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* BlackAndWhiteMorality: ''Deconstructed like hell''.
* BloodlessCarnage: ''Averted like hell''.

to:

* BlackAndWhiteMorality: ''Deconstructed like hell''.
Deconstructed.
* BloodlessCarnage: ''Averted like hell''.Averted.



* {{Foreshadowing}}: [[spoiler:Averted hard with Lewis' death. Its effective because before it happens, you are given no reason to expect it.]]

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* {{Foreshadowing}}: [[spoiler:Averted hard with Lewis' death. Its effective because before it happens, you are given no reason to expect it.]]



* NeverSayDie: Averted like crazy. The stakes aren't shallow, they're nailed in real deep.

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* NeverSayDie: Averted like crazy.NeverSayDie: Averted. The stakes aren't shallow, they're nailed in real deep.
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* AccesoryWearingCartoonAnimal

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* AccesoryWearingCartoonAnimalAccessoryWearingCartoonAnimal

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* AccesoryWearingCartoonAnimal



* TomboyPrincess: Charlotte is strong-willed, confident, and stubborn, but not in an obnoxious or cruel way.



* WalkingShirtlessScene: More like Walking Nude Scene, as all the main characters lack clothes apart from some items unique to their persons.
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* WorthyOpponent: Malona invokes the trope purely to mock it, when she says that she doesn't consider Agatha a worthy foe as part of her Badass Boast.

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* WorthyOpponent: Malona invokes the trope purely to mock it, when she says that she doesn't consider Agatha a worthy foe as part of her Badass Boast.BadassBoast above.
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* NotSoHarmlessVillain: Please give us a minute to stop laughing.
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* BondVillainStupidity: There's definitely an element of that in Malona murdering the last of her race, thus making her truly the [[LastOfHerKind Last of Her Kind]]. But again, she's forging for herself a tragic circumstance to justify her desire to subjugate the kingdom. So she's not being flat-out stupid, she's just freaking insane.

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* BondVillainStupidity: There's definitely an element of that in Malona murdering the last of her race, thus making her truly the [[LastOfHerKind [[LastOfHisKind Last of Her Kind]]. But again, she's forging for herself a tragic circumstance to justify her desire to subjugate the kingdom. So she's not being flat-out stupid, she's just freaking insane.
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* BondVillainStupidity: There's definitely an element of that in Malona murdering the last of her race, thus making her truly the Last of Her Kind. But again, she's forging for herself a tragic circumstance to justify her desire to subjugate the kingdom. So she's not being flat-out stupid, she's just freaking insane.

to:

* BondVillainStupidity: There's definitely an element of that in Malona murdering the last of her race, thus making her truly the [[LastOfHerKind Last of Her Kind.Kind]]. But again, she's forging for herself a tragic circumstance to justify her desire to subjugate the kingdom. So she's not being flat-out stupid, she's just freaking insane.
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* {{Jerkass}}: Oscar, thanks to having a deep dislike for rules and excessive altruism. Both of which James represents to him. He gets better, though.

to:

* {{Jerkass}}: Oscar, thanks to having a deep dislike for rules and excessive altruism. Both of which James represents to him. He [[spoiler:He gets better, though.]]
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* DisneyDeath: [[spoiler:Averted. Lewis aint getting up. But played straight with James, when Oscar finds him in the snow after having fallen on a mountain summit. Turns out the snow cushioned him enough, but he was still knocked out by the fall.]]

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* DisneyDeath: [[spoiler:Averted. Lewis aint getting up. But played straight with James, when Oscar finds him in the snow after having fallen on off a mountain summit.mountain. Turns out the snow cushioned him enough, but he was still knocked out by the fall.]]
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* EvilCannotComprehendGood: Subverted. Part of the tragedy of Malona is that she on a certain level understands how her actions look evil to others, but she feels from her position, its only just. She is not in denial about her evil: Malona just thinks she's allowed to be out of a sense of self-pity and a 'righteous' need to avenge her people.
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--> '''Malona:''' I do not consider you a worthy foe, General Cattington. You may have given the orders that killed hundreds of my kin, but you have never, never faced a serpent like me.

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--> '''Malona:''' I do not consider you a worthy foe, General Cattington. You may have given the orders that killed hundreds of my kin, but you have never, never ''never'' faced a serpent like me.
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Then Oscar, who is about as far from that as you can get. Cynical, stubborn, gets a thrill from fighting and confrontation, and with a strong distaste for authority and his brother constantly ruining his fun. He can feel for others, but you really gotta earn it.

to:

Then Oscar, who is about as far from that as you can get. Cynical, stubborn, gets a thrill from fighting and confrontation, and with a strong distaste for authority and his brother constantly ruining his fun. He can feel for others, but you really gotta earn it.
it. His primary redeeming trait is that he truly values family loyalty. But if you're family and you perform a perceived betrayal, then he'll gladly disown you...
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* ShoutOut: The fox overseeing Oscar and Lewis' execution at one point says they deserve a 'short drop and sudden stop.' Which is a term used by James Norrington in the first [[PiratesOfTheCaribbeanTheCurseOfTheBlackPearl Pirates of the Caribbean]] film.

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* ShoutOut: The fox overseeing Oscar and Lewis' execution at one point says they deserve a 'short drop and sudden stop.' Which is a term used by James Norrington in the first [[PiratesOfTheCaribbeanTheCurseOfTheBlackPearl [[Film/PiratesOfTheCaribbean Pirates of the Caribbean]] film.
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* WoobieDestroyerOfWorlds: Malona is motivated by vengeance for her race as her big achievement in life before she herself dies and snakes become extinct. But she made herself the last, and its strongly suggested that its precisely so that her quest for vengeance would have more of a tragic spin to it. She's deliberately invoking the trope!

to:

* WoobieDestroyerOfWorlds: Malona is motivated by vengeance for her race as her big achievement in life before she herself dies and snakes become extinct. But she made herself the last, and its it's strongly suggested that its precisely so that her quest for vengeance would have more of a tragic spin to it. She's deliberately invoking the trope!
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* Let'sGetDangerous: [[spoiler:Oscar, when he resolves to go back and help his brother.]]

to:

* Let'sGetDangerous: LetsGetDangerous: [[spoiler:Oscar, when he resolves to go back and help his brother.]]



* ShoutOut: The fox overseeing Oscar and Lewis' execution at one point says they deserve a 'short drop and sudden stop.' Which is a term used by James Norrington in the first Pirates of the Caribbean film.

to:

* ShoutOut: The fox overseeing Oscar and Lewis' execution at one point says they deserve a 'short drop and sudden stop.' Which is a term used by James Norrington in the first [[PiratesOfTheCaribbeanTheCurseOfTheBlackPearl Pirates of the Caribbean Caribbean]] film.

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Removed: 286

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* BigDamnHeroes: Oscar returning to save James and Charlotte. Also, and probably an even more impressive example, James rescuing his brothers from the gallows in the flashback section.

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* BigDamnHeroes: Oscar [[spoiler:Oscar returning to save James and Charlotte. Charlotte.]] Also, and probably an even more impressive example, James rescuing his brothers from the gallows in the flashback section.



** Lewis is killed with impalement by a thrown sword. The narrative goes out of its way to describe ''blood seeping from the wound into the ground''.

to:

** Lewis [[spoiler:Lewis is killed with impalement by a thrown sword. The narrative goes out of its way to describe ''blood seeping from the wound into the ground''. ]]



* BreakUpMakeUpScenario: Between Oscar and James, after Lewis' death finally (and violently) brings to the surface all of their frustrations with the other. Later, Oscar feels remorse and returns in the climax to help save Jim and Charlotte.

to:

* BreakUpMakeUpScenario: Between [[spoiler:Between Oscar and James, after Lewis' death finally (and violently) brings to the surface all of their frustrations with the other. Later, Oscar feels remorse and returns in the climax to help save Jim and Charlotte. ]]



* CirclingMonologue: Malona gets up to this, once James and Charlotte are her captives. Then again, during the brief break in her fight with James, when she's trying to, um, 'reason' with him. James doesn't have it, of course, and when he throws logic back at her and calls her out for her evil, she totally loses it and begins to fight him with all her raw power.
* ComingOfAgeStory: It could be read as one for Oscar in a way, since he finally gets over his petty prejudice against James and comes to appreciate his sacrifice. So he, in a way, ''grew up.''

to:

* CirclingMonologue: Malona gets up to this, once James [[spoiler:James and Charlotte are her captives. Then again, during the brief break in her fight with James, when she's trying to, um, 'reason' with him. James doesn't have it, of course, and when he throws logic back at her and calls her out for her evil, she totally loses it and begins to fight him with all her raw power. \n]]
* ComingOfAgeStory: It could be read as one for Oscar [[spoiler:Oscar in a way, since he finally gets over his petty prejudice against James and comes to appreciate his sacrifice. sacrifice.]] So he, in a way, ''grew up.''



** ''Good Lord'', Lewis. Dies from a sword being thrown into his chest–and a sword originally meant for Oscar, too. See BloodlessCarnage averted above.
** Randall, in the end, gets stabbed in the heart by Agatha...using one of his severed arms still clutching onto a sword.
** Malona finally dies when James tackles her off the summit of the mountain in his attempt at a HeroicSacrifice. But the fall doesn't kill her...it's James' sword landing blade-first on her after she's hit the snow, impaling her to death.

to:

** ''Good Lord'', Lewis.[[spoiler:Lewis. Dies from a sword being thrown into his chest–and a sword originally meant for Oscar, too. ]] See BloodlessCarnage averted above.
** Randall, [[spoiler:Randall, in the end, gets stabbed in the heart by Agatha...using one of his severed arms still clutching onto a sword. \n]]
** Malona [[spoiler:Malona finally dies when James tackles her off the summit of the mountain in his attempt at a HeroicSacrifice. But the fall doesn't kill her...it's James' sword landing blade-first on her after she's hit the snow, impaling her to death. ]]



* DarkestHour:



* {{Determinator}}: Malona will stop at nothing to accomplish her plan of vengeance. In fact, she tells James during their duel that their fight is to the death, as there is no way in hell either of them will allow the other to live. She to him, because James is a threat to her plan, and James to her, because James would be a fool to spare someone as dangerous as her. There's only one way this can end...

to:

* {{Determinator}}: Malona will stop at nothing to accomplish her plan of vengeance. In fact, she tells [[spoiler:tells James during their duel that their fight is to the death, as there is no way in hell either of them will allow the other to live. She to him, because James is a threat to her plan, and James to her, because James would be a fool to spare someone as dangerous as her. There's only one way this can end...]]



* DisneyDeath: Averted. Lewis aint getting up. But played straight with James, when Oscar finds him in the snow after having fallen on a mountain summit. Turns out the snow cushioned him enough, but he was still knocked out by the fall.
* DisneyVillainDeath: Subverted. Malona is tackled off a mountaintop by James in an attempted suicide attack, but we see her body minutes later, impaled by James' sword.

to:

* DisneyDeath: Averted.[[spoiler:Averted. Lewis aint getting up. But played straight with James, when Oscar finds him in the snow after having fallen on a mountain summit. Turns out the snow cushioned him enough, but he was still knocked out by the fall. \n]]
* DisneyVillainDeath: Subverted.[[spoiler:Subverted. Malona is tackled off a mountaintop by James in an attempted suicide attack, but we see her body minutes later, impaled by James' sword. ]]



* EvilIsPetty: Malona is so frightening as an enemy because her reasoning and rationale for her actions are based on a sick mixture of entitlement, self-pity, and an overblown caricature of 'justice.' In reality, her actions are horribly petty, and when James tries to alert her to this, she is infuriated by it, which makes one wonder if such comment struck a nerve and she is aware of this fact deep down, but doesn't like to think about it...

to:

* EvilIsPetty: Malona is so frightening as an enemy because her reasoning and rationale for her actions are based on a sick mixture of entitlement, self-pity, and an overblown caricature of 'justice.' In reality, her actions are horribly petty, and when [[spoiler:when James tries to alert her to this, she is infuriated by it, which makes one wonder if such comment struck a nerve and she is aware of this fact deep down, but doesn't like to think about it...]]



* FamilyUnfriendlyDeath: Lewis, Randall and Malona all get quite nasty fates.

to:

* FamilyUnfriendlyDeath: Lewis, [[spoiler:Lewis, Randall and Malona all get quite nasty fates.]]



* {{Foreshadowing}}: Averted hard with Lewis' death. Its effective because before it happens, you are given no reason to expect it.

to:

* {{Foreshadowing}}: Averted [[spoiler:Averted hard with Lewis' death. Its effective because before it happens, you are given no reason to expect it. ]]



* HeroicBSOD: James goes through a truly epic one with the death of Lewis, which was in a sense partially his own fault. Then Oscar himself, when he nearly kills his last brother.

to:

* HeroicBSOD: James [[spoiler:James goes through a truly epic one with the death of Lewis, which was in a sense partially his own fault. Then Oscar himself, when he nearly kills his last brother.]]



* KilledOffForReal: Lewis is deader than dead. As is Malona and Randall. Of the three, only Randall's death lacks any tragic undertone to it. Because he was just such a bastard.

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* KilledOffForReal: Lewis KilledOffForReal: [[spoiler:Lewis is deader than dead. As is Malona and Randall. Of the three, only Randall's death lacks any tragic undertone to it. Because he was just such a bastard. ]]



* Let'sGetDangerous: Oscar, when he resolves to go back and help his brother.

to:

* Let'sGetDangerous: Oscar, [[spoiler:Oscar, when he resolves to go back and help his brother.]]



* MoodWhiplash: Lewis just successfully took out a robber by himself, and is jokingly chatting with the others....and then he gets impaled by a sword thrown by one of the robber's lackeys whom they missed.

to:

* MoodWhiplash: Lewis [[spoiler:Lewis just successfully took out a robber by himself, and is jokingly chatting with the others....and then he gets impaled by a sword thrown by one of the robber's lackeys whom they missed. ]]



* NotSoDifferent: Simba as a kid has the mentality that when they become king, they could do anything they want and no-one would be able to stop them (although when young Simba says this, Mufasa immediately advises him against this). Scar later says the exact same thing.



* PleaseWakeUp: Oscar to James' motionless body after finding him at the bottom of the mountain.

to:

* PleaseWakeUp: Oscar PleaseWakeUp: [[spoiler:Oscar to James' motionless body after finding him at the bottom of the mountain.]]



* RagtagBandOfMisfits: The Brothers Brave, a trio of dynsfunctional cat brothers...and Charlotte, an enigmatic and amoral vixen.
* RedemptionInTheRain: Not rain but snow, as it starts to lightly come down as Oscar gives his emotional speech to James.

to:

* RagtagBandOfMisfits: The Brothers Brave, a trio of dynsfunctional dysfunctional cat brothers...and Charlotte, an enigmatic and amoral vixen.
* RedemptionInTheRain: Not [[spoiler:Not rain but snow, as it starts to lightly come down as Oscar gives his emotional speech to James.]]



* ShooOutTheClowns: Lewis, who basically amounts to the closest the book comes to a comic relief character, is brutally killed before the third act. And from that point on, things get very, very serious.

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* ShooOutTheClowns: Lewis, ShooOutTheClowns: [[spoiler:Lewis, who basically amounts to the closest the book comes to a comic relief character, is brutally killed before the third act. And from that point on, things get very, very serious. ]]



* TheyDiedBecauseOfYou: Oscar, very cruelly blaming James for Lewis' death.

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* TheyDiedBecauseOfYou: Oscar, [[spoiler:Oscar, very cruelly blaming James for Lewis' death. death.]]



** And Oscar telling James he'll never forgive him for Lewis' dying thanks to James' insistence on getting involved in the carriage attack.

to:

** And [[spoiler:And Oscar telling James he'll never forgive him for Lewis' dying thanks to James' insistence on getting involved in the carriage attack.]]
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* NeverSay"Die": Averted like crazy. The stakes aren't shallow, they're nailed in real deep.
* Not-So-HarmlessVillain: Please give us a minute to stop laughing.

to:

* NeverSay"Die": Averted NeverSayDie: Averted like crazy. The stakes aren't shallow, they're nailed in real deep.
* Not-So-HarmlessVillain: NotSoHarmlessVillain: Please give us a minute to stop laughing.



* Shout-Out: The fox overseeing Oscar and Lewis' execution at one point says they deserve a 'short drop and sudden stop.' Which is a term used by James Norrington in the first Pirates of the Caribbean film.

to:

* Shout-Out: ShoutOut: The fox overseeing Oscar and Lewis' execution at one point says they deserve a 'short drop and sudden stop.' Which is a term used by James Norrington in the first Pirates of the Caribbean film.

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Changed: 2

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* Family-UnfriendlyDeath: Lewis, Randall and Malona all get quite nasty fates.
* Family-UnfriendlyViolence: In the same vein, the fights can sometimes get quite brutal.

to:

* Family-UnfriendlyDeath: FamilyUnfriendlyDeath: Lewis, Randall and Malona all get quite nasty fates.
* Family-UnfriendlyViolence: FamilyUnfriendlyViolence: In the same vein, the fights can sometimes get quite brutal.


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* GoodAnimalsEvilAnimals: As previously mentioned, this book takes a hard stance in opposition to stereotyping animals as 'evil'.
* HumanlikeHandAnatomy: Animals are described having 'paws' or 'hooves' or whatnot, but with the pawed animals, they are able to hold objects, so they must have opposable thumbs.
* HumiliationConga: James' whole life ever since going on the run with his siblings basically amounts to one.
* {{Hypocrite}}: Malona acts all pissed over being the last of her kind. When she is directly responsible for being the last, after killing her entire colony of snakes.
* HeroicBSOD: James goes through a truly epic one with the death of Lewis, which was in a sense partially his own fault. Then Oscar himself, when he nearly kills his last brother.
* InterspeciesAdoption: Charlotte was unofficially adopted by Kristofferson, as his way of trying to atone for his past crimes, especially accidentally killing her parents.
* InterspeciesFriendship: The Brothers befriend Charlotte, a vixen.
* {{Irony}}: The sad fact that Malona became as psycho and vengeance-crazed as she was, and thus the BigBad, because her species was stereotyped as evil and scheming in the first place.
* {{Jerkass}}: Oscar, thanks to having a deep dislike for rules and excessive altruism. Both of which James represents to him. He gets better, though.
* KilledOffForReal: Lewis is deader than dead. As is Malona and Randall. Of the three, only Randall's death lacks any tragic undertone to it. Because he was just such a bastard.
* KnightOfCerebus: Malona. The moment she debuts in the story, that's about the point when things become quite deadly serious.
* LargeHam: Malona, again. With a voice described as being like rocks scraped against a sword blade.
* Let'sGetDangerous: Oscar, when he resolves to go back and help his brother.
* LightningBruiser: Malona, being a king cobra, is frighteningly fast in battle.
* MoodWhiplash: Lewis just successfully took out a robber by himself, and is jokingly chatting with the others....and then he gets impaled by a sword thrown by one of the robber's lackeys whom they missed.
* {{Mordor}}: The Boneyard, a dark, foreboding mountain range, filled with unsettling significance.
* NeverSay"Die": Averted like crazy. The stakes aren't shallow, they're nailed in real deep.
* Not-So-HarmlessVillain: Please give us a minute to stop laughing.
* NotSoDifferent: Simba as a kid has the mentality that when they become king, they could do anything they want and no-one would be able to stop them (although when young Simba says this, Mufasa immediately advises him against this). Scar later says the exact same thing.
* OddNameOut: As noted, most names are taken from human names, but Malona is given a fantastical name to both make her more distinctive and drive home that she came from another species with its own unique names.
* PleaseWakeUp: Oscar to James' motionless body after finding him at the bottom of the mountain.
* {{Pride}}: Oscar's biggest flaw, as it keeps him from developing proper caring for others and the humility to accept authority.
* PunchClockVillain: Randall, so much. He apparently only works for those who guarantee him total freedom to fulfill the job by however means he wants. You can bet he goes out of his way to hurt, kill and torture innocents.
* RagtagBandOfMisfits: The Brothers Brave, a trio of dynsfunctional cat brothers...and Charlotte, an enigmatic and amoral vixen.
* RedemptionInTheRain: Not rain but snow, as it starts to lightly come down as Oscar gives his emotional speech to James.
* ReptilesAreAbhorrent: Deconstructed strongly. The BigBad is a king cobra, yes, but her backstory drives home a moral about ill treatment of certain groups sometimes driving them to the point where they end up becoming their own worst stereotypes.
* TheResenter: Oscar toward James, for being altruistic to the point of ruining the fun of amorality for Oscar, and for the indignity of owing said brother he never liked much, his life.
* RightBehindMe: Kristofferson successfully is able to sneak up on the Brothers without being smelt, since he has no scent.
* ShooOutTheClowns: Lewis, who basically amounts to the closest the book comes to a comic relief character, is brutally killed before the third act. And from that point on, things get very, very serious.
* Shout-Out: The fox overseeing Oscar and Lewis' execution at one point says they deserve a 'short drop and sudden stop.' Which is a term used by James Norrington in the first Pirates of the Caribbean film.
** That whole execution day rescue is heavily inspired by the ending of that film, when Will Turner saves Jack Sparrow from a similar fate.
* TheSmurfettePrinciple: Charlotte is the only main female character in the cast of heroes. Balanced a bit by the main villain being female too.
* TheyDiedBecauseOfYou: Oscar, very cruelly blaming James for Lewis' death.
* ThisIsUnforgivable: Malona's whole stance concerning the kingdom's wiping out of snake-kind.
** And Oscar telling James he'll never forgive him for Lewis' dying thanks to James' insistence on getting involved in the carriage attack.
* TomboyPrincess: Charlotte is strong-willed, confident, and stubborn, but not in an obnoxious or cruel way.
* {{Troperiffic}}
* WalkingShirtlessScene: More like Walking Nude Scene, as all the main characters lack clothes apart from some items unique to their persons.
* WorthyOpponent: Malona invokes the trope purely to mock it, when she says that she doesn't consider Agatha a worthy foe as part of her Badass Boast.
* WoobieDestroyerOfWorlds: Malona is motivated by vengeance for her race as her big achievement in life before she herself dies and snakes become extinct. But she made herself the last, and its strongly suggested that its precisely so that her quest for vengeance would have more of a tragic spin to it. She's deliberately invoking the trope!
Is there an issue? Send a MessageReason:
None


* EvilWillFail: The heroes all seem to think Malona's plan will not succeed thanks to simple matters of practicality, but they still want to stop her, as at the least, her plot ''will'' result in a decent amount of pointless deaths and suffering.

to:

* EvilWillFail: The heroes all seem to think Malona's plan will not succeed thanks to simple matters of practicality, but they still want to stop her, as at the least, her plot ''will'' result in a decent amount of pointless deaths and suffering.suffering.
* FallenHero: James is an interesting variation, in that he didn't fall into evil from having once been a hero. He is still very much a noble-minded, heroic cat. But he's fallen from a status position as an honorable member of society, and even had been about to be knighted the day he chose to save his brothers.
* Family-UnfriendlyDeath: Lewis, Randall and Malona all get quite nasty fates.
* Family-UnfriendlyViolence: In the same vein, the fights can sometimes get quite brutal.
* FateWorseThanDeath: Malona goes out of her way to scare the crap out of her captives by describing their hypnotized existence as her soldiers as being equivalent to an endless waking nightmare, that they will only escape when they die in battle.
* {{Foreshadowing}}: Averted hard with Lewis' death. Its effective because before it happens, you are given no reason to expect it.
* FreudianExcuse: Malona acts like her species being driven into hiding and the brink of extinction makes her actions simply poetic justice. The fact she actually ensured her kind's demise herself kinda ruins any sympathetic view of her. That said, its pretty clear Malona was mentally screwed up from the get go, and so there's a possibility that she never got the help she needed with her psychosis, and so it only grew and grew, until it made her a sadistic murderer. In that case, there is partial blame for her family neglecting her mental health.
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* Elephant'sGraveyard: The mountain range where Malona resides is actually nicknamed “the Boneyard” for being the place where the snakes were annihilated in the final battle of the Serpent War.

to:

* Elephant'sGraveyard: ElephantGraveyard: The mountain range where Malona resides is actually nicknamed “the Boneyard” for being the place where the snakes were annihilated in the final battle of the Serpent War.

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Removed: 192

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Eccentric Mentor: Rafiki looks like a crazy old monkey, but has great wisdom (and kung-fu skills).
* ElephantsGraveyard: The mountain range where Malona resides is actually nicknamed “the Boneyard” for being the place where the snakes were annihilated in the final battle of the Serpent War.

to:

Eccentric Mentor: Rafiki looks like a crazy old monkey, but has great wisdom (and kung-fu skills).
* ElephantsGraveyard: Elephant'sGraveyard: The mountain range where Malona resides is actually nicknamed “the Boneyard” for being the place where the snakes were annihilated in the final battle of the Serpent War.

Added: 1991

Changed: -7

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* DoesThisRemindYouOfAnything?: Among many examples, Charlotte definitely tries to act seductive in the bar scene. Even acknowledged a little while later. That, and Oscar telling James “You keep using all your energy trying to keep us in line, instead of using it in the barn.” Barn being an obvious euphemism for bed.

to:

* DoesThisRemindYouOfAnything?: DoesThisRemindYouOfAnything: Among many examples, Charlotte definitely tries to act seductive in the bar scene. Even acknowledged a little while later. That, and Oscar telling James “You keep using all your energy trying to keep us in line, instead of using it in the barn.” Barn being an obvious euphemism for bed.



* DynamicEntry: James leaps from a hilltop onto a passing carriage in the opening, kicking a badger off the roof as he does so.

to:

* DynamicEntry: James leaps from a hilltop onto a passing carriage in the opening, kicking a badger off the roof as he does so.so.
Eccentric Mentor: Rafiki looks like a crazy old monkey, but has great wisdom (and kung-fu skills).
* ElephantsGraveyard: The mountain range where Malona resides is actually nicknamed “the Boneyard” for being the place where the snakes were annihilated in the final battle of the Serpent War.
* ElephantInTheRoom: Throughout the book, there is significant tension between James and Oscar. A lot of it is due to James feeling hurt over Oscar never showing him gratitude for saving his life years ago, and Oscar is too proud and embarrassed to admit he owes his life to the brother he least likes. A major arc of the story is them finally having to confront each other on this, and learn to accept and forgive the other.
* EvilCannotComprehendGood: Subverted. Part of the tragedy of Malona is that she on a certain level understands how her actions look evil to others, but she feels from her position, its only just. She is not in denial about her evil: Malona just thinks she's allowed to be out of a sense of self-pity and a 'righteous' need to avenge her people.
* EvilCounterpart: Not evil, but Oscar does act as a darker, less moral foil to James.
* EvilPlan: Malona plots to assemble an army of hypnotized innocent animals and wage war on the kingdom that slaughtered her species nearly to extinction.
* EvilIsPetty: Malona is so frightening as an enemy because her reasoning and rationale for her actions are based on a sick mixture of entitlement, self-pity, and an overblown caricature of 'justice.' In reality, her actions are horribly petty, and when James tries to alert her to this, she is infuriated by it, which makes one wonder if such comment struck a nerve and she is aware of this fact deep down, but doesn't like to think about it...
* EvilWillFail: The heroes all seem to think Malona's plan will not succeed thanks to simple matters of practicality, but they still want to stop her, as at the least, her plot ''will'' result in a decent amount of pointless deaths and suffering.
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* CallToAdventure: James, by his nature, usually jumps at the chance to be a hero and do something noble, whereas Oscar and Lewis need more convincing to do actions based on altruism. But if its simply for the fortune and glory, they'll usually be the ones goading James.
* CatsAreMean: Oscar fits the trope, though his siblings strongly avert it. James is kind and compassionate and all around a swell guy, and Lewis is cheerful and laid-back.
* CarnivoreConfusion: The kingdom apparently has an Act making it illegal for 'sentient animals' to be eaten, and so are given equal rights. How exactly this works, and what animals count, aren't really explored (after all, there's no real reason to dwell on it, and there's a story going on).
* CirclingMonologue: Malona gets up to this, once James and Charlotte are her captives. Then again, during the brief break in her fight with James, when she's trying to, um, 'reason' with him. James doesn't have it, of course, and when he throws logic back at her and calls her out for her evil, she totally loses it and begins to fight him with all her raw power.
* ComingOfAgeStory: It could be read as one for Oscar in a way, since he finally gets over his petty prejudice against James and comes to appreciate his sacrifice. So he, in a way, ''grew up.''
* CruelAndUnusualDeath:
** ''Good Lord'', Lewis. Dies from a sword being thrown into his chest–and a sword originally meant for Oscar, too. See BloodlessCarnage averted above.
** Randall, in the end, gets stabbed in the heart by Agatha...using one of his severed arms still clutching onto a sword.
** Malona finally dies when James tackles her off the summit of the mountain in his attempt at a HeroicSacrifice. But the fall doesn't kill her...it's James' sword landing blade-first on her after she's hit the snow, impaling her to death.
* DarkerAndEdgier: Compared to the Three Little Kittens nursery rhyme, which this is supposed to be a sequel to? What do you think?
* DarkestHour:
* DeadpanSnarker: Oscar is the foremost one, though his brothers and Charlotte get some nice moments.
* {{Determinator}}: Malona will stop at nothing to accomplish her plan of vengeance. In fact, she tells James during their duel that their fight is to the death, as there is no way in hell either of them will allow the other to live. She to him, because James is a threat to her plan, and James to her, because James would be a fool to spare someone as dangerous as her. There's only one way this can end...
* DisappointedInYou: James' conscience, of course, chews him out for his plan to abandon his brothers on the execution day.
* DisneyDeath: Averted. Lewis aint getting up. But played straight with James, when Oscar finds him in the snow after having fallen on a mountain summit. Turns out the snow cushioned him enough, but he was still knocked out by the fall.
* DisneyVillainDeath: Subverted. Malona is tackled off a mountaintop by James in an attempted suicide attack, but we see her body minutes later, impaled by James' sword.
* DoesThisRemindYouOfAnything?: Among many examples, Charlotte definitely tries to act seductive in the bar scene. Even acknowledged a little while later. That, and Oscar telling James “You keep using all your energy trying to keep us in line, instead of using it in the barn.” Barn being an obvious euphemism for bed.
* TheDragon: Randall. Who seems to do what he does purely for the sadistic pleasure of it, and its speculated that Malona offered him total freedom to wreak havoc once she's in control of the kingdom.
* DynamicEntry: James leaps from a hilltop onto a passing carriage in the opening, kicking a badger off the roof as he does so.
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* 0ApprovalRating: The king of the kingdom in which the book takes place in (both left unnamed, oddly) is not popular at all with the lower-class, thanks to being incompetent mixed with arrogant. He also has zero approval from Malona, seeing as he led a war to exterminate her species, and almost did. Malona herself finished that job...

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* 0ApprovalRating: ZeroPercentApprovalRating: The king of the kingdom in which the book takes place in (both left unnamed, oddly) is not popular at all with the lower-class, thanks to being incompetent mixed with arrogant. He also has zero approval from Malona, seeing as he led a war to exterminate her species, and almost did. Malona herself finished that job...



* Armor-PiercingStatement: A ton of them, since many of the characters end up being called out for various actions.

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* Armor-PiercingStatement: ArmorPiercingQuestion: A ton of them, since many of the characters end up being called out for various actions.
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* 0%ApprovalRating: The king of the kingdom in which the book takes place in (both left unnamed, oddly) is not popular at all with the lower-class, thanks to being incompetent mixed with arrogant. He also has zero approval from Malona, seeing as he led a war to exterminate her species, and almost did. Malona herself finished that job...

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* 0%ApprovalRating: 0ApprovalRating: The king of the kingdom in which the book takes place in (both left unnamed, oddly) is not popular at all with the lower-class, thanks to being incompetent mixed with arrogant. He also has zero approval from Malona, seeing as he led a war to exterminate her species, and almost did. Malona herself finished that job...



* AerithandBob: Inverted, in that most characters' names are fairly modern, normal human names (itself subverting lots of fantasy works' tendency to have their cast made up of bizarre foreign names), but then there's Malona, a nonsense word. Though that's meant to indicate she came from a species with their own naming conventions.

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* AerithandBob: AerithAndBob: Inverted, in that most characters' names are fairly modern, normal human names (itself subverting lots of fantasy works' tendency to have their cast made up of bizarre foreign names), but then there's Malona, a nonsense word. Though that's meant to indicate she came from a species with their own naming conventions.



* ANazibyAnyOtherName: Malona certainly has some elements of Hitler in her, but interestingly for the most part she either deconstructs or subverts most of the typical traits.

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* ANazibyAnyOtherName: ANaziByAnyOtherName: Malona certainly has some elements of Hitler in her, but interestingly for the most part she either deconstructs or subverts most of the typical traits.



* ArmorPiercingStatement: A ton of them, since many of the characters end up being called out for various actions.

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* ArmorPiercingStatement: Armor-PiercingStatement: A ton of them, since many of the characters end up being called out for various actions.



--> '''Malona:''' I do not consider you a worthy foe, General Cattington. You may have given the orders that killed hundreds of my kin, but you have never, never faced a serpent like me.\\

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--> '''Malona:''' I do not consider you a worthy foe, General Cattington. You may have given the orders that killed hundreds of my kin, but you have never, never faced a serpent like me.\\



* BlackandWhiteMorality: ''Deconstructed like hell''.

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* BlackandWhiteMorality: BlackAndWhiteMorality: ''Deconstructed like hell''.
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The novel focuses on this trio, now infamous thieves in the kingdom (though, infamous really only to the royalty, as the lower-class general populace love them as RobinHood-style rebels against the corrupt government) as they discover a plot to wage war on the kingdom by an enemy belonging to a thought-dead race, who intends to gather an army of animals all under her hypnotic control. When the cats' own mother, Agatha, becomes one of the latest kidnapped, that's when the Brothers Brave must team up with an enigmatic vixen named Charlotte and not only stop the BigBad's plan, but save their mother...and finally come to terms with their strained relationship with each other..

to:

The novel focuses on this trio, now infamous thieves in the kingdom (though, infamous really only to the royalty, as the lower-class general populace love them as RobinHood-style rebels against the corrupt government) as they discover a plot to wage war on the kingdom by an enemy belonging to a thought-dead race, who intends to gather an army of animals all under her hypnotic control. When the cats' own mother, Agatha, becomes one of the latest kidnapped, that's when the Brothers Brave must team up with an enigmatic vixen named Charlotte and not only stop the BigBad's plan, but save their mother...and finally come to terms with their strained relationship with each other..other..

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!!The Brothers Brave contains the following tropes:

* 0%ApprovalRating: The king of the kingdom in which the book takes place in (both left unnamed, oddly) is not popular at all with the lower-class, thanks to being incompetent mixed with arrogant. He also has zero approval from Malona, seeing as he led a war to exterminate her species, and almost did. Malona herself finished that job...
* ActionGirl: Charlotte.
* ActionFilmQuietDramaScene: Charlotte's talk to James during a campfire scene, while Oscar and Lewis practice-duel.
* AdaptationExpansion: The story takes a simple Mother Goose rhyme and mutates it into an epic fantasy adventure story.
* AdultFear: Agatha fears for her children taking the wrong path in life. James has similar worries, but from more of an older-brother viewpoint toward his siblings.
* AerithandBob: Inverted, in that most characters' names are fairly modern, normal human names (itself subverting lots of fantasy works' tendency to have their cast made up of bizarre foreign names), but then there's Malona, a nonsense word. Though that's meant to indicate she came from a species with their own naming conventions.
* AlternateAnimalAffection: Hugs, mostly. Though we never see actual romantic physicality with the characters, since there's no romantic subplot of any sort.
* ANazibyAnyOtherName: Malona certainly has some elements of Hitler in her, but interestingly for the most part she either deconstructs or subverts most of the typical traits.
* AnimalTalk
* ArmorPiercingStatement: A ton of them, since many of the characters end up being called out for various actions.
* BackstabBackfire:
* BadAss: All three Brothers of course, along with Charlotte. Kristofferson must have been back in the day, given he was a mercenary trusted by Malona. Randall certainly is, helped by having multiple limbs and spider reflexes in a fight. But the biggest award goes to Malona, a cobra with a sword attached to the tip of her tail, and utilizes her natural species' speed to be a lightning-fast duelist.
* BadassAdorable: Well, the Brothers are all cats. What do you think? Dog people, shut it...
* BadassBoast: Malona makes many of these, one of the most memorable being:
--> '''Malona:''' I do not consider you a worthy foe, General Cattington. You may have given the orders that killed hundreds of my kin, but you have never, never faced a serpent like me.\\
* BadassCrew: The Brothers Brave, of course.
* BeautyEqualsGoodness: The story may technically follow it, with the heroes being animals generally considered cute and the enemies being creatures more looked at as gross or scary, but a major point is made that snakes as a species did NOT deserve the treatment given to them, and so Malona is a tragic example of, since she is all that remains, representing her race as psychotic, evil monsters, when really, its just ''her''.
* BerserkButton:
** Malona, being as unbalanced as she is, will freak out when confronted with the cold truth of how her actions really are, at the end of the day, evil.
** James finally loses all control when his sense of compassion and drive to help others is warped by Oscar to make him seem like he would gladly sacrifice his brothers for a higher cause....''when James had done the exact opposite'' when he saved Oscar and Lewis from death years ago. At that point, it was quite understandable for James to attack Oscar.
* BigBad: Malona.
* BigDamnHeroes: Oscar returning to save James and Charlotte. Also, and probably an even more impressive example, James rescuing his brothers from the gallows in the flashback section.
* BlackandWhiteMorality: ''Deconstructed like hell''.
* BloodlessCarnage: ''Averted like hell''.
** Lewis is killed with impalement by a thrown sword. The narrative goes out of its way to describe ''blood seeping from the wound into the ground''.
* BondVillainStupidity: There's definitely an element of that in Malona murdering the last of her race, thus making her truly the Last of Her Kind. But again, she's forging for herself a tragic circumstance to justify her desire to subjugate the kingdom. So she's not being flat-out stupid, she's just freaking insane.
* BreakUpMakeUpScenario: Between Oscar and James, after Lewis' death finally (and violently) brings to the surface all of their frustrations with the other. Later, Oscar feels remorse and returns in the climax to help save Jim and Charlotte.
* ButtMonkey: In a lot of ways, James is one for Oscar, who clearly dislikes his different methods and mindset, and so constantly is treating him with thinly-veiled condescension or teasing him for his ways.
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''The Brothers Brave'' is either a Darker and Edgier Sequel or an Adaptation Expansion of The Three Little Kittens MotherGoose rhyme (though the book itself never overtly makes a connection), re-imagined as an epic swashbuckling adventure story. The titular kittens of that story (provided with the surname Cattington) are now mature, outlaws from the kingdom the story takes place in, and are very much a DysfunctionalFamily.

to:

''The Brothers Brave'' is either a Darker and Edgier DarkerAndEdgier Sequel or an Adaptation Expansion AdaptationExpansion of The Three Little Kittens MotherGoose rhyme (though the book itself never overtly makes a connection), re-imagined as an epic swashbuckling adventure story. The titular kittens of that story (provided with the surname Cattington) are now mature, outlaws from the kingdom the story takes place in, and are very much a DysfunctionalFamily.
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''The Brothers Brave'' is either a Darker and Edgier Sequel or an Adaptation Expansion of The Three Little Kittens [[MotherGoose]] rhyme (though the book itself never overtly makes a connection), re-imagined as an epic swashbuckling adventure story. The titular kittens of that story (provided with the surname Cattington) are now mature, outlaws from the kingdom the story takes place in, and are very much a [[DysfunctionalFamily]].

to:

''The Brothers Brave'' is either a Darker and Edgier Sequel or an Adaptation Expansion of The Three Little Kittens [[MotherGoose]] MotherGoose rhyme (though the book itself never overtly makes a connection), re-imagined as an epic swashbuckling adventure story. The titular kittens of that story (provided with the surname Cattington) are now mature, outlaws from the kingdom the story takes place in, and are very much a [[DysfunctionalFamily]].DysfunctionalFamily.



The novel focuses on this trio, now infamous thieves in the kingdom (though, infamous really only to the royalty, as the lower-class general populace love them as [[RobinHood]]-style rebels against the corrupt government) as they discover a plot to wage war on the kingdom by an enemy belonging to a thought-dead race, who intends to gather an army of animals all under her hypnotic control. When the cats' own mother, Agatha, becomes one of the latest kidnapped, that's when the Brothers Brave must team up with an enigmatic vixen named Charlotte and not only stop the [[BigBad]]'s plan, but save their mother...and finally come to terms with their strained relationship with each other..

to:

The novel focuses on this trio, now infamous thieves in the kingdom (though, infamous really only to the royalty, as the lower-class general populace love them as [[RobinHood]]-style RobinHood-style rebels against the corrupt government) as they discover a plot to wage war on the kingdom by an enemy belonging to a thought-dead race, who intends to gather an army of animals all under her hypnotic control. When the cats' own mother, Agatha, becomes one of the latest kidnapped, that's when the Brothers Brave must team up with an enigmatic vixen named Charlotte and not only stop the [[BigBad]]'s BigBad's plan, but save their mother...and finally come to terms with their strained relationship with each other..
Is there an issue? Send a MessageReason:
None

Added DiffLines:

''The Brothers Brave'' is either a Darker and Edgier Sequel or an Adaptation Expansion of The Three Little Kittens [[MotherGoose]] rhyme (though the book itself never overtly makes a connection), re-imagined as an epic swashbuckling adventure story. The titular kittens of that story (provided with the surname Cattington) are now mature, outlaws from the kingdom the story takes place in, and are very much a [[DysfunctionalFamily]].

You've got James, who is compassionate and selfless, wants to do good and values honor and humility, and yet suffers torment over the wholesale tossing out of his own personal happiness and goals in life thanks to devoting himself to living with his brothers and looking after them.
Then Oscar, who is about as far from that as you can get. Cynical, stubborn, gets a thrill from fighting and confrontation, and with a strong distaste for authority and his brother constantly ruining his fun. He can feel for others, but you really gotta earn it.

Finally, Lewis, who is more relaxed and laid-back. Of the three, he's the most middle-of-the-road, as he has more honor and compassion than Oscar, but not as altruistic and goody-two-shoes as James. Indeed, he looks up to Oscar as a symbol of strength and independence, but respects James' outlook and tries to be a little kinder to him than Oscar ever is.

The novel focuses on this trio, now infamous thieves in the kingdom (though, infamous really only to the royalty, as the lower-class general populace love them as [[RobinHood]]-style rebels against the corrupt government) as they discover a plot to wage war on the kingdom by an enemy belonging to a thought-dead race, who intends to gather an army of animals all under her hypnotic control. When the cats' own mother, Agatha, becomes one of the latest kidnapped, that's when the Brothers Brave must team up with an enigmatic vixen named Charlotte and not only stop the [[BigBad]]'s plan, but save their mother...and finally come to terms with their strained relationship with each other..

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