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* ''Literature/TheLordOfTheRings'' has Frodo deconstruct TheHerosJourney while Aragorn plays it straight - the toll the Ring takes on Frodo is ''massive'', [[spoiler:he ''fails'' at the last moment because the stress finally breaks him, and rather than attaining enlightenment, is left shellshocked. He ''never'' gets better from this, and ends up leaving with the elves to head west in the hope of finding someone who can heal him]].
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* ''Literature/{{Animorphs}}'' deconstructs RecruitTeenagersWithAttitude by combining it with WarIsHell.
** Animorphs deconstructs several tropes involving young heroes, or optimistic tropes in general:
*** WakeUpGoToSchoolSaveTheWorld, as the five (later six) heroes discover that War Is Hell and how badly it's messed them up.
*** KidHero: It's obvious from the get-go that the kids, having no sort of military knowledge or practical connections whatsoever, are pretty much just making it up as they go and doing the best they can with what they have, and they're closer to ChildSoldiers than anything else. They're kid heroes in that they're working to save the world and they're pretty much the Earth's last line of defence, but the blunt approach the series takes to WarIsHell makes it clear that it is the furthest thing from a good thing there is.

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* ''Literature/{{Animorphs}}'' deconstructs RecruitTeenagersWithAttitude by combining it with WarIsHell.
** Animorphs
deconstructs several tropes involving young heroes, or optimistic tropes in general:
*** ** RecruitTeenagersWithAttitude by combining it with WarIsHell; the five (later six) main characters struggle mentally and physically through the whole war, and [[spoiler:they don't all make it out alive]].
**
WakeUpGoToSchoolSaveTheWorld, as the five (later six) heroes discover that War Is Hell and how badly it's messed them up.
*** ** KidHero: It's obvious from the get-go that the kids, having no sort of military knowledge or practical connections whatsoever, are pretty much just making it up as they go and doing the best they can with what they have, and they're closer to ChildSoldiers than anything else. They're kid heroes in that they're working to save the world and they're pretty much the Earth's last line of defence, but the blunt approach the series takes to WarIsHell makes it clear that it is the furthest thing from a good thing there is.
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* ''Franchise/LesMiserables'' deconstructed the typical "mysterious benefactor" character common in 19th century novels with Jean Valjean. He rescues Cossette from hardship the same way The Bishop of Digny did for him. He becomes obsessed with being her ParentalSubstitute because he's eaten up by guilt over not being able to save her mother Fantine.

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* ''Franchise/LesMiserables'' ''Literature/LesMiserables'' deconstructed the typical "mysterious benefactor" character common in 19th century novels with Jean Valjean. He rescues Cossette from hardship the same way The Bishop of Digny did for him. He becomes obsessed with being her ParentalSubstitute because he's eaten up by guilt over not being able to save her mother Fantine.
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Disambiguation


* ''Literature/TheDisasterArtist'', a book talking about the making of ''Film/TheRoom'' and the author's time with Creator/TommyWiseau, deconstructs three things:

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* ''Literature/TheDisasterArtist'', a book talking about the making of ''Film/TheRoom'' ''Film/TheRoom2003'' and the author's time with Creator/TommyWiseau, deconstructs three things:

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Coco and Sun are just examples of how characters aren't automatically good at being a leader just because they got made leaders — they're learning on the job how to be good leaders. That's just the trope playing out straight along side character development. The flaws they have to overcome to become good leaders are what are being deconstructed, which is Jerk With A Heart Of Gold for Coco and The Dulcinea Effect for Sun.


* Literature/RWBYAfterTheFall: Coco deconstructs TheLeader. While under the effects of the Caspian's Semblance, which amplifies existing emotions, Velvet and Fox reveal that they harbor some resentment towards Coco due to the fact she doesn't lead them, she bosses them around. She neglects to take their concerns into account and makes decisions for them. Coco takes their issues to heart and begins working to be more conscientious of her team and learn how to be a proper leader. In the sequel ''Literature/RWBYBeforeTheDawn'', she clashes with Team SSSN, which is having a similar problem with their leader, Sun. Her team makes it clear that there's a fine line between critiquing Sun and being unreasonable, showing that her own self-improvements are still a work in progress.

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* Literature/RWBYAfterTheFall: ''Literature/RWBYAfterTheFall'': Coco deconstructs TheLeader. JerkWithAHeartOfGold. She has a ''very'' large and fragile ego, constantly trying to prove herself just as good as other well known huntresses like Glynda and Rumpole. While under her heart is in the effects of right place, and she desperately wants to help people, her drive to avoid past failures that led to her being unable to save lives means that holds onto the Caspian's Semblance, which amplifies existing emotions, reins of leadership too tightly, bossing her team and making decisions on what's best for them without considering what they want, and dismissing advice and feedback. When an emotion-amplifying Semblances brings Velvet and Fox reveal that they harbor some Fox's resentment towards Coco due to the fact surface about how they feel jerked and bossed around, she doesn't lead them, she bosses them around. She neglects to take their concerns into account and makes decisions for them. Coco takes their issues to heart and begins working on self-improvement to be more conscientious of her team and learn how to be become a proper better leader. In the sequel ''Literature/RWBYBeforeTheDawn'', she clashes with Team SSSN, which is having so judgemental of Sun's failings as a similar problem with their leader, Sun. Her that her team makes it clear has to point out to her that there's a fine line difference between critiquing Sun good critique and being unreasonable, showing unreasonable criticism, and that she won't become a better leader herself unless she works on her own self-improvements jerkassery; this is feedback that she accepts.
* ''Literature/RWBYBeforeTheDawn'': Sun deconstructs TheDulcineaEffect. He is a kind-hearted individual who rushes to help anyone who is need (usually women), even if they're complete strangers. He will drop his team to do this, staying by the side of the individual until the problem is resolved, whether or not the individual wants and without any consideration for his team. His team-mates therefore feel abandoned, like they don't matter to Sun, and that he can see everyone else's problems except theirs. The resentment in the team makes them dysfunctional during the novel, as Sun doesn't realise just how deeply hurt they
are still a work in progress.and they want him to realise that without them telling him, and become increasingly angry the longer Sun's ignorance continues. Velvet ends up taking on the responsibility of guiding Sun through the pitfalls he's creating for himself and his team by constantly abandoning them for others, until he and his team learn to talk to each other about their issues, which helps Sun begin to understand that he needs to be there for his team, and take their feelings, advice and opinions on board when making decisions and plans.
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* The Literature/XWingSeries novel ''Starfighters of Adumar'' deconstructs the concept of the ProudWarriorRace. The military of the Adumari nation of Cartann is made up of these types, but their GloryHound tendencies mean they make poor tactical decisions, and their insistence on live-fire dueling means that they end up killing off competent pilots (with only certain protocols keeping them in check, and these only do so much), meaning that the New Republic and Imperial pilots who take them on are easily able to defeat them in combat. Wedge himself disparages the concept of fighting for honor in a single speech:

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* The Literature/XWingSeries novel ''Starfighters of Adumar'' deconstructs the concept of the ProudWarriorRace.{{Proud Warrior Race|Guy}}. The military of the Adumari nation of Cartann is made up of these types, but their GloryHound tendencies mean they make poor tactical decisions, and their insistence on live-fire dueling means that they end up killing off competent pilots (with only certain protocols keeping them in check, and these only do so much), meaning that the New Republic and Imperial pilots who take them on are easily able to defeat them in combat. Wedge himself disparages the concept of fighting for honor in a single speech:
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Asskicking Equals Authority has been renamed.


* ''Literature/ThePower'' deconstructs WomenAreWiser. The author's thesis is that this trope exists at the intersection of sexual dimorphism making the average woman smaller than the average man and [[AsskickingEqualsAuthority combat prowess determining who was in charge]] for most of human history, leading most women to seek out moral and intellectual authority as opposed to the path of military glory that men historically dominated. Gender egalitarianism, therefore, didn't ''create'' more peaceful societies but was rather a ''consequence'' of such, as the declining importance of physical strength as a source of authority, especially in the world's developed and industrialized nations, gave women more room to showcase their talents and emerge as leaders. When a biological mutation gives women the power to [[ShockAndAwe shoot electricity from their hands]] and thus makes them the more physically powerful gender, they start flexing their power, especially (though not exclusively) in developing countries where modernity had not yet fully advanced and traditional gender roles were still widespread. The characters who believe in this trope turn out to be some of its biggest monsters as they set out to oppress men, driven by a belief that they are more barbaric and violent than women and need to be controlled for the good of society. [[spoiler:And when WorldWarIII sends humanity back to the Stone Age, {{matriarchy}} emerges as the basic governing principle of post-apocalyptic society for the same reason patriarchy did in humanity's prehistory. The FramingDevice is set in a distant future that has rebuilt into something resembling modern society with the genders reversed, with the AuthorAvatar's female colleague fully believing in a gender-flipped version of this trope and coming up with all manner of (obviously false) evo-psych explanations for why it is.]]

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* ''Literature/ThePower'' deconstructs WomenAreWiser. The author's thesis is that this trope exists at the intersection of sexual dimorphism making the average woman smaller than the average man and [[AsskickingEqualsAuthority [[AsskickingLeadsToLeadership combat prowess determining who was in charge]] for most of human history, leading most women to seek out moral and intellectual authority as opposed to the path of military glory that men historically dominated. Gender egalitarianism, therefore, didn't ''create'' more peaceful societies but was rather a ''consequence'' of such, as the declining importance of physical strength as a source of authority, especially in the world's developed and industrialized nations, gave women more room to showcase their talents and emerge as leaders. When a biological mutation gives women the power to [[ShockAndAwe shoot electricity from their hands]] and thus makes them the more physically powerful gender, they start flexing their power, especially (though not exclusively) in developing countries where modernity had not yet fully advanced and traditional gender roles were still widespread. The characters who believe in this trope turn out to be some of its biggest monsters as they set out to oppress men, driven by a belief that they are more barbaric and violent than women and need to be controlled for the good of society. [[spoiler:And when WorldWarIII sends humanity back to the Stone Age, {{matriarchy}} emerges as the basic governing principle of post-apocalyptic society for the same reason patriarchy did in humanity's prehistory. The FramingDevice is set in a distant future that has rebuilt into something resembling modern society with the genders reversed, with the AuthorAvatar's female colleague fully believing in a gender-flipped version of this trope and coming up with all manner of (obviously false) evo-psych explanations for why it is.]]
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* ''Literature/SpiceAndWolf'': The ninth entry deconstructs SpannerInTheWorks with Lawrence struggling to pull himself out of the machinations of his very powerful boss and their mutual opponent, Eve.

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* ''Literature/ACanticleForLeibowitz'' takes a look at the idea common in more secularly-oriented science fiction that technological progress necessarily implies social progress. ''Canticle'' makes the point that no matter how advanced the technology gets, the human heart is inclined to a certain moral laziness that needs to be carefully and consciously guarded against if people aspire to be anything more than barbarians with fancy toys.

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* ''Literature/ACanticleForLeibowitz'' takes a look at the idea common in more secularly-oriented science fiction that technological progress necessarily implies social progress. ''Canticle'' makes the point that no matter how advanced the technology gets, the human heart is inclined to a certain moral laziness that needs to be carefully and consciously guarded against if people aspire to be anything more than [[LowCultureHighTech barbarians with fancy toys.toys]].


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* ''Chosen Ones'' by Veronica Roth does this with MundaneUtility. In Genetrix, an AlternateUniverse version of Earth where [[TheMagicComesBack The Magic Came Back]] in 1969, this is one of the main controversies surrounding the increasing use of magic by society, as it is feared that people will become unable to perform simple tasks without magic as they come to rely on it for everything -- and that if the source of magic turns out to be a finite resource, losing access to it could cause [[PostPeakOil the collapse of civilization should society grow too dependent on it]]. Some cities have even declared themselves "haven cities" and banned all magic within their borders. It's noted that the presence of magic created an AlternateTechline where research into computers stalled out sometime in the '70s or '80s, with cars still having analog dials on the dashboard and this world's version of the internet being described by Esther as a "glorified card catalog", because {{magitek}} could do everything that a primitive computer could and more, far more effectively. The protagonist Sloane, a woman from our Earth who wound up in Genetrix and struggles to control her own innate magical abilities, has trouble navigating the building she's staying in because even the elevators and door locks are controlled by magic.
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* Creator/StephenKing's ''Literature/TheInstitute'' does this to the GovernmentConspiracy, specifically of the "secret government research project that commits atrocities ForScience" variety (in the manner of ''Series/StrangerThings'', King's own ''Literature/{{Firestarter}}'', or real-life conspiracy theories about Project [=MKUltra=] and the Montauk Project), showing just how difficult it would be to run it and keep it secret. The titular Institute has a small staff, with a counter-productive proportion of unbalanced sadists, because it is difficult to recruit people who would [[WouldHurtAChild go along with the torture of children]]. Its physical and digital infrastructure are also outdated and falling apart, because finding contractors with the necessary skills to renovate and upgrade the place means revealing to them that it exists and having to keep them from telling anyone else.
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Updating Link


** Before ''Don Quixote'', there was Ariosto's ''Literature/OrlandoFurioso'', whose intense [[LoveMakesYouEvil love]] for Angelica basically turned him into the ComicBook/IncredibleHulk after he finds out that she's a normal, human woman who's had a fling with a shepherd, and not a virginal PrincessClassic.

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** Before ''Don Quixote'', there was Ariosto's ''Literature/OrlandoFurioso'', whose intense [[LoveMakesYouEvil love]] for Angelica basically turned him into the ComicBook/IncredibleHulk [[ComicBook/TheIncredibleHulk Hulk]] after he finds out that she's a normal, human woman who's had a fling with a shepherd, and not a virginal PrincessClassic.
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wick cleaning


* ''Literature/WutheringHeights'' deconstructs AllGirlsWantBadBoys, by showing exactly what happens when girls fall in love with troubled, angry men. Heathcliff is a 'bad boy', and Bronte shows exactly what this means; he's unstable, vindictive, violent, selfish and vicious. The relationship between Heathcliff and Catherine is depicted as being intensely passionate, but also intensely unhealthy (not least because they [[IncestIsRelative may]] or [[NotBloodSiblings may not]] actually be [[BrotherSisterIncest brother and sister]]), and Heathcliff's response to being spurned for another man is to embark on a single-minded crusade of vengeance that ultimately results in the ruination of both lovers and their immediate families for absolutely no point whatsoever. As if this wasn't enough to illustrate the point, Edgar Linton's foolish sister Isabella elopes with Heathcliff because she's attracted to his bad-boy image. She gets what she wants, but not in the way she expects; an abusive husband who is openly contemptuous and violent towards her, and makes no secret of the fact that he only married her to get at her brother. This hasn't stopped a MisaimedFandom growing around Heathcliff, however, who even to this day is considered a model of a romantic hero despite the fact that he's pretty much a sociopath - something that Bronte intended to make absolutely clear.

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* ''Literature/WutheringHeights'' deconstructs AllGirlsWantBadBoys, by showing exactly what happens when girls fall in love with troubled, angry men. Heathcliff is a 'bad boy', and Bronte shows exactly what this means; he's unstable, vindictive, violent, selfish and vicious. The relationship between Heathcliff and Catherine is depicted as being intensely passionate, but also intensely unhealthy (not least because they [[IncestIsRelative may]] may or [[NotBloodSiblings may not]] actually be [[BrotherSisterIncest brother and sister]]), and Heathcliff's response to being spurned for another man is to embark on a single-minded crusade of vengeance that ultimately results in the ruination of both lovers and their immediate families for absolutely no point whatsoever. As if this wasn't enough to illustrate the point, Edgar Linton's foolish sister Isabella elopes with Heathcliff because she's attracted to his bad-boy image. She gets what she wants, but not in the way she expects; an abusive husband who is openly contemptuous and violent towards her, and makes no secret of the fact that he only married her to get at her brother. This hasn't stopped a MisaimedFandom growing around Heathcliff, however, who even to this day is considered a model of a romantic hero despite the fact that he's pretty much a sociopath - something that Bronte intended to make absolutely clear.
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Crosswicking.

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* Literature/RWBYAfterTheFall: Coco deconstructs TheLeader. While under the effects of the Caspian's Semblance, which amplifies existing emotions, Velvet and Fox reveal that they harbor some resentment towards Coco due to the fact she doesn't lead them, she bosses them around. She neglects to take their concerns into account and makes decisions for them. Coco takes their issues to heart and begins working to be more conscientious of her team and learn how to be a proper leader. In the sequel ''Literature/RWBYBeforeTheDawn'', she clashes with Team SSSN, which is having a similar problem with their leader, Sun. Her team makes it clear that there's a fine line between critiquing Sun and being unreasonable, showing that her own self-improvements are still a work in progress.
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* ''Literature/TreasureIsland'': deconstructs the KidHero. Jim Hawkins is a young boy whisked away on a grand adventure fit to make him financially independent for his entire life... and comes home severely traumatized, and suffers from recurring nightmares for the rest of his life.
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* ''Literature/GrandmasterOfDemonicCultivationMoDaoZuShi'':
** EvilIsEasy - Demonic cultivation is the ''xianxia'' equivalent of TheDarkArts. After Wei Wuxian discovers it, several people follow his footsteps because demonic cultivation makes use of resentful energy which is readily available and doesn't require a golden core to use (which requires plenty of time and effort to develop). Where some people use demonic cultivation for sinister purposes, demonic cultivation on its own is not necessarily evil and while dangerous, can still be used for good. In the ''donghua'', Lan Wangji puts it best: like a weapon, whether a power is good or evil depends entirely on the intent of its wielder.
** TheBeautifulElite - All cultivators tend to be seen as attractive as they are long-lived and able to maintain their youth and have abilities to fight monsters. However majority of these cultivators tend to be isolated and sheltered which affects their ability to emphasize with and understand the common folk, the very people they were supposed to protect.
** GoodVictimsBadVictims - Everyone shows sympathy to [[spoiler: the Lan and Jiang clans]] when they were massacred but when it's [[spoiler: the Wen clan]], everyone acts as if it is justified to torture and brutally kill them, even if the latter were innocent and included non-combatants such as doctors, the elderly and children. Wei Wuxian calls them out on this hypocrisy and pondered what would happen if he turned the tables on them, leading everyone to panic.
---> '''Wei Wuxian''': Then if I kill you today, is that still moral and just?
** HonorBeforeReason - The novel examines the notions of honor, righteousness and selflessness. Honor without wisdom becomes recklessness and naivety which only brings more suffering and people can become manipulated and taken advantage of or not understand the consequences of their actions. Just because it is the honorable thing to do, it doesn't mean it's the right thing to do. But at the same time, doing nothing is not the right thing ''either''.

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* ''Literature/ParadiseLost'' is a deconstruction of DracoInLeatherPants in its portrayal of {{Satan}}. He starts out all badass and charismatic, but as we get to know him more and more, he see that he's a whiny, self-pitying bully who bows to peer pressure from the other demons, [[ParentalIncest bangs his own daughter]] and arguably isn't even all that badass when compared to, say, [[TheCape Michael]] or KungFuJesus. The intention was to make the reader acknowledge that they felt the allure of sin but also that it leads nowhere good. However, he is for the most part still portrayed sympathetically enough, to the point that actually seeing him as living up to those traits isn't that far off, if he wasn't immersed in a sea of {{Wangst}}. It doesn't help that in the process of deconstructing Satan, the story [[RonTheDeathEater deconstructs God]] and YouCantFightFate by having God know every single thing Satan is going to do... [[JerkassGods and chooses to do almost nothing to stop it.]] As a result, it manages to slightly reconstruct Satan: both gods are jerks, but at least Satan is proactive and likable.

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* ''Literature/ParadiseLost'' is a deconstruction of DracoInLeatherPants in its portrayal of {{Satan}}. He starts out all badass and charismatic, looking like a charismatic badass, but as we get to know him more and more, he see that he's a whiny, self-pitying bully who bows to peer pressure from the other demons, [[ParentalIncest bangs his own daughter]] daughter]], and arguably isn't even all that badass when compared to, say, [[TheCape Michael]] or KungFuJesus. The intention was to make the reader acknowledge that they felt the allure of sin but also that it leads nowhere good. However, he is for the most part still portrayed sympathetically enough, to the point that actually seeing him as living up to those traits isn't that far off, if he wasn't immersed in a sea of {{Wangst}}. It doesn't help that in the process of deconstructing Satan, the story [[RonTheDeathEater deconstructs God]] and YouCantFightFate by having God know every single thing Satan is going to do... [[JerkassGods and chooses to do almost nothing to stop it.]] As a result, it manages to slightly reconstruct Satan: both gods are jerks, but at least Satan is proactive and likable.likable.
* ''Literature/ThePower'' deconstructs WomenAreWiser. The author's thesis is that this trope exists at the intersection of sexual dimorphism making the average woman smaller than the average man and [[AsskickingEqualsAuthority combat prowess determining who was in charge]] for most of human history, leading most women to seek out moral and intellectual authority as opposed to the path of military glory that men historically dominated. Gender egalitarianism, therefore, didn't ''create'' more peaceful societies but was rather a ''consequence'' of such, as the declining importance of physical strength as a source of authority, especially in the world's developed and industrialized nations, gave women more room to showcase their talents and emerge as leaders. When a biological mutation gives women the power to [[ShockAndAwe shoot electricity from their hands]] and thus makes them the more physically powerful gender, they start flexing their power, especially (though not exclusively) in developing countries where modernity had not yet fully advanced and traditional gender roles were still widespread. The characters who believe in this trope turn out to be some of its biggest monsters as they set out to oppress men, driven by a belief that they are more barbaric and violent than women and need to be controlled for the good of society. [[spoiler:And when WorldWarIII sends humanity back to the Stone Age, {{matriarchy}} emerges as the basic governing principle of post-apocalyptic society for the same reason patriarchy did in humanity's prehistory. The FramingDevice is set in a distant future that has rebuilt into something resembling modern society with the genders reversed, with the AuthorAvatar's female colleague fully believing in a gender-flipped version of this trope and coming up with all manner of (obviously false) evo-psych explanations for why it is.]]
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The trope is being renamed, as discussed in this TRS thread.


* ''Literature/DonQuixote'' is a DeconstructorFleet, but even more than a deconstruction of ChivalricRomance, (a genre now forgotten given WeirdAlEffect), he is a DeconstructiveParody of the overzealous fans (hence an immortal novel).

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* ''Literature/DonQuixote'' is a DeconstructorFleet, but even more than a deconstruction of ChivalricRomance, (a genre now forgotten given WeirdAlEffect), due to ParodyDisplacement), he is a DeconstructiveParody of the overzealous fans (hence an immortal novel).

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