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* SkeletonKeyCard: Frank tries to get into Sissy Clark's apartment with a Mastercard. It works, but he's too late for her.
* SkeletonKeyCard: Frank uses this technique to get into Sissy Clark's apartment. [[spoiler:Unfortunately he's too late]].

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* SkeletonKeyCard: Frank tries to get into Sissy Clark's apartment with a Mastercard. It [[spoiler:It works, but he's too late for her.
* SkeletonKeyCard: Frank uses this technique to get into Sissy Clark's apartment. [[spoiler:Unfortunately he's too late]].
her.]]
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* NoGoodDeedGoesUnpunished: Julia saved [[spoiler: Shepard from dying of medical error, and he repays her by adding her to his ''[[SarcasmMode lovely]]'' list of Nightingale victims.]]

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* NoGoodDeedGoesUnpunished: Julia (unknowingly) saved [[spoiler: Shepard the Nightingale Killer from dying of medical error, and he repays her by adding her to his ''[[SarcasmMode lovely]]'' list of Nightingale victims.]]
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* NoGoodDeedGoesUnpunished: Julia saved [[spoiler: Shepard from dying of medical error, and he repays her by adding her to his ''[[SarcasmMode lovely]]'' list of Nightingale victims.]]


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* WhatHappenedToTheMouse: It's never shown what happened to [[spoiler: Shepherd's father, especially in the final timeline. One can only assume he died of heart-break upon learning about the awful truth]].
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* NeverGotToSayGoodbye

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* %%* NeverGotToSayGoodbye



* TimeyWimeyBall

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* TimeyWimeyBallTimeyWimeyBall: The movie is one big Timey-Wimey Ball. You've got the son talking to the dad on the same ham radio, and even the whole "changes happen in sync with each other" deal. The first time John changes history and saves his father, he suddenly has memories of both timelines, which is promptly dropped for the rest of the film as from then on he only has memories of how things originally happened.
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* HollywoodCB: John and Frank can communicate via their ham radios without keying the microphone to speak. This is handwaved by the radios being magically connected via the [[SpaceIsMagic aurora borealis]]. This "easy talk" effect is necessary to ensure that the climactic fight scenes can unfold without losing the radios connection.

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* HollywoodCB: John and Frank can communicate via their ham radios without keying the microphone to speak. This is handwaved by the radios being magically connected via the [[SpaceIsMagic aurora borealis]]. This "easy talk" effect setup is necessary to ensure that the climactic fight scenes can unfold without losing the radios connection.
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* SpaceIsMagic: The radio connection to the past is made possible by incredible strong sun storms that have created an aurora borealis above the city. [[note]]The 2016 show used [[LightningCanDoAnything a lightning surge]] to establish the connection.[[/note]]

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* SpaceIsMagic: The radio connection to the past is made possible by incredible strong sun storms that have created an aurora borealis above the city. [[note]]The 2016 show used series uses [[LightningCanDoAnything a lightning surge]] instead to establish the connection.[[/note]]
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* SanDimasTime: 1969 time and 1999 time seems to be hooked up and run concurrently during the duration of the ''aurora borealis''. Possibly the best portrayed example in movie history.

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* SanDimasTime: 1969 time and 1999 time seems to be hooked up and run concurrently during the duration of the ''aurora borealis''. Possibly the best portrayed example in movie history. A prime example would be the climax in which [[spoiler:Frank shoots off the killer's hand]]. It is made to look like JustInTime to prevent the killer from offing John in the present. In reality Frank would have had 30 years to do that. In fact Frank does take TheSlowPath and eventually [[spoiler:rescues John from the Nightingale Killer but only [[BigDamnHeroes in the last possible moment]].]]
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* PlayingGertrude: Creator/ElizabethMitchell is two years ''younger'' than Jim Caviezel while playing his mother. More appropriate when she plays the mother in the past, though.

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* PlayingGertrude: Creator/ElizabethMitchell is two years ''younger'' than Jim Caviezel while playing his mother. More appropriate when she plays the mother in the past, present timeline. Make-up made her look way older though.



* RippleEffectIndicator: Throughout the movie. Perhaps most notably the letters burnt into the desk.

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* RippleEffectIndicator: Throughout the movie. Perhaps most Most notably are the letters burnt into changing photographs and newspaper clips. There is also the desk.nicer appearance to the decorations in the house at the end.

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somebody got these tropes wrong


* ChekhovsGun: Literally.

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* ChekhovsGun: Literally.During the climax, John's gun ends up sliding across the room. A few scenes later he and the killer [[GunStruggle fight over it]].



* DelayedRippleEffect: The effects of the temporally-displaced conversation between father and son don't take place all at once. Although it is quite inconstant -- the speed of some actions in the past seems synced to the speed of the effects appearing in the present while others can take only a fraction of a second in the past but the effect in the present takes much longer. Notable examples:
** A sentence written in the past appearing in the present letter-by-letter.
** In one scene, the bad guy gets his hand blown off with a shotgun, meanwhile his 30 years in the future counterpart is shocked to see that same hand wither away into a nub while strangling his original opponent's son.
** Later the father, who originally [[spoiler: died 30 years ago appears out of nowhere to finish off the bad guy]].

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* DelayedRippleEffect: The effects of the temporally-displaced conversation between father and son don't take place all at once. Although it is quite inconstant -- the speed of some actions in the Averted. All past seems synced to the speed of the effects appearing in the present while others can take only a fraction of a second in the past but the effect in the present takes much longer. Notable examples:
** A sentence written in the past appearing in the present letter-by-letter.
** In one scene, the bad guy gets his hand blown off with a shotgun, meanwhile his 30 years in
changes affect the future counterpart is shocked to see that same hand wither away into a nub while strangling his original opponent's son.
** Later
"instantly" via MeanwhileInTheFuture. However, the father, who originally [[spoiler: died 30 years ago appears out of nowhere writers managed to finish off conserve the bad guy]].drama by setting the murder of the mother in 1969 a couple of days ahead giving the heroes time to find the killer.



* ForWantOfANail: All over the gosh-dang place.

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* ForWantOfANail: All over John manages to send a message back in time and save his father's life. However, because of this change, his mother, who was a nurse, never left the gosh-dang place.hospital to make funeral arrangements and so was on duty to save the life of a man who would've died. This man turns out to be a serial killer who kills the mother and is now still at large in John's timeline.



* MeanwhileInTheFuture: Both timelines run congruent to each other thirty years apart. When Frank affects something in 1969, John feels its effect at the same time of day in 1999.

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* MeanwhileInTheFuture: Both timelines run congruent The effects of the temporally-displaced conversation between father and son don't take place all at once. Although it is quite inconstant -- the speed of some actions in the past seems synced to each other thirty years apart. When Frank affects something the speed of the effects appearing in 1969, John feels its the present while others can take only a fraction of a second in the past but the effect at in the present takes much longer. Notable examples:
** A sentence written in the past appearing in the present letter-by-letter.
** In one scene, the bad guy gets his hand blown off with a shotgun, meanwhile his 30 years in the future counterpart is shocked to see that
same time of day in 1999.hand wither away into a nub while strangling his original opponent's son.
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removed duplicates


* SlowMotionFall: Frank and the girl he is rescuing fall out of a burning building into the Hudson River.



* TheSlowPath: At the end, Frank takes the slow path to rescue John from the Nightingale Killer.



* TimeTravelForFunAndProfit: Although not the main focus of the film, John drops a hint to his perennially unlucky friend to invest in Yahoo when the company gets created. The epilogue shows that he did just that.

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adding new tropes


* AnachronismStew: During the scene when Frank climbs out of the water after thinking he [[spoiler:killed the Nightingale murderer]], there is a boat with an Evinrude outboard motor. The motor is a 1999 model, but this scene in the movie takes place in 1969.



* CareerEndingInjury: John mentions that he had to give up baseball due to an injury in senior year.



* CoincidentalBroadcast: During his talk with Frank's wife at a restaurant, Satch notices the game on TV which leads him to [[TrustPassword believe Frank's story]].
* CreepySouvenir: The necklaces that the killer collects of his victims.



* DramaticGunCock: At the end, before [[spoiler:Frank shoots the killer]] with his rifle in the present timeline.
* ExactlyExtyYearsAgo: The time gap between past and present comes to exactly 30 years.



* FrameUp: The killer steals Frank's driving license and places it at the crime scene to frame him for the murder of Sissy Clark.



* GroinAttack: Frank punches the killer in the groin when they fight at the night club's toilet.
* GunStruggle:
** When Frank and the killer fight over the gun in the harbor basin.
** In the climax, John and the killer struggle to get hold of John's gun when the killer's weapon has run out of ammunition.



* HeroicFireRescue: Frank initially dies in the line of duty while saving a young woman from a warehouse fire. But John's advice makes him and the victim survive.
* HollywoodCB: John and Frank can communicate via their ham radios without keying the microphone to speak. This is handwaved by the radios being magically connected via the [[SpaceIsMagic aurora borealis]]. This "easy talk" effect is necessary to ensure that the climactic fight scenes can unfold without losing the radios connection.
* HumanShield: During the climax, the killer uses little John to keep Frank from firing at him.
* ICanSeeYou: Initially Frank believes this to be happening when talking to a weird guy on a shortwave radio who tells him that he just burned the table. Actually, the weird guy is Frank's son thirty years in the future and he knows about the accident because a 30 year old burn mark has just appeared on the table he is sitting at.



* KillerCop: [[spoiler:The Nightingale Killer is a SerialKiller of women who turns out to be a fairly respected cop]].
* LockingMacGyverInTheStoreCupboard: The way Frank uses his firefighting knowledge to rig electrical wiring, a metal door, coffee, a spraycan and a lighter smacks of this.



* LockingMacGyverInTheStoreCupboard: The way Frank uses his firefighting knowledge to rig electrical wiring, a metal door, coffee, a spraycan and a lighter smacks of this.


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* OutrunTheFireball: The ActionPrologue established Frank as a bold firefighter. He saves a victim from the sewers and then has to escape a fireball propagating through the tunnel.
* ParallelConflictSequence: The climax in which John and Frank each fight the killer in their timeline.


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* ReverseWhodunnit: The main characters find out who the killer is fairly early on...the problem is how to prove it to the cops, with evidence the cops will actually believe.


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* SkeletonKeyCard: Frank uses this technique to get into Sissy Clark's apartment. [[spoiler:Unfortunately he's too late]].


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* SlowMotionFall: Frank does a slo-mo fall out of a burning building into the Hudson River, followed by his helmet bouncing on the pavement.
* TheSlowPath: At the end, Frank takes the slow path to rescue John from the Nightingale Killer.


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* SpaceIsMagic: The radio connection to the past is made possible by incredible strong sun storms that have created an aurora borealis above the city. [[note]]The 2016 show used [[LightningCanDoAnything a lightning surge]] to establish the connection.[[/note]]
* TelepathicSprinklers: Frank does this to not attract attention to himself, when he escapes the police station. He triggers the sprinkler in his interrogation room which then turns on all sprinklers on the floor.
* TimeTravelForFunAndProfit: Although not the main focus of the film, John drops a hint to his perennially unlucky friend to invest in Yahoo when the company gets created. The epilogue shows that he did just that.


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* TheWindowOrTheStairs: Frank died in a burning building because he found himself in this situation (one corridor in fire, another with just smoke) and picked the easy way. When John tells him he has to go the other way, Frank goes through the fire, which leads to a faster way out of the building.
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Useful Notes/ pages are not tropes


* NewYorkCityCops
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* MeanwhileInTheFuture: Both timelines run congruent to each other thirty years apart. When Frank affects something in 1969, John feels its affect at the same time of day in 1999.

to:

* MeanwhileInTheFuture: Both timelines run congruent to each other thirty years apart. When Frank affects something in 1969, John feels its affect effect at the same time of day in 1999.
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None


In 2016, Creator/TheCW greenlit a television adaptation of the film; John Sullivan has undergone a GenderFlip into Raimy Sullivan (Creator/PeytonList), Frank has been made into a cop just like his daughter, and the concurrent timelines are now 1996 and 2016 (only a 20-year separation). Going undercover, he was murdered under circumstances which ruined his reputation and left his widowed wife and daughter alone and confused. The rest of the plot seems to be roughly the same as the film for now, albeit with Frank, having survived his assassination attempt, looking into the who's and why's of his murder.

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In 2016, Creator/TheCW greenlit ''Series/{{Frequency}}'', a television adaptation of the film; John Sullivan has undergone a GenderFlip into Raimy Sullivan (Creator/PeytonList), Frank has been made into a cop just like his daughter, and the concurrent timelines are now 1996 and 2016 (only a 20-year separation). Going undercover, he was murdered under circumstances which ruined his reputation and left his widowed wife and daughter alone and confused. The rest of the plot seems to be roughly the same as the film for now, albeit with Frank, having survived his assassination attempt, looking into the who's and why's of his murder.
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[[quoteright:166:http://static.tvtropes.org/pmwiki/pub/images/Frequency-Movie-Poster.JPG]]

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[[quoteright:166:http://static.[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/Frequency-Movie-Poster.JPG]]
org/pmwiki/pub/images/frequency.jpg]]
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John Sullivan (Creator/JimCaviezel) is the adult son of a firefighter, Frank (Dennis Quaid), who died on the job when John was a child. John discovers that during the Aurora Borealis he can use his father's old ham radio to talk to him 30 years in the past. Using his knowledge of the past thirty years, John changes history, saving Frank from dying. They soon discover that changing the timeline has drastic consequences. A serial killer known as the Nightingale Killer had died in the old timeline - but in the new timeline, John's mother, a nurse, was not called away due to Frank's death, and thus she was able to prevent the killer's death in the hospital. In the erased timeline, the killer claimed only three victims - but in the new timeline he kills ten women, one of them John's mother.

to:

John Sullivan (Creator/JimCaviezel) is the adult son of a firefighter, Frank (Dennis Quaid), (Creator/DennisQuaid), who died on the job when John was a child. John discovers that during the Aurora Borealis he can use his father's old ham radio to talk to him 30 years in the past. Using his knowledge of the past thirty years, John changes history, saving Frank from dying. They soon discover that changing the timeline has drastic consequences. A serial killer known as the Nightingale Killer had died in the old timeline - but in the new timeline, John's mother, a nurse, was not called away due to Frank's death, and thus she was able to prevent the killer's death in the hospital. In the erased timeline, the killer claimed only three victims - but in the new timeline he kills ten women, one of them John's mother.
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----
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In 2016, Creator/TheCW greenlit a television adaptation of the film; John Sullivan has undergone a GenderFlip into Raimy Sullivan (Creator/PeytonList), and Frank has been made into a cop just like his daughter. Going undercover, he was murdered under circumstances which ruined his reputation and left his widowed wife and daughter alone and confused. The rest of the plot seems to be roughly the same as the film for now, albeit with Frank, having survived his assassination attempt, looking into the who's and why's of his murder.

to:

In 2016, Creator/TheCW greenlit a television adaptation of the film; John Sullivan has undergone a GenderFlip into Raimy Sullivan (Creator/PeytonList), and Frank has been made into a cop just like his daughter.daughter, and the concurrent timelines are now 1996 and 2016 (only a 20-year separation). Going undercover, he was murdered under circumstances which ruined his reputation and left his widowed wife and daughter alone and confused. The rest of the plot seems to be roughly the same as the film for now, albeit with Frank, having survived his assassination attempt, looking into the who's and why's of his murder.
Is there an issue? Send a MessageReason:
None


In 2016, Creator/TheCW greenlit a television adaptation of the film; John Sullivan has undergone a GenderFlip into Raimy Sullivan (Creator/PeytonList), but the plot seems to be largely the same for now.

to:

In 2016, Creator/TheCW greenlit a television adaptation of the film; John Sullivan has undergone a GenderFlip into Raimy Sullivan (Creator/PeytonList), but and Frank has been made into a cop just like his daughter. Going undercover, he was murdered under circumstances which ruined his reputation and left his widowed wife and daughter alone and confused. The rest of the plot seems to be largely roughly the same as the film for now.
now, albeit with Frank, having survived his assassination attempt, looking into the who's and why's of his murder.
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* NiceJobFixingItVillain: [[spoiler:1999!Shepard saying "Time to die, Sullivan! Time to die!" to 1999!John gets picked up over the radio in 1969, distracting 1969!Shepard long enough for Julia to get the jump on him and Frank to shoot his hand off.]]

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* NiceJobFixingItVillain: [[spoiler:1999!Shepard saying "Time to die, Sullivan! Time to die!" Sullivan!" to 1999!John gets picked up over the radio in 1969, distracting 1969!Shepard long enough for Julia to get the jump on him and Frank to shoot his hand off.]]
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* NiceJobFixingItVillain: [[spoiler:1999!Shepard saying "Time to die, soldier." to 1999!John gets picked up over the radio in 1969, distracting 1969!Shepard long enough for Julia to get the jump on him.]]

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* NiceJobFixingItVillain: [[spoiler:1999!Shepard saying "Time to die, soldier." Sullivan! Time to die!" to 1999!John gets picked up over the radio in 1969, distracting 1969!Shepard long enough for Julia to get the jump on him.him and Frank to shoot his hand off.]]
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Added DiffLines:

* SkeletonKeyCard: Frank tries to get into Sissy Clark's apartment with a Mastercard. It works, but he's too late for her.
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None

Added DiffLines:

In 2016, Creator/TheCW greenlit a television adaptation of the film; John Sullivan has undergone a GenderFlip into Raimy Sullivan (Creator/PeytonList), but the plot seems to be largely the same for now.
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None

Added DiffLines:

* ChronicEvidenceRetentionSyndrome: The Nightingale Killer in Frequency had a box with trophies and newspaper clippings, stashed in a hidden compartment in a closet in his apartment. Once John identifies the killer in 1999, [[spoiler: he sends his father (in 1969) to the address to find it, since the police knew that the killer always took mementos.]]

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* DelayedRippleEffect: Shows up in a few places, notably when [[spoiler:John makes the first notable change in the timelines]] and when [[spoiler: the killer is fighting both John and his father in both time periods.]]

to:

* DelayedRippleEffect: Shows up in a few places, notably when [[spoiler:John makes The effects of the first notable change temporally-displaced conversation between father and son don't take place all at once. Although it is quite inconstant -- the speed of some actions in the timelines]] and when past seems synced to the speed of the effects appearing in the present while others can take only a fraction of a second in the past but the effect in the present takes much longer. Notable examples:
** A sentence written in the past appearing in the present letter-by-letter.
** In one scene, the bad guy gets his hand blown off with a shotgun, meanwhile his 30 years in the future counterpart is shocked to see that same hand wither away into a nub while strangling his original opponent's son.
** Later the father, who originally
[[spoiler: died 30 years ago appears out of nowhere to finish off the killer is fighting both John and his father in both time periods.]]bad guy]].



* SanDimasTime: Possibly the best portrayed example in movie history.

to:

* SanDimasTime: 1969 time and 1999 time seems to be hooked up and run concurrently during the duration of the ''aurora borealis''. Possibly the best portrayed example in movie history.
Is there an issue? Send a MessageReason:
None


* MeanwhileInTheFuture

to:

* MeanwhileInTheFutureMeanwhileInTheFuture: Both timelines run congruent to each other thirty years apart. When Frank affects something in 1969, John feels its affect at the same time of day in 1999.
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!!This Movie Contains Examples of:

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!!This Movie Contains Examples of:film provides examples of:
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* BrickJoke: Yahoo

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* BrickJoke: Yahoo Yahoo.
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* TimeTravelForFunAndProfit: John drops a hint to his perenially unlucky friend to invest in Yahoo when the company gets created. The epilogue shows that he did just that.

to:

* TimeTravelForFunAndProfit: John drops a hint to his perenially perennially unlucky friend to invest in Yahoo when the company gets created. The epilogue shows that he did just that.
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Added DiffLines:

* DaChief: Satch, modern-day John's boss and his Dad's best friend 30 years prior.

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