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* In ''Film/Zombieland'',

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* In ''Film/Zombieland'',
a flashback in ''{{Film/Zombieland}}'', a potential love-interest to the main character mentions that the "sick homeless man" she was chased by "tried to bite her." Anyone who has seen any zombie film or show before knows where this is going.
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* In ''Film/Zombieland'',
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* ''Disney/{{Frozen}}'':

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* ''Disney/{{Frozen}}'':''WesternAnimation/{{Frozen|2013}}'':



* ''Disney/FrozenII'': [[spoiler:King Runeard built the dam and killed the Northuldran leader out of racist views of the Northuldra and fear of their connection with the magic of their lands. Not only did this kill him, but it inadvertently led to his only son marrying a Northuldran woman and his oldest mixed-heritage granddaughter would be born with magic powers.]]

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* ''Disney/FrozenII'': ''WesternAnimation/FrozenII'': [[spoiler:King Runeard built the dam and killed the Northuldran leader out of racist views of the Northuldra and fear of their connection with the magic of their lands. Not only did this kill him, but it inadvertently led to his only son marrying a Northuldran woman and his oldest mixed-heritage granddaughter would be born with magic powers.]]



* In ''Disney/TheJungleBook'', Bagheera is trying to convince Col. Hathi to help him find Mowgli before Shere Kahn does. Hathi refuses, saying that "Shere Kahn isn't within miles of here", unaware that the tiger is eavesdropping in on the whole conversation.

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* In ''Disney/TheJungleBook'', ''WesternAnimation/{{The Jungle Book|1967}}'', Bagheera is trying to convince Col. Hathi to help him find Mowgli before Shere Kahn does. Hathi refuses, saying that "Shere Kahn isn't within miles of here", unaware that the tiger is eavesdropping in on the whole conversation.



* ''Disney/TheLittleMermaidIIReturnToTheSea'': Ariel and Melody have an explosive argument when Ariel finds out that Melody had snuck into the sea behind her back.

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* ''Disney/TheLittleMermaidIIReturnToTheSea'': ''WesternAnimation/TheLittleMermaidIIReturnToTheSea'': Ariel and Melody have an explosive argument when Ariel finds out that Melody had snuck into the sea behind her back.



* Pretty much all of ''Disney/{{Mulan}}'' in between [[SweetPollyOliver Mulan disguising herself as a man to take her father's place in the army]] and the reveal of the Huns' attack, during which the movie is a more lighthearted run off of both the humor and the tension that comes from everyone around Mulan being unaware that she's really a woman. The two songs during that part, especially, show this off -- "A Girl Worth Fighting For", where the other soldiers pull Mulan into a conversation about the women they want to marry, and "I'll Make A Man Out Of You," which speaks for itself by the title alone. This lyric particularly drives it home:

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* Pretty much all of ''Disney/{{Mulan}}'' ''WesternAnimation/{{Mulan}}'' in between [[SweetPollyOliver Mulan disguising herself as a man to take her father's place in the army]] and the reveal of the Huns' attack, during which the movie is a more lighthearted run off of both the humor and the tension that comes from everyone around Mulan being unaware that she's really a woman. The two songs during that part, especially, show this off -- "A Girl Worth Fighting For", where the other soldiers pull Mulan into a conversation about the women they want to marry, and "I'll Make A Man Out Of You," which speaks for itself by the title alone. This lyric particularly drives it home:



* An instrumental plot element in ''Disney/TheLionKing'' is the fact that for most of the second half of the film, Simba is unaware that it was actually Scar who killed Mufasa—though the audience sees this happen onscreen—and therefore is convinced that he himself is responsible for his father’s death.

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* An instrumental plot element in ''Disney/TheLionKing'' ''WesternAnimation/{{The Lion King|1994}}'' is the fact that for most of the second half of the film, Simba is unaware that it was actually Scar who killed Mufasa—though the audience sees this happen onscreen—and therefore is convinced that he himself is responsible for his father’s death.



* ''Disney/SleepingBeauty'': Prince Phillip and Aurora meet each other in the forest and each assumes the other is a peasant. Both express drama over not being able to be with the other because of this, since they themselves are royalty. But the audience knows that they are both royalty and have been betrothed; not only ''can'' they be together, but they ''will'' be together.
* ''Disney/{{Tangled}}'':

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* ''Disney/SleepingBeauty'': ''WesternAnimation/SleepingBeauty'': Prince Phillip and Aurora meet each other in the forest and each assumes the other is a peasant. Both express drama over not being able to be with the other because of this, since they themselves are royalty. But the audience knows that they are both royalty and have been betrothed; not only ''can'' they be together, but they ''will'' be together.
* ''Disney/{{Tangled}}'':''WesternAnimation/{{Tangled}}'':
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* ''Film/{{Hush}}'': Deaf novelist Maddie takes facetime phone calls and pecks away at her laptop while a serial killer skulks around her home, sometimes within only a few feet of her.
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* ''Disney/FrozenII'': [[spoiler:King Runeard built the dam and killed the Northuldran leader out of racist views of the Northuldra and fear of their connection with the magic of their lands. Not only did this kill him, but it inadvertently led to his only son marrying a Northuldran woman and his oldest mixed-heritage granddaughter would be born with magic powers.]]
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* ''WesternAnimation/WonderWomanBloodlines'': During the attack on the amazons, Hippolyta says that man's world has come to the island with war. The team of villains is made up entirely of women.

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* ''Disney/{{Frozen}}'':
** After getting a LaserGuidedAmnesia and until the InternalReveal, Anna is unaware of Elsa's magic and the reason for their separation; Anna doesn't know that Elsa still loves her and pushes her away in attempt to protect her.
** When the sisters meet in the ice palace [[spoiler: and Elsa loses control of her magic again, she doesn't exactly see her curse hitting Anna's heart, unlike the audience.]]
** Unlike the audience, Elsa doesn't see [[spoiler: Hans {{motiverant}}ing to the dying Anna, extinguishing the fire, and [[MurderByInaction leaving her in a locked room]], so Elsa seems to see him as a good man as she asks Hans to take care of Anna.]]



* In ''Disney/{{Tangled}}'', Rapunzel becomes the center of attention during the celebration in honour on the missing princesses' birthday. The audience already know she's the lost princess. There's even a short scene with Rapunzel staring at a mosaic of the royal family, particularly the baby princess, unaware she's looking at herself.

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* In ''Disney/{{Tangled}}'', ''Disney/{{Tangled}}'':
** The opening narration lets the audience know in no uncertain terms that Gothel kidnapped Rapunzel as a baby to keep using the magical flower's power and stay forever young. Rapunzel herself is clueless about Gothel's manipulation and emotional abuse, since it's all she's ever known; she loves her "mother" and believes her words about the cruel, selfish people who would use Rapunzel's hair for themselves. The InternalReveal of Gothel's true nature comes as a big shock to her.
** Once she gets to the kingdom,
Rapunzel becomes the center of attention during the celebration in honour on the missing princesses' birthday. The audience already know she's the lost princess. There's even a short scene with Rapunzel staring at a mosaic of the royal family, particularly the baby princess, unaware she's looking at herself.
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* In ''Film/TeenageMutantNinjaTurtlesIITheSecretOfTheOoze'', for the first half of the movie, the turtles were under the impression that the Foot was being led by Tatsu following Shredder falling into a garbage truck at the end of the first movie. It's only when they go to rescue a kidnapped Raphael do they learn that Shredder was still alive.
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** A more minor example occurs when Laura tells Bruno that Pablo left her after falling in love with someone else. She assumes this someone else was another girl, not knowing that she's talking to the very person Pablo fell for.
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* In ''Film/PlanB'', when Pablo confesses to Veronica that he's attracted to a male friend of his despite dating Laura, Veronica is sympathetic and encourages him to see where his feelings take him. She then tells him not to feel too bad about possibly hurting Laura's feelings because Laura has been sleeping around with an ex of hers named Bruno, a CrazyJealousGuy who hates Pablo and would do anything to get Laura back from him... completely unaware that Bruno is also the male friend Pablo is attracted to and that she just did the emotional equivalent of sticking a knife into Pablo's heart and twisting it.
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* ''Film/{{Vertigo}}'': Scottie, still in mourning over his dead love Madeleine, meets another woman named Judy who looks remarkably like Madeleine and begins obsessing over making her [[ReplacementGoldfish look just like Madeleine]] despite her protests that she wants him to love him for who she really is. What Scottie doesn't know, but the audience does, is that Judy ''is'' Madeleine, or at least the Madeleine Scottie met -- she was hired by Madeleine's husband Gavin to impersonate her and fool Scottie long enough for Gavin to get away with murdering the real Madeleine.
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* In ''Film/ThePhenixCityStory'', [[https://en.wikipedia.org/wiki/Albert_Patterson Albert Patterson]] states repeatedly that he may be killed for trying to fight the organized crime in Phenix City. The viewer knows either from history or from the prologue that he will be.

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That's just regular irony, and things can't retroactively become DI.


** Later on, the police convoy escorting Harvey Dent is forced to detour onto a much more dangerous route, due to the main road being obstructed by the Joker. The obstruction? ''A burning fire truck.'' It was a bad joke before, and here it's just disturbing.
* ''Film/DeepBlueSea'': It is often joked that the super sharks know what this is, because [[spoiler:one of them kills Creator/SamuelLJackson [[SedgwickSpeech in mid speech]] about what they're going to do to get through it.]]



** In relation between the prequel trilogy and the original trilogy, two major plot twists in the OT ''become'' dramatic irony in hindsight: [[Film/TheEmpireStrikesBack Darth Vader was really Luke Skywalker's father]], and [[Film/ReturnOfTheJedi Princess Leia Organa is Luke's twin sister]].



** Continuing off the above, Trask sees mutants as a common enemy which can unite all the human race and end the Cold War. In the BadFuture, Trask's inventions have become the common enemy that united all the mutants.

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** Continuing off the above, Trask sees mutants as a common enemy which can unite all the human race and end the Cold War. In the BadFuture, Trask's inventions have become the common enemy that united all the mutants. Oh, and the Sentinels eventually oppressed almost all of humanity ''and'' mutants.
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* ''Disney/SleepingBeauty'': Prince Phillip and Aurora meet each other in the forest and each assumes the other is a peasant. Both express drama over not being able to be with the other because of this, since they themselves are royalty. But the audience knows that they are both royalty and have been betrothed; not only ''can'' they be together, but they ''will'' be together.
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* In ''Film/HalloweenII2009'', Dr. Loomis is making a speech at a press conference for his new book saying that Michael Myers is dead and will never come back, when at the moment, unbeknownst to him, Michael is beginning his new killing spree.

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* In ''Film/HalloweenII2009'', Dr. Loomis is making a speech at a press conference for his new book book, saying that Michael Myers is dead and will never come back, when at the moment, unbeknownst to him, Michael is beginning his new killing spree.
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* Used to ''extremely disturbing'' effect in ''Film/SawI''. Upon hearing gunshots and screams over his cellphone, Lawrence breaks down, [[spoiler:saws his foot off to get free of his shackle, and shoots Adam like Jigsaw wanted]] in order to save his family, not knowing that they had already gotten free and the screaming and gunshots he heard were from the scuffle following it.

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* Used to ''extremely disturbing'' effect in ''Film/SawI''. Upon hearing gunshots and screams over his cellphone, Lawrence breaks down, [[spoiler:saws his foot off to get free of his shackle, and shoots Adam like Jigsaw wanted]] in order to save his family, not knowing that [[GaveUpTooSoon they had already gotten free free]] and the screaming and gunshots he heard were from the scuffle following it.
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* ''Film/BackToTheFuture''

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* ''Film/BackToTheFuture'' ''Franchise/BackToTheFuture'':

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* ''Film/AintThemBodiesSaints'': Patrick romantically pursues Ruth, not realizing that she was the one who shot him when he and other police officers arrested her and Bob for armed robbery. Bob took the fall for the whole thing.



* ''Film/BackToTheFuture'' used this brilliantly for comedic effect. Marty and George concoct a plan wherein Marty will intentionally start harassing Lorraine, so that George will have his opportunity to come in and act as if he's intimidating Marty into leaving her alone, thus wowing Lorraine with his awesomeness. Unforeseen hitch though; Biff Tannen actually kidnaps Marty and proceeds to very seriously harass Lorraine. However, rather than torpedoing the whole plan, this ''actually leads'' to George wowing Lorraine.
** The real ironic part is that, come the time, Marty is incapable of doing this to Lorraine (she's his mother after all). But ''she'' has no problem pressing Marty for attention and flirting with him rather aggressively.
** "Biff Tannen, I wouldn't marry you even if -- even if you had a million dollars!" [[DontExplainTheJoke Which, in the alternate timeline, he had.]] Several times over. And she did.

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* ''Film/BackToTheFuture'' used this brilliantly for comedic effect. ''Film/BackToTheFuture''
**
Marty and George concoct a plan wherein Marty will intentionally start harassing Lorraine, so that George will have his opportunity to come in and act as if he's intimidating Marty into leaving her alone, thus wowing Lorraine with his awesomeness. Unforeseen hitch though; Biff Tannen actually kidnaps Marty and proceeds to very seriously harass Lorraine. However, rather than torpedoing the whole plan, this ''actually leads'' to George wowing Lorraine.
** The real ironic part is that, come the time, Marty is incapable of doing this to Lorraine (she's his mother after all). But ''she'' has no problem pressing Marty for attention and flirting with him rather aggressively.
** "Biff Tannen, I wouldn't marry you even if -- even if you had a million dollars!" [[DontExplainTheJoke Which, in the alternate timeline, he had.]] had. Several times over. And she did.



** The entire ''Franchise/BackToTheFuture'' trilogy is MADE of this. It's a TimeTravel story, so we're constantly laughing at what the characters ''think'' will happen, when we already know how events unfold.
--->'''1955 Doc Brown''' ''(Marty is trying to convince him that he's from the future):'' Then tell me, future boy. Who's President of the United States in 1985?\\
'''Marty:''' UsefulNotes/RonaldReagan!\\
'''Brown:''' ''Ronald Reagan''???! The actor??! HA! Who's Vice-President, Creator/JerryLewis???[[note]]"I suppose Jane Wyman is the first lady, and Jack Benny, his Secretary of the Treasury! I've had enough jokes for one evening! Good day future boy!"[[/note]]
** Also consider the scene where Goldie Wilson, the black busboy in 1955 declares he will make something of himself, and Marty, coming from the present, er, future, declares that indeed he will make something of himself. Specifically in about 30 years he'll be the mayor. What's hilarious is that initially, even the future mayor himself is stunned to hear it.

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** The entire ''Franchise/BackToTheFuture'' trilogy is MADE of this. It's a TimeTravel story, so we're constantly laughing at what the characters ''think'' will happen, when we already know how events unfold.
--->'''1955 Doc Brown''' ''(Marty is trying to convince him that he's from the future):'' Then tell me, future boy. Who's President of the United States in 1985?\\
'''Marty:''' UsefulNotes/RonaldReagan!\\
'''Brown:''' ''Ronald Reagan''???! The actor??! HA! Who's Vice-President, Creator/JerryLewis???[[note]]"I suppose Jane Wyman is the first lady, and Jack Benny, his Secretary of the Treasury! I've had enough jokes for one evening! Good day future boy!"[[/note]]
** Also consider the scene where
When Goldie Wilson, the black busboy in 1955 1955, declares he will make something of himself, and Marty, coming from the present, er, future, Marty declares that indeed he will make something of himself. Specifically in about 30 years that, indeed, he'll be the become mayor. What's hilarious is that initially, even the future mayor himself is stunned to Those who hear it.this proclamation think it's hysterical.



* Creator/AlfredHitchcock uses some element of dramatic irony, or suspense, in virtually all his films. The audience knows, or sees, something that the people on the screen are unaware of.
** If you learn that there's a dead body in the cupboard of the living room where ''Film/{{Rope}}'' takes place, or who put it there, then you can skip just the first 30 seconds of the film, no more. You still need to hang around in order to find out what happens next and how it is played out.

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* Creator/AlfredHitchcock uses some element of dramatic irony, or suspense, in virtually all his films. The audience knows, or sees, something that the people on the screen are unaware of.
** If you
You learn that there's a dead body in the cupboard of the living room where ''Film/{{Rope}}'' takes place, or who put it there, then you can skip just the first 30 seconds but other characters go about having no idea for much of the film, no more. You still need to hang around in order to find out what happens next and how it is played out.film.



* The first ''Film/SpiderMan1'' movie has a scene near the end where [[spoiler: Harry Osborn tells his best friend, Peter Parker, about how much he wants to kill Spider-Man to avenge the murder of his father, Norman Osborn.]] Does this one need any more explanation?

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* The first ''Film/SpiderMan1'' movie has a scene near the end where [[spoiler: Harry Osborn tells his best friend, Peter Parker, about how much he wants to kill Spider-Man to avenge the murder of his father, Norman Osborn.]] Does this one need any more explanation?Of course, Parker is himself Spider-Man.



*** Of course, [=McCoy=] is much less friendly and respectful towards Spock after he sentences his best friend to become [[AlwaysABiggerFish monster food]] on Delta Vega. The green-blooded hobgoblin insults start from here on out.
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* ''Film/WonderWoman2017'': Steve calls The Great War "the war to end all wars". This term for it is both historically accurate and, sadly, [[UsefulNotes/WorldWarII factually inaccurate]].
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* A lot of the things characters in ''Film/{{Andhadhun}}'' do and say based on the incorrect belief that Akash is blind qualify, but especially Simi and Manohar's attempts to cover up the crime scene without tipping off Akash, which is heavily PlayedForDrama.
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* In ''Film/DantesPeak'', knowing what happened to the two skinny dippers not long before builds up the tension well as the kids think about jumping in themselves.

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* In ''Film/DantesPeak'', knowing what happened to [[TwoPersonPoolParty the two skinny dippers dippers]] not long before builds up the tension well as the kids think about jumping in themselves.

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* In ''Film/DantesPeak'', knowing what happened to the two skinny dippers not long before builds up the tension well as the kids think about jumping in themselves.



* In ''Film/DantesPeak'', knowing what happened to the two skinny dippers not long before builds up the tension well as the kids think about jumping in themselves.

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* In ''Film/DantesPeak'', knowing what happened to the two skinny dippers not long before builds up the tension well as the kids think about jumping in themselves.

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* In ''Film/DantesPeak'', knowing what happened to the two skinny dippers not long before builds up the tension well as the kids think about jumping in themselves.
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* As seen on MissedHimByThatMuch, the audience of ''WesternAnimation/AnAmericanTail'' knows that Fievel is alive, but his ''family'' doesn't, making the scenes in which they barely miss spotting each other that much more heartwrenching, and [[spoiler: expounding the payoff when they ''do'' reunite]].
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How To Write An Example - Don't Write Reviews


* ''Film/BackToTheFuture'' used this brilliantly for comedic effect. Marty and George concoct a plan wherein Marty will intentionally start harassing Lorraine, so that George will have his opportunity to come in and act as if he's intimidating Marty into leaving her alone, thus wowing Lorraine with his awesomeness. Unforeseen hitch though; Biff Tannen actually kidnaps Marty and proceeds to very seriously harass Lorraine. However, rather than torpedoing the whole plan, this ''actually leads'' to George [[CrowningMomentOfAwesome demonstrating REAL awesomeness]].

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* ''Film/BackToTheFuture'' used this brilliantly for comedic effect. Marty and George concoct a plan wherein Marty will intentionally start harassing Lorraine, so that George will have his opportunity to come in and act as if he's intimidating Marty into leaving her alone, thus wowing Lorraine with his awesomeness. Unforeseen hitch though; Biff Tannen actually kidnaps Marty and proceeds to very seriously harass Lorraine. However, rather than torpedoing the whole plan, this ''actually leads'' to George [[CrowningMomentOfAwesome demonstrating REAL awesomeness]].wowing Lorraine.
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** In the 2009 ''Film/StarTrek'' film, Kirk and [=McCoy=] meet Spock for the first time. In the original continuity, [=McCoy=] was the id of the PowerTrio that opposed logical Vulcan Superego Spock and on times called him a pointy eared, green blooded bastard. Now:

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** In the 2009 ''Film/StarTrek'' film, ''Film/StarTrek2009'', Kirk and [=McCoy=] meet Spock for the first time. In the original continuity, [=McCoy=] was the id of the PowerTrio that opposed logical Vulcan Superego Spock and on times called him a pointy eared, green blooded bastard. Now:
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* In ''Film/BlindChance'' Witek can't leave the country when siding with the Party, because he's needed to help quell the protests; but he can't leave when he's a dissident, either, because he didn't want to rat out his contacts and thus was denied a passport. [[spoiler: And when he remains uninvolved in either side and is granted the passport, his fated plane explodes right after the take-off]].
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Yeah, this is shoe-horned in here.


** Just in case it does, consider that Music/WeirdAlYankovic's song "Ode to a Superhero", a re-telling of the movie set to Music/BillyJoel's "Piano Man" lampshades it:
--->It's a pretty sad day at the funeral\\
Norman Osborn has bitten the dust\\
And I heard Harry said he wants Spider-Man dead\\
Aw, but his buddy Pete he can trust
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Redundant.


DramaticIrony in film.
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DramaticIrony in film.
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!!Animation
* In the second act of ''Anime/FiveCentimetersPerSecond'', Kanae suffers greatly due to her inability to tell Takaki that she loves him, not knowing as the audience does that Takaki's own inability to communicate his feelings for Akari is causing their relationship to unravel.
* In ''WesternAnimation/BeavisAndButtHeadDoAmerica'', [[BigBad Muddy Grimes]] believes Beavis and Butt-Head are assassins he hired to kill his ex-wife, the duo believe that they're going to Las Vegas [[QuestForSex to score]], the U.S. government believes they're terrorists, [[ArsonMurderAndJaywalking and the old lady believes they're respectful gentlemen]].
* In ''Disney/TheJungleBook'', Bagheera is trying to convince Col. Hathi to help him find Mowgli before Shere Kahn does. Hathi refuses, saying that "Shere Kahn isn't within miles of here", unaware that the tiger is eavesdropping in on the whole conversation.
* One of the main plot points of ''WesternAnimation/KungFuPanda2'' is Po's personal quest to find out what happened to his biological family. Their fate is known to the audience right from the beginning, leaving us only to wonder what Po's reaction will be. [[spoiler: Used again in the ending, where we are shown that many of the pandas are still alive, but Po is left unaware until the [[WesternAnimation/KungFuPanda3 sequel.]]]]
* ''Disney/TheLittleMermaidIIReturnToTheSea'': Ariel and Melody have an explosive argument when Ariel finds out that Melody had snuck into the sea behind her back.
-->'''Ariel:''' It's too dangerous in the sea!\\
'''Melody:''' How should ''you'' know?! You've never even ''been in it!''
* Pretty much all of ''Disney/{{Mulan}}'' in between [[SweetPollyOliver Mulan disguising herself as a man to take her father's place in the army]] and the reveal of the Huns' attack, during which the movie is a more lighthearted run off of both the humor and the tension that comes from everyone around Mulan being unaware that she's really a woman. The two songs during that part, especially, show this off -- "A Girl Worth Fighting For", where the other soldiers pull Mulan into a conversation about the women they want to marry, and "I'll Make A Man Out Of You," which speaks for itself by the title alone. This lyric particularly drives it home:
-->''Did they send me daughters\\
When I asked for sons?''
* An instrumental plot element in ''Disney/TheLionKing'' is the fact that for most of the second half of the film, Simba is unaware that it was actually Scar who killed Mufasa—though the audience sees this happen onscreen—and therefore is convinced that he himself is responsible for his father’s death.
* ''WesternAnimation/ThePowerpuffGirlsMovie'' has a middle act that basically runs on this trope. The movie makes it very clear to the viewer that while Jojo may seem sympathetic to the girls, his intentions aren't good - not to mention the fact that if you've seen ''any'' of the show that this movie is a prequel for, you already know he will become the villain Mojo Jojo in due time. This knowledge makes it very stressful to watch the girls trust him wholeheartedly and help him complete a mysterious project that they believe will help make the town a better place. The irony is especially clear during a scene where the audience hears dialogue of the girls reassuring the Professor that things are going to get better... just before you see Mojo putting the final pieces of his evil plan into place and laughing maniacally.
* Near the climax of ''WesternAnimation/{{Shrek 2}}'', the Fairy Godmother sings a rousing rendition of "Holding Out For a Hero" as part of her cynical plan to get the sniveling Prince Charming to kiss Fiona, whom she thinks has been enchanted with a love potion. What she doesn't know is that the ''real'' hero, Shrek, is busy StormingTheCastle, making the song about as deliciously ironic as it comes.
* In ''Disney/{{Tangled}}'', Rapunzel becomes the center of attention during the celebration in honour on the missing princesses' birthday. The audience already know she's the lost princess. There's even a short scene with Rapunzel staring at a mosaic of the royal family, particularly the baby princess, unaware she's looking at herself.

!!Live-Action
* A large part of the humor in ''Film/AbbottAndCostelloMeetFrankenstein'' comes from actions of the monsters that are obvious to the audience, but go unnoticed to the main characters.
** In an early scene, Dracula is attempting to leave his coffin, as Abbott and Costello's characters are delivering it to a house of horrors. The audience sees Dracula perform a number of actions in his attempt to leave. Costello's character sees the results of Dracula's actions, but never actually sees Dracula himself until much later in the scene. Abbott's character sees nothing, and mocks Costello's character for his superstitious behavior.
** Another scene puts Costello's character in the same room as Frankenstein's monster, while being completely oblivious to the monster's presence. The two of them get closer and closer with Costello's character remaining completely oblivious, culminating in him sitting in the monster's lap while remaining unaware.
* ''Film/AprilShowers'': In a flashback, [[spoiler:April tells Sean "It's not going to be the same without you", referring to his upcoming graduation. By this point, the audience knows that April is going to die in the school shooting whereas Sean will survive.]]
* ''Film/BackToTheFuture'' used this brilliantly for comedic effect. Marty and George concoct a plan wherein Marty will intentionally start harassing Lorraine, so that George will have his opportunity to come in and act as if he's intimidating Marty into leaving her alone, thus wowing Lorraine with his awesomeness. Unforeseen hitch though; Biff Tannen actually kidnaps Marty and proceeds to very seriously harass Lorraine. However, rather than torpedoing the whole plan, this ''actually leads'' to George [[CrowningMomentOfAwesome demonstrating REAL awesomeness]].
** The real ironic part is that, come the time, Marty is incapable of doing this to Lorraine (she's his mother after all). But ''she'' has no problem pressing Marty for attention and flirting with him rather aggressively.
** "Biff Tannen, I wouldn't marry you even if -- even if you had a million dollars!" [[DontExplainTheJoke Which, in the alternate timeline, he had.]] Several times over. And she did.
** ''Back to the Future'' is big on this. Consider the 1955 dining room scene:
--->'''Lorraine's mother''': Why do you look so familiar to me? Do I know your mother?\\
'''Marty''': ''[looking in Lorraine's direction]'' Yeah, I think maybe you do.\\
''And later...''\\
'''Lorraine's father''': He's an idiot. Comes from upbringing. His parents are probably idiots too. Lorraine, if you ever have a kid that acts that way I'll disown you.
** The entire ''Franchise/BackToTheFuture'' trilogy is MADE of this. It's a TimeTravel story, so we're constantly laughing at what the characters ''think'' will happen, when we already know how events unfold.
--->'''1955 Doc Brown''' ''(Marty is trying to convince him that he's from the future):'' Then tell me, future boy. Who's President of the United States in 1985?\\
'''Marty:''' UsefulNotes/RonaldReagan!\\
'''Brown:''' ''Ronald Reagan''???! The actor??! HA! Who's Vice-President, Creator/JerryLewis???[[note]]"I suppose Jane Wyman is the first lady, and Jack Benny, his Secretary of the Treasury! I've had enough jokes for one evening! Good day future boy!"[[/note]]
** Also consider the scene where Goldie Wilson, the black busboy in 1955 declares he will make something of himself, and Marty, coming from the present, er, future, declares that indeed he will make something of himself. Specifically in about 30 years he'll be the mayor. What's hilarious is that initially, even the future mayor himself is stunned to hear it.
* ''Film/TheBigHit'': Melvin, Cisco, and the rest of their team kidnap Keiko to extort money from her wealthy corporate father when in fact he has just gone broke the very same day.
* In ''Film/TheBourneSupremacy'', Pamela Landy and her operatives in the CIA are busy rushing around setting up various forms of surveillance and tracking in order to hunt down and bring in the rogue operative Jason Bourne, and immediately put a trace on his phone when he calls Landy on her personal phone... all the while completely unaware that at that very moment he's set up a sniper rifle and is tracking ''their'' every move from a building directly across the street.
* From ''Film/ButchCassidyAndTheSundanceKid''. [[spoiler:The pair, however, are painfully unaware that a sizeable battalion of the Bolivian Army has come to kill them.]]
-->'''Butch:''' Hey, wait a minute. You didn't see Lefors out there, did ya?\\
'''Sundance:''' Lefors? No.\\
'''Butch:''' Oh good. For a moment there, I thought we were in trouble.
* In ''Film/TheChase'', many of the television stations covering the chase speculate that Hammond planned to kidnap Natalie Voss because she's the daughter of the richest man in California. It was actually a completely spur-of-the-moment kidnapping after Hammond was spooked by two police officers walking into the same gas station, causing him to take the only other customer in the store hostage (who just happened to be the daughter of the richest man in California).
* ''Film/TheDarkKnight'':
** Having not met him yet in this continuity, everyone (the police, the mob, and even ''[[ContractualGenreBlindness Batman]]'') [[UnderestimatingBadassery disregarded the Joker as a threat]] and believed the mob was more dangerous. The audience, however, knew better than that, [[spoiler:though even ''they'' didn't anticipate this version of the Clown Prince of Crime to be as dangerous as he was]].
** Later on, the police convoy escorting Harvey Dent is forced to detour onto a much more dangerous route, due to the main road being obstructed by the Joker. The obstruction? ''A burning fire truck.'' It was a bad joke before, and here it's just disturbing.
* ''Film/DeepBlueSea'': It is often joked that the super sharks know what this is, because [[spoiler:one of them kills Creator/SamuelLJackson [[SedgwickSpeech in mid speech]] about what they're going to do to get through it.]]
* ''Film/ExitSmiling'' is about a theater troupe that tours the country playing a ridiculous LargeHam {{Melodrama}} in which the heroine has to pretend to be TheVamp in order to delay the bad guy. When Jimmy takes his leave of Violet at the end, he says "I sure hope you get a chance to play that vampire part some day." Little does he know that she did, for him in RealLife, to delay the bad guy in order to clear Jimmy of embezzlement charges.
* In ''Film/AFaceInTheCrowd'', after Lonesome Rhodes concludes a TV broadcast with [[EngineeredPublicConfession some insulting remarks made under the impression that his microphone had been switched off]], he heads for the elevator, whose operator, obligingly holding the car for him, says: "The Lonesome Rhodes Express! Going down!" The following {{Montage}} demonstrates that Lonesome's popularity is indeed dropping as fast as his elevator.
* One scene in ''Film/FiveCameBack'', about a plane that crashes in the South American jungle, features a man organizing a search party. He says it's "not likely that they crossed the mountains into the valleys near the Amazon." This is exactly what did happen, because the plane's navigation failed and it was blown off course during the storm. This is also why there's no hope of rescue.
* Virtually the entire first ''Film/{{Halloween|1978}}'' film, and much of the later ones, is simply "Hey! The killer is in the background! And the characters can't see him! OhCrap!"
* In ''Film/HalloweenII2009'', Dr. Loomis is making a speech at a press conference for his new book saying that Michael Myers is dead and will never come back, when at the moment, unbeknownst to him, Michael is beginning his new killing spree.
* In the documentary ''Film/HeartsOfDarknessAFilmmakersApocalypse'', which chronicles the TroubledProduction of ''Film/ApocalypseNow'', director Creator/FrancisFordCoppola insists on a ritual the first day of production that he says will bring the production luck. The audience already knows that luck will decidedly not be on the cast and crew's side.
* Creator/AlfredHitchcock uses some element of dramatic irony, or suspense, in virtually all his films. The audience knows, or sees, something that the people on the screen are unaware of.
** If you learn that there's a dead body in the cupboard of the living room where ''Film/{{Rope}}'' takes place, or who put it there, then you can skip just the first 30 seconds of the film, no more. You still need to hang around in order to find out what happens next and how it is played out.
* ''Film/InAWorld...'': When Fred Melamed tells Ken Marino, who has been bragging about his sexual exploits, to "give her another one for me," neither character is aware that he's talking about [[IncestSubtext his daughter]]. Yuck.
* In ''Film/InBruges'', [[HitmanWithAHeart Ray's]] boss, Harry, [[spoiler:orders Ray's death because he killed a child, albeit accidentally.]] At the end (and this is a major spoiler!) [[spoiler:Harry believes he's killed a child, and shows himself to be a [[EvenEvilHasStandards man of principle]] by committing suicide]]. In fact, [[spoiler:he's killed a midget, but he's dead before Ray can inform him of this.]]
* ''Film/JeanneDielman23QuaiDuCommerce1080Bruxelles'': Jeanne's teenaged son says "Well, if I were a woman, I could never make love with someone I wasn't deeply in love with." What the boy doesn't know, or at least what the audience doesn't ''think'' he knows, is that Jeanne is a prostitute who receives callers in the apartment during the day while her son is at school.
* In ''Film/{{Napoleon}}'', [[UsefulNotes/HoratioNelson Nelson]] requests permission to sink ''Le Hasard''. His superior dismisses the ship as not worth the ammunition it would take. Unbeknownst to both of them, ''Le Hasard'' was carrying [[UsefulNotes/NapoleonBonaparte a future Emperor]], [[https://en.wikipedia.org/wiki/Joseph_Bonaparte three]] [[https://en.wikipedia.org/wiki/Louis_Bonaparte future]] [[https://en.wikipedia.org/wiki/Jérôme_Bonaparte Kings]], and [[https://en.wikipedia.org/wiki/Caroline_Bonaparte a future Queen]].
* Happens repeatedly for tension in ''Film/NoCountryForOldMen''. Much of the movie is just simply watching what will happen to the characters as they walk into a situation, oblivious to what the audience already knows. And then it subverts the trope by getting those characters out with a hidden ace the audience ''didn't see''.
* In ''Film/PassTheGravy'', Schultz has a prizewinning pet chicken. The chicken is inadvertently roasted for dinner by the neighbor's dimwitted son--for a dinner with Schultz as the guest of honor. Cue several ironic comments made by Schultz as he unknowingly eats his own pet chicken. "It tastes as good as one of mine!"...."They act like it's a funeral!"...."It's my chicken and I'm going to eat it!"
* In ''Film/TheRightStuff'', one of the early scenes shows Trudy Cooper, wife of Gordo Cooper, airing her fears for her husband's safety as a test pilot to Betty Grissom, wife of Gus Grissom. This was when the two eventual astronauts were test pilots at Edwards Air Force Base. Sadly, Betty Grissom would be the one to become a widow when Gus died in the Apollo 1 fire.
* In ''Film/TheRoom'', Johnny sets aside his problems with his fiancée Lisa to lend a sympathetic ear to his best friend Mark as he complains about a girl he's seeing, unaware that Mark is talking about Lisa.
* Used to ''extremely disturbing'' effect in ''Film/SawI''. Upon hearing gunshots and screams over his cellphone, Lawrence breaks down, [[spoiler:saws his foot off to get free of his shackle, and shoots Adam like Jigsaw wanted]] in order to save his family, not knowing that they had already gotten free and the screaming and gunshots he heard were from the scuffle following it.
* The ''Film/{{Halloween|1978}}'' example pops up later in ''Film/{{Scream 1996}}'' when Randy is watching the infamous scene with Laurie on the TV and he says "turn around, Jamie, he's right behind you". Yes of course the killer is behind him as well. Bonus points in that the actor's name is also Jamie.
* The first ''Film/SpiderMan1'' movie has a scene near the end where [[spoiler: Harry Osborn tells his best friend, Peter Parker, about how much he wants to kill Spider-Man to avenge the murder of his father, Norman Osborn.]] Does this one need any more explanation?
** Just in case it does, consider that Music/WeirdAlYankovic's song "Ode to a Superhero", a re-telling of the movie set to Music/BillyJoel's "Piano Man" lampshades it:
--->It's a pretty sad day at the funeral\\
Norman Osborn has bitten the dust\\
And I heard Harry said he wants Spider-Man dead\\
Aw, but his buddy Pete he can trust
* These ''Franchise/StarTrek'' examples:
** In the 2009 ''Film/StarTrek'' film, Kirk and [=McCoy=] meet Spock for the first time. In the original continuity, [=McCoy=] was the id of the PowerTrio that opposed logical Vulcan Superego Spock and on times called him a pointy eared, green blooded bastard. Now:
--->'''Kirk''': Who was that pointy-eared bastard?\\
'''[=McCoy=]''': I don't know, but I like him.
*** Of course, [=McCoy=] is much less friendly and respectful towards Spock after he sentences his best friend to become [[AlwaysABiggerFish monster food]] on Delta Vega. The green-blooded hobgoblin insults start from here on out.
** ''Film/StarTrekFirstContact'' (again a TimeTravel story) -- two examples:
*** Cochrane constantly snickers at all the things Riker says will happen in the future, when it's ''his'' work that will cause it to happen. Although when it finally sinks in he has a minor breakdown, and tries to explain that his motives were much more selfish than Riker seems to assume.
*** During the historic flight of the ''Phoenix'', Cochrane orders Riker and [=LaForge=] to go to warp by saying [[CatchPhrase Engage!]]. Both Riker and [=LaForge=] silently chuckle, as does the audience.
* ''Franchise/StarWars'':
** The entire prequel trilogy. You know that everyone with the exception of Obi-Wan is (probably) going to be killed anyway (by their own clone forces!) and that Anakin is going to go evil. This makes around 80% of ''Film/RevengeOfTheSith'' a near TearJerker.
--->'''Obi-Wan:''' ''[after Anakin takes them through a perilous chase]'' Why do I get the feeling that you'll be the death of me?
** ''Film/ThePhantomMenace'' portrays Palpatine becoming Supreme Chancellor and Anakin beginning his Jedi training as a happy ending. And it appears to be one within the context of just that film. But if you've seen the original trilogy, you know that these events lead directly to TheEmpire.
** A more traditional example of this in ''The Phantom Menace'' is Qui-Gon telling Padme things like "The Queen trusts my judgement, young handmaiden. You should too." However, he (probably) knew that she was really the Queen, so he was likely just messing with her.
** ''Film/RevengeOfTheSith'' has the following gem:
--->'''Palpatine:''' Get help, you're no match for him. He's a Sith Lord.\\
'''Obi-Wan:''' Chancellor Palpatine, Sith Lords are our speciality.
** In relation between the prequel trilogy and the original trilogy, two major plot twists in the OT ''become'' dramatic irony in hindsight: [[Film/TheEmpireStrikesBack Darth Vader was really Luke Skywalker's father]], and [[Film/ReturnOfTheJedi Princess Leia Organa is Luke's twin sister]].
** In ''Film/RogueOne'', Grand Moff Tarkin uses the newly-completed Death Star's superlaser to eliminate the Rebel forces that broke into the Imperial Database archives on Scarif, an act which actually kills more Imperials, including his rival, Director Orson Krennic, who'd just learned of the Death Star's hidden weakness. So Tarkin ends up dooming himself and the Death Star, setting the stage for the Battle of Yavin in ''Film/ANewHope''.
* ''Film/TheTrumanShow'' tells the viewers that the main character has unknowingly spent his entire life trapped in a bio-dome being the star of a 24/7 RealityShow. Then we see how some [[SpottingTheThread unusual events]] cause Truman to realize the truth of his reality and plan his escape into the real world.
* ''Film/{{Valkyrie}}'': During Colonel Stauffenberg's visit to Adolf Hitler's Berghof residence in Bavaria, Hitler praises Stauffenberg for his sacrifices as a soldier and wishes that more of his men were like him. If only there were! At this time, Stauffenberg is planning an assassination of Hitler and a coup d'etat against his regime for its excesses.
* ''Film/XMenFilmSeries''
** Hank [=McCoy=]'s attempt at a cure on himself appears to work and then [[spoiler:fails horribly in ''Film/XMenFirstClass'']]. When he later uses a variation to [[spoiler: rob Erik/Magneto of his powers]] in ''Film/XMenTheLastStand'', it seems to work. [[spoiler: And then, rather subtly, it also fails]].
** ''Film/XMenDaysOfFuturePast'': '70s Magneto is the most unsympathetic portrayal yet, while the future Magneto is the first time he's shown as an outright hero. Near the end, [[spoiler:Magneto in 1973 attempts to assassinate the president on live television in order to start a race war, and Magneto in 2023, dying from injuries obtained in a LastStand, regrets that he wasted so many years fighting with Xavier and reconciles with him.]]
** Continuing off the above, Trask sees mutants as a common enemy which can unite all the human race and end the Cold War. In the BadFuture, Trask's inventions have become the common enemy that united all the mutants.
* In ''Film/{{Yamato}}'', it's cringeworthy every time a character talks about going to Hiroshima, considering what happens to that city just a few months later.

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