History Film / AmericanHustle

14th Oct '15 10:05:10 PM Cindylover1969
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* MaleGaze: The camera just ''loves'' ogling Creator/AmyAdams in this film--constantly panning up her legs and focusing on her cleavage. [[BestKnownForTheFanservice Safe to say the male audience got their money's worth.]]
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* MaleGaze: The camera just ''loves'' ogling Creator/AmyAdams in this film--constantly panning up her legs and focusing on her cleavage. (Ironically, her one topless shot is not lingered on in the least.) [[BestKnownForTheFanservice Safe to say the male audience got their money's worth.]]
4th Sep '15 3:52:27 AM RushLimborg
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** Amy Adams also struggles to maintain a (real-world convincing) English accent throughout her time as 'Lady Edith'. [[FridgeBrilliance Though that may be part of the point.]]
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** Amy Adams also struggles to maintain a (real-world convincing) English accent throughout her time as 'Lady Edith'. [[FridgeBrilliance [[InUniverse Though that may be part of the point.]]
4th Sep '15 3:48:22 AM RushLimborg
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* MyGodWhatHaveIDone: Irving goes through this when [[spoiler: Carmine goes down.]] ** Sidney's scream in the stall could easily count as this, following her going full-fledged into seducing Richie.

** Amy Adams also struggles to maintain a (real-world convincing) English accent throughout her time as 'Lady Edith'.
to:
** Amy Adams also struggles to maintain a (real-world convincing) English accent throughout her time as 'Lady Edith'. [[FridgeBrilliance Though that may be part of the point.]]
4th Sep '15 3:42:55 AM RushLimborg
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** Proof of how "larger-than-life" her inner struggles are: In the end of the memorable "disco" sequence, after she and Irving make out in the stall, Sydney has Irving leave...and when she's alone, her angst comes out in full force as a ''scream''.
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** Proof of how "larger-than-life" her inner struggles are: In the end of the memorable "disco" sequence, after she and Irving Richie make out in the stall, Sydney has Irving him leave...and when she's alone, her angst comes out in full force as a ''scream''.
27th Aug '15 2:46:27 PM RushLimborg
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* TheReasonYouSuckSpeech: Rosalyn gives a pretty brutal one to Sydney -- [[KirkSumnation when Sydney calls out Rosalyn for manipulating Irving and being "gross inside",]] [[ShutUpKirk Rosalyn replies that Sydney must be gross inside too,]] because of her con-artist lifestyle, and that maybe [[NotSoDifferent "that's what Irving loves about us".]] What makes this brutal is that, however malicious and generally unlikable she is, [[DumbassHasAPoint everything Rosalyn says is true.]]
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* TheReasonYouSuckSpeech: Rosalyn gives a pretty brutal one to Sydney -- [[KirkSumnation [[KirkSummation when Sydney calls out Rosalyn for manipulating Irving and being "gross inside",]] [[ShutUpKirk Rosalyn replies that Sydney must be gross inside too,]] because of her con-artist lifestyle, and that maybe [[NotSoDifferent "that's what Irving loves about us".]] What makes this brutal is that, however malicious and generally unlikable she is, [[DumbassHasAPoint everything Rosalyn says is true.]]
27th Aug '15 2:43:51 PM RushLimborg
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** [[spoiler: Rosalyn, who's done nothing but cause trouble and make life harder for everyone she knows, finds happiness with a mobster.]]
27th Aug '15 2:40:15 PM RushLimborg
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* TheReasonYouSuckSpeech: Rosalyn gives a pretty brutal one to Sydney -- when Sydney calls out Rosalyn for manipulating Irving and being "gross inside", Rosalyn replies that Sydney must be gross inside too, because of her con-artist lifestyle, "that's what Irving loves about us". What makes this brutal is that [[DumbassHasAPoint everything Rosalyn says is true.]]
to:
* TheReasonYouSuckSpeech: Rosalyn gives a pretty brutal one to Sydney -- [[KirkSumnation when Sydney calls out Rosalyn for manipulating Irving and being "gross inside", inside",]] [[ShutUpKirk Rosalyn replies that Sydney must be gross inside too, too,]] because of her con-artist lifestyle, and that maybe [[NotSoDifferent "that's what Irving loves about us". us".]] What makes this brutal is that that, however malicious and generally unlikable she is, [[DumbassHasAPoint everything Rosalyn says is true.]]
27th Aug '15 2:34:38 PM RushLimborg
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* TheCameo: Creator/RobertDeNiro as mob boss Victor Tellegio. (Not only is he uncredited, but the end titles have a position for someone working for "Mr. Tellegio.")
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* TheCameo: Creator/RobertDeNiro as mob boss Victor Tellegio. (Not only is he uncredited, but [[CreditsGag the end titles have a position for someone working for "Mr. Tellegio.")"]])

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* TheCameo: Creator/RobertDeNiro as mob boss Victor Tellegio. (Not only is he uncredited, but the end titles have a position for someone CreditsGag: The guy working for "Mr.Mr. Tellegio.") See TheCameo above.
21st Aug '15 10:39:21 AM RushLimborg
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* {{Homage}}: The entire film is a stylistic one to Creator/MartinScorsese crime film like ''Film/{{Goodfellas}}'' and ''Film/{{Casino}}'', with the editing patterns, fluid camera movements, narration, and 1970s soundtrack. Bonus points for Creator/RobertDeNiro's OneSceneWonder [[TheCameo Cameo]].
21st Aug '15 2:31:53 AM RushLimborg
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Added DiffLines:
* MaleGaze: The camera just ''loves'' ogling Creator/AmyAdams in this film--constantly panning up her legs and focusing on her cleavage. [[BestKnownForTheFanservice Safe to say the male audience got their money's worth.]]

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* TrailersAlwaysLie: Many of the trailers seem to imply Rosalyn is an active part of the con "crew". To say she's ''not'' is an understatement.
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