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It stars Creator/AaronJohnson as Lieutenant Ford Brody, Creator/ElizabethOlsen as Elle Brody, Creator/BryanCranston as Joe Brody, Creator/JulietteBinoche as Sandra Brody, Creator/DavidStrathairn as Admiral Stenz, Creator/SallyHawkins as Dr. Graham, and Creator/KenWatanabe as [[LegacyCharacter Dr. Ishiro Serizawa]], inspired by the character from the 1954 film.

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It stars Creator/AaronJohnson Creator/AaronTaylorJohnson as Lieutenant Ford Brody, Creator/ElizabethOlsen as Elle Brody, Creator/BryanCranston as Joe Brody, Creator/JulietteBinoche as Sandra Brody, Creator/DavidStrathairn as Admiral Stenz, Creator/SallyHawkins as Dr. Graham, and Creator/KenWatanabe as [[LegacyCharacter Dr. Ishiro Serizawa]], inspired by the character from the 1954 film.
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Legendary had since decided to expand Godzilla into a trilogy, having announced plans at Comic-Con to incorporate classic Toho characters Film/{{Mothra}}, Film/{{Rodan}} and [[Film/GhidorahTheThreeHeadedMonster King Ghidorah]] into ''[[Film/GodzillaKingOfTheMonsters2019 Godzilla: King of the Monsters]]'', which released in 2019. Furthermore, Legendary confirmed that the prequel film ''Film/KongSkullIsland'', released at March 10, 2017, is in the same universe as this movie and ''Godzilla: King of the Monsters'' lead up to a climactic confrontation in ''Film/GodzillaVsKong''. This Cinematic Universe is being called the ''Film/MonsterVerse''. Taking note of the renewed interest in the long-dormant property, Toho followed up on the film's success by initiating a new era of Japanese-made ''Godzilla'' movies, starting with the release of ''Film/ShinGodzilla'' in July 2016 and continuing with an anime movie trilogy with {{Creator/PolygonPictures}} titled ''Anime/GodzillaPlanetOfTheMonsters'' Released in November 2017 and May 2018 on {{Creator/Netflix}}.

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Legendary had since decided to expand Godzilla into a trilogy, having announced plans at Comic-Con to incorporate classic Toho characters Film/{{Mothra}}, Film/{{Rodan}} and [[Film/GhidorahTheThreeHeadedMonster King Ghidorah]] into ''[[Film/GodzillaKingOfTheMonsters2019 Godzilla: King of the Monsters]]'', which released in 2019. Furthermore, Legendary confirmed that the prequel film ''Film/KongSkullIsland'', released at March 10, 2017, is in the same universe as this movie and ''Godzilla: King of the Monsters'' lead up to a climactic confrontation in ''Film/GodzillaVsKong''. This Cinematic Universe is being called the ''Film/MonsterVerse''. Taking note of the renewed interest in the long-dormant property, Toho followed up on the film's success by initiating a new era of Japanese-made ''Godzilla'' movies, starting with the release of ''Film/ShinGodzilla'' in July 2016 and continuing with an anime movie trilogy with {{Creator/PolygonPictures}} [[{{Creator/PolygonPictures}} Polygon Pictures]] titled ''Anime/GodzillaPlanetOfTheMonsters'' Released in November 2017 and May 2018 on {{Creator/Netflix}}.
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Legendary had since decided to expand Godzilla into a trilogy, having announced plans at Comic-Con to incorporate classic Toho characters Film/{{Mothra}}, Film/{{Rodan}} and [[Film/GhidorahTheThreeHeadedMonster King Ghidorah]] into ''[[Film/GodzillaKingOfTheMonsters2019 Godzilla: King of the Monsters]]'', which released in 2019. Furthermore, Legendary confirmed that the prequel film ''Film/KongSkullIsland'', released at March 10, 2017, is in the same universe as this movie and ''Godzilla: King of the Monsters'' lead up to a climactic confrontation in ''Film/GodzillaVsKong''. This Cinematic Universe is being called the ''Film/MonsterVerse''. Taking note of the renewed interest in the long-dormant property, Toho followed up on the film's success by initiating a new era of Japanese-made ''Godzilla'' movies, starting with the release of ''Film/ShinGodzilla'' in July 2016 and continuing with an anime movie trilogy titled ''Anime/GodzillaPlanetOfTheMonsters'' in November 2017 and 2018.

to:

Legendary had since decided to expand Godzilla into a trilogy, having announced plans at Comic-Con to incorporate classic Toho characters Film/{{Mothra}}, Film/{{Rodan}} and [[Film/GhidorahTheThreeHeadedMonster King Ghidorah]] into ''[[Film/GodzillaKingOfTheMonsters2019 Godzilla: King of the Monsters]]'', which released in 2019. Furthermore, Legendary confirmed that the prequel film ''Film/KongSkullIsland'', released at March 10, 2017, is in the same universe as this movie and ''Godzilla: King of the Monsters'' lead up to a climactic confrontation in ''Film/GodzillaVsKong''. This Cinematic Universe is being called the ''Film/MonsterVerse''. Taking note of the renewed interest in the long-dormant property, Toho followed up on the film's success by initiating a new era of Japanese-made ''Godzilla'' movies, starting with the release of ''Film/ShinGodzilla'' in July 2016 and continuing with an anime movie trilogy with {{Creator/PolygonPictures}} titled ''Anime/GodzillaPlanetOfTheMonsters'' Released in November 2017 and 2018.
May 2018 on {{Creator/Netflix}}.
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[[caption-width-right:350: “We call him... Gojira” - Dr. Ichiro Serizawa]]


->''"You're not fooling anybody when you say that what happened 15 years ago was a 'natural disaster,' alright? It was not an earthquake, it wasn't a typhoon, okay?... You're lying! Because what's really happening is that you're hiding something out there. I'm right, aren't I? ''MY WIFE DIED HERE! SOMETHING KILLED MY WIFE! AND I HAVE THE RIGHT TO KNOW!! I DESERVE ANSWERS!'' ''[lights flicker]'' You see? There it is again. ... This is what caused everything in the first place! Don't you see that?! And it is going to send us back to the Stone Age! You have no idea what's coming..."''

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[[caption-width-right:350: “We call him... Gojira” “Nature has an order. A power to restore balance. I believe he is that power.” - Dr. Ichiro Serizawa]]


->''"You're
Serizawa]]

-->''"You're
not fooling anybody when you say that what happened 15 years ago was a 'natural disaster,' alright? It was not an earthquake, it wasn't a typhoon, okay?... You're lying! Because what's really happening is that you're hiding something out there. I'm right, aren't I? ''MY WIFE DIED HERE! SOMETHING KILLED MY WIFE! AND I HAVE THE RIGHT TO KNOW!! I DESERVE ANSWERS!'' ''[lights flicker]'' You see? There it is again. ... This is what caused everything in the first place! Don't you see that?! And it is going to send us back to the Stone Age! You have no idea what's coming..."''
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/godzilla-spanish-poster_6139.jpg]]
[[caption-width-right:350:''[[Music/BlueOysterCult With a purposeful grimace and a terrible sound...]]'']]

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[[caption-width-right:350:''[[Music/BlueOysterCult With a purposeful grimace and a terrible sound...]]'']]
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[[caption-width-right:350: “We call him... Gojira” - Dr. Ichiro Serizawa]]

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* SwallowedWhole: The female MUTO does this to a group of soldiers on a pier, and [[spoiler:would have done so to Ford as well had Godzilla not force-fed her his Atomic Breath]].
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* ApocalypseHow: Being a {{Kaiju}} movie where TheUnmasquedWorld first occurs, naturally a ApocalypseHow/Class0 occurs with Hawaii, San Francisco and other U.S. cities devastated at the end of the film (to say nothing of the UsefulNotes/{{Chernobyl}}-style disaster that occurs in Japan in the DistantPrologue); with the [=MUTOs=]' {{EMP}} apparently causing even more national disruption than would otherwise occur. The [=MUTOs=] seemingly threaten to cause a ApocalypaseHow/Class2 if they win due to them being {{Explosive Breeder}}s; but the ''Godzilla: Aftershock'' tie-in comic suggests the species would've actually likely caused a ApocalypseHow/Class4 in the form of a new extinction event, due to them destroying or reshaping entire ecosystems.

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* ApocalypseHow: Being a {{Kaiju}} movie where TheUnmasquedWorld first occurs, naturally a ApocalypseHow/Class0 occurs with Hawaii, San Francisco and other U.S. cities devastated at the end of the film (to say nothing of the UsefulNotes/{{Chernobyl}}-style disaster that occurs in Japan in the DistantPrologue); with the [=MUTOs=]' {{EMP}} apparently causing even more national disruption than would otherwise occur. The [=MUTOs=] seemingly threaten to cause a ApocalypaseHow/Class2 ApocalypseHow/Class2 if they win due to them being {{Explosive Breeder}}s; but the ''Godzilla: Aftershock'' tie-in comic suggests the species would've actually likely caused a ApocalypseHow/Class4 in the form of a new extinction event, due to them destroying or reshaping entire ecosystems.
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* ApocalypseHow: Being a {{Kaiju}} movie where TheUnmasquedWorld first occurs, naturally a ApocalypseHow/Class0 occurs with Hawaii, San Francisco and other U.S. cities devastated at the end of the film (to say nothing of the UsefulNotes/{{Chernobyl}}-style disaster that occurs in Japan in the DistantPrologue); with the [=MUTOs=]' {{EMP}} apparently causing even more national disruption than would otherwise occur. The [=MUTOs=] seemingly threaten to cause a ApocalypaseHow/Class2 if they win due to them being {{Explosive Breeder}}s; but the ''Godzilla: Aftershock'' tie-in comic suggests the species would've actually likely caused a ApocalypseHow/Class4 in the form of a new extinction event, due to them destroying or reshaping entire ecosystems.


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* PostApocalypticTrafficJam: PlayedWith, and more like ''Mid''-Apocalyptic Traffic Jam. Naturally, once the [=MUTOs'=] rampage becomes a public-known national disaster, roads become packed with a BigHonkingTrafficJam. The female [=MUTO's=] EMP sphere of influence causes the bumper-to-bumper cars to just stop where they are, leaving the roads packed with unmoving cars, and several still-working vehicles trying to navigate around the traffic jams through roadside fields.
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* CitywideEvacuation: A city in Japan is evacuated when the first M.U.T.O hatches.
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* TruerToTheText: This film is much more faithful to the original Japanese films than the first American remake of the franchise, ''Film/Godzilla1998'', in regards to both the character himself and the overall tone of the story. So much so, [[Film/ShinGodzilla later Japan]][[Anime/GodzillaPlanetOfTheMonsters ese designs]] borrowed heavily from this one.

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[[folder: A-M]]
* TheFifties: The prologue, where humans first try to kill Godzilla, takes place in 1954.



* TheFifties: The prologue, where humans first try to kill Godzilla, takes place in 1954.



* InSpaceEveryoneCanSeeYourFace: In the DistantPrologue, Drs. Serizawa, Graham and Wates are all wearing {{Hazmat Suit}}s with lights that illuminate their faces when they enter the irradiated cave holding [=Adam/Dagon's=] bones.



* JapaneseDelinquents: Before Joe is brought out to Ford at a Japanese jail, Ford sees a delinquent teen being brought into the lobby, whereupon the teen gets fussed at by his parents.



* KarmicJackpot: Albeit with both parties unaware of the fact: [[spoiler:right when Godzilla is being pinned down by the [=MUTO=]s, Brody sets fire to the nest and draws the female's attention, giving Big G an opening to stand up and regroup. His assistance is rewarded when, just as the female [=MUTO=] is about to kill him, Godzilla appears out of nowhere to bite on the [=MUTO=]'s neck and let Brody get away.]]



* LaserGuidedKarma: Albeit with both parties unaware of the fact: [[spoiler:right when Godzilla is being pinned down by the [=MUTO=]s, Brody sets fire to the nest and draws the female's attention, giving Big G an opening to stand up and regroup. His assistance is rewarded when, just as the female [=MUTO=] is about to kill him, Godzilla appears out of nowhere to bite on the [=MUTO=]'s neck and let Brody get away.]]


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* MagicCountdown: A soldier sets a nuke's timer to about an hour and a half in what appears to be midday. [[spoiler:The active bomb gets stolen and has to be taken out of the city before it detonates. The soldiers assigned to retrieve it enter the city at sunset and find the nuke with 30 minutes left on the clock]]. By the time it reads five minutes (and it's nighttime), [[spoiler:the nuke manages to be put on a boat and driven out of range from the city]]. A one megaton bomb is capable of a blast 7 miles wide. Meaning that boat must have been traveling '''140 miles per hour''' ''at least''.


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[[/folder]]

[[folder:N-W]]


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* TheNewTens: The film's primary time frame.


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* OlderHeroVsYoungerVillain: Godzilla is ''millions of years old'', while the [=MUTOs=] are only fifteen years old[[note]]The ''Godzilla: Aftershock'' comic confirms the spores in [=Adam/Dagon's=] skeleton are thefirst phase of their life cycle[[/note]] -- only ''a few days old'' if we only count the [=MUTOs'=] adult forms.


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* RailroadTracksOfDoom: When the female Muto attacks the USM train carrying nukes, [[spoiler:the train is set on fire and nearly crushes Ford]].


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* RecycledTitle: It's a ContinuityReboot and the third film in the [[Franchise/{{Godzilla}} franchise]] with this title -- the ''fourth'' film if we count ''Film/TheReturnOfGodzilla'' (released in Japan as ''Gojira'').


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* TwoKeyedLock: The Navy's nuclear warhead is armed via this trope, relying on a clockwork arming mechanism to resist the [=MUTOs'=] {{EMP}}.


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* AdaptationInspiration: It tells a markedly different story than previous ''Godzilla'' movies; by having the titular beast be an ancient creature, older than the earliest dinosaurs, the theme shifts from a direct allegory of nuclear destruction to primal, unstoppable forces of nature keeping the world in check, with the MUTO being the threat to humanity and Godzilla himself the inevitable response. The bombing of Hiroshima is mentioned, and gives context to Dr. Serizawa's concern over a nuclear strike (his father was killed in the blast), but the continuous American atomic testing in the Pacific, then current in 1954, is also quantified in-story — it was a cover for the Navy's repeated efforts to kill it. The plot and ending, in turn, reflect the modern conception of Godzilla and his CharacterDevelopment into a heroic figure; rather than being killed and crumbling into dust before he can destroy again, he defeats his ancient enemies and walks triumphantly back into the ocean, with press outlets heralding him as the savior of the city.



* BlackSite: [[spoiler:Monarch has built one on the site of the ruined nuclear power plant in the heart of the Janjira exclusion zone, to contain the cocooned MUTO]]. The facility is heavily fortified despite [[spoiler:being surrounded on all sides by ruins that are believed by the public to be irradiated]], but the hero manages to sneak in just in time to see the containment fail.



* BroadStrokes: Has Godzilla first awakening in 1954, but remained publicly unknown for another sixty years and never having the chance to attack Tokyo before he was nuked back into dormancy.



* BystanderActionHorrorDissonance: [[ExaggeratedTrope It goes a bit overboard]] with this trope -- most of the sequences involving the Kaiju are shot with a focus on the people in the vicinity of their rampages trying to not get killed (and not always succeeding) or marching through the devastation they leave behind. Up until the climactic battle, all that is given of the monsters is fleeting glimpses [[NothingIsScarier at best.]] One of the biggest complaints regarding this film, as a result, is [[JustHereForGodzilla that there is not enough Godzilla]].



* ClassifiedInformation: The TitleSequence uses redacted text for both credits and exposition on the history of the title monster.



* CovertGroup: MONARCH, a top-secret government organization.

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* CorrelationCausationGag: At the climax, [[spoiler:Ford, with absolutely nothing else he can do, points his sidearm at the female MUTO as she's approaching him, clearly about to kill him. She suddenly stops and Ford looks puzzled for a second until the next shot shows that Big G has appeared out of nowhere and clamped down on the back of her neck]].
* CovertGroup: MONARCH, Monarch, a top-secret government organization. organization.
* CreativeClosingCredits: {{Inverted}}. The opening credits are shown alongside text that ends up [[ClassifiedInformation redacted with black ink]] - i.e. "Reliability of these sightings is still questionable BASED ON THE CHARACTER witnesses. One must ask, is GODZILLA OWNED AND CREATED BY TOHO COMPANY, LTD." Sequel ''Film/GodzillaKingOfTheMonsters2019'' goes the same way ("Footage DIRECTED BY MICHAEL DOUGHERTY from U.S. Submarine Scorpion revealed").



* DeconReconSwitch: The film initially plays off as a darker twist of the kaiju genre, showing horrific real-life consequences of giant monster attacks. We see the main character tragically lose his father when the Male MUTO escapes. Later we see Godzilla cause a massive tsunami in Hawaii which drowns thousands of terrified civilians, and later the main character's wife, a nurse, is seen tending to a crowded hospital filled with hundreds of wounded patients. Then comes the grand finale, where Godzilla battles the MUTO pair, and it's right back to the good old goofy-yet-awesome monster fights that we know and love.
** It also initially deconstructs the GentleGiant trope. Godzilla is relatively benign compared to other incarnations. However, his massive size still makes him a danger to people such as when he first arrives in Hawaii and accidentally causes a massive tsunami simply by getting out of the water. It's later reconstructed when he learns to take his time around the tiny creatures he lives with and goes out of his way to create as little damage as possible.



* FinalBattle: The only true fight between Godzilla and the [=MUTO=]s.

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* FinalBattle: The only true fight between Godzilla and the [=MUTO=]s.[=MUTO=]s that's seen up-close by the audience; taking place in an apocalyptic San Francisco.


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* ForebodingFleeingFlock: In the Golden Gate Bridge scene, a huge flock of sea gulls flying past the bridge signals that Godzilla is approaching.


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* GoingCritical: The male MUTO played a major role in the Janjira disaster.


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* HumanFocusedAdaptation: The film puts nearly all its focus on the human cast and their battle with the [=MUTOs=], leaving the titular King of the Monsters with roughly 8 minutes of screentime. Those 8 minutes will blow you clear across the room and the rest of the movie itself ''is'' very well done and entertaining, but was a major letdown to a large portion of fans who [[JustHereForGodzilla were really hoping for it to be about Godzilla]]. That said the ratio of Godzilla to not-Godzilla run-time is more or less equal with the [[Film/{{Gojira}} original film]], so this is OlderThanTheyThink. Still, the creators clearly listened to the criticism; [[Film/GodzillaKingOfTheMonsters2019 the sequel]] gives vastly more screen time and development to the kaiju, none of whom are [[CanonForeigner Canon Foreigners]] like the [=MUTOs=], to the delight of many.
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Legendary had since decided to expand Godzilla into a trilogy, having announced plans at Comic-Con to incorporate classic Toho characters Film/{{Mothra}}, Film/{{Rodan}} and [[Film/GhidorahTheThreeHeadedMonster King Ghidorah]] into ''[[Film/GodzillaKingOfTheMonsters2019 Godzilla: King of the Monsters]]'', which released on March 22, 2019. Furthermore, Legendary confirmed that the prequel film ''Film/KongSkullIsland'', released at March 10, 2017, is in the same universe as this movie and ''Godzilla: King of the Monsters'', and that there will be [[http://www.legendary.com/legendary-and-warner-bros-pictures-announce-cinematic-franchise-uniting-godzilla-king-kong-and-other-iconic-giant-monsters/ a 2020 release]] of ''Film/GodzillaVsKong''. This Cinematic Universe is being called the ''Film/MonsterVerse''. Taking note of the renewed interest in the long-dormant property, Toho followed up on the film's success by initiating a new era of Japanese-made ''Godzilla'' movies, starting with the release of ''Film/ShinGodzilla'' in July 2016 and continuing with an anime movie trilogy titled ''Anime/GodzillaPlanetOfTheMonsters'' in November 2017 and 2018.

to:

Legendary had since decided to expand Godzilla into a trilogy, having announced plans at Comic-Con to incorporate classic Toho characters Film/{{Mothra}}, Film/{{Rodan}} and [[Film/GhidorahTheThreeHeadedMonster King Ghidorah]] into ''[[Film/GodzillaKingOfTheMonsters2019 Godzilla: King of the Monsters]]'', which released on March 22, in 2019. Furthermore, Legendary confirmed that the prequel film ''Film/KongSkullIsland'', released at March 10, 2017, is in the same universe as this movie and ''Godzilla: King of the Monsters'', and that there will be [[http://www.legendary.com/legendary-and-warner-bros-pictures-announce-cinematic-franchise-uniting-godzilla-king-kong-and-other-iconic-giant-monsters/ Monsters'' lead up to a 2020 release]] of climactic confrontation in ''Film/GodzillaVsKong''. This Cinematic Universe is being called the ''Film/MonsterVerse''. Taking note of the renewed interest in the long-dormant property, Toho followed up on the film's success by initiating a new era of Japanese-made ''Godzilla'' movies, starting with the release of ''Film/ShinGodzilla'' in July 2016 and continuing with an anime movie trilogy titled ''Anime/GodzillaPlanetOfTheMonsters'' in November 2017 and 2018.
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** Attempting to kill the male MUTO in its cocoon seems to be this for Monarch, based on Serizawa's contemplation before he gives the order and based on Vivienne Graham's silent reaction. During the kill attempt, Serizawa and every other Monarch operative in the control room except for Whalen turns their head away in dismay.


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** Notably, we never see at all what the [=MUTOs'=] larval forms look like, but we do see the WormSign left by Hokmuto's escape from the cavern leading into the sea, which gives us a hint about how large it was, and his presence is still felt during the meltdown.
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* MutualKill: [[spoiler:{{Subverted}} in the FinalBattle. Godzilla collapses from exhaustion after killing both the [=MUTOs=], and he's presumed dead in the final scene, until he growls and his eyes open]].
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** Elle's coworker Laura is entrusted with Sam when the latter is [[AccidentalPun pun on a bus]] evacuating the city, but she's completely absent from the bus in the next scene featuring Sam.

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** Elle's coworker Laura is entrusted with Sam when the latter is [[AccidentalPun pun put on a bus]] evacuating the city, but she's completely absent from the bus in the next scene featuring Sam.

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* DidntThinkThisThrough
** Some police officers open fire on Godzilla in Honolulu with their small arms. They quickly realize the pointlessness and give a face that says this trope. Godzilla doesn't seem to notice.

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* DidntThinkThisThrough
DidntThinkThisThrough:
** Some police officers open fire on Godzilla in Honolulu with their small arms. They quickly realize the pointlessness and give a face that says this trope. Godzilla doesn't seem to notice. notice.
** The military send fighter jets to Honolulu to combat the MUTO, but fail to account for the MUTO's EMP blasts (which it previously demonstrated when escaping Monarch's containment) causing the jets to shut down mid-flight and violently crash. [[TooDumbToLive They repeat this mistake when they have jets in the San Francisco airspace during the MUTOs' arrival]].
*** The military overall seem to have a problem bordering on PerceptionFilter of disregarding the male MUTO's EMP attacks until things go FromBadToWorse. Notably, their NukeEm plan seemingly doesn't account for the obvious fact that the [=MUTOs'=] EMP can deactivate the boat transporting the nuke before it's far enough away from the city to be safe.



** The military underestimates the speed of the three Kaiju; Godzilla makes it to San Francisco before the city's anywhere near adequately evacuated, and the male [=MUTO=] makes it to the nuke well before it can be transported to a safe distance and long before its timer is about to go off. Furthermore, the military seemingly don't account for the obvious fact that the [=MUTOs'=] EMP can deactivate the boat transporting the nuke.

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** The military underestimates the speed of the three Kaiju; Godzilla makes it to San Francisco before while the city's anywhere near adequately evacuated, evacuation efforts are still in-progress, and the male [=MUTO=] makes it to the nuke well before it can be transported to a safe distance and long before its timer is about to go off. Furthermore, the military seemingly don't account for the obvious fact that the [=MUTOs'=] EMP can deactivate the boat transporting the nuke.off.



* WhatHappenedToTheMouse: The dog at the beach. Its fate is uncertain, though it does at least escape from the beach when the tsunami hits.

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* WhatHappenedToTheMouse: WhatHappenedToTheMouse:
**
The dog at the beach. Its fate is uncertain, though it does at least escape from the beach when the tsunami hits.hits.
** Elle's coworker Laura is entrusted with Sam when the latter is [[AccidentalPun pun on a bus]] evacuating the city, but she's completely absent from the bus in the next scene featuring Sam.

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* NotDrawnToScale: As is usually the case in the franchise, Godzilla's size is... flexible. He's officially listed in marketing materials as around 350 feet tall. In the film he is frequently 2-3x that against known objects and in some shots and ''other'' marketing material including the poster more resembles a mountain.



* NotDrawnToScale: As is usually the case in the franchise, Godzilla's size is... flexible. He's officially listed in marketing materials as around 350 feet tall. In the film he is frequently 2-3x that against known objects and in some shots and ''other'' marketing material including the poster more resembles a mountain.

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* NotDrawnToScale: As NotSoAbandonedBuilding: A variation. The whole of Janjira is usually believed to be an irradiated quarantine zone, and with no civilians approaching for miles, [[spoiler:Monarch has constructed a containment site where the case in destroyed Janjira power plant once stood, to monitor the franchise, Godzilla's size is... flexible. He's officially listed in marketing materials as around 350 feet tall. In the film he is frequently 2-3x that against known objects and in some shots and ''other'' marketing material including the poster more resembles a mountain. MUTO cocoon]].
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* CurseCutShort: There's a humorous one for the most attentive viewers when the MUTO is attacking the soldiers at the dock.
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** The military underestimates the speed of the male and it makes it to the nuke well before it goes off. The nuke is taken to the middle of the city and a plan has to be hatched to get it out.

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** The military underestimates the speed of the three Kaiju; Godzilla makes it to San Francisco before the city's anywhere near adequately evacuated, and the male and it [=MUTO=] makes it to the nuke well before it goes can be transported to a safe distance and long before its timer is about to go off. The nuke is taken to Furthermore, the middle of military seemingly don't account for the city and a plan has to be hatched to get it out. obvious fact that the [=MUTOs'=] EMP can deactivate the boat transporting the nuke.
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** Also, he visibly ''inhales'' before using it the first time. He is quite literally ''breathing'' atomic fire.
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* FromBadToWorse: The [=MUTOs=] rampaging, pursued by Godzilla, and the {{kaiju}} causing destruction to humanity where they go with little more than their presence is bad. But when Admiral Stenz and the military [[NiceJobBreakingItHero attempt luring the MUTOs with a nuclear warhead]], [[spoiler:the [=MUTOs=] instead steal the armed nuke and set up nest in the middle of San Francisco, with the nuke counting down and hundreds to thousands of people still trapped in the city]].
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that's not geography, and It's Not Drawn To Scale anyway


** The Golden Gate Bridge itself is 220 feet above the water, which is an additional 360 feet deep. Godzilla is 350 feet tall, so standing it wouldn't even break the surface near let alone whack into the middle span, and could easily swim under it.
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** Ford gets to watch his father descend into madness in denial over his wife's death. And then learns his dad was right all along, which means he spent 14 years estranged from his dad for no good reason.And then is forced to [[spoiler: watch his dad die in front him, meaning he never gets the chance to mend the rift between them]]. He also spends a good deal of the film torn between duty and family, just like his dad did.

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** Ford gets to watch his father descend into madness in denial over his wife's death. And then learns his dad was right all along, which means he spent 14 years estranged from his dad for no good reason. And then is forced to [[spoiler: watch his dad die in front him, meaning he never gets the chance to mend the rift between them]]. He also spends a good deal of the film torn between duty and family, just like his dad did.



** Until they detonate, modern thermonuclear warheads are just the teensy little bit of nuclear isotope (uranium or plutonium) to start the explosion. Most of the energy released is the result of a subsequent nuclear fusion reaction betwwen two different hydrogen isotopes. Whatever good the [=MUTO=]s get from eating them is minimal.

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** Until they detonate, modern thermonuclear warheads are just the teensy little bit of nuclear isotope (uranium or plutonium) to start the explosion. Most of the energy released is the result of a subsequent nuclear fusion reaction betwwen betwen two different hydrogen isotopes. Whatever good the [=MUTO=]s get from eating them is minimal.
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** Played straight in helicopter scenes, where for some reason people can often hear others with using headsets even though they're in a military helicopter.

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** Played straight in helicopter scenes, where for some reason people can often hear others with without using headsets even though they're in a military helicopter.
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* PupatingPeril: The male MUTO hatches from a huge, glowing, crescent-shaped chrysalis after feeding on the radiation of a nuclear reactor from within for fifteen years. While the larval form is never seen, the imago is a winged insectoid which immediately begins a trail of destruction across the Pacific.
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** The loving, tender moment between the two [=MUTO=]s echo Edward's previous film ''Monsters''. On a slightly amusing note, the way the two kiss as they share a nuke has been compared to ''Disney/LadyAndTheTramp''.

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** The loving, tender moment between the two [=MUTO=]s echo Edward's previous film ''Monsters''. On a slightly amusing note, the way the two kiss as they share a nuke has been compared to ''Disney/LadyAndTheTramp''.''WesternAnimation/LadyAndTheTramp''.
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** Ford gets to watch his father descend into madness in denial over his wife's death. And then learns his dad was right all along, which means he spent 14 years estranged from his dad for no good reason. He spends a good deal of the film torn between duty and family, just like his dad did.

to:

** Ford gets to watch his father descend into madness in denial over his wife's death. And then learns his dad was right all along, which means he spent 14 years estranged from his dad for no good reason. And then is forced to [[spoiler: watch his dad die in front him, meaning he never gets the chance to mend the rift between them]]. He also spends a good deal of the film torn between duty and family, just like his dad did.

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