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* PracticalEffects: The scene where The Man's face appears on Mary's car window as she's driving had to be done in camera due to the film's low budget. Herk sat in the back seat with a flashlight while a mirror rigged to the car's side projected his reflection on the window.
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''Carnival of Souls'' is a low-budget ($33,000 in 1962) "B" horror film produced, directed, and co-written by Herk Harvey which did mediocre business on release, but has become enough of a CultClassic to merit a [=DVD=] release by Creator/TheCriterionCollection. In fact, some people consider it to be the best "B" movie ever made. Creator/GeorgeARomero stated that ''Carnival of Souls'' was the inspiration for ''Film/{{Night of the Living Dead|1968}}''.

to:

''Carnival of Souls'' is a low-budget ($33,000 in 1962) "B" horror film produced, directed, and co-written by Herk Harvey which did mediocre business on release, but has become enough of a CultClassic to merit a [=DVD=] release by Creator/TheCriterionCollection. In fact, some people consider it to be the best "B" movie ever made. made; both Creator/DavidLynch and Creator/GeorgeARomero stated have cited it as an inspiration, with Romero stating that ''Carnival of Souls'' was gave him the inspiration idea for ''Film/{{Night of the Living Dead|1968}}''.
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* ChristianityIsCatholic: The priest wears a collar, and the church looks like it could be a cathedral, but he could also be an Episcopal priest (in RealLife, the church was an Episcopal church in Lawrence, Kansas). He amusingly notes that it's not the biggest church in [[UsefulNotes/{{Mormonism}} Salt Lake City]].

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* ChristianityIsCatholic: The priest wears a collar, and the church looks like it could be a cathedral, but he could also be an Episcopal priest (in RealLife, the church was an Episcopal church in Lawrence, Kansas). He amusingly notes that it's not the biggest church in [[UsefulNotes/{{Mormonism}} the biggest church in Salt Lake City]].
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* HotAndCold: John sees Mary as this. First she acts cold and doesn't want to see him, then flirts with him when he brings her coffee, before turning down a date and then agreeing soon after. She acts bored on his date before telling him she wants to be with him that night before finally acting disinterested. He's understandably confused

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* HotAndCold: [[{{Tsundere}} Hot And Cold]]: John sees Mary as this. First she acts cold and doesn't want to see him, then flirts with him when he brings her coffee, before turning down a date and then agreeing soon after. She acts bored on his date before telling him she wants to be with him that night before finally acting disinterested. He's understandably confused
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* BigBad: The Man
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* GilliganCut: After Mary freaks out in front of Mrs. Thomas, the landlady warns her not to drink any coffee, but Mary insists that it won't keep her awake. Cue the next shot of Mary lying in bed, wide awake.
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[[quoteright:315:https://static.tvtropes.org/pmwiki/pub/images/Carnival_of_Souls_3297.jpg]]

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[[quoteright:315:https://static.tvtropes.org/pmwiki/pub/images/Carnival_of_Souls_3297.org/pmwiki/pub/images/carnival_of_souls_2.jpg]]
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* RiddleForTheAges: The TwistEnding leaves many unresolved questions: [[spoiler:was the whole story Mary's DyingDream? Or did her ghost travel to Utah and did the characters who interacted with her not realize that she was an apparation? Or were they also ghosts? Who was The Man? TheGrimReaper? Someone she knew in a previous life? Her consort for the afterlife coming to claim her for himself?]]

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* RiddleForTheAges: The TwistEnding leaves many unresolved questions: [[spoiler:was the whole story Mary's DyingDream? Or did her ghost travel to Utah and did the characters who interacted with her not realize that she was an apparation? apparition? Or were they also ghosts? Who was The Man? TheGrimReaper? Someone she knew in a previous life? Her consort for the afterlife coming to claim her for himself?]]

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* ChristianityIsCatholic: The priest wears a collar, and the church looks like it could be a cathedral, but he could also be an Episcopal priest (in RealLife, the church was an Episcopal church in Lawrence, Kansas). He amusingly notes that it's not the biggest church in [[UsefulNotes/{{Mormonism}} Salt Lake City]].



* DefrostingIceQueen

to:

* DefrostingIceQueenDefrostingIceQueen: At times it seems like Mary will start loosening up when she's with John, but she sees The Man and freaks out, and goes back to being cold and anti-social.



* InformedAttribute: The song that gets Mary fired sounds like [[OminousPipeOrgan every other song she's played in the film]], including the song she played when she introduced herself to the Priest, but the Priest's reaction is as if she used the organ to [[HellIsThatNoise open a portal to Hell itself]].

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* InformedAttribute: The song that gets Mary fired sounds like is slightly dissonant, but not [[OminousPipeOrgan every other song she's played much different from everything else we hear her play in the film]], including the song she played when she introduced herself to the Priest, but the Priest's reaction is as if Priest. But he acts like she used the organ to [[HellIsThatNoise open a portal to Hell itself]].



* {{Jerkass}}: John, who is sleazy, creepy, temperamental, and all-around unempathetic.

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* {{Jerkass}}: {{Jerkass}}:
**
John, who is sleazy, creepy, temperamental, and all-around unempathetic.unempathetic.
** The priest turns into one when he snaps at her and fires her for playing "blasphemous" music when she's clearly disturbed. He feebly tries to offer the church's help as she walks out, but it just makes him seem even more insensitive.



* OurGhostsAreDifferent: Mary's a ghost. Sometimes she is corporeal and can interact with the living world, but sometimes she seems to pass into some sort of ghost dimension where no one can see or hear her (and she can't hear them).

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* OurGhostsAreDifferent: Mary's The TwistEnding reveals that [[spoiler:Mary's a ghost. Sometimes she is corporeal and can interact with the living world, but sometimes she seems to pass into some sort of ghost dimension where no one can see or hear her (and she can't hear them).them)]].



* PreacherMan

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* PreacherManPreacherMan: The minister who hires Mary as an organist.
* RiddleForTheAges: The TwistEnding leaves many unresolved questions: [[spoiler:was the whole story Mary's DyingDream? Or did her ghost travel to Utah and did the characters who interacted with her not realize that she was an apparation? Or were they also ghosts? Who was The Man? TheGrimReaper? Someone she knew in a previous life? Her consort for the afterlife coming to claim her for himself?]]



* SeinfeldIsUnfunny: [[invoked]] Modern audiences will ''immediately'' realize Mary is in a DyingDream or DeadAllAlong when she stumbles out of the car wreck - never mind that this was one of ''the very first'' movies to employ this trick.

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* SeinfeldIsUnfunny: [[invoked]] Modern audiences will ''immediately'' realize Mary [[spoiler:Mary is in a DyingDream or DeadAllAlong when she stumbles out of the car wreck wreck]] - never mind that this was one of ''the very first'' movies to employ this trick.



* TomatoInTheMirror: Mary turns out to be a ghost.

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* TomatoInTheMirror: Mary turns [[spoiler:turns out to be a ghost.ghost]].



* TwistEnding: Mary actually drowned in the car wreck, and she's been DeadAllAlong.

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* TwistEnding: Mary actually [[spoiler:actually drowned in the car wreck, and she's been DeadAllAlong.DeadAllAlong]].
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More of a Descended Creator case, since he appears throughout the film, and it's listed on the Trivia page


* CreatorCameo: The main ghoul, The Man, is Herk Harvey.
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* RemakeCameo: Sidney Berger, who played motel guest John Linden in the original film, appears as one of the two cops who [[spoiler:discover the bodies of Alex and Louis inside Alex's car after it is fished up from the bay]].


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* RightThroughHisPants: The sex scene between Alex and Michael the boatman has him removing only his shirt, which is enough for him to start thrusting away.


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* ImStandingRightHere: One of the clues that [[spoiler:Mary is a ghost]] is that a during a few scenes, people stop being able to perceive her at all.


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* InformedAttribute: The song that gets Mary fired sounds like [[OminousPipeOrgan every other song she's played in the film]], including the song she played when she introduced herself to the Priest, but the Priest's reaction is as if she used the organ to [[HellIsThatNoise open a portal to Hell itself]].
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.

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%% ZeroContextExample Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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The plot is hard to summarize without spoilers, but its essence is a young woman who perceives, with gradually increasing frequency, images of a horrid, deformed stranger (as, for example, a temporary appearance in a mirror). The screw tightens until, at the climax, we find out who The Man is and why she has been receiving these visitations.

The movie is a case of an obscenely high-number of routine, standard tropes that more or less accidentally happen to work to a whole greater than the sum of the parts (or of the makers' designs and--arguably--capabilities).

Along with a handful of other films, it also has the distinction of being riffed ''twice'' by [[Series/MysteryScienceTheater3000 Mike Nelson]]: First on the colorized [=DVD=] released by Legend Films, the second time with help from Kevin Murphy and Bill Corbett on Podcast/RiffTrax.

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The plot is hard to summarize without spoilers, but its essence is a A young woman who perceives, lady named Mary is riding in a car with gradually increasing frequency, images her girlfriends when another car pulls up and challenges them to a drag race. Mary's friend unwisely accepts, and the two cars zoom off on a high-speed race, which ends when Mary's car plunges off of a horrid, deformed stranger (as, for example, bridge and into a temporary appearance in a mirror). The screw tightens until, at river.

Police and first responders are dragging
the climax, we find out who The Man is and why she has been receiving these visitations.

The movie is a case of an obscenely high-number of routine, standard tropes that more or less accidentally happen to work to a whole greater than the sum
river in search of the parts (or of car when a dazed Mary staggers onto dry land. After she recovers she leaves town, having been hired to play the makers' designs and--arguably--capabilities).

Along with
organ at a handful church in Utah. All is not well, however, as Mary starts to have terrifying visions of a ghoulish, undead man stalking her. When she isn't having these horrifying visions, she is experiencing other films, it also has terrifying interludes when, for no apparent reason, no one can see or hear her. And then there's the distinction creepy abandoned old amusement park, which Mary inexplicably finds herself drawn to...

One
of being only a few films to be riffed ''twice'' by [[Series/MysteryScienceTheater3000 Mike Nelson]]: First on the colorized [=DVD=] released by Legend Films, the second time with help from Kevin Murphy and Bill Corbett on Podcast/RiffTrax.



* SugarAndIcePersonality
* SurrealHorror
* TomatoInTheMirror

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* SugarAndIcePersonality
SugarAndIcePersonality: Mary is oddly inconsistent in her behavior towards John. She blows him off when he first tries to talk his way into her bed, which makes sense enough as he is a creep. But the next morning she is friendly and flirty when he comes over with coffee.
* SurrealHorror
SurrealHorror: A young woman plagued with a series of terrifying visions of a ghoul stalking her.
* TomatoInTheMirrorTomatoInTheMirror: Mary turns out to be a ghost.



* TheUndead

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* TheUndeadTheUndead: Eventually a whole host of undead ghouls are chasing Mary.
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* HauntedHeroine
* HazardousWater

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* HauntedHeroine
HauntedHeroine: Mary, once a calm and self-possessed woman, grows steadily more unglued as The Man stalks her every movement.
* HazardousWaterHazardousWater: Mary's friend has an accident while they are driving, with the car veering off a bridge and into a river.

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* TheBadGuyWins

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* TheBadGuyWinsTheBadGuyWins: The Man, and all the other ghouls, apparently drag Mary back to the afterlife.



* ButtMonkey: John
* CasanovaWannabe: John, again.
* CelibateHero

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* ButtMonkey: John
John, with his pathetic and desperate attempts to get into Mary's pants.
* CasanovaWannabe: John, again.
again.
* CelibateHeroCelibateHero: Mary doesn't much like to be around people. She rejects John's advances--although that may be be because John's such a creep.



* DeadAllAlong

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* DeadAllAlongDeadAllAlong: Mary drowned in the car crash, and the rest of the story unfolds with her as a ghost, instinctually resisting the trip to the underworld.



* TheEnd
* EvilAlbino



* HotAndCold: John sees Mary as this. First she acts cold and doesn't want to see him, then flirts with him when he brings her coffee, before turning down a date and then agreeing soon after. She acts bored on his date before telling him she wants to be with him that night before finally acting disinterested. He's understandably confused



* InTheEndYouAreOnYourOwn

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* InTheEndYouAreOnYourOwnInTheEndYouAreOnYourOwn: Finally Mary has to go to the pavilion and face the ghouls by herself.



* LooksLikeCesare: The Man, to some extent, with his pale skin and dark-circled eyes.

to:

* LooksLikeCesare: The Man, to some extent, with his pale skin and dark-circled eyes. Later we see a bus full of ghouls, and a ''danse macabre'' at the pavilion, with all the ghouls having that same Cesare look.



* OurGhostsAreDifferent

to:

* OurGhostsAreDifferentOurGhostsAreDifferent: Mary's a ghost. Sometimes she is corporeal and can interact with the living world, but sometimes she seems to pass into some sort of ghost dimension where no one can see or hear her (and she can't hear them).



* ThePlace



* ScrewThisImOuttaHere: John

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* ScrewThisImOuttaHere: JohnJohn bails when Mary's screams of terror in her room freak him out.



* SilentAntagonist

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* SilentAntagonistSilentAntagonist: The Man never speaks, only smiling evilly.



* TsunDere: John sees Mary as this. First she acts cold and doesn't want to see him, then flirts with him when he brings her coffee, before turning down a date and then agreeing soon after. She acts bored on his date before telling him she wants to be with him that night before finally acting disinterested. He's understandably confused
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* JumpCut: There's a jump cut from Mary trying to get through a locked gate at the bus station to Mary outside, walking down a sidewalk. This just underlines the unreality of her situation.

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''Carnival of Souls'' is a low-budget ($33,000 in 1962) "B" horror film produced, directed, and co-written by Herk Harvey which did mediocre business on release, but has become enough of a CultClassic to merit a [=DVD=] release by Creator/TheCriterionCollection. In fact, some people consider it to be the best "B" movie ever made. Creator/GeorgeARomero stated that ''Carnival of Souls'' was the inspiration for ''Film/NightOfTheLivingDead1968''.

to:

''Carnival of Souls'' is a low-budget ($33,000 in 1962) "B" horror film produced, directed, and co-written by Herk Harvey which did mediocre business on release, but has become enough of a CultClassic to merit a [=DVD=] release by Creator/TheCriterionCollection. In fact, some people consider it to be the best "B" movie ever made. Creator/GeorgeARomero stated that ''Carnival of Souls'' was the inspiration for ''Film/NightOfTheLivingDead1968''.
''Film/{{Night of the Living Dead|1968}}''.



* LooksLikeCesare: The Man, to some extent.

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* KubrickStare: The Man gives a positively chilling one when he emerges from under the water of the amusement park pool.
* LooksLikeCesare: The Man, to some extent.extent, with his pale skin and dark-circled eyes.

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* MatchCut: From Mary turning the ignition on her car to Mary pushing a button on her pipe organ.



* TwistEnding

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* TwistEndingTwistEnding: Mary actually drowned in the car wreck, and she's been DeadAllAlong.



* TheXOfY

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* TheXOfY
TheXOfY: ''Carnival of Souls''
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* {{Foreshadowing}}: There's a clue early in the movie. One of the searchers at the river says that the car has been in the river for three hours. Shortly after this, Mary is staggering up on the riverbank. Where has she been all that time?

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* BadDreams: [[spoiler:One of Mary's visions is revealed to have been a dream near the end.]]

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* BadDreams: [[spoiler:One One of Mary's visions is revealed to have been a dream near the end.]]



* BeCarefulWhatYouWishFor: [[spoiler:See ''Ineffectual Loner'' below.]]

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* BeCarefulWhatYouWishFor: [[spoiler:See See ''Ineffectual Loner'' below.]]



* DancesAndBalls: Part of the Carnival's backstory. [[spoiler:Played for Horror later on in the main story]].

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* DancesAndBalls: Part of the Carnival's backstory. [[spoiler:Played Played for Horror later on in the main story]].story.



* TheDeadCanDance: [[spoiler: Mary spies a ''danse macabre'' in the carnival tent.]]

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* TheDeadCanDance: [[spoiler: Mary spies a ''danse macabre'' in the carnival tent.]]



* DownerEnding: [[spoiler: Mary is chased down and swarmed by the Man's ghosts. The next morning, the other main characters manage to dredge up the car she crashed in with her body still inside.]]

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* DownerEnding: [[spoiler: Mary is chased down and swarmed by the Man's ghosts. The next morning, the other main characters manage to dredge up the car she crashed in with her body still inside.]]



* FinallyFoundTheBody: [[spoiler:How TheReveal is made.]]
* TheGrimReaper: [[spoiler:What The Man seems to be]].

to:

* FinallyFoundTheBody: [[spoiler:How How TheReveal is made.]]
made.
* TheGrimReaper: [[spoiler:What What The Man seems to be]].be.



* IneffectualLoner: Mary [[spoiler:until she no longer wants to be alone. This entire movie could arguably be summed up as "being Mary sucks"]].

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* IneffectualLoner: Mary [[spoiler:until until she no longer wants to be alone. This entire movie could arguably be summed up as "being Mary sucks"]].sucks".



* {{Motifs}}: Water is either present or referenced to in a lot of the scary stuff [[spoiler:which makes sense given the opening and the TwistEnding]]. It's inconsistent though as some of The Man's apperances have nothing to do with water.

to:

* {{Motifs}}: Water is either present or referenced to in a lot of the scary stuff [[spoiler:which which makes sense given the opening and the TwistEnding]].TwistEnding. It's inconsistent though as some of The Man's apperances have nothing to do with water.



* OhCrap: An oddly-delayed version of this occurs [[spoiler:during the second visit to the psychologist.]]

to:

* OhCrap: An oddly-delayed version of this occurs [[spoiler:during during the second visit to the psychologist.]]



* SeinfeldIsUnfunny: [[invoked]] [[spoiler: Modern audiences will ''immediately'' realize Mary is in a DyingDream or DeadAllAlong when she stumbles out of the car wreck - never mind that this was one of ''the very first'' movies to employ this trick.]]

to:

* SeinfeldIsUnfunny: [[invoked]] [[spoiler: Modern audiences will ''immediately'' realize Mary is in a DyingDream or DeadAllAlong when she stumbles out of the car wreck - never mind that this was one of ''the very first'' movies to employ this trick.]]



* TrailersAlwaysSpoil: The [[http://25.media.tumblr.com/778027c48b38e658e519b3a83a927143/tumblr_mkatgtLT7S1rl4lszo1_500.jpg original one-sheet for the movie]] gives away the ending [[spoiler: at the bottom, in the middle]].

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* TrailersAlwaysSpoil: The [[http://25.media.tumblr.com/778027c48b38e658e519b3a83a927143/tumblr_mkatgtLT7S1rl4lszo1_500.jpg original one-sheet for the movie]] gives away the ending [[spoiler: at the bottom, in the middle]].middle.


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----
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-->--Creator/RogerEbert's [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19891027/REVIEWS/910270302/1023 review]].

''Carnival of Souls'' was a low-budget "B" film ($33,000 in 1962) that did mediocre business on release, but has become enough of a CultClassic to merit a [=DVD=] release by Creator/TheCriterionCollection. In fact, some people consider it to be the best "B" movie ever made. Creator/GeorgeARomero stated that ''Carnival of Souls'' was the inspiration for ''Film/NightOfTheLivingDead1968''.

to:

-->--Creator/RogerEbert's -->--'''Creator/RogerEbert'''[='s=] [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19891027/REVIEWS/910270302/1023 review]].

''Carnival of Souls'' was is a low-budget "B" film ($33,000 in 1962) that "B" horror film produced, directed, and co-written by Herk Harvey which did mediocre business on release, but has become enough of a CultClassic to merit a [=DVD=] release by Creator/TheCriterionCollection. In fact, some people consider it to be the best "B" movie ever made. Creator/GeorgeARomero stated that ''Carnival of Souls'' was the inspiration for ''Film/NightOfTheLivingDead1968''.
Is there an issue? Send a MessageReason:
None


''Carnival of Souls'' was a low-budget "B" film ($33,000 in 1962) that did mediocre business on release, but has become enough of a CultClassic to merit a [=DVD=] release by Creator/TheCriterionCollection. In fact, some people consider it to be the best "B" movie ever made. George Romero stated that ''Carnival of Souls'' was the inspiration for ''Film/NightOfTheLivingDead1968''.

to:

''Carnival of Souls'' was a low-budget "B" film ($33,000 in 1962) that did mediocre business on release, but has become enough of a CultClassic to merit a [=DVD=] release by Creator/TheCriterionCollection. In fact, some people consider it to be the best "B" movie ever made. George Romero Creator/GeorgeARomero stated that ''Carnival of Souls'' was the inspiration for ''Film/NightOfTheLivingDead1968''.

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* AloneInACrowd
* AmusementParkOfDoom

to:

* AloneInACrowd
AloneInACrowd: Mary feels this usually, but especially when she has the visions.
* AmusementParkOfDoomAmusementParkOfDoom: The abandoned Saltair park.



* CasanovaWannabe: John, again.



* ChaseScene
* ColdOpen

to:

* ChaseScene
ChaseScene: Occurs during the cold open.
* ColdOpenColdOpen: Opens with a guy asking Mary's friend for a race.



* MirrorMonster

to:

* MirrorMonsterMirrorMonster: A especially creepy scene has The Man appear in her mirror and lay his head on her shoulder.


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* TsunDere: John sees Mary as this. First she acts cold and doesn't want to see him, then flirts with him when he brings her coffee, before turning down a date and then agreeing soon after. She acts bored on his date before telling him she wants to be with him that night before finally acting disinterested. He's understandably confused

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* DownerEnding

to:

* DownerEndingDownerEnding: [[spoiler: Mary is chased down and swarmed by the Man's ghosts. The next morning, the other main characters manage to dredge up the car she crashed in with her body still inside.]]



* ThePlace




to:

* TheXOfY
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* [[spoiler: TheBadGuyWins]]

to:

* [[spoiler: TheBadGuyWins]]TheBadGuyWins



* [[spoiler: DeadAllAlong]]

to:

* [[spoiler: DeadAllAlong]]DeadAllAlong



* [[spoiler: DownerEnding]]

to:

* [[spoiler: DownerEnding]]DownerEnding
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* SeinfeldIsUnfunny: [[invoked]] [[spoiler: Modern audiences will ''immediately'' realize Mary is in a DyingDream or DeadAllAlong when she stumbles out of the car wreck.]]

to:

* SeinfeldIsUnfunny: [[invoked]] [[spoiler: Modern audiences will ''immediately'' realize Mary is in a DyingDream or DeadAllAlong when she stumbles out of the car wreck.wreck - never mind that this was one of ''the very first'' movies to employ this trick.]]
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-->--RogerEbert's [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19891027/REVIEWS/910270302/1023 review]].

to:

-->--RogerEbert's -->--Creator/RogerEbert's [[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19891027/REVIEWS/910270302/1023 review]].
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%%* AloneInACrowd
%%* AmusementParkOfDoom

to:

%%* * AloneInACrowd
%%* * AmusementParkOfDoom



%%* TheBadGuyWins
%%* BeCarefulWhatYouWishFor: [[spoiler:See ''Ineffectual Loner'' below.]]
%%* BigBad: The Man
%%* ButtMonkey: John
%%* CelibateHero
%%* ChaseScene
%%* ColdOpen

to:

%%* TheBadGuyWins
%%*
* [[spoiler: TheBadGuyWins]]
*
BeCarefulWhatYouWishFor: [[spoiler:See ''Ineffectual Loner'' below.]]
%%* * BigBad: The Man
%%* * ButtMonkey: John
%%* * CelibateHero
%%* * ChaseScene
%%* * ColdOpen



%%* DeadAllAlong

to:

%%* DeadAllAlong* [[spoiler: DeadAllAlong]]



%%* DefrostingIceQueen
%%* DownerEnding
%%* TheEnd
%%* EvilAlbino

to:

%%* * DefrostingIceQueen
%%* DownerEnding
%%*
* [[spoiler: DownerEnding]]
*
TheEnd
%%* * EvilAlbino



%%* HauntedHeroine
%%* HazardousWater

to:

%%* * HauntedHeroine
%%* * HazardousWater



%%* InTheEndYouAreOnYourOwn

to:

%%* * InTheEndYouAreOnYourOwn



%%* LooksLikeCesare: The Man, to some extent
%%* MirrorMonster

to:

%%* * LooksLikeCesare: The Man, to some extent
%%*
extent.
*
MirrorMonster



%%* MrExposition: Several examples.
%%* NoNameGiven: TheBigBad

to:

%%* * MrExposition: Several examples.
%%* * NoNameGiven: TheBigBadThe Man



%%* OurGhostsAreDifferent

to:

%%* * OurGhostsAreDifferent



%%* PerpetualSmiler: The Man
%%* PreacherMan
%%* ScrewThisImOuttaHere: John

to:

%%* * PerpetualSmiler: The Man
%%* * PreacherMan
%%* * ScrewThisImOuttaHere: John



%%* SilentAntagonist

to:

%%* * SilentAntagonist



%%* SugarAndIcePersonality
%%* SurrealHorror
%%* TomatoInTheMirror

to:

%%* * SugarAndIcePersonality
%%* * SurrealHorror
%%* * TomatoInTheMirror



%%* TwistEnding
%%* TheUndead

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* {{Jerkass}}: John, the loathsome creep.

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* {{Jerkass}}: John, the loathsome creep.who is sleazy, creepy, temperamental, and all-around unempathetic.

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