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* Jackie [=DiNorscio=] in ''Film/FindMeGuilty''. Though based on actual events and people, the movie, rather than show an honest portrayal of the gangster trial the film is based on, goes out if its way to present Jackie (and by extension, his fellow gangsters) as victims of oppression [[InsaneTrollLogic because the government obviously hates everyone whose name ends in a vowel (something that actual gangsters fervently believe).]] Despite clearly being a remorseless sociopath who expertly manipulates the jury into making the gangsters look innocent, he never actually offers up any evidence that they ''are'' innocent other than....[[NiceToTheWaiter they sometimes tip people whom they see everyday.]] He's racist, insensitive, misogynistic, loves indulging in LogicalFallacies while crying foul whenever far better evidence is used against him, and despite the other gangsters wanting nothing to do with him, he still somehow manages to get them all to come around. His rival, [[DesignatedVillain D.A. Sean Kierney]], is completely accurate in his assessment of why Jackie and his associates are horrible people, and the movie completely glosses over this with borderline [[StrawCharacter straw arguments.]] In the end we're expected to cheer on the fact that the gangsters were acquitted, despite them all clearly being assholes who deserve no sympathy. What makes it worse is that this trope could've been avoided completely if the film had just bothered being objective in its views rather than glamorize it to such absurd amounts.

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* Jackie [=DiNorscio=] in ''Film/FindMeGuilty''. Though based on actual events and people, the movie, rather than show an honest portrayal of the gangster trial the film is based on, goes out if its way to present Jackie (and by extension, his fellow gangsters) as victims of oppression [[InsaneTrollLogic because the government obviously hates everyone whose name ends in a vowel vowel]] (something that actual gangsters fervently believe).]] [[note]]It might be a sarcastic way of saying the government hates Italian-Americans, whose names tend to end in vowels[[/note]] Despite clearly being a remorseless sociopath who expertly manipulates the jury into making the gangsters look innocent, he never actually offers up any evidence that they ''are'' innocent other than....[[NiceToTheWaiter they sometimes tip people whom they see everyday.]] He's racist, insensitive, misogynistic, loves indulging in LogicalFallacies while crying foul whenever far better evidence is used against him, and despite the other gangsters wanting nothing to do with him, he still somehow manages to get them all to come around. His rival, [[DesignatedVillain D.A. Sean Kierney]], is completely accurate in his assessment of why Jackie and his associates are horrible people, and the movie completely glosses over this with borderline [[StrawCharacter straw arguments.]] In the end we're expected to cheer on the fact that the gangsters were acquitted, despite them all clearly being assholes who deserve no sympathy. What makes it worse is that this trope could've been avoided completely if the film had just bothered being objective in its views rather than glamorize it to such absurd amounts.

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* ''Film/ItLivesByNight'': Sheriff Ward is supposed to be the hero, and not the StalkerWithACrush, right?

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* ''Film/ItLivesByNight'': Sheriff If Johnny is supposed to be the hero, his evident lack of remorse for his murders and general dickishness undercuts our sympathy. If Sergeant Ward is supposed to be the hero, and not the StalkerWithACrush, right?trying to rape Cathy makes it impossible to root for him.


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* ''Film/{{Squirm}}'': Mick doesn't really do anything but run around annoying the locals and getting the snot beaten out of him. Of course, the alternative is to consider Roger the hero, which rings even less true. That said, Mick does defeat Roger in the end, first throwing him into the worms and when Roger crawls back up the stairs, Mick beats him over the head with a flashlight until he's dead.
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* Massimo for several viewers of ''Film/ThreeHundredSixtyFiveDays''. He's a violent, controlling crime boss involved in all kinds of unsavory things, who kidnaps a woman and sexually harasses her because he's convinced they're meant to be together, regardless of what she wants. Oh, but he thinks child abuse is evil and he promised to let Laura go after a year, so he's not ''that'' bad, right? Some people have compared him with the equally-infamous [[Literature/FiftyShadesOfGrey Christian Grey]] (who is acknowledged in his own work as emotionally damaged) and found that Christian comes off as the ''nicer'' of the two.

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* Massimo for several viewers of ''Film/ThreeHundredSixtyFiveDays''. He's a violent, controlling crime boss involved in all kinds of unsavory things, who kidnaps a woman and sexually harasses her because he's convinced they're meant to be together, regardless of what she wants. Oh, but he thinks child abuse is evil and he promised to let Laura go after a year, so he's not ''that'' bad, right? Some people have compared him with the equally-infamous [[Literature/FiftyShadesOfGrey Christian Grey]] (who is acknowledged in his own work as emotionally damaged) and found that Christian comes off as the ''nicer'' of the two. It should also be noted that Massimo's behaviour in the film is actually ''toned down'' from [[Literature/ThreeHundredSixtyFiveDays the books]].
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* ''Film/MyBloodyValentine'': TJ's a flakey jerk who stalks his ex-girlfriend Sarah and doesn't care that she's moved on to Axel. Probably why he's the killer instead in the [[Film/MyBloodyValentine3D remake]].
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* ''Film/{{Chappie}}'': Ninja and Yolandi. The film tries to pass them off as sympathetic, but most of the viewers found them too scummy and manipulative to be likeable.
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* ''Film/HanumanVs7Ultraman'': While one is inclined to give Hanuman some slack, being the result of a murdered child fused with a god and set upon his killers, Hanuman takes ''far'' too much joy in violently torturing and killing people. There's a scene where he has a grand old time ''ripping a monster's flesh off down to the bone''.
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* ''Film/{{Wanted}}'': While nowhere near as bad as his comic counterpart, Wesley takes as much responsibility for having a train full of innocent people killed.
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* ''Film/ProblemChild'': Junior. The only thing that keeps him relatively likable is how much of a callous jerk almost everyone around him is.

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* ''FIlm/DropDeadFred'': Fred. He acts like an absolute psychopath and damn near ruins Elizabeth's life but is supposedly doing it for a good purpose, which makes him a good guy.

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* ''FIlm/DropDeadFred'': ''Film/DrCyclops'': Bill. Let's face it, he's a snarky jerk. But he manages to rise to the challenge given his circumstances.
* ''Film/DropDeadFred'':
Fred. He acts like an absolute psychopath and damn near ruins Elizabeth's life but is supposedly doing it for a good purpose, which makes him a good guy.
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* ''Film/ChairmanOfTheBoard'': Edison who tends to come off more obnoxious than the {{Keet}}-like character intended.
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* ''Film/MrsDoubtfire'': Daniel faces plenty of deserved criticism, but there are some instances where you've got to wonder why he's the protagonist. He's introduced quitting a job despite having three children to care for. He's also openly hostile towards Stu, commiting acts such as vandalizing his car, attacking him in broad daylight and spiking his dinner with pepper after discovering he has a food allergy, the consequences of which occur in front of his own children, with Daniel giving no thought to how this might affect them.

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* ''Film/MrsDoubtfire'': Daniel faces plenty of deserved criticism, but there are some instances where you've got to wonder why he's the protagonist. He's introduced quitting a job despite having three children to care for.for and trashing the family home throwing an over-the-top birthday party. He's also openly hostile towards Stu, commiting acts such as vandalizing his car, attacking him in broad daylight and spiking his dinner with pepper after discovering he has a food allergy, the consequences of which occur in front of his own children, with Daniel giving no thought to how this might affect them.
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Disambiguation


* Everyone in ''Film/TheRoom'' is extremely unlikable, but special mention goes to Mark. Mark has an affair with his best friend's fiancée, then [[NeverMyFault insists that he's a blameless victim because she was just too clever and manipulative to resist]], despite the fact that she and her boyfriend clearly don't have a brain cell between them. The OnlySaneMan Peter sides with him on this, and while everyone in their friend group who finds out about the affair treats Lisa like she's the Antichrist, nobody ever calls Mark out for his part. Mark also makes some blatantly misogynistic comments, and judging by things people who worked on the film have said about the director, it's likely we're meant to agree. Mark randomly tries to ''murder his friend'' at one point, but the friend [[EasilyForgiven instantly forgets about it]] and [[BigLippedAlligatorMoment it's never brought up again]]. While this might not be intended, one scene seems to suggest that he [[DisproportionateRetribution beat a previous girlfriend of his who cheated on him so badly that she had to be hospitalized]] - Johnny, who is [[CreatorsPet portrayed as being the greatest guy ever]], ''laughs'' after hearing this (though it could just be that he doesn't believe Mark and is laughing at how ridiculous he finds the story).

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* Everyone in ''Film/TheRoom'' ''Film/TheRoom2003'' is extremely unlikable, but special mention goes to Mark. Mark has an affair with his best friend's fiancée, then [[NeverMyFault insists that he's a blameless victim because she was just too clever and manipulative to resist]], despite the fact that she and her boyfriend clearly don't have a brain cell between them. The OnlySaneMan Peter sides with him on this, and while everyone in their friend group who finds out about the affair treats Lisa like she's the Antichrist, nobody ever calls Mark out for his part. Mark also makes some blatantly misogynistic comments, and judging by things people who worked on the film have said about the director, it's likely we're meant to agree. Mark randomly tries to ''murder his friend'' at one point, but the friend [[EasilyForgiven instantly forgets about it]] and [[BigLippedAlligatorMoment it's never brought up again]]. While this might not be intended, one scene seems to suggest that he [[DisproportionateRetribution beat a previous girlfriend of his who cheated on him so badly that she had to be hospitalized]] - Johnny, who is [[CreatorsPet portrayed as being the greatest guy ever]], ''laughs'' after hearing this (though it could just be that he doesn't believe Mark and is laughing at how ridiculous he finds the story).
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* ''Film/RealSteel'': Charlie. When he hears about his ex-girlfriend's death and that his son is left, he reacts with annoyance at the burden to him and indicates he knowingly left his girlfriend while she was pregnant. Then he signs him over to the boy's aunt and uncle for 100 grand, furthering the deadbeat dad vibe. Then he uses the money to buy another robot sight unseen that he knows nothing about, then takes it into a fight and gets it destroyed because he hadn't bothered to learn to operate it first or have the humility to go for a smaller prize. He then gets the nerve to not pay his rent at the gym he works at (and his childhood friend owns), then lambasts her for thinking of selling it, claiming her deceased father would be pissed off at her. He leaves Max in the pouring rain at a junk yard next to a deadly cliff to carry the robot he found after surviving a fall off a cliff. Only after this point, 45 minutes in, does he start to act even remotely decent.
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Sounds less like designated hero and more like rooting for the empire/misaimed fandom.


* ''Film/HeavensGate'': Several viewers have found themselves rooting for the Association, as the immigrants, what with their lack of CharacterDevelopment and rather annoying voices, come across as less likable.
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* ''Film/TheBookOfHenry'': Despite the film’s attempt at framing Henry as a kid who’s mature and wise beyond his years, how he acts paints a different character. From his first scene alone, Henry insults another student in an improvised essay reading and condescendingly tells his teacher that he wants to stay in a class with kids his age for his psycho-social development – [[BlatantLies even though he is never seen interacting with any other classmate during lunch or recess in the movie.]][[note]]He spends all of his time playing checkers with the lunch lady -- and he curb-stomps the lunch lady in a single move the very second he needs to leave in a hurry, showing that he only dragged out the game for the sake of... wasting their time, probably?[[/note]] And that’s not getting into how Henry polices his own mother with how she spends her free time, takes care of the family and pretty much how she lives. He gets even worse after he dies. Yes, the abusive stepfather should be stopped; but one should ''not'' resort to murder as their first idea, ''much less coach one's mother to commit the act''.


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* ''Film/TheWarRoom'': Clara is meant to be portrayed as a wise, EccentricMentor to Elizabeth who's experience helps her during a tough part of her life. The thing is, she comes across as [[ScrewPolitenessImASenior passive-aggressive to the people around her in a way that was meant to be charming]], but ends up making her look InnocentlyInsensitive. She pries into Elizabeth's religious and personal business, rebukes Elizabeth's woes about her husband's abusive behavior as "whining" and tells her that she should think of how ''she'' should change to suit ''his'' needs ([[UsefulNotes/VictimBlaming essentially blaming her for her husband's abusive behavior]]), proselytizes to everyone she meets in the movie, and her advice boils down to "pray and it'll sort itself out." The fact that she was written by two white guys doesn't help.
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* ''Film/SaveTheLastDance'': Sarah is the protagonist, so naturally her actions are always justified. And while she's not a villain in any sense, some of the ways she treats people is a bit harsh and even though she's called out a few times by her dad, Nicki, Derek and Chenille, she never really has to apologize or show any accountability – in fact, in the case of Chenille, Chenille ends up apologizing to Sarah despite having a point about Sarah being a white woman sweeping in to charm seemingly the last decent Black guy in their circle. Sarah has a very naïve view of race ("There's only one world") and seems to constantly feel sorry for herself. Yes, her mother did die very recently, but Chenille has also grown up without her mother (or, seemingly, father) and despite being equally artistically talented as a designer, is seemingly not able to get any of the opportunities Sarah gets.
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* ''Film/{{Twister}}'': Bill. He gets engaged to a woman while he's still married, drags her along into a highly dangerous situation to find his current wife (and obviously cares more about celebrating experiencing a tornado than being attentive to her very understandable fear of constantly being thrust in the middle of stressful, dangerous situations), assaults Jonas in front of news reporters, then finally upsets his fiancee enough for her to dump him after she hears him professing his feelings for Jo. Melissa didn't get engaged to you just because she's got a thing for meteorologists, Bill. You, sir, are an asshole.
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* ''Film/MrsDoubtfire'': Daniel faces plenty of deserved criticism, but there are some instances where you've got to wonder why he's the protagonist. He's introduced quitting a job despite having three children to care for. He's also openly hostile towards Stu, commiting acts such as vandalizing his car, attacking him in broad daylight and spiking his dinner with pepper after discovering he has a food allergy, the consequences of which occur in front of his own children, with Daniel giving no thought to how this might affect them.

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* ''Film/MadMaxFuryRoad'': The Vuvalini, portrayed as the most heroic faction, prey on travelers and, from what little we see of them, seem to have an insular culture and a high distrust of men. Part of this can be chalked up to the necessities of survival in a harsh environment and the overall patriarchal domination of this world leading to its destruction. It's certainly possible that absent that pressure, they'll rule the Citadel in a more egalitarian manner than Joe's regime, but it's left up to audience interpretation.

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* ''Film/MadMax''
** ''Film/MadMax1'' [[DiscussedTrope discusses]] this when Max attempts to resign from the police force after his partner is mutilated. Max admits that he’s afraid of snapping and becoming just like the psychos he hunts down, with the only difference being that he has a badge marking him as one of the good guys. It’s ultimately subverted, as while Max does eventually snap he becomes a ruthlessly AntiHero rather than a villain.
**
''Film/MadMaxFuryRoad'': The Vuvalini, portrayed as the most heroic faction, prey on travelers and, from what little we see of them, seem to have an insular culture and a high distrust of men. Part of this can be chalked up to the necessities of survival in a harsh environment and the overall patriarchal domination of this world leading to its destruction. It's certainly possible that absent that pressure, they'll rule the Citadel in a more egalitarian manner than Joe's regime, but it's left up to audience interpretation.
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* ''Film/FerrisBuellersDayOff'': Ferris has cut school at least nine times before, covering his tracks by hacking into the school computer to change the records. He gets away with all sorts of things by blatantly exploiting the goodwill of everyone around him, including his parents, weaving a complex web of whatever lies will serve him currently, and psychologically bullying his friend Cameron. Despite all of this, we're expected to root for him simply because he is the titular character.
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* The main character of ''Film/{{Paparazzi}}'' and his killing spree against the paparazzi would be far less sympathetic if paparazzi weren't AcceptableProfessionalTargets (and if the paparazzi in the movie weren't practically cackling supervillains who take perverse joy in ruining people's lives.) One murder even had to happen off-screen, because the director found that test audiences found the main character less sympathetic when it happened on-screen.

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* The main character of ''Film/{{Paparazzi}}'' and his killing spree against the paparazzi would be far less sympathetic if paparazzi weren't AcceptableProfessionalTargets acceptable targets (and if the paparazzi in the movie weren't practically cackling supervillains who take perverse joy in ruining people's lives.) One murder even had to happen off-screen, because the director found that test audiences found the main character less sympathetic when it happened on-screen.

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* Massimo for several viewers of ''Film/ThreeHundredSixtyFiveDays''. He's a violent, controlling crime boss involved in all kinds of unsavory things, who kidnaps a woman and sexually harasses her because he's convinced they're meant to be together, regardless of what she wants. Oh, but he thinks child abuse is evil and he promised to let Laura go after a year, so he's not ''that'' bad, right? Some people have compared him with the equally-infamous [[Literature/FiftyShadesOfGrey Christian Grey]] (who is acknowledged in his own work as emotionally damaged) and found that Christian comes off as the ''nicer'' of the two.



* Massimo for several viewers of ''Film/ThreeHundredSixtyFiveDays''. He's a violent, controlling crime boss involved in all kinds of unsavory things, who kidnaps a woman and sexually harasses her because he's convinced they're meant to be together, regardless of what she wants. Oh, but he thinks child abuse is evil and he promised to let Laura go after a year, so he's not ''that'' bad, right? Some people have compared him with the equally-infamous [[Literature/FiftyShadesOfGrey Christian Grey]] (who is acknowledged in his own work as emotionally damaged) and found that Christian comes off as the ''nicer'' of the two.

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* Massimo for several viewers of ''Film/ThreeHundredSixtyFiveDays''. He's ''Film/TheTouchOfSatan'': Jodie is about as inert a violent, controlling crime boss involved in all kinds of unsavory things, who kidnaps a woman and sexually harasses her because protagonist as ever appeared on film. While it's implied that Melissa magically summoned him to the farm, it's harder to explain why he remains there long after it's clear he's convinced they're meant to be together, regardless of what she wants. Oh, but he thinks child abuse is evil and he promised to let Laura go after a year, so he's not ''that'' bad, right? Some dealing with people who, at the very least, have compared him with the equally-infamous [[Literature/FiftyShadesOfGrey Christian Grey]] (who is acknowledged in a few screws loose. Jodie does literally nothing of his own work as emotionally damaged) volition until his DealWithTheDevil in the climax, which dooms both him and found that Christian comes off as the ''nicer'' of the two.Melissa to eternal damnation.
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* ''Film/StarWars'': Despite being a Jedi master and the second highest ranking member of the Jedi Order, Mace Windu tends to embody the worst aspects of the Jedi. In ''Film/AttackOfTheClones'', he beheads Jango Fett instead of disarming him and his face afterwards seem to suggest he doesn't care that Jango was a person (though in his defence, he was defending himself), and in ''[[WesternAnimation/StarWarsTheCloneWars The Clone Wars]]'' he doesn't apologize or try to explain himself to Boba Fett (and by that point, he knew that Boba saw him behead Jango), [[KickTheDog instead basically telling him to get over it]]. He is also incredibly callous when dealing with Ahsoka, being that he is the one leading in the vote for her excommunication and [[NeverMyFault then not apologizing to her when she is revealed to be innocent, instead saying it was the will of the Force]]. Lastly, in ''Film/RevengeOfTheSith'', he is distrusting and callous to Anakin, openly talking down to him in front of the council, denying him privileges, and telling Obi-Wan and Yoda that he doesn't trust him, while at the same time giving him orders to spy on someone he viewed as a close friend for many years. This behavior makes Mace come off as an emotionless manipulative jerk who cares little about the feelings of others rather than an altruist keeper of the peace.

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* ''Film/StarWars'': ''Franchise/StarWars'': Despite being a Jedi master and the second highest ranking member of the Jedi Order, Mace Windu tends to embody the worst aspects of the Jedi. In ''Film/AttackOfTheClones'', he beheads Jango Fett instead of disarming him and his face afterwards seem to suggest he doesn't care that Jango was a person (though in his defence, he was defending himself), and in ''[[WesternAnimation/StarWarsTheCloneWars The Clone Wars]]'' he doesn't apologize or try to explain himself to Boba Fett (and by that point, he knew that Boba saw him behead Jango), [[KickTheDog instead basically telling him to get over it]]. He is also incredibly callous when dealing with Ahsoka, being that he is the one leading in the vote for her excommunication and [[NeverMyFault then not apologizing to her when she is revealed to be innocent, instead saying it was the will of the Force]]. Lastly, in ''Film/RevengeOfTheSith'', he is distrusting and callous to Anakin, openly talking down to him in front of the council, denying him privileges, and telling Obi-Wan and Yoda that he doesn't trust him, while at the same time giving him orders to spy on someone he viewed as a close friend for many years. This behavior makes Mace come off as an emotionless manipulative jerk who cares little about the feelings of others rather than an altruist keeper of the peace.
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* ''Film/ThePhantomPlanet'': Frank's "heroism" amounts to him reacting to his surroundings and complaining about how Rheton sucks. His sole heroic action is saving Zetha from the captive Solarite, and even that's not so impressive compared to Sessom and Herron defeating an entire fleet of Solarite warships a few minutes earlier.

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* Red from ''Film/AtlanticRim''. [[EstablishingCharacterMoment He's introduced]] using his military training to physically assault a man for calling him a "squid" after Red bumped into him, and disobeys orders to chase the first Kaiju, [[FridgeHorror (possibly chasing it onto dry land, causing all the deaths, though this one is ambiguous.]]) After the first kaiju is defeated, he arrogantly brags to his teammates about his battle prowess, while literally standing right next to the dead bodies of several innocent civilians and callously ignoring them, and it's not even clear whether they were killed by the kaiju, or by Red when he accidentally fired his death beam into the middle of the city. And he receives no CharacterDevelopment throughout the entire movie. Also, Red and Jim both have feelings for Tracy, but she chooses Red because he's the hero, even though Jim is a much more likeable guy who went to work with the Red Cross fixing New Orleans while [[ItsAllAboutMe Red insisted he and Tracy go to a party.]]
* Neil Shaw in the ''Film/TheArtOfWar'' films, to more and more of an extent as the series goes on. In the first film he's a competent enough agent, though kind of a {{Jerkass}}. In the second film he makes numerous basic errors of logic and judgement, and at the end he [[spoiler:casually murders his love interest]] just in the name of getting the villain to frame himself. The third film takes it [[ExaggeratedTrope Up to Eleven]], as he unknowingly takes the bad guy [[spoiler:or rather bad girl]] into his confidence, then ends up [[MoralEventHorizon killing at least a dozen or so South Korean intelligence agents]], before unwittingly facilitating the assassination of South Korea's U.N. representative and nearly getting the Secretary-General of the U.N. herself killed. After all that you'd think the Secretary-General would be only too happy to hand Shaw over to the South Korean authorities and let them hang him out to dry, but she instead ends the film by telling Shaw that he's the only person the U.N. can trust with their lives.

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* Red from ''Film/AtlanticRim''. [[EstablishingCharacterMoment He's introduced]] using his military training to physically assault a man for calling him a "squid" after Red bumped into him, and disobeys orders to chase the first Kaiju, [[FridgeHorror (possibly chasing it onto dry land, causing all the deaths, though this one is ambiguous.]]) After the first kaiju is defeated, he arrogantly brags to his teammates about his battle prowess, while literally standing right next to the dead bodies of several innocent civilians and callously ignoring them, and it's not even clear whether they were killed by the kaiju, or by Red when he accidentally fired his death beam into the middle of the city. And he receives no CharacterDevelopment throughout the entire movie. Also, Red and Jim both have feelings for Tracy, but she chooses Red because he's the hero, even though Jim is a much more likeable guy who went to work with the Red Cross fixing New Orleans while [[ItsAllAboutMe Red insisted he and Tracy go to a party.]]
* Neil Shaw in the ''Film/TheArtOfWar'' films, to more and more of an extent as the series goes on. In the first film he's a competent enough agent, though kind of a {{Jerkass}}. In the second film he makes numerous basic errors of logic and judgement, and at the end he [[spoiler:casually murders his love interest]] just in the name of getting the villain to frame himself. The third film takes it [[ExaggeratedTrope Up to Eleven]], as he unknowingly takes the bad guy [[spoiler:or rather bad girl]] into his confidence, then ends up [[MoralEventHorizon killing at least a dozen or so South Korean intelligence agents]], before unwittingly facilitating the assassination of South Korea's U.N. representative and nearly getting the Secretary-General of the U.N. herself killed. After all that you'd think the Secretary-General would be only too happy to hand Shaw over to the South Korean authorities and let them hang him out to dry, but she instead ends the film by telling Shaw that he's the only person the U.N. can trust with their lives.
* Red from ''Film/AtlanticRim''. [[EstablishingCharacterMoment He's introduced]] using his military training to physically assault a man for calling him a "squid" after Red bumped into him, and disobeys orders to chase the first Kaiju, [[FridgeHorror (possibly chasing it onto dry land, causing all the deaths, though this one is ambiguous.]]) After the first kaiju is defeated, he arrogantly brags to his teammates about his battle prowess, while literally standing right next to the dead bodies of several innocent civilians and callously ignoring them, and it's not even clear whether they were killed by the kaiju, or by Red when he accidentally fired his death beam into the middle of the city. And he receives no CharacterDevelopment throughout the entire movie. Also, Red and Jim both have feelings for Tracy, but she chooses Red because he's the hero, even though Jim is a much more likeable guy who went to work with the Red Cross fixing New Orleans while [[ItsAllAboutMe Red insisted he and Tracy go to a party.]]
* ''Film/AtorTheFightingEagle'': A recurring complaint in reviews of the film is how useless Ator is for much of the movie. He has to be repeatedly rescued by Roon, but then leaves her to her own devices during the BarBrawl. And his motives for going after Dakkar appear to be a combination of wanting to save his wife and BecauseDestinySaysSo, rather than any great interest in improving the condition of his country.
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* ''Film/MadMaxFuryRoad'': The Vuvalini, portrayed as the most heroic faction, prey on travelers and, from what little we see of them, seem to have an insular culture and a high distrust of men. Part of this can be chalked up to the necessities of survival in a harsh environment and the overall patriarchal domination of this world leading to its destruction. It's certainly possible that absent that pressure, they'll rule the Citadel in a more egalitarian manner than Joe's regime, but it's left up to audience interpretation.
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* ''Film/TheGame1997'': Conrad and the CRS were trying to turn Nicholas into a better person but their gaslighting and making Nicholas insane felt too questionable.
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* ''Film/LeonardPart6'': Leonard Parker. Despite being the No. 1 Agent[[note]]He actually says he's not as he retired seven years ago.[[/note]], he's hardly a hero; all he cares about is getting back with his wife, despite her having separated from him after she caught him cheating on her with another woman.[[note]]Though he claims nothing happened.[[/note]] After his wife gets kidnapped, he decides to give the sphere back to the bad guys and have his superiors attacked by rabbits after saying the word that triggers them.[[note]]Albeit after his ex-boss tries to have him killed as a test and that ''they'' want to use the sphere to control the world. While en route, they examine the Sphere's internals and Freyn notes that the liquid resembles dish washing liquid. This prompts them to stop at a supermarket to buy matching colors as a means of (failed) sabotage.[[/note]] He even threatens a lobster with melted butter in order to get his wife free.[[note]]The same lobster that was going to be used to maim and kill him and his wife earlier.[[/note]]
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* ''Film/TheNeverEndingStoryIIIEscapeFromFantasia'': Bastian. The Old Man of Wandering Mountain describes him as "a special young human, a voracious reader, with great imagination and extraordinary courage", traits that Bastian does not possess this time around. Bastian never does anything with the power of the Auyrn and sits around hoping the problem will go away, while the bratty sister and even the villains use the power they are given.
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* Lester Burnham of ''Film/AmericanBeauty''. The whole movie is supposedly him learning how to live his life again after being crushed by a boring, soul-crushing job, hyper-critical wife, and moody teenage daughter, but in doing so he makes everyone around him ''miserable.'' Lester develops a highly creepy and inappropriate crush on his daughter Janie's best friend, Angela. Then he quits his job and blackmails his boss into giving him a severance package, plus benefits, by threatening to accuse him of sexual harassment. When Carolyn calls him out for making her the sole breadwinner without even telling her beforehand, Lester counters that he already has another job...but it's working at a ''burger joint'' for minimum-wage because he wants to feel like a teenager again and he violently throws a plate at the wall to scare Carolyn and Janie into shutting up. Then there's the fact his newfound "freedom" involves him regularly insulting his wife and daughter, buying weed off his teenaged neighbor, Ricky. When Carolyn resorts to having an affair with Buddy King, Lester acts all superior over when he catches them despite [[{{Hypocrite}} leching on teenager. When Janie calls Lester out on how disgusting his crush on Angela is, he tells her she's "turning into a real bitch - just like your mother!". Even though Lester declines to sleep with Angela when the opportunity presents itself [[spoiler: because he finds out she's a virgin]], he was still willing to get a very vulnerable, emotional teenager naked. Despite all this [[spoiler: his death]] at the end of the movie is framed as a tragedy and arguably it's only somewhat unfair because [[spoiler: Frank killed Lester over being rejected and terrified he would be outed as gay]].

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* Lester Burnham of ''Film/AmericanBeauty''. The whole movie is supposedly him learning how to live his life again after being crushed by a boring, soul-crushing job, hyper-critical wife, and moody teenage daughter, but in doing so he makes everyone around him ''miserable.'' Lester develops a highly creepy and inappropriate crush on his daughter Janie's best friend, Angela. Then he quits his job and blackmails his boss into giving him a severance package, plus benefits, by threatening to accuse him of sexual harassment. When Carolyn calls him out for making her the sole breadwinner without even telling her beforehand, Lester counters that he already has another job...but it's working at a ''burger joint'' for minimum-wage because he wants to feel like a teenager again and he violently throws a plate at the wall to scare Carolyn and Janie into shutting up. Then there's the fact his newfound "freedom" involves him regularly insulting his wife and daughter, buying weed off his teenaged neighbor, Ricky. When Carolyn resorts to having an affair with Buddy King, Lester acts all superior over when he catches them despite [[{{Hypocrite}} leching on teenager.teenager]]. When Janie calls Lester out on how disgusting his crush on Angela is, he tells her she's "turning into a real bitch - just like your mother!". Even though Lester declines to sleep with Angela when the opportunity presents itself [[spoiler: because he finds out she's a virgin]], he was still willing to get a very vulnerable, emotional teenager naked. Despite all this [[spoiler: his death]] at the end of the movie is framed as a tragedy and arguably it's only somewhat unfair because [[spoiler: Frank killed Lester over being rejected and terrified he would be outed as gay]].

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