and Creator/WilliamHurt.
* The 1997 ITV Film/JaneEyre1997: Creator/{{ITV}} telefilm directed by Robert Young, starring Creator/SamanthaMorton and Creator/CiaranHinds.
* The [[Series/JaneEyre2006 2006 Series/JaneEyre2006: BBC miniseries]] miniseries directed by Susanna White, starring Creator/RuthWilson and Creator/TobyStephens.
* The 2011 film Film/JaneEyre2011: Film directed by Creator/CaryFukunaga, starring Creator/MiaWasikowska and Creator/MichaelFassbender

----
!!"Reader, I used these tropes":

[[foldercontrol]]

[[folder: 1943 film]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_1943.jpg]]

The classic film starring Creator/JoanFontaine as Jane and Orson Welles as Rochester. Co-adapted by Aldous Huxley, after his work on ''Film/PrideAndPrejudice1940''. Child actress Creator/ElizabethTaylor, a few years away from becoming a huge star, has a small part.

----
* AdaptationDyeJob: Blanche is blonde.
* CompositeCharacter: Helen Burns takes the place of Julia Severn, the girl at Lowood whose curly hair Mr. Brocklehurst orders cut.
* CallingTheOldManOut: When Jane's finished her education at Loxwood, Mr. Brockenhurst tries to browbeat her into becoming a teacher there, with half her wages withheld for room, board, and the privilege of being subjected to his "spiritual education". In response she refuses, and after being called ungrateful, says he never did anything to be grateful for, and upon being threatened with being barred from returning, simply says she's '' leaving''.
* DeathByAdaptation: Grace Poole. Bertha is said to have killed her in her sleep before she set fire to Thornfield.
* DontYouDarePityMe: Rochester has this reaction to Jane when she reunites with him at the end, believing she has only decided to stay with him out of pity.
* EarlyBirdCameo: St. John Rivers appears during Jane's childhood as the local doctor. This removes him from consideration as a romantic rival to Rochester when he reappears at the end (fortunately, given the age and power difference), and reformulates his obstacle to Jane's choice as a spiritual rather than emotional/marital one.
* {{Chiaroscuro}}: When Helen first approaches Jane, the lighting through the stair bannister splays out around them, creating the impression of captivity or prison.
* GutturalGrowler: Rochester.
* IceQueen: Blanche has a haughty personality, but she is allowed to make her exit with some dignity.
[[/folder]]

[[folder: 1970 film]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_1970.jpg]]

A British TV film directed by Delbert Mann, starting Creator/SusannahYork and Creator/GeorgeCScott. Notable for its Emmy-winning score by an [[RetroactiveRecognition up-and-coming young composer]] named Music/JohnWilliams.

----
* AdaptationRelationshipOverhaul: In this version, Rochester states that he [[HappilyMarried truly loved Bertha]] before she went mad, unlike in the novel, where he barely knew her before marrying her [[LovingAShadow in naive infatuation]] and despised her long before she lost her mind.
* {{Bookends}}: The movie starts and ends with the scene showing the moors.
* DiegeticSoundtrackUsage: Jane plays part of the movie's theme music on the piano twice.
* GraveMarkingScene: Jane is shown offering flowers to Helen's grave before leaving Lowood.
* LonelyPianoPiece: The soundtrack prominently incorporates a soaring piano solo.
* {{Redubbing}}: A dubbed version of this film became [[GermansLoveDavidHasselhoff wildly popular in China]], of all places, with even an ''audiocassette release'' of the Mandarin dub becoming a top seller.
* TarotTroubles: Mr. Rochester does reading about himself to show his fortune telling abilities to his guests. When he pulls an Ace card, Jane tells him that Mr. Mason has arrived.

[[/folder]]

[[folder: 1973 serial]]

[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/screenshot_20211116_222334_chrome.jpg]]
A BBC TV serial in five parts directed by Joan Craft, starring Sorcha Cusack and Creator/MichaelJayston. This is one of the few adaptations where it follows novel closely.

----
* AdaptationPersonalityChange: A lot of adaptations omit the parts where Diana is unlikable. In the novel, she expressed her disappointment after she found out that Jane refused to take St. John's proposal. In this version, she showed her sympathy to Jane instead.
* ChekhovsGun: The ring on Mr. Rochester's right hand, which made Jane figure out that Mr. Rochester disguised as a gypsy.
* CompositeCharacter: Jane mentioned about two female servants at Thornfield Hall in the book, Leah and Mary. In this version, only Leah is present and takes up the roles of both near the end of the last part.
* DoomedNewClothes: Jane receives an old wedding veil which was worn by Mr. Rochester's mother and grandmother. In the next scene, said wedding veil was torn by Bertha.
* FeetFirstIntroduction: The two gentlemen show up in Jane and Mr. Rochester's wedding are first seen on their feet. Later they are revealed to be Mr. Mason and Mr. Briggs who are attempting to stop the wedding.
* HopeSproutsEternal: As Jane leaves Lowood to work as a governess, a bunch of flowers are seen in the gardens of the school.
* GilliganCut: Adele complains to Jane that Mr. Rochester ignores her and says she doesn't want to be friends with him anymore. In the next scene, she happily accepts the gifts from Mr. Rochester.
* {{Guyliner}}: Mr. Rochester is seen wearing eyeliner in some scenes.
* IKissYourHand: Mr. Rochester does this to Jane three times after they reunited in the last part.
* LapPillow: In Part Four, Jane offers to let Mr. Rochester lie on her lap after their proposal.
* MirrorScare: Upon looking at the mirror in Mr. Reed's room, Jane sees a reflection of her dead uncle in the bed.
* NarratingTheObvious: This version has tendency to narrate the events viewers are already seeing a lot, with characters stopping for a moment until the narration is finished.
* NoisyShutUp: Mr. Rochester does this when his guests are wondering about the noise they heard on the third floor. After that, he makes an excuse about it calmly.
--->'''Mr. Rochester''': "LADIES KEEP OFF OR I SHALL WAX DANGEROUS!"\\
[everyone stops talking]
* OffIntoTheDistanceEnding:
** Near the end of Part Four, Jane walks on the road through the moors and then the credits roll over.
** The last scene of Part Five ends with Jane and Mr. Rochester leaving Ferndean in horse carriage, possibly going to church for their second wedding.
* PreviouslyOn: Part Two and Three opens some scenes from previous episodes featuring Jane and Mr. Rochester.
* PublicDomainSoundtrack: This version uses "Introduction and Allegro for Strings Op. 47" during the opening and ending sequence.
* TheReasonYouSuckSpeech: When the typhus fever was struck in Lowood, the two gentlemen told Mr. Brocklehurst that the poor conditions of his school made many students become ill and they should form a committee to help rebuild it. Mr. Brocklehurst showed his anger afterwards.
* RedIsHeroic: Jane wears a red outfit with light brown cloak when she travels in Ferndean and reunites with Mr. Rochester there.
* SayMyName: Mr. Rochester shouts "JAAANE!" as Jane decides to leave him from their failed marriage.
* SherlockScan: Jane managed to find out that Mr. Rochester is a gypsy easily through looking at his ring on the right hand and his voice.
* ShoutOut: In the first part, Miss Temple mentions the Sargasso Sea during her class. It was a reference to ''Wide Sargasso Sea'', a prequel of the novel written by Jean Rhys.
* ThrowTheBookAtThem: John Reed knocks young Jane by throwing a book on her head.
* TookALevelInCheerfulness: Jane herself started out as gloomy and miserable when she was a child. After the TimeSkip, she is often seen smiling and relaxed.
* TruerToTheText: This version follows the novel's plot with some minor changes.
* VerbalTic: Mr. Rochester in this version constantly utters "hmmm"'s and "hmph"'s whenever he is thinking or being uncertain.
* VisibleBoomMic: It shows up at least three times, like near the end of Part Three where Jane talks to dying Mrs. Reed.
* WalkAndTalk: Part Two shows Jane and Mr. Rochester having a conversation about Adele while walking outside Thornfield Hall.

[[/folder]]

[[folder: 1983 serial]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/images_69_8.jpeg]]

Another serial produced by BBC in the 80's directed by Julian Amyes. This version contains eleven episodes starring Zelah Clarke as Jane and Creator/TimothyDalton as Mr. Rochester. It is considered as the most faithful adaptation of the novel by many critics and fans.

----
* AdaptationalEarlyAppearance: After the fire incident in Mr. Rochester's bedroom, Jane doesn't see Mr. Rochester until the house party starts. In this version, Jane encounters Mr. Rochester in the nick of time asking why he couldn't dismiss Grace Poole.
* AdaptationNameChange: In the novel, one the female servants in Thornfield Hall is named Mary but in this version it was changed to Maria to avoid OneSteveLimit.
* AdaptationalTimespanChange: In the novel, Jane discovered the inheritance and her new cousins before Christmas. In this version, it happened on the night of Christmas.
* AdrenalineTime: This happens when Jane leaves Mr. Rochester's room after interrogating Grace Poole.
* AscendedExtra: Bessie and Mr. Briggs stick around the story much longer.
* BitingTheHandkerchief: Mr. Mason does this when he sees his sister Bertha being tied by Mr. Rochester to stop her from attacking anyone.
* BehindTheBlack: While Mr. Rochester opens a hidden door behind the curtains on the third floor, Jane doesn't notice anything strange in the area she's standing. It's only after the camera pans slighty to the right where they discover Mr. Mason wounded on the chair.
* BewareTheNiceOnes: Jane is [[NiceGirl almost always kind and polite]], but she does have her own limits. She gave a [[DeathGlare nasty glare]] to Mr. Rochester after the latter admit he dislike his ward Adele for reminding her mother in Episode 4, and in Episode 10, she raised her voice after St. John told her that Mr. Rochester is a terrible person.
* BridalCarry: Mr. Rochester carries Jane this way across the drawing room after the latter fainted from stress in their failed wedding.
* {{Catchphrase}}: Mr. Rochester has "Damnation!" as his catchphrase.
* CanonForeigner: Miss Watts, a superintendent teacher at Lowood only shows up in this version.
* CompressedAdaptation: This version skips the part where young Jane sleeps with Helen on the night before the latter died.
* DontYouDarePityMe: Like the 1943 version, Mr. Rochester has this reaction after Jane reunites with him, thinking she wanted to take care of him out of pity.
* {{Flashback}}: As the innkeeper tells Jane, there are two flashbacks seen where Mr. Rochester saves the residents of Thornfield Hall including Bertha.
* FlyawayShot: The last scene in the final episode ends with a camera pulling away from Jane and Mr. Rochester to see a panorama shot of the forest.
* TheGlomp: Jane leaps into Mr. Rochester's arms on the day after their proposal.
* HugeGuyTinyGirl: Jane and Mr. Rochester borderline in this version. Jane seems to have an average height, but [[https://ibb.co/jH37jcQ she looks petite compare to Mr. Rochester who is very tall]].
* ICantLookGesture: Georgiana does this and forced herself to leave the room after she saw her mother died from stroke.
* MessyHair: Mr. Rochester messes up Jane's hair while they kiss on the night before they marry.
* MeanwhileScene: In episode 9, while Jane stays in the Moor House, the last scene then cuts to the Thornfield Hall where Mr. Rochester asks Mr. Briggs to search for Jane.
* NamedByTheAdaptation: The names of the female bread seller and one of her customers are never mentioned in the novel. In this version, they are named as Mrs. Drake and Miss Welling.
* ObjectTrackingShot: The camera pans around a set of Jane's contemporary things, including a sketch of herself and Mr. Rochester in the opening sequence.
* PermaStubble: Mr. Rochester gains one of these in the last episode.
* PrayerPose: Near the end of Episode 10, Jane does this in her bedroom after she heard Mr. Rochester's voice.
* SittingOnTheRoof: In the third episode, Jane stands on the roof in Thornfield Hall to enjoy the view twice but she stopped doing that due to [[LaughingMad strange noises coming from the third floor]].
* SuddenlyShouting:
** Mr. Rochester does this after Jane refused to stay with him and then turn back from their failed wedding:
--->'''Mr. Rochester''': "You will give me your love! You will, YOU WIIIIIILLLLL!!!"
** Jane begs St. John not to disturb her after she heard Mr. Rochester's voice faraway:
--->'''Jane''': "Leave me alone! LEAVE ME!"
* TruerToTheText: Like the 1973 version, this also follows the book's plot with some improvements in script and additional scenes.
[[/folder]]

[[folder: 1996 film]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_1996.jpg]]

Franco Zeffirelli's adaptation of the novel starring Creator/CharlotteGainsbourg as Jane and Creator/WilliamHurt as Rochester. Notably also includes Creator/AnnaPaquin as the young Jane.

----
* AdaptationDyeJob: Rochester has reddish brown hair and Blanche is a blonde.
* AdaptedOut: Diana, St. John and Mary's older sister is not present in this version.
* AfterActionPatchUp: Mr. Rochester wipes a trickle of blood from Jane's right hand after they take out the fire in his bedroom. Jane got the wound from taking out the roses in the vase filled with water.
* AgeCut: Young Jane is seen putting some flowers on Helen's grave. When Miss Temple is calling Jane, it shows a grown-up Jane walking towards her.
* AgeLift: In the novel, Jane stayed at Lowood for 8 years and then left at 18. In this version, she was aged up to 20 and her time in Lowood was extended into 10 years.  Jane's actress, Creator/CharlotteGainsbourg was 25 at the time the film was shown.
* BookEnds: The movie begins with a still drawing of Gateshead Hall. The last scene then ends with a drawing of Jane and Mr. Rochester in the grassfields as a married couple, with the latter implied that his eyesight is recovered.
* CompositeCharacter: As in 1943, Helen Burns takes the place of Julia Severn and becomes the girl whose curly hair Mr. Brocklehurst orders cut off. Jane stands up for her and has her hair cut off as well.
* DarkIsNotEvil: "The shadows are just as important as the light."
* DeathByAdaptation: Grace Poole. Bertha throws her to her death before leaping to her own.
* DoubleTake: Mr. Rochester does one upon his first meeting with Jane on Hay Lane.
* EarlyBirdCameo: St. John and his family appear when Jane returns to her childhood rearing house to attend her aunt's final illness. While not on the level of either the 1943 or 2011 films in including him from the very beginning, it is still earlier than his final-quarter appearance in the novel.
* TheEnd: The last scene flashes the word "The End" between Jane and Mr. Rochester then the image becomes a still drawing.
* FaceNodAction: Jane and Helen looked at each other and nod before their hairs are cut off by Mr. Brocklehurst.
* FamilyPortraitOfCharacterization
** At Thornfield Hall, a portrait of Mr. Rochester's father is shown in the study room looking proud but the background behind him is dark. In Mr. Rochester's bedroom, a small portrait of himself as a young boy is shown looking happy. Mrs. Fairfax reveals that Mr. Rochester is an unhappy man and he doesn't get along with his father and elder brother.
** Later in the movie, Jane receives two small portraits of her family - one is her deceased uncle and another is her father.
* FlyawayShot: The last scene ends with the camera raising up to see the panorama view of Jane and Mr. Rochester standing in the grassfields.
* GraveMarkingScene: Jane goes to visit the grave of Helen and laid some flowers there, even before leaving Lowood to work as a governess.
* GoBackToTheSource: Jane travels back to Lowood school in order to relieve her past memories. There she hears Mr. Rochester's voice.
* IChooseToStay: Miss Temple is offered by Jane to leave Lowood together but she decides to stay there in order to continue taking care of the girls. In contrast to the novel where she left the school after she married.
* INeedAFreakingDrink: Shortly after taking out the fire in Mr. Rochester's bed, Mr. Rochester drinks a glass of brandy in his study. He even offers it to Jane.
* MementoMacGuffin: The unfinished sketch of Mr. Rochester drawn by Jane. Adele and Mr. Rochester spends some time staring at it while Jane is away in Gateshead Hall.
* PragmaticAdaptation: Though in general the film plays like an AdaptationDistillation, the final Rivers section is combined and manipulated quite a bit to fit it into a coherent, unified narrative. One especially notable change is that Bertha sets fire to Thornfield just as Jane is running away, rather than two months later as in the novel.
* SomethingAboutARose: Jane pulls out a boquet of roses in the vase in order to use the latter in taking out the fire in Mr. Rochester's bed. Her hand ended up having some cuts but [[AfterActionPatchUp Mr. Rochester tended it and then thanks her for saving his life]].
* TastesLikeFriendship: Helen gives some bread and cheese to Jane during bedtime as a gesture of their friendship.
* WalkAndTalk: Jane and Mr. Rochester talks about the importance of the shadows while walking towards a small, dark corridor to outside.
[[/folder]]

[[folder: 1997 telefilm]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_1997.jpg]]

ITV's telefilm starring Creator/SamanthaMorton (the 1996 ''Literature/{{Emma}}'') as Jane and Creator/CiaranHinds (Wentworth in the 1995 ''Literature/{{Persuasion}}'') as Rochester.

----
* AdaptationDyeJob: Blanche is a blonde.
* AdaptedOut: Mary, St. John and Diana's younger sister is not present in this version.
* BigNo: [[spoiler:When Richard Mason reveals Rochester is already married.]]
* CompositeCharacter: The priest stands in for the innkeeper in telling Jane about Mr. Rochester after Thornfield Hall was destroyed from fire.
* CueTheSun: Jane and Mr. Rochester watch the sunrise together after Mr. Mason left Thornfield.
* DanceOfRomance: Jane and Rochester share a dance together to pacify the former from worrying about a ripped wedding veil.
* DeadpanSnarker:
--> '''Rochester:''' Perhaps you'll explain to me the concept of a twenty-eight day week...
* DoubleEntendre: Jane remarks that over her next fews weeks she likes her "stimulating" conversations with Mr. Rochester.
* GenderFlip: When the epilogue shows Jane and Rochester [[BabiesEverAfter with their children]], the firstborn is a girl rather than the novel's boy.
* GoodLuckCharm: Mrs. Fairfax gives her blue pin to married-to-be Jane as a charm.
[[/folder]]

[[folder: 2006 miniseries]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_2006.jpg]]

The BBC's return to the story in four episodes after the last miniseries in 1983. Starring Ruth Wilson as Jane and Creator/TobyStephens as Rochester, scripted by Sandy Welch (''Literature/OurMutualFriend'', ''Literature/NorthAndSouth'', the 2009 ''Literature/{{Emma}}''), and directed by the BBC's ''Series/BleakHouse'' co-director Susanna White.

----
* AdaptationDyeJob: Blanche is again blonde.
* AdaptationalSkill: Mr. Rochester is given an interest in biology in this version. His study room shows that [[BoysLikeCreepyCritters he likes to collect insects and small animals as his hobby]].
* AgeCut: The first episode has a sequence where young Jane is seen drawing the epidemic using black crayon. When she turns the next page, it shows a grown-up Jane teaching her students to paint flowers.
* {{Bookends}}: The series begins and ends with the painting of a family portrait.
* CanonForeigner: The Dent twins and John Eshton, setting up the idea that twinned souls can call each other across distances and making the ending feel much less like a sudden fantastical DeusExMachina.
* CurtainCamouflage: Mr. Rochester hides in the curtains to overhear Jane's conversation with the gypsy fortune teller he hired.
* DaydreamSurprise: The show begins with young Jane exploring the desert. In the next scene, Jane opens her eyes and reads an adventure book.
* DestroyTheEvidence: Jane finds a trickle of blood that dropped from Mr. Rochester's hand and wipes it with her handkerchief after the guests returned to their bedrooms. In that way, no one except Jane and Mr. Rochester will suspect that someone is injured upstairs.
* FamilyPortraitOfCharacterization:
** The first episode of the miniseries starts with Jane's foster family (her aunt and cousins) being painted for a family portrait. Jane is excluded.
** The miniseries bookends with Jane's family sitting outside of their house being portrayed. Jane wants Adele who is her husband's ward in the picture.
* GilliganCut: Jane seemed not happy when Mrs. Fairfax discovered that the former only has a grey frock as her best attire for Mr. Rochester's first meeting in the hall. Cue to her wearing the grey frock and looks on her mirror later on.
* GroupPictureEnding: It ends up with Jane's family sitting outside of their house, being painted for a family portrait.
* PragmaticAdaptation: While it is one of the longer versions, the script makes a few choices to fit the serialized format of the series. A particular example of this is the structure of the fourth episode, which plays with the idea that Jane [[TraumaInducedAmnesia doesn't remember Thornfield.]]
* ThePrankster: According to Mrs. Fairfax, Mr. Rochester likes to crack practical jokes to anyone since he was a kid.
* PreviouslyOn: During its initial broadcast on TV and DVD, every episode except the first episode recap some scenes from previous episodes.
* ShutUpKiss: Rochester does this a number of times to Jane when begging her not to leave Thornfield to the point that one Youtube user said that it sounds like Toby Stephens is eating Ruth Wilson's face.
* WallBangHer: In one of Mr. Rochester's flashbacks, he found out that Bertha was having sex with a male stranger against the wall in their house.
[[/folder]]

[[folder: 2011 film]]
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/jane_eyre_2011.jpg]]

Focus Features and BBC Films produced this film, directed by Cary Joji Fukunaga (''Film/BeastsOfNoNation'', the first season of ''Series/TrueDetective'') starring Creator/MiaWasikowska as Jane, Creator/MichaelFassbender as Rochester, Creator/JudiDench as Mrs. Fairfax, and Jamie Bell as St. John.

----
* AdaptationalAttractiveness: Common in all adaptations of the book, but this is the most flagrant example yet, with two extremely attractive leading actors playing characters whose plainness is a plot-relevant trait.
* AdaptationDyeJob: Rochester is brown-haired and blue-eyed.
* AlmostKiss: When Rochester is "thanking" her for saving him from the fire. He tries to kiss her again, after their aborted wedding, but she won't let him.
* BeardOfSorrow: Rochester grows one after Jane leaves and [[spoiler:when Bertha sets the house on fire and commits suicide]].
* CatScare: Just before Jane encounters Rochester, she is startled by a bird.
* {{Chiaroscuro}}: The lighting is beautifully done. The trope is used very effectively to mimic the dramatic candlelight that would have been in use at the time of Jane Eyre.
* DiesWideOpen: Helen dies this way.
* DutchAngle: When Helen dies, the camera is tilted as Jane is taken away.
* EarlyBirdCameo: The positioning of the Rivers section as framing narrative means that all three of the Rivers siblings get these.
* EeriePaleSkinnedBrunette: Bertha.
* FallingInLoveMontage: To the film's credit, it's not overdone.
* ICantLookGesture: Jane turns her back when Mr. Rochester puts on his pants after they take out the fire in the latter's bedroom.
* IdenticalStranger: While not identical, there is a strong resemblance between Adèle and the younger Jane, highlighting how Jane identifies with Adèle.
* LikeBrotherAndSister: Invoked, and subverted.
--> '''Diana''': [[ShipperOnDeck "Isn't Jane our sister, too?"]]
--> '''St. John:''' [Hesitates, then kisses Jane on the lips]
* LongingLook: There are a ''lot'' of these.
* MessyHair: Bertha.
* OminousFog: The area where Jane and Mr. Rochester first met is filled with this.
* OopNorth: Jane's accent this time around has flavors of Yorkshire in it.
* PragmaticAdaptation: The restructuring of the film into using the Rivers sequence as a framing narrative, and the childhood and Rochester sections as semi-flashback material qualify as a clever attempt to reshape the story's unwieldy, commonly frustrating structure into a satisfying two hour film. The film might otherwise qualify for AdaptationDistillation, though many events and causes are finessed to fit a more "naturalistic" rather than Romantic tone.
* RelationshipCompression: Jane and Rochester seem to fall for each other rather quickly (to be fair, it's extremely hard to keep the relationship building sections while trying to include the full plot of the novel).
* SayMyName: Well, Say His Name.
* SpitefulSpit: Bertha ''casually'' spits at Jane.
* VertigoEffect: Twice. First during the Red Room scene, just before an ash cloud explodes from the fireplace, and second just before Jane meets Rochester for the first time (after being startled by the bird).
[[/folder]]
Creator/MichaelFassbender
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* The [[Series/JaneEyre1973 1973]] BBC serial directed by Joan Craft, starring Sorcha Cusack and Creator/MichaelJayston.

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* The [[Series/JaneEyre1973 1973]] 1973 BBC serial serial]] directed by Joan Craft, starring Sorcha Cusack and Creator/MichaelJayston.

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