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On the planet of New World, a devastating war between human colonists and the native aliens resulted in all the women and half the men being wiped out, while the surviving men are afflicted with Noise, a condition that means everyone can see and hear their thoughts. Todd Hewitt (Holland) is one such survivor, living in Prentisstown under the leadership of the power-hungry David Prentiss (Mikkelsen), but everything changes when he meets Viola Eade (Ridley), a girl who crashlands on New World and is unaffected by Noise. Together, Todd and Viola uncover a dark secret that will change both their worlds.

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On the planet of New World, a devastating war between human colonists and the native aliens Spackle resulted in all the women and half the men being wiped out, while the surviving men are afflicted with Noise, a condition that means everyone can see and hear their thoughts. Todd Hewitt (Holland) is one such survivor, living in Prentisstown under the leadership of the power-hungry David Prentiss (Mikkelsen), but everything changes when he meets Viola Eade (Ridley), a girl who crashlands on New World and is unaffected by Noise. Together, Todd and Viola uncover a dark secret that will change both their worlds.
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* AdaptationTitleChange: The film is largely based upon the book ''The Knife of Never Letting Go''; the ''Chaos Walking'' title comes from the overarching name of the trilogy.

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* AdaptationTitleChange: The film is largely based upon the book ''The Knife of Never Letting Go''; the ''Chaos Walking'' title comes from the overarching name of the trilogy. There is some logic to this given that the film also draws on some elements from the other books.
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* TheFilmOfTheBook: It is based upon the 2008 novel ''The Knife of Never Letting Go'', the first installment in the ''Chaos Walking'' trilogy from which the film takes its title.

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* TheFilmOfTheBook: It is largely based upon the 2008 novel ''The Knife of Never Letting Go'', the first installment in the ''Chaos Walking'' trilogy from which the film takes its title. It also draws on elements from the other books in the trilogy (''The Ask and the Answer'' and ''Monsters of Men''), though it most closely follows the first book.
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* OurNudityIsDifferent: Having been raised in a small, all-male community that emphasizes survival above everything, Todd thinks nothing of stripping off all his clothes in front of Viola - a girl he barely knows - to jump in a river. Viola can only stare at him in [[StunnedSilence silent disbelief]].
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* MohsScaleOfScienceFictionHardness: Lies somewhere between Science in Genre Only and World of Phlebotinum (closer to the former). Spaceships can't instantly travel between star systems, but can still travel between worlds within a few generations (Viola states her grandparents boarded the ship with her parents when the latter were young children to create a better life for their descendants, Viola was born on the ship and is in her late teens by the time it reaches New World, and no other ships have been to New World since the first one arrived decades ago). Some of the gadgets and weaponry are more advanced than what's available in 2021, but not implausibly fantastic. The Noise is probably the most fantastical thing in the story and it's generally consistent in how it works.
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[[caption-width-right:300:''[[{{Tagline}} No one escapes the Noise]]'']]
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* BittersweetEnding: [[spoiler:Todd's dads, his dog and several other innocent people were killed, but he's able to protect Viola and help her contact the ship. He finally learned the truth about the death of his mother and the other women which, while hard to hear, was necessary; he and Viola defeat David and get justice for the women, and they can both start a new life with the help of the colonists. The rest of Prentisstown are still out there but the colonists' superior technology and numbers (and the fact they're now leaderless) may succeed in repelling them]].
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* UniquenessDecay: Viola's appearance on New World is treated as a huge deal because she's the first and only human woman on New World in nearly two decades, but also because she's the only human there who lacks Noise (which doesn't affect women) and so her thoughts are far more private. [[spoiler:About halfway through the movie it turns out that there's a whole town full of Noiseless women ([[TrailersAlwaysSpoil which the trailer itself spoiled to an extent]]) so Viola’s presence is't so big a deal, though she still has a bit of a unique factor in that she wasn't born or raised on New World and is the only one who can communicate with the colony ship.]]

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* UniquenessDecay: Viola's appearance on New World is treated as a huge deal because she's the first and only human woman on New World in nearly two decades, but also because she's the only human there who lacks Noise (which doesn't affect women) and so her thoughts are far more private. [[spoiler:About halfway through the movie it turns out that there's a whole town full of Noiseless women ([[TrailersAlwaysSpoil which the trailer itself spoiled to an extent]]) so Viola’s presence is't isn't so big a deal, though she still has a bit of a unique factor in that she wasn't born or raised on New World and is the only one who can communicate with the colony ship.]]

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* EndlessDaytime: Viola remarks that the sun never seems to set on New World and it indeed remains daytime for the entire movie. In a deleted scene, Todd says that the only time he remembers the sun setting was ten years ago, which lasted months and killed off a lot of their crops.



* EndlessDaytime: Viola remarks that the sun never seems to set on New World and it indeed remains daytime for the entire movie. In a deleted scene, Todd says that the only time he remembers the sun setting was ten years ago, which lasted months and killed off a lot of their crops.

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* AllPlanetsAreEarthLike: For the most part New World looks no different from Earth save for it having planetary rings; its atmosphere is breathable for humans and plants from Earth can be cultivated there. The weird part is that everyone's thoughts can be heard and seen.

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* AllPlanetsAreEarthLike: For the most part New World looks no different from Earth save for it having planetary rings; rings and ''much'' longer days; its atmosphere is breathable for humans and plants from Earth can be cultivated there. The weird part is that everyone's thoughts can be heard and seen.


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* EndlessDaytime: Viola remarks that the sun never seems to set on New World and it indeed remains daytime for the entire movie. In a deleted scene, Todd says that the only time he remembers the sun setting was ten years ago, which lasted months and killed off a lot of their crops.
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* BuryYourGays: [[spoiler:Gay couple Ben and Cillian are both killed by Prentiss over the course of the film (Cillian fairly early on, Ben near the end). They seem to get killed off mostly because they're the adoptive dads of a young adult dystopian protagonist, who disproportionately tend to have dead parents]].
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* HumansThroughAlienEyes: When Todd refers to the Spackle as aliens, Viola points out that this is ''their'' homeworld. So it's humanity that is the aliens here. Todd, hating the Spackle for what they did to Prentisstown says that no, the Spackle are the aliens.
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Renamed one trope.


* DeathByAdaptation: [[spoiler: Seemingly David Prentiss. He's very much alive at the end of ''The Knife of Never Letting Go'', while here he's seemingly killed when Viola shoves him off the edge of a crevasse into the lower levels of the old ship. However, [[UncertainDoom we don't see a body]], so he could possibly have survived]].

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* DeathByAdaptation: [[spoiler: Seemingly David Prentiss. He's very much alive at the end of ''The Knife of Never Letting Go'', while here he's seemingly killed when Viola shoves him off the edge of a crevasse into the lower levels of the old ship. However, [[UncertainDoom we don't see a body]], so he could possibly have survived]]. survived.]]



** [[spoiler:Aaron. In the book Viola stabs him and shoves him off a waterfall. In the film she sets him on fire; he also dies much later in the climax]].

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** [[spoiler:Aaron. In the book Viola stabs him and shoves him off a waterfall. In the film she sets him on fire; he also dies much later in the climax]]. climax.]].



* HasTwoDaddies: After his mother died when he was a baby, Todd was raised by two men, Ben and Cillian (who are a couple), and regards them both as his fathers.

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* HasTwoDaddies: HasTwoMommies: Gender-inverted: After his mother died when he was a baby, Todd was raised by two men, Ben and Cillian (who are a couple), and regards them both as his fathers.



* SanitySlippage: [[spoiler:Many of the men of Prentisstown slowly began becoming unhinged and paranoid living in isolation from other communities, unable to hear what the women were thinking while they had difficulty shutting off their own thoughts. David and the Preacher inflamed their distrust of the women, leading to them turning on them with [[AxCrazy deadly consequences]]]].

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* SanitySlippage: [[spoiler:Many of the men of Prentisstown slowly began becoming unhinged and paranoid living in isolation from other communities, unable to hear what the women were thinking while they had difficulty shutting off their own thoughts. David and the Preacher inflamed their distrust of the women, leading to them turning on them with [[AxCrazy deadly consequences]]]]. consequences]].]]



* UniquenessDecay: Viola's appearance on New World is treated as a huge deal because she's the first and only human woman on New World in nearly two decades, but also because she's the only human there who lacks Noise (which doesn't affect women) and so her thoughts are far more private. [[spoiler:About halfway through the movie it turns out that there's a whole town full of Noiseless women ([[TrailersAlwaysSpoil which the trailer itself spoiled to an extent]]) so Viola’s presence is't so big a deal, though she still has a bit of a unique factor in that she wasn't born or raised on New World and is the only one who can communicate with the colony ship]].

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* UniquenessDecay: Viola's appearance on New World is treated as a huge deal because she's the first and only human woman on New World in nearly two decades, but also because she's the only human there who lacks Noise (which doesn't affect women) and so her thoughts are far more private. [[spoiler:About halfway through the movie it turns out that there's a whole town full of Noiseless women ([[TrailersAlwaysSpoil which the trailer itself spoiled to an extent]]) so Viola’s presence is't so big a deal, though she still has a bit of a unique factor in that she wasn't born or raised on New World and is the only one who can communicate with the colony ship]]. ship.]]
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* AdaptationalSelfDefense: In the book Todd attacks and kills the Spackle in the river in cold-cold, assuming it would attack them. In the film the Spackle attacks Todd first, dragging him from his hiding spot and he fights back with his knife.

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* AdaptationalSelfDefense: In the book Todd attacks and kills the Spackle in the river in cold-cold, cold-blood, assuming it would attack them. In the film the Spackle attacks Todd first, dragging him from his hiding spot and he fights back with his knife.

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* AdaptationalSelfDefense: In the book Todd attacks and kills the Spackle in the river in cold-cold, assuming it would attack them. In the film the Spackle attacks Todd first, dragging him from his hiding spot and he fights back with his knife.



** Todd is never concerned about inadvertantly infecting and killing Viola with the germ that caused Noise, as in the film the Spackle are said to have killed the women in a direct assault and it's established that Noise is harmless to women early on (this isn't revealed until much later in the book).

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** Todd is never concerned about inadvertantly inadvertently infecting and killing Viola with the germ that caused Noise, as in the film the Spackle are said to have killed the women in a direct assault and it's established that Noise is harmless to women early on (this isn't revealed until much later in the book).
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* SparedByTheAdaptation: In the book, Todd ends up stabbing a Spackle he fights with to death, while here Viola persuades Todd to spare him.


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* UniquenessDecay: Viola's appearance on New World is treated as a huge deal because she's the first and only human woman on New World in nearly two decades, but also because she's the only human there who lacks Noise (which doesn't affect women) and so her thoughts are far more private. [[spoiler:About halfway through the movie it turns out that there's a whole town full of Noiseless women ([[TrailersAlwaysSpoil which the trailer itself spoiled to an extent]]) so Viola’s presence is't so big a deal, though she still has a bit of a unique factor in that she wasn't born or raised on New World and is the only one who can communicate with the colony ship]].
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* PromotedToLoveInterest: {{Downplayed|trope}}. Todd and Viola having a romantic connection is made a lot more prominent here compared to the book (mostly from Todd's end); while they're close friends in the books their relationship is largely platonic until the ''Monsters of Men''. It may partly be because of the AgeLift; in ''The Knife of Never Letting Go'' Todd and Viola are both around thirteen, while here they're in their late teens.

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* PromotedToLoveInterest: {{Downplayed|trope}}. Todd and Viola having a romantic connection is made a lot more prominent here compared to the book (mostly from Todd's end); while they're close friends in the books their relationship is largely platonic until the ''Monsters of Men''. It may partly be because of the AgeLift; in ''The Knife of Never Letting Go'' Todd and Viola are both around thirteen, while here they're in their late teens.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/chaoswalking.png]]

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[[quoteright:350:https://static.[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/chaoswalking.png]]
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->'''Todd:'' Well, it's strange for me too, not knowing what's going on in your head. I mean, I don't know, you might not like my dog, or you want to hit me over the head with a rock or something.

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->'''Todd:'' ->'''Todd:''' Well, it's strange for me too, not knowing what's going on in your head. I mean, I don't know, you might not like my dog, or you want to hit me over the head with a rock or something.
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->'''Viola:''' It's strange to see everything you're thinking.
->'''Todd:'' Well, it's strange for me too, not knowing what's going on in your head. I mean, I don't know, you might not like my dog, or you want to hit me over the head with a rock or something.
->'''Viola:''' I like your dog.
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* {{Telepathy}}:The Noise is actually a kind of inversion of this; all men afflicted with Noise automatically project their thoughts to everyone else (women, who don't have Noise, can also see and hear their thoughts). This manifests as audible mental chatter and a colored 'aura' that forms visual representations of their thoughts. With enough practice and concentration, they can hide their Noise or use to create convincing illusions.
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* PromotedToLoveInterest: {{Downplayed|trope}}. Todd and Viola having a romantic connection is made a lot more prominent here compared to the book (mostly from Todd's end); while they're close friends in the books their relationship is largely platonic until the third book. It may partly be because of the AgeLift; in ''The Knife of Never Letting Go'' Todd and Viola are both around thirteen, while here they're in their late teens.

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* PromotedToLoveInterest: {{Downplayed|trope}}. Todd and Viola having a romantic connection is made a lot more prominent here compared to the book (mostly from Todd's end); while they're close friends in the books their relationship is largely platonic until the third book.''Monsters of Men''. It may partly be because of the AgeLift; in ''The Knife of Never Letting Go'' Todd and Viola are both around thirteen, while here they're in their late teens.
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* PromotedToLoveInterest: {[Downplayed|trope}}. Todd and Viola having a romantic connection is made a lot more prominent here compared to the book (mostly from Todd's end); while they're close friends in the books their relationship is largely platonic until the third book. It may partly be because of the AgeLift; in ''The knife of Never Letting Go'' Todd and Viola are both around thirteen, while here they're in their late teens.

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* PromotedToLoveInterest: {[Downplayed|trope}}.{{Downplayed|trope}}. Todd and Viola having a romantic connection is made a lot more prominent here compared to the book (mostly from Todd's end); while they're close friends in the books their relationship is largely platonic until the third book. It may partly be because of the AgeLift; in ''The knife Knife of Never Letting Go'' Todd and Viola are both around thirteen, while here they're in their late teens.
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* PromotedToLoveInterest: {[Downplayed|trope}}. Todd and Viola having a romantic connection is made a lot more prominent here compared to the book (mostly from Todd's end); while they're close friends in the books their relationship is largely platonic until the third book. It may partly be because of the AgeLift; in ''The knife of Never Letting Go'' Todd and Viola are both around thirteen, while here they're in their late teens.

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* ABoyAndHisX: Before meeting Viola, Todd's only friend is his dog Manchee. Although he acts annoyed or dismissive towards him, it's obvious he cares for him and Manchee loyally follows the two protagonists on their journey [[spoiler:until he's killed about halfway through]].



* ContrivedCoincidence: In the film's climax, Todd and Viola are headed for the settlement of Haven to contact Viola's ship, with Prentisstown in close pursuit. They just so happen to [[spoiler:stumble upon the first colony ship along the way, which they can use to send the signal instead]].



* DemotedToExtra: Davy Prentiss Jr. In the book he has quite a significant role, including [[spoiler:Todd choosing to spare his life and Davy shooting Viola near the end]]. In the film neither of this incidents occur; the only notable things Davy does is [[spoiler:[[NiceJobFixingItVillain inadvertantly helping]] Viola escape]] and initially serving as a rival for Todd. 

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* DemotedToExtra: Davy Prentiss Jr. In the book he has quite a significant role, including [[spoiler:Todd choosing to spare his life and Davy shooting Viola near the end]]. In the film neither of this incidents occur; the only notable things Davy does is [[spoiler:[[NiceJobFixingItVillain inadvertantly inadvertently helping]] Viola escape]] and initially serving as a rival for Todd. 


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* SinisterMinister: Aaron, Prentisstown's preacher, is a fanatical, misogynistic and [[AxCrazy not entirely sane man]]. He doesn't even obey David half the time, going off to do his own thing. In particular, it's revealed he [[spoiler:helped stoke the men's paranoia around the women due to their lack of Noise]] and he seeks to personally hunt down Viola, referring to her as an "angel".
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* TheDulcineaEffect: Todd is instantly drawn to Viola and quickly vows to protect and help her. In fairness, she ''is'' the first girl he's ever even seen so he finds her fascinating, though he aso empathizes with her situation.

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* TheDulcineaEffect: Todd is instantly drawn to Viola and quickly vows to protect and help her. In fairness, she ''is'' the first girl he's ever even seen so he finds her fascinating, though he aso also empathizes with her situation.
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* NeverLearnedToRead: Todd can't read because Aaron burnt all the books, stating that the Noise provided them with all the knowledge they need. He initially hides it from Viola out of embarrassment; he eventually comes clean when she questions why he doesn't want to read his late mother's journal and she offers to read it for him.
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* MohsScaleOfScienceFictionHardness: Lies somewhere between Science in Genre Only and World of Phlebotinum (closer to the former). Spaceships can't instantly travel between star systems, but can still travel between worlds within a few generations (Viola states her grandparents boarded the ship with her parents when the latter were young children to create a better life for their descendants, Viola was born on the ship and is in her late teens by the time it reaches New World, and no other ships have been to New World since the first one arrived decades ago). Some of the gadgets and weaponry are more advanced than what's available in 2021, but not implausibly fantastic. The Noise is probably the most fantastical thing in the story and it's generally consistent in how it works.
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* TownWithADarkSecret: Prentisstown. Everyone but the youngest members are aware that [[spoiler:the town's men, spurred on by David, were really the ones who killed all the women and essentially doomed the community to extinction. Todd, the youngest member of the community who only a baby during a massacre, grows up believing the Spackle were responsible and his adoptive parents are forbidden to tell him the truth]].
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''Chaos Walking'' is a 2021 American dystopian science fiction action film. It is based upon ''The Knife of Never Letting Go'', the first book in the ''Literature/ChaosWalking'' trilogy by Creator/PatrickNess. The film was directed by Creator/DougLiman and the screenplay written by Ness and Christopher Ford [[note]]Jamie Linden, John Lee Hancock, Gary Spinelli and Lindsey Beer also contributed, revising the first draft written by Creator/CharlieKaufman[[/note]]. It stars Creator/TomHolland, Creator/DaisyRidley and Creator/MadsMikkelsen.

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''Chaos Walking'' is a 2021 American dystopian science fiction action film. It is based upon ''The Knife of Never Letting Go'', the first book in the ''Literature/ChaosWalking'' trilogy by Creator/PatrickNess. The film was directed by Creator/DougLiman and the screenplay written by Ness and Christopher Ford Ford. [[note]]Jamie Linden, John Lee Hancock, Gary Spinelli and Lindsey Beer also contributed, revising the first draft written by Creator/CharlieKaufman[[/note]]. Creator/CharlieKaufman[[/note]] It stars Creator/TomHolland, Creator/DaisyRidley and Creator/MadsMikkelsen.

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