Is there an issue? Send a MessageReason:
None
Changed line(s) 91 (click to see context) from:
* CentralTheme: You'll only be able to enjoy the aspects of life when you are able to see its joys.
to:
* CentralTheme: You'll only You won't be able to enjoy the aspects of life when if you are able to see its joys.keep stressing about the specifics: let loose and seek out the joys instead.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* TakeThat: The TV series opens with a jab at its own predecessor; Ferris, now played by Charlie Schlatter, verbally trashes Matthew Broderick before decapitating a cardboard cutout of him [[ChainsawGood with a chainsaw]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 173 (click to see context) from:
* HaHaHaNo: Cameron does this in response to Ferris' suggestion that they take the miles off his dad's Ferrari by driving home backwards.
to:
* HaHaHaNo: Cameron does this in response to Ferris' suggestion that they take the miles off his dad's Ferrari by driving home backwards.backwards, only to be followed by a BigNo when he realizes MyGodYouAreSerious.
Is there an issue? Send a MessageReason:
None
Changed line(s) 106 (click to see context) from:
* ContemplateOurNavels: The scene in the art gallery brilliantly uses this trope in regards to Cameron, who has been worrying about nearly every detail of their journey. As his gaze zooms in on the pointillist[[note]]A style of painting from the late 1800s in which small points of paint made up a full image[[/note]] Seurat painting to find the details within it, he sees less and less of those details, finding only contextless dots. The realization to let go and enjoy his journey shows up in his eyes, and works -- at least until [[spoiler:he notices the odometer on the car.]]
to:
* ContemplateOurNavels: The scene in the art gallery brilliantly uses this trope in regards to Cameron, who has been worrying about nearly every detail of their journey. As his gaze zooms in on the pointillist[[note]]A style of painting from the late 1800s in which small points of paint made up a full image[[/note]] Seurat painting {{painting|s}} to find the details within it, he sees less and less of those details, finding only contextless dots. The realization to let go and enjoy his journey shows up in his eyes, and works -- at least until [[spoiler:he notices the odometer on the car.]]
Changed line(s) 339 (click to see context) from:
* StaggeredZoom: Used in the museum scene of Cameron staring at Seurat's ''Art/ASundayAfternoonOnTheIslandOfLaGrandeJatte''.
to:
* StaggeredZoom: Used in the museum scene of Cameron staring at Seurat's Creator/GeorgesSeurat's ''Art/ASundayAfternoonOnTheIslandOfLaGrandeJatte''.
Is there an issue? Send a MessageReason:
1st example doesn't explain why it's surprising. The others are character reactions, which aren't this trope.
Deleted line(s) 353,356 (click to see context) :
* SurprisinglyRealisticOutcome:
** Because Rooney parked his car illegally near the Buller's home, his car gets a ton of unpaid parking tickets and eventually gets towed, despite Rooney's protests.
** Because the intruder (Rooney) wasn't inside the house when Jeannie phoned the police, the police automatically assume Jeannie is a prankster and bring her in to the police station for questioning.
** When Jeannie thinks she's found Ferris at home but it's really Rooney, rather than share an awkward humorous moment, she immediately freaks out, thinking it's an intruder and runs upstairs to call the police.
** Because Rooney parked his car illegally near the Buller's home, his car gets a ton of unpaid parking tickets and eventually gets towed, despite Rooney's protests.
** Because the intruder (Rooney) wasn't inside the house when Jeannie phoned the police, the police automatically assume Jeannie is a prankster and bring her in to the police station for questioning.
** When Jeannie thinks she's found Ferris at home but it's really Rooney, rather than share an awkward humorous moment, she immediately freaks out, thinking it's an intruder and runs upstairs to call the police.
Is there an issue? Send a MessageReason:
Needs to be acknowledged In Universe
Deleted line(s) 110 (click to see context) :
* CouldHaveAvoidedThisPlot: Rooney never considers talking to Ferris Bueller's sister about her suspicions about Ferris playing hooky. If he had done that, he would at least have an ally in addition to his secretary Grace and someone who knows the kids' modus operandi. In fact, when Jeannie tries to go see him, she is rude to Grace and skipping class, but wanted to tell Rooney that she thinks her little brother isn't really sick and is goofing off. The way it works out, Jeannie kicks Rooney in the jaw on pure instinct.
Is there an issue? Send a MessageReason:
None
Changed line(s) 128 (click to see context) from:
* DidntThinkThisThrough: Jeannie should've waited instead of telling Rooney to get out of her house or the police will get him. Otherwise, she wouldn't have been mistaken for a phone call prankster and taken into police custody.
to:
* DidntThinkThisThrough: DidntThinkThisThrough:
** Jeannie should've waited instead of telling Rooney to get out of her house or the police will get him. Otherwise, she wouldn't have been mistaken for a phone call prankster and taken into policecustody.custody.
** Ferris' recording hooked up to the doorbell hinged on the idea that someone (namely Rooney) wouldn't just ring the doorbell a second time.
** Jeannie should've waited instead of telling Rooney to get out of her house or the police will get him. Otherwise, she wouldn't have been mistaken for a phone call prankster and taken into police
** Ferris' recording hooked up to the doorbell hinged on the idea that someone (namely Rooney) wouldn't just ring the doorbell a second time.
Is there an issue? Send a MessageReason:
None
Changed line(s) 355 (click to see context) from:
** When Jeannie thinks she's found Ferris at home but it's really Rooney, rather than share an awkward humurous moment, she immediately freaks out, thinking it's an intruder and runs upstairs to call the police.
to:
** When Jeannie thinks she's found Ferris at home but it's really Rooney, rather than share an awkward humurous humorous moment, she immediately freaks out, thinking it's an intruder and runs upstairs to call the police.
Is there an issue? Send a MessageReason:
None
Changed line(s) 223 (click to see context) from:
* MinnesotaNice: Grace talks with the standard Minnesota Nice accent and may well be a native Minnesotan, as the movie is set in Chicago, Illinois (a mere two states away). However, she also exhibits the dark side of this trope by secretly being mean and nasty, saying rude things about people when they aren't around.
to:
* MinnesotaNice: Grace talks with the standard Minnesota Nice accent and may well be a native Minnesotan, as the movie is set in Chicago, Illinois (a mere two states away). However, she also exhibits the dark side of this trope by secretly being mean and nasty, saying rude things about people when they aren't around.around (though Jeannie, at least, deserved it).
Is there an issue? Send a MessageReason:
None
Changed line(s) 182 (click to see context) from:
* HumiliationConga: The entire film is one for both Rooney and Ferris' sister Jeannie. Jeannie at least manages to learn KnowWhenToFoldThem and even may get the last laugh on the long term.
to:
* HumiliationConga: The entire film is one for both Rooney and Ferris' sister Jeannie. Jeannie at least manages to learn KnowWhenToFoldThem to KnowWhenToFoldThem, and even may get the last laugh on in the long term.
Is there an issue? Send a MessageReason:
None
Changed line(s) 181 (click to see context) from:
* HighSchoolHustler: Ferris is a classic example. It's not clear how much hustling he does in the day to day, but he's apparently well-liked by all the cliques at school and has worked out scams on his parents and school down to an artform.
to:
* HighSchoolHustler: Ferris is a classic example.example, and is probably the (modern) TropeCodifier. It's not clear how much hustling he does in the day to day, but he's apparently well-liked by all the cliques at school and has worked out scams on his parents and school down to an artform.
Is there an issue? Send a MessageReason:
None
Changed line(s) 179 (click to see context) from:
* HeterosexualLifePartners: Ferris and Cameron, possibly. They've been best friends since at least the fifth grade, and when Sloane jumps into the car with him she looks down where Cameron is crouched and says cheerfully, "Hi, Cameron, are you comfortable?" as if this sort of thing has happened before. ("Hi, Sloane, ''no.")''
to:
* HeterosexualLifePartners: Ferris and Cameron, possibly. They've been best friends since at least the fifth grade, and when Sloane jumps into the car with him she looks down where Cameron is crouched and says cheerfully, "Hi, Cameron, are you comfortable?" as if this sort of thing has happened before. ("Hi, Sloane, ''no.Sloane. ''No.")''
Is there an issue? Send a MessageReason:
None
Changed line(s) 144 (click to see context) from:
* {Foil}: Rooney and Jeannie hate that Ferris gets away with everything and want to see him punished. When Jeannie realizes how pointless her vendetta against Ferris is she offers him a last minute reprieve when he gets caught by Rooney.
to:
* {Foil}: {{Foil}}: Rooney and Jeannie hate that Ferris gets away with everything and want to see him punished. When Jeannie realizes how pointless her vendetta against Ferris is she offers him a last minute reprieve when he gets caught by Rooney.
Is there an issue? Send a MessageReason:
None
Changed line(s) 144 (click to see context) from:
* {Foil}:Rooney and Jeannie hate that Ferris gets away with everything and want to see him punished. However by the end of the film Jeannie realizes how pointless her vendetta against Ferris is.
to:
* {Foil}:Rooney {Foil}: Rooney and Jeannie hate that Ferris gets away with everything and want to see him punished. However by the end of the film When Jeannie realizes how pointless her vendetta against Ferris is.is she offers him a last minute reprieve when he gets caught by Rooney.
Is there an issue? Send a MessageReason:
None
Changed line(s) 144 (click to see context) from:
* Foil: Rooney and Jeannie. Both of them hate that Ferris gets away with everything and want to see him punished. However by the end of the film Jeannie realizes that getting revenge on Ferris won’t make her life any easier and she goes to bat for him.
to:
* Foil: Rooney {Foil}:Rooney and Jeannie. Both of them Jeannie hate that Ferris gets away with everything and want to see him punished. However by the end of the film Jeannie realizes that getting revenge on how pointless her vendetta against Ferris won’t make her life any easier and she goes to bat for him. is.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Foil: Rooney and Jeannie. Both of them hate that Ferris gets away with everything and want to see him punished. However by the end of the film Jeannie realizes that getting revenge on Ferris won’t make her life any easier and she goes to bat for him.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* DescriptionCut: When Ferris' mother assures the dean on the phone that Ferris is indeed sick, we cut to his room where Ferris is all well playing the clarinet.
Is there an issue? Send a MessageReason:
None
Changed line(s) 59 (click to see context) from:
-->'''Sloane:''' You knew what you were doing when you woke up this morning, didn’t you?
to:
-->'''Sloane:''' You knew what you were doing when you woke up this morning, didn’t didn't you?
Changed line(s) 145 (click to see context) from:
* FrenchCuisineIsHaughty: The upscale French restaurant that Ferris and company visit has the requisite snooty maître d’. Also parodied, in that the restaurant is named ''Chez Quis'' [[note]] which would literally mean "at whose house?", except that the French ''qui'' is never plural [[/note]], as a pun on the pizza chain Shakey's.
to:
* FrenchCuisineIsHaughty: The upscale French restaurant that Ferris and company visit has the requisite snooty maître d’.d'. Also parodied, in that the restaurant is named ''Chez Quis'' [[note]] which would literally mean "at whose house?", except that the French ''qui'' is never plural [[/note]], as a pun on the pizza chain Shakey's.
Added DiffLines:
* SchoolGradeHacking: Ferris hacks into the school's system from his home computer to change the number of absences he's had.
Is there an issue? Send a MessageReason:
None
Changed line(s) 49 (click to see context) from:
* ArtisticLicenseCars: Cameron's dad's Ferrari has a back seat, while the real 250 GT Spyder California was a two seater, and the odometer is unable to turn back when put in reverse. The mechanism to prevent that was not mandated or even available until the 1970s, meaning the odometer on a 1961 model ''would'' roll back when driven in reverse (or, better yet, disconnect the odometer cable and roll it back with an electric drill, though this is probably beyond most high-schoolers' abilities).
to:
* ArtisticLicenseCars: ArtisticLicenseCars:
** Cameron's dad's Ferrari has a back seat, while the real 250 GT Spyder California was a twoseater, seater. They did use a real one for the film, but only for closeups, and the rest of the photography was done in a fiberglass replica.
** The Ferrari's odometer is unable to turn back when put in reverse. The mechanism to prevent that was not mandated or even available until the 1970s, meaning the odometer on a 1961 model ''would'' roll back when driven in reverse (or, better yet, disconnect the odometer cable and roll it back with an electric drill, though this is probably beyond most high-schoolers' abilities). Given that Cameron's dad spent three years restoring it, he may have also modified it to add the anti-rollback mechanism.
** Cameron's dad's Ferrari has a back seat, while the real 250 GT Spyder California was a two
** The Ferrari's odometer is unable to turn back when put in reverse. The mechanism to prevent that was not mandated or even available until the 1970s, meaning the odometer on a 1961 model ''would'' roll back when driven in reverse (or, better yet, disconnect the odometer cable and roll it back with an electric drill, though this is probably beyond most high-schoolers' abilities). Given that Cameron's dad spent three years restoring it, he may have also modified it to add the anti-rollback mechanism.
Changed line(s) 70 (click to see context) from:
* {{Bowdlerise}}: The original script for the movie is quite a bit edgier than the finished film.
to:
* {{Bowdlerise}}: The original script for the movie is was quite a bit edgier than the finished film.
Is there an issue? Send a MessageReason:
None
Changed line(s) 35 (click to see context) from:
** Creator/CharlieSheen's stoner character is named Garth Volbeck. The film doesn't mention this. Also, a deleted backstory shows that he and Ferris were friends in the eighth grade. Garth's family's pretty messed up, and Ferris tried to help him and be his friend, but Garth eventually dropped out of high school and wound up in the police station next to Jeannie. That's why Ferris is so intent on giving Cameron a good time - he blames himself for not helping Garth enough when he could.
to:
** Creator/CharlieSheen's stoner character is named Garth Volbeck. The film doesn't mention this. Also, a deleted backstory shows that he and Ferris were friends in the eighth grade. Garth's family's pretty messed up, and Ferris tried to help him and be his friend, but Garth eventually dropped out of high school and wound up in the police station next to Jeannie. That's why Ferris is so intent on giving Cameron a good time - -- he blames himself for not helping Garth enough when he could.could -- and why Garth knows who Ferris is when he talks with Jeannie.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** When Jeannie thinks she's found Ferris at home but it's really Rooney, rather than share an awkward humurous moment, she immediately freaks out, thinking it's an intruder and runs upstairs to call the police.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SummerSchoolSucks: One student mentions that Ferris is getting him out of summer school.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SecretMessageWink: Twice, at pivotal moments:
** When Ferris fakes being sick in front of his parents, he gives Jeanie a wink after she sees right through him.
** At the end of Ferris' day off, Principal Rooney is about to punish him with another year of high school, but Jeanie steps in and acts concerned for him as if he's sick, giving him a wink to let him know she's helping him avoid punishment.
** When Ferris fakes being sick in front of his parents, he gives Jeanie a wink after she sees right through him.
** At the end of Ferris' day off, Principal Rooney is about to punish him with another year of high school, but Jeanie steps in and acts concerned for him as if he's sick, giving him a wink to let him know she's helping him avoid punishment.
Is there an issue? Send a MessageReason:
None
Changed line(s) 204 (click to see context) from:
* LightFeminineAndDarkFeminine: Kind, innocent Sloane (light) and angry, sassy Jeanie (dark).
to:
* LightFeminineAndDarkFeminine: Kind, innocent Sloane (light) and angry, sassy Jeanie (dark). Kind of played with, as Sloane has dark hair and wears a strongly blue shirt, though with a white jacket, while Jeanie has lighter hair than sloane, and wears light-colored clothes other than her black pants.
Is there an issue? Send a MessageReason:
None
Changed line(s) 285 (click to see context) from:
* TheResenter: This is Jeannie's entire motivation. Her brother gets away with everything, while she CantGetAwayWithNuthin and can't even convince others of her brother's con when she unravels it.
to:
* TheResenter: This is Jeannie's entire motivation. Her brother gets away with everything, while she CantGetAwayWithNuthin and can't even convince others of her brother's con when she unravels it. Understandable, as even when she's being completely truthful (about an intruder in her house), she isn't believed and gets in trouble.
Is there an issue? Send a MessageReason:
None
Changed line(s) 233 (click to see context) from:
'''Ferris''': Bueller. Ferris Bueller.
to:
'''Ferris''': Bueller. Ferris Bueller.[[note]]Ferris' suit looks a lot like the iconic grey suit Bond wore in ''Film/{{Goldfinger}}''[[/note]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 189 (click to see context) from:
* {{Jerkass}}: Rooney and Jeannie. The later becomes more of a JerkWithAHeartOfGold by the end.
to:
* {{Jerkass}}: Rooney and Jeannie. The later latter becomes more of a JerkWithAHeartOfGold by the end.
Is there an issue? Send a MessageReason:
None
Changed line(s) 119 (click to see context) from:
* DeanBitterman: Rooney. He's a pretty strict disciplinarian and has declared Ferris his ArchEnemy because the kid is the local HighSchoolHustler with nine absent days (''before'' Ferris hacked the computer). Take note that Cameron is ''also'' home sick and Rooney doesn't decide to personally visit him to make sure he's actually sick.
to:
* DeanBitterman: Rooney. He's a pretty strict disciplinarian and has declared Ferris his ArchEnemy because the kid is the local HighSchoolHustler with nine absent days (''before'' Ferris hacked the computer). Take note that Cameron is ''also'' home sick and Rooney doesn't decide to personally visit him to make sure he's actually sick. And from what we can infer from Ferris' comments about Cameron, ''he'' probably takes a lot of sick days as well.
Is there an issue? Send a MessageReason:
None
Changed line(s) 111 (click to see context) from:
* CrowdSong: Not only does everybody in Chicago sing along to "Twist and Shout", but many of them dance in unison too. Somewhat justified. It's a well-known song/dance.
to:
* CrowdSong: Not only does everybody in Chicago sing along to "Twist and Shout", but many of them dance in unison too. Somewhat justified. It's justified, as it's a well-known song/dance.