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** Ramblin' Jack Elliott is briefly represented with a character called Ramblin' Sandy Pitnik (mocking the fact that despite his cowboy person, Elliott was a middle class Jew).

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** Ramblin' Jack Elliott is briefly represented with a character called Ramblin' Sandy Pitnik (mocking the fact that despite his cowboy person, persona, Elliott was a middle class Jew).
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** Mitch and Mickey - Ian and Sylvia, and to a lesser extent Bob Dylan and Joan Baez.
** The Folksmen - The Kingston Trio and Chad Mitchell Trio. (And possibly Peter Paul and Mary, per the closing gag!)
** The New Main Street Singers - The New Christy Minstrels, Serendipity Singers and Rooftop Singers, possibly along with the New Seekers, who were also formed from the ashes of a similarly named group by one of that group's former members.

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** Mitch and Mickey - Ian and Sylvia, and to a lesser extent Bob Dylan Music/BobDylan and Joan Baez.
Music/JoanBaez.
** The Folksmen - The Kingston Trio and Chad Mitchell Trio. (And possibly Peter Paul and Mary, Music/PeterPaulAndMary, per the closing gag!)
** The New Main Street Singers - The New Christy Minstrels, Serendipity Singers and Rooftop Singers, possibly along with the New Seekers, who were also formed from the ashes of a similarly named group by one of that group's former members.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/a_mighty_wind.jpg]]
[[caption-width-right:300:Back together for the first time, again.]]

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[[quoteright:300:https://static.[[quoteright:315:https://static.tvtropes.org/pmwiki/pub/images/a_mighty_wind.jpg]]
[[caption-width-right:300:Back [[caption-width-right:315:''[[{{Tagline}} Back together for the first time, again.]]
]]'']]



''A Mighty Wind'' is a 2003 {{mockumentary}} film about a reunion of FolkMusic singers, directed by Creator/ChristopherGuest. The movie's comedy is comparable to that of Guest's other films, ''[[Film/ThisIsSpinalTap This is Spın̈al Tap]]'', ''Film/BestInShow'', and ''Film/WaitingForGuffman'', as well as [[ProductionPosse having mostly the same cast as those films]], including Guest, Creator/EugeneLevy, Creator/CatherineOHara, Creator/MichaelMcKean, Creator/HarryShearer, Creator/JohnMichaelHiggins, Creator/JaneLynch, Creator/ParkerPosey, and Creator/FredWillard.

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''A Mighty Wind'' is a 2003 American {{mockumentary}} film about a reunion of FolkMusic singers, directed by Creator/ChristopherGuest. The movie's satirical comedy is comparable to that of Guest's other earlier films, ''[[Film/ThisIsSpinalTap This is Spın̈al Tap]]'', ''Film/BestInShow'', and ''Film/WaitingForGuffman'', as well as [[ProductionPosse having mostly and features an EnsembleCast comparable to ([[ProductionPosse and including many of the same cast as people as]]) those films]], films, including Guest, Creator/EugeneLevy, Creator/EugeneLevy (who co-wrote the screenplay with Guest), Creator/CatherineOHara, Creator/MichaelMcKean, Creator/HarryShearer, Creator/JohnMichaelHiggins, Creator/JaneLynch, Creator/ParkerPosey, Creator/FredWillard, Creator/BobBalaban and Creator/FredWillard.
Creator/JenniferCoolidge.



Presented as an AffectionateParody of TheSixties folk revival, the movie received largely positive reviews, with particular praise going towards the performances and the music within.

"A Kiss at the End of the Rainbow" earned itself an UsefulNotes/AcademyAward nomination, making it somewhat of a {{Defictionalization}}.

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Presented as an AffectionateParody of TheSixties the [[TheSixties '60s]] folk music revival, the movie received largely positive reviews, with particular praise going towards the performances and the music within.

"A Kiss at the End of the Rainbow" earned itself an UsefulNotes/AcademyAward nomination, a nomination for MediaNotes/AcademyAwardForBestOriginalSong, making it somewhat of a {{Defictionalization}}.
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* RunawayTrain: "Blood on the Coal" by The Folksmen is a song about a runaway train ''in'' a coal mine. (The song actually predates the movie, and the joke is that all folk bands had a song about either a mine disaster or a train wreck, so The Folksmen had decided to combine the two by having a song about a train wreck ''inside'' a coal mine.)

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* RunawayTrain: "Blood on the Coal" by The the Folksmen is a song about a runaway train ''in'' a coal mine. (The song actually predates the movie, and the joke is that all folk bands had a song about either a mine disaster or a train wreck, so The Folksmen had decided to combine the two by having a song about a train wreck ''inside'' a coal mine.)
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* PerfectlyCromulentWord: The New Main Street Singers, a nine-person ensemble, are referred to as a ''neuftet''.
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* DarkAndTroubledPast: applies to many of the characters but most of all Mitch, Laurie, and Sissy. Mitch had a mega-breakdown after breaking up with Mickey, which led him to release three increasingly despondent albums (''Cry For Help'', whose cover shows him in a padded room, and ''Calling It Quits,'' showing him digging his own grave) before ultimately being committed for psychiatric treatment. Laurie and Sissy, meanwhile, were both teenage runaways: Laurie found initial success in San Francisco doing cheap, degrading pornography while Sissy lived on the streets before turning her life around.

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The plot is started by the death of Irving Steinbloom, a folk music producer, whose children plan a reunion concert with several of the bands he worked with to honor his memory. However, there are several things that make this difficult, such as the fact that once-married duo Mitch & Mickey (Levy, O'Hara) haven't spoken for decades since their messy breakup, and Mitch's resulting CreatorBreakdown. Not to mention emerging tensions between the members of The Folksmen trio (Guest, [=McKean=], Shearer), and the fact that the New Main Street Singers are an ersatz revival of the original group managed by former sitcom star Mike [=LaFontaine=] (Willard).

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[[PlotTriggeringDeath The plot is started by the death of Irving Steinbloom, Steinbloom]], a folk music producer, whose children plan a reunion concert with several of the bands he worked with to honor his memory. However, there are several things that make this difficult, such as the fact that once-married duo Mitch & Mickey (Levy, O'Hara) haven't spoken for decades since their messy breakup, and Mitch's resulting CreatorBreakdown. Not to mention emerging tensions between the members of The Folksmen trio (Guest, [=McKean=], Shearer), and the fact that the New Main Street Singers are an ersatz revival of the original group managed by former sitcom star Mike [=LaFontaine=] (Willard).



--> ''There's pie in the pantry and the coffee's always hot''

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--> ''There's a pie in the pantry and the coffee's always hot''



* PopCulturalOsmosisFailure: Mike [=LaFontaine=] apparently thinks that ''Literature/MobyDick'' is a book about a pirate captain named Ahab whose CharacterCatchphrase was "There she blows!" and tries to get the New Main Street Singers to incorporate something like that into their performance of "Fair Away".

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* PopCulturalOsmosisFailure: Mike [=LaFontaine=] apparently thinks that ''Literature/MobyDick'' is a book about a pirate captain named Ahab whose CharacterCatchphrase was "There she blows!" and tries to get the New Main Street Singers to incorporate something like that into their performance of "Fair "Fare Away".


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* SpaceWhaleAesop: Parodied. Paying close attention to the lyrics of The New Main Street Singers' "The Good Book Song" reveals the the moral is something like "Obey the word of God or humans will evolve into mermaids and be ruled over by giants" without actually explaining how any of that is bad.
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* BigFinaleCrowdSong: The final performance of the Irving Steinbloom memorial concert has all three bands join together for a rendition of the title song, "A Mighty Wind". After that, the film is basically over,

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* BigFinaleCrowdSong: The final performance of the Irving Steinbloom memorial concert has all three bands join together for a rendition of the title song, "A Mighty Wind". After that, the film is basically over,over.
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* BigFinaleCrowdSong: The final performance of the Irving Steinbloom memorial concert has all three bands join together for a rendition of the title song, "A Mighty Wind". After that, the film is basically over,
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* VitriolicBestBuds: For all the [[PassiveAggressiveKombat petty passive-aggressive arguing]] they get into about their set list and the minor details of their act, The Folksmen share an unbreakable bond of musical talent and are TrueCompanions. They even are shown to have gotten back together after the Steinbloom memorial concert and are once again performing gigs.

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--> Well, there's a puppy in the parlor and a skillet on the stove
--> And a smelly old blanket that a Navajo wove
--> There's popcorn in the popper and a porker in the pot
--> There's pie in the pantry and the coffee's always hot
--> There's sausage in the mornin' and a party every night
--> There's a nurse on duty if you don't feel right
--> There's chicken on the the table but you gotta say grace ([[CatharticExhalation Whew]]!)
--> There's always something cookin' at Old Joe's Place

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--> Well, ''Well, there's a puppy in the parlor and a skillet on the stove
stove''
--> And ''And a smelly old blanket that a Navajo wove
wove''
--> There's ''There's popcorn in the popper and a porker in the pot
pot''
--> There's ''There's pie in the pantry and the coffee's always hot
hot''
--> There's ''There's sausage in the mornin' and a party every night
night''
--> There's ''There's a nurse on duty if you don't feel right
right''
--> There's ''There's chicken on the the table but you gotta say grace ([[CatharticExhalation Whew]]!)
Whew]]!)''
--> There's ''There's always something cookin' at Old Joe's PlacePlace''
* PointyHairedBoss: Mike [=LaFontaine=] is a failed sitcom star who clearly doesn't know how to manage the New Main Street Singers, and keeps trying to finagle unfunny gimmicks into their act. Subverted at the end, where against all common sense he manages to get them a gig on a TV show where [[HighConcept they play nine supreme court justices who are also folk singers and all live together]].
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* CharacterCatchphrase: Mike [=LaFontaine=] is convinced that he can build a SitCom around [[StylisticSuck groanworthy, revoltingly unfunny catchphrases]] such as "Wha' happen?" and "I don't think so!" and keeps trying to shoehorn them into everything he produces.
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* PatterSong: "Old Joe's Place", the Folksmen's big hit from TheSixties, has a chorus which gradually builds itself up as one of these, in addition to being a ListSong about all the attractions of the titular [[LocalHangout Old Joe's Place]].
--> Well, there's a puppy in the parlor and a skillet on the stove
--> And a smelly old blanket that a Navajo wove
--> There's popcorn in the popper and a porker in the pot
--> There's pie in the pantry and the coffee's always hot
--> There's sausage in the mornin' and a party every night
--> There's a nurse on duty if you don't feel right
--> There's chicken on the the table but you gotta say grace ([[CatharticExhalation Whew]]!)
--> There's always something cookin' at Old Joe's Place

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* InUniverseFactoidFailure: Mike [=LaFontaine=] apparently thinks that ''Literature/MobyDick'' is a book about a pirate captain named Ahab whose CharacterCatchphrase was "There she blows!" and tries to get the New Main Street Singers to incorporate something like that into their performance of "Fair Away".


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* PopCulturalOsmosisFailure: Mike [=LaFontaine=] apparently thinks that ''Literature/MobyDick'' is a book about a pirate captain named Ahab whose CharacterCatchphrase was "There she blows!" and tries to get the New Main Street Singers to incorporate something like that into their performance of "Fair Away".
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None

Added DiffLines:

* InUniverseFactoidFailure: Mike [=LaFontaine=] apparently thinks that ''Literature/MobyDick'' is a book about a pirate captain named Ahab whose CharacterCatchphrase was "There she blows!" and tries to get the New Main Street Singers to incorporate something like that into their performance of "Fair Away".

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* ControlFreak: Johnathan Steinbloom is ''insanely'' neurotic to the point of irritation; he worries that the floral arrangements will poke people's eyes out, that because the stagehands are setting up the microphones in two parts that the performers won't have microphones and that putting a three-dimensional stage prop next to two-dimensional ones will cause...[[InsaneTrollLogic a problem of some sort]]. This earns him a DopeSlap from the stage manager.



* {{Mockumentary}}: In typical Creeator/ChristopherGuest fashion, the film follows several folk groups as they prepare for and eventually perform at a memorial concert in honor of the man who gave them their big break.

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* {{Mockumentary}}: In typical Creeator/ChristopherGuest Creator/ChristopherGuest fashion, the film follows several folk groups as they prepare for and eventually perform at a memorial concert in honor of the man who gave them their big break.

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** A cut scene would have revealed Menschell actually cannot play guitar, and holds one simply because he once hid a shirt stain behind a guitar during a performance of the Main Street Singers.



* GeniusDitz: Mitch may be a bit empty-headed, but ''damn'', [[SugarWiki/AwesomeMusic the man can play]].

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* GeniusDitz: Mitch may be a bit empty-headed, but ''damn'', [[SugarWiki/AwesomeMusic the man can play]].play.



* LighterAndSofter: Than most of Guest's other mockumentaries, which are broadly more cynical and get their laughs by following either unlikable characters with no talent or washed-up ones years past their prime. ''A Mighty Wind'', while having its fair share of cynical moments, has mostly likable characters and ends on a broadly uplifting if slightly bittersweet note.



* {{Mockumentary}}

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* {{Mockumentary}}{{Mockumentary}}: In typical Creeator/ChristopherGuest fashion, the film follows several folk groups as they prepare for and eventually perform at a memorial concert in honor of the man who gave them their big break.
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''A Mighty Wind'' is a 2003 {{mockumentary}} film about a reunion of FolkMusic singers, directed by Creator/ChristopherGuest. The movie's comedy is comparable to that of Guest's other films, ''[[Film/ThisIsSpinalTap This is Spın̈al Tap]]'', ''Film/BestInShow'', and ''Film/WaitingForGuffman'', as well as having mostly the same cast as those films, including Guest, Creator/EugeneLevy, Creator/CatherineOHara, Creator/MichaelMcKean, Creator/HarryShearer, Creator/JohnMichaelHiggins, Creator/JaneLynch, Creator/ParkerPosey, and Creator/FredWillard.

to:

''A Mighty Wind'' is a 2003 {{mockumentary}} film about a reunion of FolkMusic singers, directed by Creator/ChristopherGuest. The movie's comedy is comparable to that of Guest's other films, ''[[Film/ThisIsSpinalTap This is Spın̈al Tap]]'', ''Film/BestInShow'', and ''Film/WaitingForGuffman'', as well as [[ProductionPosse having mostly the same cast as those films, films]], including Guest, Creator/EugeneLevy, Creator/CatherineOHara, Creator/MichaelMcKean, Creator/HarryShearer, Creator/JohnMichaelHiggins, Creator/JaneLynch, Creator/ParkerPosey, and Creator/FredWillard.
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Fixing a typo.


** A cut scene would have revealed Menschell actually cannot play guitar, and holds one simply because he once hid a shirt stain behind a guitar during a photo shoot for the Main Street Singers.

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** A cut scene would have revealed Menschell actually cannot play guitar, and holds one simply because he once hid a shirt stain behind a guitar during a photo shoot for performance of the Main Street Singers.

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Expanding info for a couple of tropes.


* TheBenchwarmer: Exactly what does George Menschell do in the New Main Street Singers? On stage he never plays his guitar, never sings lead, and often doesn't sing at all, leading one to wonder if his microphone is even turned on. Off stage he does nothing to promote the band, not even when prompted by band manager Mike [=LaFontaine=]. It seems his only reason for hanging around is a mutually beneficial connection to the original Main Street Singers.

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* TheBenchwarmer: Exactly what does George Menschell do in the New Main Street Singers? On stage he never plays his guitar, never sings lead, and often doesn't sing at all, leading one to wonder if his microphone is even turned on. Off stage he offers no input during practice sessions and does nothing to promote the band, not even when prompted by band manager Mike [=LaFontaine=]. It seems his only reason for hanging around is a mutually beneficial connection to the original Main Street Singers.
** A cut scene would have revealed Menschell actually cannot play guitar, and holds one simply because he once hid a shirt stain behind a guitar during a photo shoot for the Main Street
Singers.



** The New Main Street Singers - The New Christy Minstrels, Serendipity Singers, and Rooftop Singers.

to:

** The New Main Street Singers - The New Christy Minstrels, Serendipity Singers, Singers and Rooftop Singers.Singers, possibly along with the New Seekers, who were also formed from the ashes of a similarly named group by one of that group's former members.
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Adding (and correcting) trope The Benchwarmer.


* TheBenchwarmer: Exactly what does George Menschell do in the New Main Street Singers? On stage he never plays his guitar, never sings lead, and often doesn't sing at all, leading one to wonder if his microphone is even turned on. Off stage he does nothing to promote the band, not even when prompted by band manager Mike LaFontaine. It seems his only reason for hanging around is a mutually beneficial connection to the original Main Street Singers.

to:

* TheBenchwarmer: Exactly what does George Menschell do in the New Main Street Singers? On stage he never plays his guitar, never sings lead, and often doesn't sing at all, leading one to wonder if his microphone is even turned on. Off stage he does nothing to promote the band, not even when prompted by band manager Mike LaFontaine.[=LaFontaine=]. It seems his only reason for hanging around is a mutually beneficial connection to the original Main Street Singers.
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Added DiffLines:

* TheBenchwarmer: Exactly what does George Menschell do in the New Main Street Singers? On stage he never plays his guitar, never sings lead, and often doesn't sing at all, leading one to wonder if his microphone is even turned on. Off stage he does nothing to promote the band, not even when prompted by band manager Mike LaFontaine. It seems his only reason for hanging around is a mutually beneficial connection to the original Main Street Singers.
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Ambiguious Disorder is now Diagnosed By The Audience, moving to the YMMV page.


* AmbiguousDisorder: Mitch is an odd fellow. Whether he's a little ditzy, just quirky, suffering the aftereffects of the trauma of his and Mickey's breakup (see also CreatorBreakdown), or somehow disordered is left pretty ambiguous, though his social difficulties, general incomprehension of the world around him, awkward speech patterns, tendency to wander away from people, and hyper-fixation on people and things point to some kind of disorder. This is lampshaded when the head of the institution he was checked into regrets that he left before they could really figure out what was wrong with him.
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Per wick cleanup.


%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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The plot is started by the death of Irving Steinbloom, a folk music producer, whose children plan a reunion concert with several of the bands he worked with to honor his memory. However, there are several things that make this difficult, such as the fact that once-married duo Mitch & Mickey (Levy, O'Hara) haven't spoken for decades since their messy breakup, and Mitch's resulting CreatorBreakdown. Not to mention emerging tensions between the members of The Folksmen trio (Guest, [=McKean=], Shearer), and the fact that the New Main Street Singers are an ersatz revival of the [[{{}} original]] group managed by former sitcom star Mike [=LaFontaine=] (Willard).

to:

The plot is started by the death of Irving Steinbloom, a folk music producer, whose children plan a reunion concert with several of the bands he worked with to honor his memory. However, there are several things that make this difficult, such as the fact that once-married duo Mitch & Mickey (Levy, O'Hara) haven't spoken for decades since their messy breakup, and Mitch's resulting CreatorBreakdown. Not to mention emerging tensions between the members of The Folksmen trio (Guest, [=McKean=], Shearer), and the fact that the New Main Street Singers are an ersatz revival of the [[{{}} original]] original group managed by former sitcom star Mike [=LaFontaine=] (Willard).
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The plot is started by the death of Irving Steinbloom, a folk music producer, whose children plan a reunion concert with several of the bands he worked with to honor his memory. However, there are several things that make this difficult, such as the fact that once-married duo Mitch & Mickey (Levy, O'Hara) haven't spoken for decades since their messy breakup, and Mitch's resulting CreatorBreakdown. Not to mention emerging tensions between the members of The Folksmen trio (Guest, [=McKean=], Shearer), and the fact that the New Main Street Singers are an ersatz revival of the original group managed by former sitcom star Mike [=LaFontaine=] (Willard).

to:

The plot is started by the death of Irving Steinbloom, a folk music producer, whose children plan a reunion concert with several of the bands he worked with to honor his memory. However, there are several things that make this difficult, such as the fact that once-married duo Mitch & Mickey (Levy, O'Hara) haven't spoken for decades since their messy breakup, and Mitch's resulting CreatorBreakdown. Not to mention emerging tensions between the members of The Folksmen trio (Guest, [=McKean=], Shearer), and the fact that the New Main Street Singers are an ersatz revival of the original [[{{}} original]] group managed by former sitcom star Mike [=LaFontaine=] (Willard).

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* {{Cult}}: The WINC (Witches in Nature's Colors) a coven that worships the power of color founded by Terry and Laurie.

to:

* {{Cult}}: The WINC (Witches in Nature's Colors) Colors), a coven that worships the power of color founded by Terry and Laurie.



* HoldingTheFloor: Mitch goes missing during the concert, forcing the Folksmen to stall for time with extra songs and an extended monologue introducing their next one before Mitch is found and he and Mickey can go onstage.



* MusicalisInterruptus: 'The Skeletons of Quinto'. After a 20 minute (off-screen) introduction explaining the song, the Folksman are rushed off-stage before they can sing it by the arrival of Mitch and Mickey.

to:

* MusicalisInterruptus: 'The Skeletons of Quinto'. After a 20 minute (off-screen) introduction explaining the song, song while stalling for time, the Folksman Folksmen are rushed off-stage before they can sing it by the arrival of Mitch and Mickey.


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* PretenderDiss: The Folksmen see the New Main Street Singers as a cash grab with none of the passion of the original group. Doesn't mean they aren't able to play together.


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* ToiletHumor: Mickey is married to a catheter salesman. Also, the film's title refers to a song at the end of the film whose lyrics form a massive veiled fart joke.


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* WillTheyOrWontThey: An interesting case. The running emotional core of the film is Mitch and Mickey's relationship, being America's sweethearts in the past and famous for a song with a kiss but now having messily parted ways and moved on. The "will they or won't they" isn't exactly about them rekindling their romance, but there is tension about whether they will be able to re-create the famous kiss during their performance of "A Kiss At the End of the Rainbow" at Steinbloom's concert. [[spoiler: They perform the kiss, with Mickey seeming to treat it as closure, while Mitch innocently says he felt nothing and treated it as part of the act.]]

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Gender Bender does not apply to trans people.


* GenderBender: [[spoiler:The epilogue reveals that Mark Shubb is now living and performing as a woman, though still singing with her deep bass voice.]]



* VocalDissonance: Mark at the end of the film has gone through gender reassignment surgery - but her voice is still as baritone bass as it was when she was still Harry.

to:

* VocalDissonance: Mark Shubb at the end of the film has gone through gender reassignment surgery transitioned to living as a woman (a new name is not provided for her) - but her voice is still as baritone bass as it was when she was still Harry.when she lived as a man.
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* FreezeFrameBonus: When the Variety issue featuring review of ''Wha' Happened'' is on screen, the article states the show was on air for a whopping ''four'' episodes before being cancelled "due to total lack of interest"

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* FreezeFrameBonus: When the Variety issue featuring review of covering ''Wha' Happened'' is on screen, the article review states the show was on air for a whopping only ''four'' episodes before being cancelled "due to total lack of interest" and was [=LaFontaine=]'s third failed show in the past year and a half.

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* FreezeFrameBonus: When the Variety issue featuring review of ''Wha' Happened'' is on screen, the article states the show was on air for a whopping ''four'' episodes before being cancelled "due to total lack of interest"



* FreezeFrameBonus: When the Variety issue featuring a review of ''Wha' Happened'' is on screen, the article states the show was on air for a whopping ''four'' episodes before being cancelled [[EpicFail "due to total lack of interest"]]

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